Talk:Simon Boccanegra

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A totally innocent question[edit]

I'm not asking this archly or disapprovingly or anything, just ... I'm wondering why we now have translations of the arias' titles? almost-instinct 19:58, 22 March 2009 (UTC)[reply]

Well, as the editor who put them in this afternoon, it seems to make perfect sense to not only the Italian first line or so of the aria - and, in the context of a synopsis in ENGLISH, to include a brief ENGLISH translation of what is written in Italian.
More importantly, I think, this is SOP for the Wikipedia:WikiProject Opera guidelines. See section 11. Many opera articles now have them; with one exception, all Verdi operas do have them. Viva-Verdi (talk) 02:41, 23 March 2009 (UTC)[reply]
Thank you, esp. for the link :-) almost-instinct 09:40, 23 March 2009 (UTC)[reply]

Differences between versions[edit]

Should the article describe the differences between the first and revised versions? At least I would love to know! —Preceding unsigned comment added by 93.186.20.153 (talk) 23:20, 15 July 2010 (UTC)[reply]

There is certainly no reason why not. Sometimes, as with Macbeth (opera) differences are noted in the synopsis. If someone with a score of the early version or a recording of it could note the differences (one being the absence of the Act 1 finale Council Chamber scene), that would be useful. Viva-Verdi (talk) 23:50, 15 July 2010 (UTC)[reply]

I think you will find Jullian Budden's book gives a full acount of the differences between the two scoresDelahays (talk) 14:03, 17 January 2013 (UTC)[reply]

I don't have Budden handy just now - my copy is 400 miles away - , but IMSLP has an early vocal score of the 1857 version. From a quick look, and from memories of the Matheson recording, summarising the differences between the two versions is likely to take a lot of space - Verdi didn't just recompose the Act I finale creating the great Council scene, but made fairly significant alterations elsewhere, for instance the Prologue. It's not worth wasting time with the Phillips-Matz biography, which doesn't deal with texts. Why not an article for each version? You treat Stiffelio and Aroldo as different scores, but there is less musical difference between them than between the two Simon Boccanegras. Delahays (talk) 14:30, 17 January 2013 (UTC)[reply]

Singer images[edit]

Baritone Victor Maurel, who premiéred the role of Simon in the revision
Édouard de Reszke, the first Jacopo in the revision
Carlo Negrini, the first Gabriele in the 1857 original

These three images were used without attribution to which revision they premièred. They were also next to a role table, and on narrow monitors, form a column above the role table three images high. If they're to be used, please, please put them somewhere else, and be very clear to which revision they're firsts from. Adam Cuerden (talk) 07:54, 3 August 2015 (UTC)[reply]

External links modified[edit]

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Hello! This is a note to let the editors of this article know that File:Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration.jpg will be appearing as picture of the day on June 22, 2018. You can view and edit the POTD blurb at Template:POTD/2018-06-22. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. — Chris Woodrich (talk) 01:33, 6 June 2018 (UTC)[reply]

Simon Boccanegra libretto cover
The cover of the first edition libretto for the 1881 revision of Simon Boccanegra. This opera with a prologue and three acts was written by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on Antonio García Gutiérrez's play Simón Bocanegra (1843). First performed at Teatro La Fenice in Venice in 1857, it received a generally poor popular response and had dropped out of favour by 1866. Verdi prepared a revised edition more than a decade later, with text changes by Arrigo Boito. This version was first performed at La Scala in Milan in 1881, and remains the most frequently performed today.Illustration: Uncredited; restoration: Adam Cuerden