Works of Herbert Maryon

Add links
From Wikipedia, the free encyclopedia
This article is about the physical creations of Herbert Maryon. For his publications, see Herbert Maryon § Works by Maryon.

The works of Herbert Maryon (1874–1965) were made in a variety of mediums. They were intended to be decorative, functional, or commemorative, and were primarily made during the first four decades of the twentieth century, a span that marked the first half of Maryon's career. In addition to being a sculptor and a goldsmith, Maryon was also an archaeologist, conservator, author, and authority on ancient metalwork—he saw his career as an artist carry him through the Second World War; a second career as a conservator at the British Museum brought him note for his work on the finds from the Sutton Hoo ship-burial.[1][2][3][4]

Maryon designed, executed, and exhibited works while an art student, and as an art teacher.[4] In 1899, while still in school—an education that included studies at the Polytechnic (probably Regent Street), The Slade, Saint Martin's School of Art, and the Central School of Arts and Crafts[4]—Maryon used the Arts and Crafts Exhibition Society's event at the New Gallery to exhibit some of his earliest works: a shield of arms with silver cloisonné, and a silver cup that was designed by William Lethaby,[5] who taught Maryon at the Central School.[6] The following year Maryon became the first director of the Arts and Crafts-inspired Keswick School of Industrial Art, and until his departure in 1904 his work primarily consisted of designs and executions for the school.[4][7] Maryon's pieces for the school ranged from individual commissions to utilitarian tableware; particularly with more functional designs, multiple examples were sometimes executed.[8]

Maryon's career became more academic following his departure from Keswick.[4][9][10][11] During his time teaching sculpture and other forms of art, however—from 1907 until 1927 at the University of Reading, and from 1927 until 1939 at Durham University's Armstrong College—he continued taking commissions.[9][10][11] These included the designs for a statue,[12][13] memorial plaques,[14][15] and at least three war memorials:[16][17] including the University of Reading War Memorial, where Maryon worked.[18][19]

Works[edit]

The following is a substantially incomplete list of the works of Herbert Maryon.

Image Title/Description Date Dimensions Location Comments
Metal casket 1898 Displayed at the Camden School of Art, where it won a prize for works in wrought metal.[20] Maryon's sister Edith Maryon also won a prize, for a modelled head from life.[20]
Shield of arms with silver cloisonné 1899 Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[21]
Silver cup 1899 Designed by William Lethaby,[22] Maryon's teacher at the Central School of Arts and Crafts.[6] Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[22]
Knocker 1900 Executed by Jeremiah Richardson.[23][24][25] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[23][24]
Colour photograph of Herbert Maryon's sculpture Winged Victory Winged Victory c. 1900 Private collection Similar to works by Maryon's teacher Alexander Fisher.[26][27]
Black and white photograph of a copper casket Copper casket 1900 36.5 × 21.5 × 10 cm Designed by Maryon; executed by Thomas Spark; ornamented by Thomas Clark and Maryon.[23][24][25] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[23][24] Auctioned in 2005 by Penrith Farmers’ & Kidd's, with an estimate of £800 to £1,200.[28][29]
Colour photograph of a circular copper box with lid, depicting a tree in enamel, propped against the body Enamelled copper box 3.5 in diameter Private collection Sold on eBay twice, in 2008,[30] and in 2017.[31][32]
Bryony c. 1900–04 Tray centre, said by a historian of the Keswick School to be "suggestive of tangled growth," and to be influenced by the wallpapers of William Morris.[33]
Black and white photograph of a loving cup Loving cup 1901 Exhibited at the 1901 Home Arts and Industries Exhibition.[34]
Colour photograph of a bronze memorial tablet on an oak backing Memorial to Bernard Gilpin 1901 3 5/12 × 2 ft St Cuthbert's Church, Kentmere, Cumbria Bronze on oak.[35][36] Commissioned for £15, executed by Thomas Clark.[37][38]
Black and white photograph of a hot water jug Hot water jug 1902 17 cm high Private collection Executed by Robert Temple.[39] Exhibited at the 1902 Home Arts and Industries Exhibition.[40][39] Possibly the same jug pictured on page 71 of Ian Bruce's The Loving Eye and Skilful Hand.[41]
Hot water jug c. 1902 20 cm high Private collection Executed by Thomas Clark.[41]
Copper tea pot c. 1902 12 cm high Private collection [41]
Black and white photograph of a silver cup Silver cup c. 1902 Executed by Robert Temple.[42]
Black and white photograph of a morse Morse in silver and enamel c. 1902 Executed by Thomas Clark.[43]
Black and white photograph of six pieces of copper and pewter work Copper and pewter work c. 1902 Executed by Jeremiah Richardson, Thomas Clark, and Robert Temple.[43] The casket may be the 1900 design above.
Silver cream jug and sugar bowl 1902–03 6 cm high Private collection Executed by Robert Temple.[41]
Altar cross 1902 Hexham Abbey, Hexham, Northumberland Designed by Maryon; executed by Jeremiah Richardson.[44] Commissioned for Hexham Abbey in Hexham, and displayed at the 1902 Home Arts and Industries Exhibition.[44][45][46][47] Awarded two blue stars at the Exhibition,[44] signifying excellence in execution.[48]
Black and white photograph of a casket Oxidised silver casket 1902 Presented to Princess Louise upon her 1902 visit to the Keswick School.[49] Designed by Maryon; executed by Jeremiah Richardson, Robert Temple, and Thomas Clark; enamelled by Maryon's sister Mildred Maryon.[50]
Copper hot water jug 1903 18.5 cm high; 10 cm diameter (base) Manchester School of Art Arts and Crafts Museum Possibly executed by Thomas Clark, whose last name is inscribed on the base. Exhibited at the 1903 Home Arts and Industries Exhibition, and purchased by the Manchester School of Art for its Arts and Crafts Museum.[51][52]
Black and white photograph of the head of a processional cross Processional cross 1903 [53]
Fire-Irons and Stand 1904 Designed by Maryon; executed by Matthew Armstrong.[54] Displayed at the Leeds City Art Gallery for the 1904 Arts and Crafts Exhibition Society exhibition, where it was priced at £10 10s.[54]
Black and white photograph of a loving cup mounted on a pedestal Silver loving cup c. 1904 1.5 × 1 ft (without plinth) Commissioned by the Cumberland County Council for presentation to HMS Cumberland.[55][56][57] Presented by Albert Grey, 4th Earl Grey in August 1905.[58]
Black and white photograph of a processional cross Processional cross c. 1904 Executed by members of the Keswick School.[55][56] Featured in The Studio in December 1905.[55][56]
Black and white photograph of a silver challenge shield Silver challenge shield c. 1904 Executed by members of the Keswick School.[59][60] Featured in The Studio in December 1905.[59][60]
Victory 1906 Bronze Statuette.[61] Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £7 7s.[62] and in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[61] Both exhibitions also included other works by Maryon.[63][61][64]
The Mermaid 1906 Silver and pearl ring.[64] Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £5 5s.[63] Also displayed in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[61][64]
Silver chalice 1906 Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £5 5s.[65] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[66] Also displayed in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[61][64]
Silver cup: "St. George" 1906 Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £12 12s.[65] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[66]
Pewter tray 1906 Executed by Matthew Armstrong.[67] Displayed with three other items from the Keswick School at the 1906–07 New Zealand International Exhibition in Christchurch.[67]
Black and white photograph of a bowl Child's bowl with signs of the zodiac in repoussé 1910 Displayed at the Grafton Galleries for the 1910 Arts and Crafts Exhibition Society exhibition.[68][69]
Dawn 1910 Displayed at a 1910 exhibition of the Arts and Crafts Society in Carlisle.[70]
Colour photograph of the Duffield Memorial Duffield Memorial 1912 Church of St Mary, Great Baddow, Essex Bronze.[71][72][73]
Polonius 1912 Exhibited at the Reading Corporation Art Gallery in 1912.[74] Described by The Reading Observer as "a fine piece of modelling . . . which shows vigorous handling".[74]
Pan pipes 1914 Statuette. Exhibited at the Royal Academy of Arts in 1914.[75]
Colour photograph of the East Knoyle War Memorial East Knoyle War Memorial 1920 East Knoyle, Wiltshire Unveiled on 26 September 1920.[17][76]
Colour photograph of the Mortimer War Memorial Mortimer War Memorial 1921 Mortimer Common, Berkshire Unveiled on 9 October 1921.[16]
Black and white photograph of the Chorlton Road Congregational Church war memorial Chorlton Road Congregational Church war memorial 1923 Gilded bronze.[77] Erected in Chorlton Road Congregational Church (later Chorlton Road United Reformed Church; demolished c. 2010–14) in Manchester.[77] Displayed in The Builder in April 1923.[77]
Colour photograph of the University of Reading War Memorial University of Reading War Memorial 1924 University of Reading, Reading, Berkshire Unveiled in June 1924.[18][19]
An Invocation to Isis 1925 49.4 cm high; 12.3 cm wide (plinth) Laing Art Gallery Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £31 10s.[78] Purchased from Maryon by the Laing Art Gallery in 1929.[79] Exhibited at the Reading Museum & Town Hall from 5 June 1976 to 3 July 1976 as part of the exhibition Art and the University, from 1860, and at the Laing Art Gallery from 27 October 2018 to 3 March 2019 as part of the exhibition Exposed: The Naked Portrait.[80]
Colour photograph of a 1929 silver medal awarded by the Berkshire County Council Berkshire County Council medal c. 1927 Designed by Maryon.[81] Multiple copies executed. One medal awarded in 1928 to the winner of an egg-laying competing;[82] another awarded in 1929 to the winner of the Annual Farriery Competition, and auctioned by Noonans in 2012 for £45.[83]
Colour photograph of a 1926 silver medal awarded by the National Pig Breeders' Association National Pig Breeders' Association medal c. 1927 Designed by Maryon.[84] Multiple copies executed, one of which is held by the British Museum.[85]
University of Reading medal c. 1927 Designed by Maryon.[86] Multiple copies executed.
Merchant Adventurer 1927 Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £125.[87]
Shepherd 1927 Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[88]
Nymph 1927 Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[89]
Garden Figure 1927 Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £52 10s.[90]
Black and white photograph of students dancing around Statue of Industry after tarring it Statue of Industry 1929 Made for the 1929 North East Coast Exhibition, a world's fair held at Newcastle upon Tyne.[12][13] Tarred and feathered on the night of 25 October 1929 by several hundred students from Armstrong College.[12][13]
Colour photograph of a bronze memorial tablet Memorial to George Stephenson 1929 George Stephenson's Birthplace, Wylam, Northumberland Unveiled 8 June 1929.[14][91][92][93][94] A replica of the memorial was cast at the works of Sir Archibald Ross,[95] and unveiled in the headquarters of the Institution of Mechanical Engineers on 20 February 1931.[91]
Memorial to Charles Parsons 1932 Discovery Museum, Newcastle upon Tyne Bronze tablet, cast at the Thames Ditton Foundry, mounted on green marble from Connemara.[96] Unveiled on 2 December 1932 at C. A. Parsons and Company.[97][15][98] Sometime after 2003 the building was demolished and the plaque was donated to the Discovery Museum, where as of 2016 there were plans to place it on display.[98]
Memorial to Henry Ayrton Chaplin St Michael's church, Woodham Walter, Essex [99]

References[edit]

  1. ^ Easby, Dudley T. Jr. (July 1966). "Necrology". American Journal of Archaeology. 70 (3). Archaeological Institute of America: 287. doi:10.1086/AJS501899. JSTOR 501899.
  2. ^ "Maryon, Herbert". Who Was Who. Oxford University Press. April 2014. Archived from the original on 20 February 2023. Retrieved 13 September 2016.
  3. ^ Bruce-Mitford, Rupert (23 July 1965). "Mr. Herbert Maryon". Obituary. The Times. No. 56381. London. p. 14. Archived from the original on 20 February 2023. Retrieved 25 December 2018.
  4. ^ a b c d e "Herbert James Maryon". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 27 December 2021. Retrieved 13 September 2016. Free access icon
  5. ^ Arts & Crafts Exhibition Catalogue 1899, pp. 49, 91.
  6. ^ a b "Art School Notes: Reading". The International Studio. XXXIV (136). New York: John Lane Co.: 342 June 1908. Archived from the original on 23 September 2023. Retrieved 16 December 2018. Open access icon
  7. ^ Bruce 2001, pp. 54–76, 95, 137.
  8. ^ Bruce 2001, pp. 59, 61–62, 65–66, 68–71, 74–77.
  9. ^ a b The Institution of Mechanical Engineers (1918). "Herbert James Maryon, in To be considered by the Applications Committee on Wednesday, 24th April, and by the Council on Friday, 3rd May 1918.". Proposals for Membership, Etc. London. pp. 337–339. Archived from the original on 27 January 2021. Retrieved 23 October 2016 – via Ancestry.com.{{cite book}}: CS1 maint: location missing publisher (link)
  10. ^ a b "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (1). The International Institute for Conservation of Historic and Artistic Works. February 1960. JSTOR 1505065.
  11. ^ a b "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (2). The International Institute for Conservation of Historic and Artistic Works. May 1960. JSTOR 1504958.
  12. ^ a b c "Statue Tarred and Feathered: Outrage in Full View of Crowds". The Manchester Guardian. No. 25, 945. Manchester. 26 October 1929. p. 13. Archived from the original on 20 February 2023. Retrieved 25 December 2018. Free access icon
  13. ^ a b c "Tarred Statue of Industry: Sculptor's Defence of his Work". The Manchester Guardian. No. 25, 947. Manchester. 29 October 1929. p. 3. Archived from the original on 20 February 2023. Retrieved 25 December 2018. Free access icon
  14. ^ a b ""Rocket" Centenary: Tablet on George Stephenson's House". Lake Wakatip Mail. No. 3, 909. Queenstown, New Zealand. 6 August 1929. p. 7. Archived from the original on 12 October 2018. Retrieved 24 December 2018. Free access icon
  15. ^ a b "Sir Charles Parsons: Memorial Unveiled at Wallsend". Home News. The Times. No. 46308. London. 5 December 1932. pp. 9, 16. Archived from the original on 20 February 2023. Retrieved 25 November 2016.
  16. ^ a b "Mortimer War Memorial". War Memorials Register. Imperial War Museums. Archived from the original on 9 October 2018. Retrieved 19 February 2023. Free access icon
  17. ^ a b "East Knoyle War Memorial". The Western Gazette. No. 9557. Yeovil. 1 October 1920. p. 8. Archived from the original on 18 October 2023. Retrieved 22 February 2023.
  18. ^ a b "Reading University". War Memorials Register. Imperial War Museums. Archived from the original on 9 October 2018. Retrieved 9 October 2018. Free access icon
  19. ^ a b Historic England. "University of Reading War Memorial (1113620)". National Heritage List for England. Retrieved 11 October 2018.
  20. ^ a b "Camden School of Art". The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Retrieved 20 February 2023. Closed access icon
  21. ^ Arts & Crafts Exhibition Catalogue 1899, p. 49.
  22. ^ a b Arts & Crafts Exhibition Catalogue 1899, p. 91.
  23. ^ a b c d Wood 1900a, p. 85.
  24. ^ a b c d Wood 1900b, p. 85.
  25. ^ a b Bruce 2001, pp. 55–57.
  26. ^ Baldry 1900, p. 4.
  27. ^ "Alexander Fisher a bronze sculpture "Israfel"". Paul Reeves. Archived from the original on 28 September 2020. Retrieved 10 January 2020. Free access icon
  28. ^ "Eden and Keswick Links to Antiques and Collectibles". Cumberland & Westmorland Herald. 25 June 2005. Archived from the original on 12 February 2020. Retrieved 18 October 2018. Free access icon
  29. ^ "A Fine and Extremely Rare Late Victorian Signed and Documented Keswick School of Industrial Arts (KSIA) Enamelled Copper Casket". The Salesroom. 29 June 2005. Archived from the original on 19 October 2018. Retrieved 18 October 2018. Free access icon
  30. ^ "Arts & Crafts Copper/Enamel Trinket Box c. 1910". WorthPoint. 3 August 2008. Retrieved 27 December 2018. Free access icon
  31. ^ Delucca, David (8 September 2017). "Herbert James Maryon Hammered Copper & Enamel Oak Tree Box c1900". California Historical Design. Archived from the original on 27 December 2018. Retrieved 27 December 2018. Free access icon
  32. ^ "Herbert J. Maryon Hammered Copper & Enamel Oak Tree Box Lot 109". WorthPoint. 4 December 2017. Archived from the original on 27 December 2018. Retrieved 27 December 2018. Free access icon
  33. ^ Bruce 2001, pp. 65, 69.
  34. ^ Gregory 1901, p. 139.
  35. ^ Northern Counties Magazine 1901, p. 55.
  36. ^ Bruce 2001, pp. 65, 70.
  37. ^ Northern Counties Magazine 1901, pp. 54–55.
  38. ^ Pevsner 1967, p. 259.
  39. ^ a b Bruce 2001, pp. 66, 71.
  40. ^ Wood 1902, pp. 131–132.
  41. ^ a b c d Bruce 2001, p. 71.
  42. ^ The International Studio 1903, p. 211.
  43. ^ a b The International Studio 1903, p. 212.
  44. ^ a b c "Keswick School of Industrial Arts". Local News. The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 305. 7 June 1902. p. 4.
  45. ^ Bruce 2001, pp. 59, 61–62, 74.
  46. ^ "High Altar Cross". Hexham Abbey Heritage. Archived from the original on 30 January 2020. Retrieved 29 January 2020. Free access icon
  47. ^ "The Gift of a Cross to Hexham Abbey". The Newcastle Daily Journal. Vol. CXIII, no. 14, 405. Newcastle-upon-Tyne. 5 April 1902. p. 8. Closed access icon
  48. ^ "Keswick School of Industrial Arts". The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 304. 31 May 1902. p. 4.
  49. ^ Bruce 2001, pp. 71, 74–75.
  50. ^ The Magazine of Art 1903, pp. 155–156.
  51. ^ Bruce 2001, pp. 61, 67.
  52. ^ "MANMU : 1896.5 - hot water jug and cover". Special Collections Museum Catalogue. Manchester Metropolitan University. Retrieved 26 April 2024. Free access icon
  53. ^ The Art Workers' Quarterly 1903, p. 25.
  54. ^ a b "Fire-Irons and Stand". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 17 February 2020. Free access icon
  55. ^ a b c The Studio 1905, p. 263.
  56. ^ a b c International Studio 1906, p. 263.
  57. ^ Bruce 2001, pp. 74, 76–77.
  58. ^ Curtis 1907, pp. 25–26.
  59. ^ a b The Studio 1905, pp. 263–264.
  60. ^ a b International Studio 1906, pp. 263–264.
  61. ^ a b c d e "Arts and Crafts at Coniston". The Stockton & Thornaby Herald. No. 2, 663. Stockton-on-Tees. 27 June 1907. p. 4. Retrieved 19 February 2023. Closed access icon
  62. ^ "Victory". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 21 June 2019. Retrieved 17 February 2020. Free access icon
  63. ^ a b "Mermaid Ring". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020. Free access icon
  64. ^ a b c d "Successful Exhibition at Coniston". The Lakes Herald. No. 1, 407. Ambleside, Cumbria. 26 July 1907. p. 5. Retrieved 20 February 2023. Closed access icon
  65. ^ a b Arts & Crafts Exhibition Catalogue 1906, p. 110.
  66. ^ a b Arts & Crafts Exhibition Catalogue 1906, p. 68.
  67. ^ a b New Zealand International Exhibition Catalogue 1906, p. 86.
  68. ^ "Maryon, Herbert". "The Studio" Year Book of Decorative Art. London: The Studio. 1909. p. 148. Archived from the original on 18 October 2023. Retrieved 28 July 2019.
  69. ^ Arts & Crafts Exhibition Catalogue 1910, p. 83.
  70. ^ "Local Exhibits at Carlisle". The English Lakes Visitor and Keswick Guardian. Vol. XXXIV, no. 1, 724. Keswick, Cumbria. 18 June 1910. p. 5. Retrieved 19 February 2023. Closed access icon
  71. ^ "The Late Mr. and Mrs. W. W. Duffield". District News: Chelmsford. The Essex County Chronicle. No. 7, 727. Chelmsford. 25 October 1912. p. 8. Archived from the original on 23 September 2023. Retrieved 16 February 2023. Free access icon
  72. ^ "The Late Mr. and Mrs. W. W. Duffield". Chelmsford. The Essex Newsman. No. 2, 233. Chelmsford. 26 October 1912. p. 4. Retrieved 20 February 2023. Closed access icon
  73. ^ Historic England. "Duffield Memorial (1481229)". National Heritage List for England. Retrieved 16 February 2023. Free access icon
  74. ^ a b "Corporation Art Gallery: Exhibition of Modern Paintings, Water Colours, and Black and White Drawings". The Reading Observer. Vol. XXXIV, no. 3, 491. Reading, Berkshire. 27 January 1912. p. 3. Retrieved 19 February 2023. Closed access icon
  75. ^ Royal Academy of Arts 1914, p. 64.
  76. ^ Historic England. "East Knoyle War Memorial (1438366)". National Heritage List for England. Retrieved 11 October 2018. Free access icon
  77. ^ a b c "War Memorial in Gilded Bronze, Erected in Chorlton Road Congregational Church, Manchester". The Builder. CXXIV (4185): 664. 20 April 1923. Archived from the original on 27 January 2021. Retrieved 16 March 2020. Open access icon
  78. ^ "An Invocation to Isis". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 6 June 2020. Retrieved 17 February 2020. Free access icon
  79. ^ "An Invocatiom to Isis". Art UK. Retrieved 23 April 2024. Free access icon
  80. ^ "An Invocatiom to Isis". Tyne & Wear Archives & Museums. Retrieved 25 April 2024. Free access icon
  81. ^ "Medal - Berkshire County Council". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 2 February 2019. Retrieved 1 February 2019. Free access icon
  82. ^ "1928–29 UK Berkshire County Council Egg Laying Competition Medal". OmniCoin. 15 May 2013. Archived from the original on 22 February 2023. Retrieved 9 January 2020. Free access icon
  83. ^ "British Medals from the Collection of James Spencer, Lot 96". Dix Noonan Webb. 30 May 2012. Archived from the original on 18 October 2023. Retrieved 9 January 2020. Free access icon
  84. ^ "Medal - National Pig Breeders' Association". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 2 February 2019. Retrieved 1 February 2019. Free access icon
  85. ^ "medal (2014,4001.22)". British Museum. Archived from the original on 21 January 2023. Retrieved 21 January 2023.
  86. ^ "Medal - University of Reading". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 2 February 2019. Retrieved 1 February 2019. Free access icon
  87. ^ "Merchant Adventurer". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020. Free access icon
  88. ^ "Shepherd". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020. Free access icon
  89. ^ "Nymph". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 8 June 2020. Retrieved 17 February 2020. Free access icon
  90. ^ "Garden Figure". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 17 February 2020. Free access icon
  91. ^ a b Institution of Mechanical Engineers 1931, pp. 249–250.
  92. ^ "George Stephenson Memorial at Wylan". The Locomotive Magazine and Railway Carriage and Wagon Review. XXXV (442): 202. 15 June 1929. Archived from the original on 21 February 2020. Retrieved 18 February 2020. Free access icon
  93. ^ "George Stephenson's Birthplace". The Locomotive Magazine and Railway Carriage and Wagon Review. XXXV (443): 235. 15 July 1929. Archived from the original on 21 February 2020. Retrieved 18 February 2020. Free access icon
  94. ^ "Stephenson's Birthplace: Tablet Unveiled at Humble Cottage". The Sunday Sun. No. 515. Newcastle upon Tyne. 9 June 1929. p. 9. Archived from the original on 18 October 2023. Retrieved 23 May 2023. Free access icon
  95. ^ "George Stephenson Memorial". The Telegraph. No. 18, 205. Brisbane. 13 April 1931. p. 9. Archived from the original on 17 February 2020. Retrieved 17 February 2020. Free access icon
  96. ^ "Late Sir Charles Parsons: Memorial Unveiled". The Telegraph. Brisbane. 28 January 1933. p. 14. Archived from the original on 17 February 2020. Retrieved 17 February 2020. Free access icon
  97. ^ "Inventor of Turbine: Memorial to Sir Charles Parsons Unveiled". The Gazette. No. 51. Montreal. 1 March 1933. p. CLXII. Archived from the original on 18 October 2023. Retrieved 24 December 2018. Free access icon
  98. ^ a b "Sir Charles Parsons Memorial Plaque". Friends of Discovery Museum. 30 October 2016. Archived from the original on 15 June 2019. Retrieved 11 October 2018.
  99. ^ Knott, Simon (12 April 2017). "Take up the White Man's Burden - Henry Chaplin Memorial by Herbert Maryon". Flickr. Archived from the original on 18 October 2023. Retrieved 15 October 2018. Free access icon

Bibliography[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Works_of_Herbert_Maryon&oldid=1220832993"