Wikipedia:Articles for deletion/C.A.D.R.E.

The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was DELETE. -Splash - tk 23:15, 5 November 2012 (UTC)

C.A.D.R.E.

C.A.D.R.E. (edit | talk | history | protect | delete | links | watch | logs | views) – (View log · Stats)

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Appears to be a non-notable musical instrument; hits on Google News archives and Google Books for "cadre" "cyrille brissot" (Brissot is the inventor) amount to mere brief mentions. Seems to fail the general notability guideline. I may have missed something in my searches, but I highly doubt that searching for "cadre" is going to get anyone anywhere, as it's a fairly common English word. CtP (t • c) 20:48, 15 October 2012 (UTC)

Note: This debate has been included in the list of Music-related deletion discussions. • Gene93k (talk) 02:43, 18 October 2012 (UTC)

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Relisted to generate a more thorough discussion so a clearer consensus may be reached.

Please add new comments below this notice. Thanks, Mark Arsten (talk) 19:20, 22 October 2012 (UTC)

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• Delete. Lacks coverage in independent reliable sources. No indication of why it might be notable. duffbeerforme (talk) 11:41, 23 October 2012 (UTC)

C.A.D.R.E. is part of the instrumentarium that has revolutionized the way we play computer music. Before the research of Professor Brissot and some of his colleagues of the IRCAM, Computer Music not thought that delayed. The introduction of real-time and can be played as a classical instrument, contributes daily to incorporate musical way the digital revolution. Or some musical instrument, either the saxophone or the Martenot Waves waited for decades and have a large catalog of works to their credit before any references.

Indeed, it is difficult to find many references, but precisely because it is new technology. But the interest is obvious, therefore, project Professor Brissot received many awards from the musical world. C.A.D.R.E. is only part of all the work done by Brissot, but I honestly think this would be a mistake to delete this type of article that will make any sense when more ambitious articles will be write (Article on the Music 2.0 on the career of the great professors such as Miller Puckette, David Zicarelli, Cyrille Brissot will appear in wikipedia, it is only a matter of time). See Brissot research on the iPad, the Wii. We spent Concert laptop requiring intervention VJ in real concert of virtuoso musicians, such as exists for other musical instruments.

Nevertheless, I will expand the article by including links with many academic theses which cites the work of Professor Brissot.

I fully understand that quality of wikipedia is related to the articles proposed filtering required, however, is a journalist specializing in the areas of new technologies, I can assure you that part C.A.D.R.E. instruments that have begun to revolutionize the music.

Here some awards example:

Brissot's Awards and recognition ▪ 2002: Award Video-Art Festival Paris-Berlin (Idiosyncrosy / Pleasure (Video-Art Project with Seungyon-Seny Lee) ▪ 2004: French Music Award Best Electronic Music/Groove/Dance album of the year for Émilie Simon. (Electro-Pop - Emilie Simon Project) ▪ 2006: French Music Award Best Original Film or Television soundtrack of the year for La Marche de l'Empereur (soundtrack). (Electro-Pop - Emilie Simon Project) ▪ 2007: French Music Award Best Electronic/groove/dance album of the year for Végétal. (Electro-Pop - Emilie Simon Project) ▪ 2008: Research Award Villa Medicis in India for Baratha.Data (Motion Capture Research for Dance and Music combination) ▪ 2009: Prix de la Creation Numérique 2009 - Bains Numeriques Festival for Mayakkam-Oxymore (Real-Time Light-Painting Dance show) ▪ 2010: Preço de Criação Digital 2010 - Modern Art Museum Festival - (Museu de Arte Moderna) Salvadar Bahia for exhibition Em/Entre ser há/e um outro (Real-Time Light-Painting Dance show) ▪ 2011: Grands Prix Sacem - Best Electronic Music (Electro-Pop - Emilie Simon Project)

And all his collaboration with international Artists: (Marina Abramovic, Carlinhos Brown, Nicolas Frize, Marko93, Emilie Simon, Valecia Ribeiro, Peggy Preheim, Mika Mutti, Avril, O-Rudo, Seungyon-Seny Lee, Cyril Hernandez, Jean-François Laporte, Ben Vedren, Valeria Apicella ...) and thus result to hybrid works or two worlds confront and enrich themselves. Thus are born the works Poussières d'étoiles - Stardust (Cité des Sciences, Paris, 2001), Works and Paper Inc.. (Los Angeles, 2002), Ganga (Bezons, 2002), Speaking with wind (2006), Aqua (GRM electronic Presences, 2007), Movie concert (Seoul, 2007) AquaVox (Festival de l'Oh, Paris, 2007), BarathaData (Chennai, 2008), ShowLight (Grand Palais - Paris, 2007), Concert ES / PCL (Salle Pleyel - Paris, 2007), Mayakkam-Oxymore (Paris, Enghien-les-bains, Mumbai, Bangalore, Chennai, Hyderabad , 2009), VoxStrumental (Cité des Sciences - Paris, 2010), Metropolis (Fritz Lang / C2 - Digital Art Festival - Taipe, 2010), Entre/Em um ser e/ha um outro (Museum of Modern Art - Salvador 2010), Effervescence (Uberlandia, 2010), Electro-Axe (Carnaval Salvador, 2011), Saudade/Sol (Rio, 2012), GlobalOpus (Salvador, 2012).

Here some example of Brissot's research and his software development:

Brissot's R&D work As a researcher at IRCAM and at Centre Pompidou, Brissot develops various software and audio plugins. He is the author of, among others, TheArchitect, MoteurA, TheSatelites, LiveCompagnons, 1-Pro-Vis, Octogone ... and participated in the development of many innovative products: EtherSense, WiseBox, eo-Body, Persephone, Lemur, Karlax ... etc. In 2004, mandated by the french National Education, he developed MusiqueLab-Audio, software that incorporates the technologies advanced for his previous software MoteurA, but with an educational orientation. In 2010, accompanied by Jean Lochard (aka JeanJean), he developed a collection of plugins (Max4Live) IrcaMax, due to a collaboration between IRCAM and Ableton, to propose some ircam-technologies available to users of Ableton Live.

About real-time video software and his huge work. Thus he developed the software Ecran specializes in "array processing" of video and VJJV, VJing software that interacts with the music.Various project with the iconic graffiti Marko93 led him to develop new techniques of Light-Painting, which are employed in software ComeIntoMyLight and Light-Flux.

I really think it would be a mistake to delete the article on C.A.D.R.E. even if it is a minor work compared to 30-year career of Professor Brissot. For example, I think B.R.A.H.A.S is even more important than C.A.D.R.E. .

This article has all its meaning from a larger article will be made on the work of Brissot in general.

References

Back to the deletion discussion

• DELETE this as a desperate example of the purest WP:SPAM, lacking in adequate WP:RS. Qworty (talk) 23:54, 28 October 2012 (UTC)

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Relisted to generate a more thorough discussion so a clearer consensus may be reached.

Please add new comments below this notice. Thanks, SarahStierch (talk) 05:17, 29 October 2012 (UTC)

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• I've read thru that wall of text above. (Wikipedia:Too long; didn't read, short to the point is better). Was a struggle. My understanding, It's a minor work from a redlinked artist, less important than a redlinked instrument. The rest is not about CADRE but about it's inventor. the wall fails to raise any argument that suggest any independent notability for this instrument. duffbeerforme (talk) 13:50, 31 October 2012 (UTC)
• As the nominator, I concur with Duffbeerforme with regards to the above wall of text. We are presented with ample puffery about Brissot, but delivered no compelling argument that the C.A.D.R.E. meets Wikipedia's notability standards. CtP (t • c) 20:41, 31 October 2012 (UTC)

The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.