User:Lilykatscott/Culture of Zimbabwe

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Mbira Music[edit]

In many cultures, music has the uncanny ability to bring people closer together. For Zimbabwe's Shona community it is what links them to their culture and individual identity. [1] Their way of life was under threat when a large colonialism movement swept through Zimbabwe. This movement forced the Shona people to leave their sacred ancestral lands, the heart of their culture. However, they fought to keep their traditions and ancestors with them through musical representation. Music has the power to influence how people behave. It can evoke certain moods, feelings, and states of mind in people. It is a universal language that can connect people to their past and spread messages.[2]

The Mbira is an instrument traditional to the Shona people of Zimbabwe. Classified by musicologists as a lamellaphone, part of the plucked idiophone family, it is created from things found in nature such as a wooden board (often fitted with a resonator) and tines. Often accompanied by the hosho, a percussion instrument, the mbira is often an important instrument that people play at religious ceremonies, weddings, and other social gatherings.

The Mbira is is extremely unique, but it defies description. The sound made by this instrument closely imitates the noises made by rain or running water with rich and vibrant tones "like bells". The sound has a special presence; one that feel the music as much as one hears it.[3] Penetrating and warming at the same time, immediately capturing the involvement of the listeners and drawing them into its mood. The pieces of music played vary by the artist but there is no specific way to play this instrument. The music performed is all about elaboration and variation supporting creative expression of the performer.

The instrument is a central piece in their religious rituals. The most important function of mbira is the idea of it being a "telephone to the spirits" during ceremonies. It is the sole way of communication between the living and deceased ancestors, ancient tribal guardians, or guardian spirits. The mbira is required to ask these spirits to bring rain during drought, stop rain during floods, and bring clouds when crops are damaged by the sun.[4] These instruments were made from resources from the land which connected them further connects the indigenous people to their land and this deep connection has helped communities in Zimbabwe to continue their tradition of mbira music despite the development of colonialism.

  1. ^ Hancock-Barnett, Coralie (2012-02). "Colonial resettlement and cultural resistance: the mbira music of Zimbabwe". Social & Cultural Geography. 13 (1): 11–27. doi:10.1080/14649365.2011.635799. ISSN 1464-9365. {{cite journal}}: Check date values in: |date= (help)
  2. ^ Sounds of life : music, identity and politics in Zimbabwe. Mangena, Fainos., Chitando, Ezra., Muwati, Itai. Newcastle upon Tyne, UK: Cambridge Scholars Publishing. 2016. ISBN 1-4438-8856-7. OCLC 938788274.{{cite book}}: CS1 maint: others (link)
  3. ^ Berliner, Paul. The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe. University of Chicago Press. pp. 52–64. ISBN 978-0-226-04379-1.
  4. ^ Brown, Ernest D. [www.jstor.org/stable/43561389 "The Guitar and the 'Mbira': Resilience, Assimilation, and Pan-Africanism in Zimbabwean Music"]. The World of Music. 36 (2): 73–117. {{cite journal}}: Check |url= value (help)