User:Dgljr5121973/Bach
List of Compositions by Johann Sebastian Bach in Chronological Order[edit]
The table below gives the following information (where applicable):
- BWV — numbering as given in Wolfgang Schmeider, Thematisch‐Systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach (Leipzig, 1950; revised 1990, 1998).
- BC — numbering as given in H.-J. Schulze and C. Wolff, Bach Compendium (Leipzig/Frankfurt, 1985-).
- VBN -- numbering as given in Kirsten Beißwenger, "Johann Sebastian Bachs Notenbibliothek". Catalogus Musicus XIII (Kassel: Bärenreiter, 1992).
- Title — as used on IMSLP.
- Key — the principal key of the work.
- Date — the year(s) of composition or arrangement, where known.
- Scoring — the instrumentation used.
- Genre — as used by IMSLP's categorization system.
- Notes — concerning related works, completeness, authorship, etc.
There are over 1000 known compositions by Johann Sebastian Bach, which are listed here in the order of their numbers in the most recent BWV catalogue, including the spurious works in the BWV Anhang ("Appendix").
Abbreviations:
- BWV — numbering as given in Wolfgang Schmieder, Thematisch‐systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach (Leipzig: Breitkopf und Härtel, 1950; revised 1990, 1998)
- Anh. -- Anhang (Appendix)
- BC — numbering as given in Christoph Wolff and Hans-Joachim Schulze, Bach-Compendium (Leipzig/Frankfurt am Main: Edition Peters, 1985-)
- VBN -- Numbering in Kirsten Beißwenger, "Johann Sebastian Bachs Notenbibliothek" Catalogus Musicus XIII (Kassel: Bärenreiter, 1992)
- BGA -- Bach Gesellschaft Ausgabe (Old Bach Society Edition)
- NBA -- Neue Bach-Ausgabe (New Bach Edition)
- JLB -- Numbering in Catalogue of Works by Johann Ludwig Bach
- F -- Numbering in Martin Falck, Wilhelm Friedemann Bach: Sein Leben und seine Werke, mit thematischem Verzeichnis seiner Kompositionen und zwei Bildern (Leipzig: C. F. Kahnt, 1919)
- NV 1790 -- Numbering in Verzeichniss des musikalischen Nachlasses des verstorbenen Capellmeisters Carl Philipp Emanuel Bach, Hamburg, 1790 (annotated facs. ed. Rachel W. Wade as The Catalogue of Carl Philipp Emanuel's Estate; New York: Garland, 1981)
- Wq -- Numbering in Alfred Wotquenne, Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach, 1714-1788 (Leipzig: Breitkopf und Härtel, 1905)
- H -- Numbering in E. Eugene Helm, Thematic-systematic Catalogue of the musical Works of Carl Philipp Emanuel Bach (New Haven, CT: Yale University Press, 1989)
- BuxWV -- numbering as given in Georg Karstädt, Thematisch-systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude (Wiesbaden: Breitkopf und Härtel, 1974)
- HWV -- Numbering in Bernd Baselt, Verzeichnis der Werke Georg Friedrich Händel (Halle (Saale): Eisen and Eisen, 1978-1986)
- Op. -- Opus number
- P -- Numbering in Jean M. Perreault, The Thematic Catalogue of the Musical Works of Johann Pachelbel (Lanham, MD: Scarecrow Press, 2004)
- T -- Numbering in Hideo Tsukamoto, Archive of Johann Pachelbel's Works 2002. http://pachelbel.net/works/index.html
- WPC -- Numbering in Kathryn J. Welter, Johann Pachelbel: Organist, Teacher, Composer: A critical reexamination of his life, works, and historical significance dissertation (Cambridge, MA: Harvard University, 1998)
- POP -- Numbering in Antoine Bouchard, liner notes to Pachelbel: The Complete Organ Works (11-CD compilation, Dorian 1998-2001)
- A -- Denkmäler der Tonkunst in Bayern, vol. 6B. Edited by Max Seiffert. Reprint: Organ Works, pt. 2. Dover
- O -- Ausgewählte Orgelwerke, Vol. 2. Bärenreiter 239. Edited by Karl Matthaei. ISBN 979-0-006-40088-1 Parameter error in {{ISBN}}: invalid group id. Reprint: Kalmus K 03761
- TWV -- Numbering in Martin Ruhnke, Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke (Kassel: Bärenreiter, 1982-), also including numbering in Werner Menke, Thematisches Verzeichnis der Vokalwerke von Georg Philipp Telemann (Frankfurt am Main: Klosterman, 1982-1983)
- RV (Ryom-Verzeichnis -- Numbering in Peter Ryom, Répertoire des oeuvres d'Antonio Vivaldi (Wiesbaden: Breitkopf und Härtel, 2007)
Works for Voice (BWV 1-524, 1081-1084, 1088-1089, 1127, Anh., deest)[edit]
| BWV | BC | VBN | Other Catalogue | Title | Librettist | Date | Event | Venue | Key | Genre | Instrumentation | Modern Editions | Notes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 4 | A54a (Version 1708) | -- | -- | Christ lag in Todes Banden, BWV 4 | Martin Luther | 24 April 1707 | Probespiel am 1. Ostertag in Mühlhausen für das Organistenamt an Divi Blasii (1st Day of Easter (Easter Sunday) and Test piece for position of Organist at the Church of St. Blaise, Mühlhausen) | Divi-Blasii-Kirche, Mühlhausen | E minor | Sacred Cantatas | Soli: Soprano Alto Tenor Bass (voice type), Coro: S A T B, Violino I/II, Viola I/II, Basso Continuo | Full Score: BGA I/4, NBA I/9: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag, Editions Eulenburg, Sammelband IBA Nr.16; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Probably with other final movement (missing) as like 1725, possibly repeat of Movement 2 (music) with text verse VII as an final movement; without Brass instruments; Recorded |
| 150 | B24 | -- | -- | Nach dir, Herr, verlanget mich, BWV 150 | Unknown librettist | July 1707-July 1708 | Bußgottesdienst (Confession Service) | Mühlhausen | B minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Fagotto (Bassoon), Violino I/II, Continuo | Full Score: BGA XXX/10, NBA I/41: 1; TP: Editions Eulenburg, Sammelband IBA Nr.16 | Theme from Movement VI reused by Johannes Brahms as theme of Chaconne in Movement IV of Symphony No. 4 (Brahms); Recorded |
| 106 | B18 | -- | -- | Gottes Zeit ist die allerbeste Zeit, BWV 106 ("Actus tragicus) | Unknown librettist | 14 August 1707 | Trauerfeier für Tobias Lämmerhirt (Onkel Bachs) (Funeral Service for Tobias Lämmerhirt (Bach's Uncle)) | Erfurt | E♭ mjor | Sacred Cantatas | Soli: A T B, Coro: S A T B, Flauto I/II, Viola da gamba I/II, Continuo | Full Score: BGA XXIII/6 (E♭ major/F major), NBA I/34: 1 (F major), Carus-Verlag (F major); TP: Bärenreiter (F major), Carus-Verlag (F major), Editions Eulenburg (E♭ major); Klavierauszug: Breitkopf und Härtel (E♭ major/F major), Carus-Verlag (F major) | Recorders in F major, all other instruments in E♭ major; Recorded |
| 524 | H1 | -- | -- | Was seind das vor große Schlösser (Quodlibet, BWV 524) | Unknown librettist | latest July 1708 (possibly 17 October 1707) | Trauungen (Wedding Ceremony) | Quodlibets | Soli: Soprano, Alto, Tenor, Bass, Basso Continuo | Full Score: NBA I/28.2: 1, Carus-Verlag; TP: Carus-Verlag, Editions Eulenburg; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded | ||
| 131 | B25 | -- | -- | Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 | Unknown librettist, possibly Georg Christian Eilmar | ca. 1707/1708 | Bußgottesdienst? (Confession service?) | Mülhäusen Hauptkirche Beatae Maria Virginis (Marienkirche, Mülhäusen) | G minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe, Fagotto, Violino, Viola I/II, Continuo | Full Score: BGA XXVIII/1, NBA I/34: 3; TP: Editions Eulenburg, Sammelband IBA Nr. 16 = NBG | Recorded |
| 71 | B1 | -- | -- | Gott ist mein König, BWV 71 | Unknown librettist | 4 February 1708 | Ratswahl (Change of Town Council) | Mülhäusen Hauptkirche Beatae Maria Virginis | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba (Trumpet) I-III, Tamburi (Timpani), Flauto (Recorder) I/II, Oboe I/II, Fagotto, Violino I/II, Viola, Violoncello, Violone, Organo | Full Score: BGA XVIII/1, NBA I/32.1: 1 and Anhang, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 71 | B1 | -- | -- | Gott ist mein König, BWV 71 | Unknown librettist | 11 February 1708 | Ratswahl (Change of Town Council) | Divi-Blasii-Kirche Mülhäusen (St. Blaise's Church, Mülhäusen) | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto I/II, Oboe I/II, Fagotto, Violino I/II, Viola, Violoncello, Violone, Organo | Full Score: BGA XVIII/1, NBA I/32.1: 1 and Anhang, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 4 | A54a (Version 1708) | -- | -- | Christ lag in Todes Banden, BWV 4 | Martin Luther | 8 April 1708 | 1. Ostertag (1st Day of Easter (Easter Sunday)) | Divi-Blasii-Kirche, Mühlhausen | E minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Violino I/II, Viola I/II, Continuo | Full Score: BGA I/4, NBA I/9: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag, Editions Eulenburg, Sammelband IBA Nr.16; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Probably with other final movement (missing) as like 1725, possibly repeat of Movement 2 (music) with text verse VII as an final movement; without Brass instruments; Recorded |
| 196 | B11 | -- | -- | Der Herr denket an uns, BWV 196 | Unknown librettist | 5 June 1708 | Trauung von Johann Lorenz Stauber und Regina Edemann (Tante von Maria Barbara Bach) (Wedding of Johann Lorenz Stauber and Regina Edemann (Aunt of Maria Barbara Bach)) | Arnstadt | C major | Sacred Cantatas | Soli: S T B, Coro: S A T B, Violino I/II, Viola, Violone, Violone, Continuo | Full Score: BGA XIII.1/2, NBA I/33: 1, Carus-Verlag; Klavierauszug: Breitkopf und Härtel | Recorded |
| 233a | E7 | -- | -- | Kyrie in F major, BWV 233a | Unknown librettist | 1708-1717 | Unknown | F mjor | Masses and Mass movements (Kyries) | Coro: S I/II A T B, Continuo | Full Score: BGA XLI/7, NBA II/2: 5, Carus-Verlag | Recorded | |
| Anh. 192/Anh. I 4 | -- | -- | -- | Zweiter Mühlhausener Ratswechselkantate | Unknown librettist | 4 February 1709 | Ratswahl (Change of Town Council) | Mülhäusener Hauptkirche Beatae Mariae Virginis | -- | Sacred Cantatas | -- | -- | Music and Text lost |
| deest | B2 | -- | -- | Carmen Gratulat(orium) | Unknown librettist | 7 February 1709 | Ratswahl (Change of Town Council) | Unknown | Sacred Cantatas | -- | -- | Music and Text lost; like BWV 71 | |
| Anh. 194/Anh. I 4 | -- | -- | -- | Zweiter Mühlhausener Ratswechselkantate | Unknown librettist | 10 February 1709 | Ratswahl (Change of Town Council) | Divi-Blasii-Kirche Mülhäusen | Sacred Cantatas | -- | -- | Music and Text lost | |
| Anh. 192/Anh. I 4 | -- | -- | -- | Zweiter Mühlhausener Ratswechselkantate | Unknown librettist | 4 February 1710 | Ratswahl (Change of Town Council) | Mülhäusener Hauptkirche Beatae Mariae Virginis | -- | Secular Cantatas | -- | -- | Music and Text lost |
| Anh. 194/Anh. I 4 | -- | -- | -- | Zweiter Mühlhausener Ratswechselkantate | Unknown librettist | 10 February 1710 | Ratswahl (Change of Town Council) | Divi-Blasii-Kirche Mülhäusen | Sacred Cantatas | -- | -- | Music and Text lost | |
| 18 | A44a | -- | -- | Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 | Erdmann Neumeister | 19 February 1713 | Sonntag Sexagesimae (Sexagesima Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | G minor | Sacred Cantatas | Soli: S T B, Coro: S A T B, Viola I-IV, Fagotto, Violoncello, Continuo | Full Score: BGA II/8 (Mixed version of A44a and A44b), NBA I/7: 4; Klavierauszug: Breitkopf und Härtel | Recorded |
| 208 + 1040 | G1 (First Version) | -- | -- | Was mir behagt, ist nur die muntre Jagd, BWV 208 | Salomon Franck | 23/27 February 1713 | Geburtstag Herzog Christian von Sachsen-Weißenfels (Birthday of Christian, Duke of Saxe-Weissenfels) | "Jägerhof" Saxe-Weissenfels | F major | Secular Cantatas | Soli: S.I S.II T B, Coro: S.I S.II T B, Corno da caccia I/II, Flauto dolce I/II, Oboe I/II, Taille (Cor anglaise), Fagotto, Violino I/II, Viola, Violone grosso, Continuo | Full Score: BGA XXIX/1, NBA I/35: 1 and Anhang | Movement I = BWV 1046a/II; Movements VIII and XIV in 1725 reused as BWV 68/4 and 2; Ritornello of Movement XIV = BWV 1040; Movement XVI in 1728/1729 reused as BWV 149/1; Recorded |
| 199 | A120a (1st Weimar Version) | -- | -- | Mein Herze schwimmt in Blut, BWV 199 | Georg Christian Lehms | 27 August 1713 | 11. Sonntag nach Trinitatis (11th Sunday after Trinity Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | C minor | Sacred cantatas | Solo: S, Oboe, Violino I/II, Viola, Violone, Fagotto, Continuo | Full Score: BGA --, NBA I/20: 1; Klavierauszug: Breitkopf und Härtel | Movement VI Viola Obligato; Recorded |
| Anh. III 159 | C9 | -- | -- | Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159 | Unknown librettist | Before 2 September 1713 | Vielleicht für das Begräbnis der Arnstädter Bürgmeistersfrau Margarethe Feldhaus 1713 auffgeführt? (Possibly for Funeral Service for Arnstadt Mayor's wife Margarethe Feldhaus?) | Unknown | ? | Motets | Coro I: S A T B, Coro II: S A T B | Full Score: BGA XXXIX/8 (in Anhang), NBA III/3: 1, Bärenreiter, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Possibly not by Bach (authorship uncertain, possibly by Johann Christoph Bach); Recorded |
| 21R | A99 (Presumed Possible Original Version) | -- | -- | Ich hatte viel Bekümmernis, BWV 21 | Unknown librettist, possibly Salomo Franck | 8 October 1713 | Trauerfeier für Amelia Maria Harreß (Funeral Service for Amelia Maria Harreß) | Unknown | C minor | Sacred cantatas | Soli: S, Coro: S A T B, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo | Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Consists of Movements II-VI and IX-X of later versions; Recorded |
| 1127 | G deest | -- | -- | Alles mit Gott und nichts ohn' ihn, BWV 1127 | Johann Anton Mylius | 30 October 1713 | 52. Geburtstag von Herzog Ernst August von Sachsen-Weimar (52nd Birthday of Ernest Augustus I, Duke of Saxe-Weimar-Eisenach) | Rotes Schloß Weimar | Unknown | Strophic Arias | Solo: Soprano, Violino I/II, Viola, Violoncello, Continuo | Full Score: Bärenreiter; Facksimilie: Bärenreiter | Recorded |
| 21 | A99a (I) | -- | -- | Ich hatte viel Bekümmernis, BWV 21 | Unknown librettist, possibly Salomo Franck | December 1713 | Probespiel in Halle für das Organistenamt an Marktkirche (Liebfrauenkirche) (Test piece in Halle, Saxony-Anhalt for post as Organist at the Marktkirche Halle (Liebfrauenkirche Halle)) | Liebfrauenkirche (Marktkirche) Halle | C minor | Sacred cantatas | Soli: S B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo | Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 18 | A44a | -- | -- | Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 | Erdmann Neumeister | 1713/1714 | Sonntag Sexagesimae (Sexagesima Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | G minor | Sacred Cantatas | Soli: S T B, Coro: S A T B, Viola I-IV, Fagotto, Violoncello, Continuo | Full Score: BGA II/8 (Mixed version of A44a and A44b), NBA I/7: 4; Klavierauszug: Breitkopf und Härtel | Recorded |
| 54 | A51 | -- | -- | Widerstehe doch der Sünde, BWV 54 | Georg Christian Lehms | 4 March 1714 | Sonntag Oculi (Oculi Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | E♭ major | Sacred Cantatas | Solo: A, Violino I/II, Viola I/II, Continuo | Full Score: BGA XII.2/4, NBA I/18: 1; TP: Editions Eulenburg; Klavierauszug: Breitkopf und Härtel | Movement I reused 1731 and 1744 as BWV 247/19 (53); Recorded |
| 182 | A172 (Version Weimar 1714) | -- | -- | Himmelskönig, sei willkommen, BWV 182 | Most likely Salomo Franck | 25 March 1714 | Sonntag Palmarum und Festo Mariae Verkündigung (Palm Sunday and Feast of the Annunciation) | Weimarer Schloßkapelle ("Himmelsburg") | B♭ major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Flauto, Violino I/II, Viola I/II, Continuo | Full Score: BGA XXXVII/2, NBA I/8.2: 1, Carus-Verlag (A major); TP: Carus-Verlag (A major); Klavierauszug: Breitkopf und Härtel, Carus-Verlag (A major) | Recorded |
| deest | D5a | I/K/1 | -- | Markus-Passion ("Jesus Christus ist umb unserer Missethat willen verwundet.") (St Mark Passion pastiche) | Unknown librettist | 18 April 1710, 3 April 1711, 25 March 1712, 14 April 1713, or 30 March 1714 | Karfreitag (Good Friday) | Weimarer Schloßkapelle ("Himmelsburg") | G minor | Passion (music)s | Soli: S A T B, Coro: S A T B, Oboe I/II(?), Violino I/II, Viola I/II, Continuo | Full Score: NBA II/9: 7, Carus-Verlag | Movements 14 and 29 by Bach; Recorded |
| 12 | A12 | -- | -- | Weinen, Klagen, Sorgen, Zagen, BWV 12 | Salomo Franck | 22 April 1714 | Sonntag Jubilate (Jubilate Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | F minor | Sacred Cantatas | Soli: A T B, Coro: S A T B, Tromba, Oboe, Fagotto, Violino I/II, Viola I/II, Continuo | Full Score: BGA II/2, NBA I/11.2: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 172 | A81a (I) (Weimar Version) | -- | -- | Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 | Most likely Salomo Franck | 22 April 1714 | 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) | Weimarer Schloßkapelle ("Himmelsburg") | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Oboe d'Amore, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo | Full Score: BGA XXXV/2, NBA I/13: 1; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Movement I repeated at conclusion; Movements I, IV, and VI without Flutes (yet with Recorders); Recorded |
| 21 | A99a (II) | -- | -- | Ich hatte viel Bekümmernis, BWV 21 | Unknown librettist, possibly Salomo Franck | 17 June 1714 | 3. Sonntag nach Trinitatis (3rd Sunday after Trinity) | Weimarer Schloßkapelle ("Himmelsburg") | C minor | Sacred Cantatas | Soli: T B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo | Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| Anh. I 209 | deest | -- | -- | Liebster Gott, vergisst du mich, BWV Anh. 209 | Georg Christian Lehms | Most likely 15 July 1714 | 7. Sonntag nach Trinitatis (7th Sunday after Trinity) | Weimarer Schloßkapelle ("Himmelsburg") | Unknown | Sacred cantatas | Unknown | -- | Music lost, only Text survives |
| 199 | A120a (2nd Weimar Version) | -- | -- | Mein Herze schwimmt in Blut, BWV 199 | Georg Christian Lehms | 12 August 1714 | 11. Sonntag nach Trinitatis (11th Sunday after Trinity) | Weimarer Schloßkapelle ("Himmelsburg") | C minor | Sacred cantatas | Solo: S, Oboe, Violino I/II, Viola, Violone, Fagotto, Continuo | Full Score: BGA --, NBA I/20: 1; Klavierauszug: Breitkopf und Härtel | Movement VI Violoncello Obligato; Recorded |
| 61 | A1 | -- | -- | Nun komm, der Heiden Heiland, BWV 61 | Erdmann Neumeister | 2 December 1714 | 1. Advent (1st Sunday of Advent) | Weimarer Schloßkapelle ("Himmelsburg") | A minor | Sacred cantatas | Soli: S T B, Coro: S A T B, Violino I/II, Viola I/II, Violoncello, Fagotto, Continuo | Full Score: BGA XVI/1, NBA I/1: 1, Carus-Verlag; TP: Bärenreiter, Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 63 | A8 (Version before 1729) | -- | -- | Christen, ätzet diesen Tag, BWV 63 | Most likely Johann Michael Heineccius | 25 December 1714 | 1. Weinachtstag (1st Day of Christmas Christmas Day) | Weimarer Schloßkapelle ("Himmelsburg") | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Oboe I-III, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XVI/3, NBA I/2: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement 3 with Oboe; Recorded |
| 152 | A18 | -- | -- | Tritt auf die Glaubensbahn, BWV 152 | Salomo Franck | 30 December 1714 | Sonntag nach Weinachtsen (Sunday after Christmas) | Weimarer Schloßkapelle ("Himmelsburg") | E minor | Sacred cantatas | Soli: S B, Flauto, Oboe, Viola d'amore, Viola da gamba, Continuo | Full Score: BGA XXXII/2, NBA I/3.2: 1, Carus-Verlag; TP: Carus-Verlag, Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 31 | A55a (Original Version) | -- | -- | Der Himmel lacht! Die Erde jubilieret, BWV 31 | Salomo Franck | Before 21 April 1715 | 1. Ostertag (1st Day of Easter (Easter Sunday)) | Weimarer Schloßkapelle ("Himmelsburg") | E♭ major | Sacred cantatas | Soli: S T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I-III, Taille, Violino I/II, Viola I/II, Violoncello I/II, Fagotto, Continuo | Full Score: BGA VII/1, NBA I/9: 2, Carus-Verlag; Klavierauszug: Breitkopf und Härtel | Movement VIII one octave higher than in 1731, Obligato instrument either Tromba da tirarsi or Organ and set with Violas |
| 18 | A44a (Version Weimar) | -- | -- | Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 | Erdmann Neumeister | 24 February 1715 | Sonntag Sexagesimae (Sexagesima Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | G minor | Sacred cantatas | Soli: S T B, Coro: S A T B, Viola I-IV, Fagotto, Violoncello, Continuo | Full Score: Full Score: BGA II/8 (Mixed version of A44a and A44b), NBA I/7: 4; Klavierauszug: Breitkopf und Härtel | Recorded |
| 80a | A52 | -- | -- | Alles, was von Gott geboren, BWV 80a | Salomo Franck | 24 March 1715 | Sonntag Oculi (Oculi Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | D major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Oboe I/II, Oboe da caccia, Violino I/II, Viola, Violoncello, Violone, Organo, Continuo | See BWV 80 | 6 movements; Music lost, possible reconstruction from BWV 80/2-4 and 6-7 and BWV 303 |
| 31 | A55a (Version 1715) | -- | -- | Der Himmel lacht! Die Erde jubilieret, BWV 31 | Salomo Franck | 21 April 1715 | 1. Ostertag (1st Day of Easter (Easter Sunday)) | Weimarer Schloßkapelle ("Himmelsburg") | E♭ major | Sacred cantatas | Soli: S T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I-III, Taille, Violino I/II, Viola I/II, Violoncello I/II, Fagotto, Continuo | Full Score: BGA VII/1, NBA I/9: 2, Carus-Verlag; Klavierauszug: Breitkopf und Härtel | Movement VIII one octave higher than in 1731, Obligato instrument either Viola d'Amore, Viola da gamba, or Recorder; Recorded |
| 165 | A90 | -- | -- | O heilges Geist- und Wasserbad, BWV 165 | Salomo Franck | 16 June 1715 | Trinitatis (Trinity Sunday) | Weimarer Schloßkapelle ("Himmelsburg") | G major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXXIII/5, NBA I/15: 1; Klavierauszug: Breitkopf und Härtel | Recorded |
| 185 | A10 | -- | -- | Barmherziges Herze der ewigen Liebe, BWV 185 | Salomo Franck | 14 July 1715 | 4. Sonntag nach Trinitatis (4th Sunday after Trinity) | Weimarer Schloßkapelle ("Himmelsburg") | F♯ minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Oboe (Tromba), Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXXVI/5, NBA I/17.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements I and VI with Oboe; Recorded |
| 163 | A158 | -- | -- | Nur jedem das Seine, BWV 163 | Salomo Franck | 24 November 1715 | 23. Sonntag nach Trinitatis (23rd Sunday after Trinity) | Weimarer Schloßkapelle ("Himmelsburg") | B minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Violoncello obligato I/II, Continuo | Full Score: BGA XXXIII/3, NBA I/26: 5; Klavierauszug: Breitkopf und Härtel | Recorded |
| 132 | A6 | -- | -- | Bereitet die Wege, bereitet die Bahn! BWV 132 | Salomo Franck | 22 December 1715 | 4. Advent (4th Sunday of Advent) | Weimarer Schloßkapelle ("Himmelsburg") | A major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Violoncello, Continuo | Full Score: BGA XXVIII/2, NBA I/1: 5; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 63 | A8 (Version before 1729) | -- | -- | Christen, ätzet diesen Tag, BWV 63 | Most likely Johann Michael Heineccius | 25 December 1715 | 1. Weinachtstag (1st Day of Christmas (Christmas Day)) | Weimarer Schloßkapelle ("Himmelsburg") | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Oboe I-III, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XVI/3, NBA I/2: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement 3 with Oboe; Recorded |
| 155 | A32 | -- | -- | Mein Gott, wie lang, ach lange? BWV 155 | Salomo Franck | 19 January 1716 | 2. Sonntag nach Epiphanias (2nd Sunday after Epiphany (holiday)) | Weimarer Schloßkirche | D minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XXXII/5, NBA I/5: 6, Carus-Verlag; TP: Editions Eulenburg; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| deest | B19 | -- | -- | Was ist, das wir Leben nennen?, BWV deest | Unknown librettist | 2 April 1716 | Trauerfeier für Prinz Johann Ernst von Sachsen-Weimar (Funeral Ceremony for Prince Johann Ernst of Saxe-Weimar) | Weimarer Schloßkirche | -- | Sacred cantatas | -- | -- | Music lost, only Text survives |
| 208 | G3 (Second Version) | -- | -- | Was mir behagt, ist nur die muntre Jagd, BWV 208 | Salomo Franck | 19 April 1713-1717, most likely 19 April 1716 | Geburtstag Herzog Ernst August von Sachsen-Weimar (Birthday of Ernest Augustus I, Duke of Saxe-Weimar-Eisenach) | Rotes Schloß Weimar | F major | Secular Cantatas | Soli: S.I S.II T B, Coro: S.I S.II T B, Corno da caccia I/II, Flauto dolce I/II, Oboe I/II, Taille, Fagotto, Violino I/II, Viola, Violone grosso, Continuo | Full Score: BGA XXIX/1, NBA I/35: 1 and Anhang | Movement I = BWV 1046a/II; Movements VIII and XIV in 1725 reused as BWV 68/4 and 2; Ritornello of Movement XIV = BWV 1040; Movement XVI in 1728/1729 reused as BWV 149/1; Recorded |
| 161 | A135a (Weimar Version) | -- | -- | Komm, du süße Todesstunde, BWV 161 | Salomo Franck | 27 September 1716 | 16. Sonntag nach Trinitatis (16th Sunday after Trinity) | Weimarer Schloßkapelle | C major | Sacred cantatas | Soli: A T, Coro: S A T B, Flauto dolce I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXXIII/1, NBA I/23: 1; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel | Movement I cf Instrumentalized; Recorded |
| 162 | A148a (Weimar Version) | -- | -- | Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 | Salomo Franck | 25 October 1716 | 20. Sonntag nach Trinitatis (20th Sunday after Trinity) | Weimarer Schloßkapelle | A minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXXIII/2, NBA I/25: 1; Klavierauszug: Breitkopf und Härtel | Movement I and VI without Corno da tirarsi; Movement III Obligato part lost; Recorded |
| 70a | A4 | -- | -- | Wachet! betet! betet! wachet! BWV 70a | Salomo Franck | 6 December 1716 | 2. Advent (2nd Sunday of Advent) | Weimarer Schloßkapelle | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe, Violino I/II, Viola, Violoncello, Fagotto, Continuo | -- | Music lost, but can be reconstructed by (in order): Movements I, III, V, VIII, X, and XI from BWV 70 |
| 186a | A5 | -- | -- | Ärgre dich, o Seele, nicht, BWV 186a | Salomo Franck | 13 December 1716 | 3. Advent (3rd Sunday of Advent) | Weimarer Schloßkapelle | G minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Oboe I/II, Taille, Fagotto, Violino I/II, Viola, Continuo | -- | 6 movements, music lost, but first five movements can be reconstructed by (in order): Movements I, III, V, VIII, and X from BWV 186 |
| 147a | A7 | -- | -- | Herz und Mund und Tat und Leben, BWV 147a | Salomo Franck | 20 December 1716 | 4. Advent (4th Sunday of Advent) | Weimarer Schloßkapelle | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Oboe da caccia I/II, Violino I/II, Viola, Continuo | Full Score: Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Carus-Verlag | 6 movements, music lost, but first five movements can be reconstructed by (in order): Movements I, III, VII, V, and IX from BWV 147 |
| deest | D1 | -- | -- | Weimarer Passion | Unknown librettist | 26 March 1717 | Karfreitag (Good Friday) | Kapelle der Schloß Friedenstein zu Gotha (Chapel of the Friedenstein Castle, Gotha) | -- | Passions | Soli: T B, Coro: S A T B, Flute I/II, Oboe I/II, Violino I/II, Viola, Bassono (Bassoon), Organo (Organ (music)), Liuto (Lute), Continuo | -- | Music and Text lost; Nine movements later reused in other works: Chorale Fantasia on "O Mensch, bewein' dein' Sünde groβ" in D major (later reused in BC D2b in E♭ major and from 1736 on in BC D3b in E major), Arias BWV 245a-c (later reused in BC D2b), Chorale Fantasia on "Christe, du Lamm Gottes" (from 1723 on reused as Movement IV of BWV 23, also reused in BC D2b), a Chorale setting on "Christus, der uns selig macht" BWV 283, and an Aria-Recitative-Chorale set (later reused as Movements III-V of BWV 55) |
| 182 | A53 (Before Leipzig Variant) | -- | -- | Himmelskönig, sei willkommen, BWV 182 | Most likely Salomo Franck | After 1714, but before 1723 | Sonntag Palmarum(Palm Sunday) | Unknown location | B♭ major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Flauto, Violino I/II, Viola I/II, Continuo | -- | Movements as follows in order (see Version 1714): I, II, III, IV, V, VI, repeat II, VII, VIII |
| 172 | A81a (II) (Köthen Version) | -- | -- | Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 | Most likely Salomo Franck | After 1717 | 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) | Agnuskirche Köthen (St. Agnus Church, Köthen) | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Oboe d'Amore, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo | Full Score: BGA XXXV/2, NBA I/13: 1; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Movement I repeated at conclusion; Movements I, IV, and VI without Flutes (yet with Recorders); Recorded |
| 66a | G4 | -- | -- | Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a | Christian Friedrich Hunold, also known as Menantes | 10 December 1718 | Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | D major | Secular Cantatas | Soli: A T B, Coro: S A T B, Tromba, Oboe I/II, Fagotto, Violino solo, Violino I/II, Viola, Continuo | -- | 8 movements in all, music lost, but Movements I-IV and VIII can be reconstructed with Movements II-V and I (in that order) from BWV 66 |
| Anh. I 5 | B30 | -- | -- | Lobet den Herrn, alle seine Heerscharen, BWV Anh5 | Christian Friedrich Hunold, also known as Menantes | 10 December 1718 | Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | -- | Secular Cantatas | -- | Info in Critical report to NBA I/35 | Music lost |
| 134a | G5 | -- | -- | Die Zeit, die Tag und Jahre macht, BWV 134a | Christian Friedrich Hunold, also known as Menantes | 1 January 1719 | Glückwunschkantate für das Fürstenhaus von Anhalt-Köthen (Congratulatory Cantata for the Princely house of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | B♭ major | Secular Cantatas | Soli: A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIX/7, NBA I/34: 2 | Movements I-IV and VII-VIII reused in BWV 134; Recorded |
| 199 | A120b (1st Köthen Version) | -- | -- | Mein Herze schwimmt im Blut, BWV 199 | Georg Christian Lehms | ca. 1720 | 11. Sonntag nach Trinitatis (11th Sunday after Trinity) | Agnuskirche Köthen | D minor | Sacred Cantatas | Solo: S, Oboe, Violino I/II, Viola, Viola da gamba, Violone, Fagotto, Continuo | Full Score: BGA XLI/?, NBA I/20: 1 and Anhang II | Recorded |
| Anh. I 6 | G6 | -- | -- | Dich loben die lieblichen Strahlen der Sonne, BWV Anh. 6 | Christian Friedrich Hunold, also known as Menantes | 1 January 1720 | Glückwunschkantate für das Fürstenhaus von Anhalt-Köthen (Congratulatory Cantata for the Princely house of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | -- | Secular Cantatas | -- | Info in Critical Report to NBA I/35 | Music lost |
| 21 | A99b | -- | -- | Ich hatte viel Bekümmernis, BWV 21 | Unknown librettist, possibly Salomo Franck | 23 November 1720 | Probespiel in Hamburg für das Organistenamt an Jakobiskirche (Test piece for the post of Organist at St. Jacobi, Hamburg) | Katherinenkirche Hamburg (St. Catherine's Church, Hamburg | D minor | Sacred Cantatas | Soli: S B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo | Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| Anh. I 7 | G7 | -- | -- | Heut ist gewiß ein guter Tag, BWV Anh7 | Christian Friedrich Henrici, also known as Picander | 10 December 1720 | Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | -- | Secular Cantatas | -- | Info in Critical report to NBA I/35 | Music lost |
| 184a | G8 | -- | -- | Unknown (Text lost) | Unknown librettist | 10 December 1720 or 1721 or most likely 1 January 1721 | Glückwunschkantate zum Geburtstag des Fürsten Leopold von Anhalt-Köthen oder Neujahrskantate für das Fürstenhaus Anhalt-Köthen (Congratulatory Cantata for the Birthday of Leopold, Prince of Anhalt-Köthen or New Year's Day Cantata for the princely house of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | G major | Secular Cantatas | -- | -- | Text and Music lost, Some movements reused in BWV 184 |
| 172 | A81a (III) | -- | -- | Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 | Most likely Salomo Franck | 1 June 1721 | 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) | Frühe zu Nikolaikirche Leipzig, Nachmittags in der Vesper zu Thomaskirche Leipzig (Early at the St. Nicholas Church, Leipzig, after noon in the Vespers at the St. Thomas Church, Leipzig) | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Oboe d'Amore, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo | Full Score: BGA XXXV/2, NBA I/13: 1; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Movement I repeated at conclusion; Movements I, IV, and VI without Flutes (yet with Recorders); Recorded |
| deest | G13 | -- | -- | O, vergnügte Stunden, BWV deest | Unknown librettist | 9 August 1722 | Geburtstag des Fürsten Johann August von Anhalt-Zerbst (Birthday of John Augustus, Prince of Anhalt-Zerbst) | Residenzschloß Anhalt-Zerbst | -- | Secular Cantatas | -- | -- | Text and Music lost |
| 173a | G13 | -- | -- | Durchlauchtster Leopold, BWV 173a | Unknown librettist | 10 December 1722 | Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | D major | Secular Cantatas | Soli: S B, Flauto traverso I/II, Fagotto, Violino I/II, Viola, Violone, Continuo | Full Score: BGA XXXIV/1, NBA I/35: 4 | Movements later reused in BWV 173; Recorded |
| 23 | A47a | -- | -- | Du wahrer Gott und Davids Sohn, BWV 23 | Unknown librettist | Not Dated | Sonntag Quinquagesimae oder Esto mihi (Quinquagesima Sunday or Estomihi Sunday) | Agnuskirche Anhalt-Köthen | C minor | Sacred Cantatas | Soli: S A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA V.1/3, NBA I/8.1: 2, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Only 3 movements; Recorded |
| 203 | G51 | -- | -- | Amore traditore, BWV 203 | Unknown librettist | Before 1723 | Unknown event | Unknown Venue | A minor | Secular Cantatas | Solo: B, Cembalo obligato | Full Score: BGA XI.2/3, NBA I/41: 2 | Recorded |
| Anh. I 8 | G10 | -- | -- | Unknown (Text lost) | Unknown librettist | 1 January 1723 | Glückwunschkantate des Fürstenhaus Anhalt-Köthen (Congratulatory Cantata for the princely house of Anhalt-Köthen) | Residenzschloß Anhalt-Köthen | -- | Secular Cantatas | -- | -- | Music and Text lost |
| 22 | A48 | -- | -- | Jesus nahm zu sich die Zwölfe, BWV 22 | Unknown librettist | 7 February 1723 | Probenspiel am Sonntag Quinquagesimae oder Esto mihi in Leipzig für das Kantoramt an St. Thomae (Test piece on Quinquagesima Sunday or Estomihi Sunday for the post of Cantor (church) of St. Thomas Church, Leipzig) | Thomaskirche Leipzig | G minor | Sacred Cantatas | Soli: A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Continuo | Full Score: BGA V.1/2, NBA I/8.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag; Facksimilie: Carus-Verlag | Before the Sermon; Recorded |
| 23 | A47b (Version 1723) | -- | -- | Du wahrer Gott und Davids Sohn, BWV 23 | Unknown librettist | 7 Feburary 1723 | Probenspiel am Sonntag Quinquagesimae oder Esto mihi in Leipzig für das Kantoramt an St. Thomae (Test piece on Quinquagesima Sunday or Estomihi Sunday for the post of Cantor of St. Thomas Church, Leipzig) | Thomaskirche Leipzig | B minor | Sacred Cantatas | Soli: S A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA V.1/3, NBA I/8.1: 3; Klavierauszug: Breitkopf und Härtel | After the Sermon; Movement IV added; No Brass Instruments; Recorded |
| 199 | A120b (2nd Köthen Version) | -- | -- | Mein Herze schwimmt im Blut, BWV 199 | Georg Christian Lehms | Not dated | 11. Sonntag nach Trinitatis (11th Sunday after Trinity) | Agnuskirche Köthen | D minor | Sacred Cantatas | Solo: S, Oboe, Violino I/II, Viola, Viola da gamba, Violone, Fagotto, Continuo | -- | Revision of the 3 voices V I&II, Va to 2 voices V, Va (score sketch); Recorded |
| 194a | G11 (Köthen Version) | -- | -- | Höchsterwünschtes Freudenfest, BWV 194a | -- | Not dated | Huldigungskantate (Congratulatory Cantata) | Residenzschloß Anhalt-Köthen | -- | Secular Cantatas | -- | -- | Music and text lost |
| 59 | A82 | -- | -- | Wer mich liebet, der wird mein Wort halten, BWV 59 | Erdmann Neumeister | 16 May 1723 | 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) | Paulinerkirche, Leipzig | C major | Sacred Cantatas | Soli: S B, Coro: S A T B, Tromba I/II, Tamburi, Violino I/II, Viola, Continuo | Full Score: BGA XII.2/9, NBA I/13: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Movements I-IV in numeric order; Movements I and IV reused as Movements I and II in BWV 74; Movement III reused as Movement Movement VII in BWV 175; Recorded |
| 75 | A94 | -- | -- | Die Elenden sollen essen, BWV 75 | Unknown librettist | 30 May 1723 | 1. Sonntag nach Trinitatis (Festo Corpus Christi) (1st Sunday after Trinity (Corpus Christi (feast) Sunday)) | Nikolaikirche Leipzig | E minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XVIII/5, NBA I/15: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements VII and XIV reused 1732-1735 as Movement VI in BWV 100; Commencement Piece for Bach's Leipzig tenure; Recorded |
| 76 | A97 | -- | -- | Die Himmel erzählen die Ehre Gottes, BWV 76 | Unknown librettist | 6 June 1723 | 2. Sonntag nach Trinitatis (2nd Sunday after Trinity) | Thomaskirche Leipzig | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Violino I/II, Violino solo, Viola da gamba, Continuo | Full Score: BGA XVIII/6, NBA I/16: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Music for Movement VIII originating as lost Instrumental Work from before 1723, later reused as Movement I of BWV 528; Recorded |
| 21 | A99c | -- | -- | Ich hatte viel Bekümmernis, BWV 21 | Unknown librettist, possibly Salomo Franck | 13 June 1723 | 3. Sonntag nach Trinitatis (3rd Sunday after Trinity) | Leipzig | C minor | Sacred Cantatas | Soli: S T B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo | Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 185 | A101 (Earlier Leipzig Version) | -- | -- | Barmherziges Herze der ewigen Liebe, BWV 185 | Salomo Franck | 20 June 1723 | 4. Sonntag nach Trinitatis (4th Sunday after Trinity) | Thomaskirche Leipzig | G minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe (Clarino), Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXXVII/5, NBA I/17.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Before the Sermon; Movements I and VI with Clarino instead of Oboe |
| 24 | A102 | -- | -- | Ein ungefärbt Gemüte, BWV 24 | Erdmann Neumeister | 20 June 1723 | 4. Sonntag nach Trinitatis (4th Sunday after Trinity) | Thomaskirche Leipzig | F major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Clarino, Oboe I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA V.1/4, NBA I/17.1: 3; Klavierauszug: Breitkopf und Härtel | After the Sermon; Recorded |
| 167 | A176 | -- | -- | Ihr Menschen, rühmet Gottes Liebe, BWV 167 | Unknown librettist | 24 June 1723 | Johannistag (Feast of the Nativity of St. John the Baptist) | Leipzig | G major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Clarino, Tromba da tirarsi or octave Natural Trumpet, Oboe, Oboe da caccia, Violino I/II, Viola, Continuo | Full Score: BGA XXXIII/7, NBA I/29: 1; Klavierauszug: Breitkopf und Härtel | Movement V solo either Tromba da tirarsi or octave Natural Trumpet; Recorded |
| 147 | A174 | -- | -- | Herz und Mund und Tat und Leben, BWV 147 | Salomo Franck | 2 July 1723 | Festo Mariae Heimsuchung (Feast of the Visitation (Christianity)) | Leipzig | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Oboe da caccia I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXX/7, NBA I/28.2: 2; TP: Easy Pocket Scores; Klavierauszug: Breitkopf und Härtel | Revision of BWV 147a; Recorded |
| 243a | E13 | -- | -- | Magnificat in E-flat major , BWV 243a | Unknown librettist | 2 July 1723 | Festo Mariae Heimsuchung (Feast of the Visitation) | Leipzig | E♭ major | Magnificats | Soli: S.I S.II A T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I/II, Flauto dolce I/II, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XI.1/1 and Anhang, NBA II/3: 1; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel | Without Christmas insertions; Recorded |
| 186 | A108 | -- | -- | Ärgre dich, o Seele, nicht, BWV 186 | Salomo Franck and an Unknown librettist | 11 July 1723 | 7. Sonntag nach Trinitatis (7th Sunday after Trinity) | Leipzig | G minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe I/II, Taille, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XXXVII/6, NBA I/18: 2; Klavierauszug: Breitkopf und Härtel | Revision of BWV 186a; Recorded |
| -- | -- | -- | -- | -- | -- | Unknown date | Trauung Johann Gottfried Hübener und Beata Regina Henning (Wedding of Johann Gottfried Trauung Hübener & Beata Regina Henning) | Thomaskirche Leipzig | -- | Sacred Cantatas | -- | -- | Text and music lost |
| 136 | A111 | -- | -- | Erforsche mich, Gott, und erfahre mein Herz, BWV 136 | Unknown librettist | 18 July 1723 | 8. Sonntag nach Trinitatis (8th Sunday after Trinity) | Leipzig | A major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/6, NBA I/18: 5; Klavierauszug: Breitkopf und Härtel | Movement I after 1735 reused as Movement VI of BWV 236; Recorded |
| 105 | A114 | -- | -- | Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 | Unknown librettist | 25 July 1723 | 9. Sonntag nach Trinitatis (9th Sunday after Trinity) | Nikolaikirche Leipzig | G minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIII/5, NBA I/19: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag; Facksimilie: Carus-Verlag | 2nd performance after 1750 by Carl Philipp Emanuel Bach (in Berlin?); Recorded |
| 46 | A117 | -- | -- | Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46 | Unknown librettist | 1 August 1723 | 10. Sonntag nach Trinitatis (10th Sunday after Trinity) | Leipzig | D minor | Sacred Cantatas | Soli: A T B, Coro: S A T B, Tromba o Corno da tirarsi, Flauto I/II, Oboe da caccia I/II, Violino I/II, Viola, Continuo | Full Score: BGA X/6, NBA I/19: 4, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement I in 1733 reused as Movement IX of "Missa 1733" and later in 1748/1749 as Movement IX of the Mass in B minor BWV 232; Recorded |
| 179 | A121 | -- | -- | Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179 | Unknown librettist | 8 August 1723 | 11. Sonntag nach Trinitatis (11th Sunday after Trinity) | Leipzig | G major | Sacred Cantatas | Soli: S T B, Coro: S A T B, Oboe I/II, Oboe da caccia I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXXV/9, NBA I/20: 7, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Before the Sermon; Movements I and III after 1735 reused as Movements I and V of BWV 236; Movement V ca. 1738 reused as Movement IV of BWV 234; Recorded |
| 199 | A120c (1st Leipzig Version) | -- | -- | Mein Herze schwimmt im Blut, BWV 199 | Georg Christian Lehms | 8 August 1723 | 11. Sonntag nach Trinitatis (11th Sunday after Trinity) | Leipzig | D minor | Sacred Cantatas | Solo: S, Oboe, Violino I/II, Viola, Violoncello, Violone, Fagotto, Continuo | Full Score: BGA ?, NBA I/20: 2 and Anhang | After the Sermon; Movement VI likely with Violoncello; Recorded |
| Anh. I 20 | G 33 | -- | -- | Lateinische Ode, BWV Anh. 20 (Latin Ode, BWV Anh. I 20) | -- | 9 August 1723 (11:00 AM) | Universitätfeier zum Geburtstag Herzog Friedrich II zu Sachsen-Gotha-Altenburg (University Celebration of the Birthday of Frederick II, Duke of Saxe-Gotha-Altenburg) | Auditorium Philosophico of the University of Leipzig | -- | Secular Cantatas | -- | -- | Text and Music lost |
| 69a | A123 (1st Version) | -- | -- | Lobe den Herrn, meine Seele, BWV 69a | Johann Oswald Knauer | 15 August 1723 | 12. Sonntag nach Trinitatis (12th Sunday after Trinity) | Leipzig | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto, Oboe I/II, Oboe da caccia, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XVI/9 and Anhang, NBA I/20: 9 | Movement III Scored for Tenor, Flute, Oboe da caccia, Continuo; Movement VI taken from Movement VII of BWV 12; Recorded |
| 77 | A126 | -- | -- | Du sollt Gott, deinen Herren, lieben, BWV 77 | Unknown librettist | 22 August 1723 | 13. Sonntag nach Trinitatis (13th Sunday after Trinity) | Leipzig | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba da tirarsi, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XVIII/7, NBA I/21: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 25 | A129 | -- | -- | Es ist nichts Gesundes an meinem Leibe, BWV 25 | Unknown librettist | 29 August 1723 | 14. Sonntag nach Trinitatis (14th Sunday after Trinity) | Leipzig | A minor | Sacred Cantatas | Soli: S T B, Coro: S A T B, Cornetto, Trombone I-III, Flauto I-III, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA V.1/5, NBA I/21: 4; Klavierauszug: Breitkopf und Härtel | Recorded |
| 119 | B3 | -- | -- | Preise, Jerusalem, den Herrn, BWV 119 | Unknown librettist | 30 August 1723 | Ratswahl (Change of Town Council) | Nikolaikirche Leipzig | C major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Flauto I/II, Oboe I-III, Oboe da caccia I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIV/9, NBA I/32.1: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement I taken from Weimar Suite BWV 119aR; Recorded |
| 138 | A132 | -- | -- | Warum betrübst du dich, mein Herz, BWV 138 | Unknown librettist | 5 September 1723 | 15. Sonntag nach Trinitatis (15th Sunday after Trinity) | Leipzig | B minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/8, NBA I/22: 1; Klavierauszug: Breitkopf und Härtel | Movement IV after 1735 reused as Movement III of BWV 236; Recorded |
| 95 | A136 | -- | -- | Christus, der ist mein Leben, BWV 95 | Unknown librettist | 12 September 1723 | 16. Sonntag nach Trinitatis (16th Sunday after Trinity) | Thomaskirche Leipzig | G major | Sacred Cantatas | Soli: S T B, Coro: S A T B, Corno, Oboe I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXII/5, NBA I/23: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| -- | -- | -- | -- | -- | -- | 12 September 1723 | Trauung Johann Christoph Krause und Maria Barbara Blechschmidt (Wedding of Johann Christoph Krause & Maria Barbara Blechschmidt) | Thomaskirche Leipzig | -- | Sacred Cantatas | -- | -- | Music and Text lost |
| 148 | A140 | -- | -- | Bringet dem Herrn Ehre seines Namens, BWV 148 | Unknown librettist | 19 September 1723 | 17. Sonntag nach Trinitatis (17th Sunday after Trinity) | Nikolaikirche Leipzig | D major | Sacred Cantatas | Soli: A T, Coro: S A T B, Tromba, Oboe I-III, Violino I/II, Viola, Continuo | Full Score: BGA XXX/8, NBA I/23: 7; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements I and VI: Violino I colla parte Oboe d'amore, Violino II colla parte Oboe d'amore, Viola colla parte Oboe da caccia; Movement IV: Oboes d'Amore 1 & 2, Oboe da caccia; Recorded |
| 48 | A144 | -- | -- | Ich elender Mensch, wer wird mich erlösen, BWV 48 | Unknown librettist | 3 October 1723 | 19. Sonntag nach Trinitatis (19th Sunday after Trinity) | Thomaskirche Leipzig | G minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe solo, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA X/8, NBA I/24: 3; Klavierauszug: Breitkopf und Härtel | Recorded |
| 162 | A148b (Leipzig Version) | -- | -- | Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 | Salomo Franck | 10 October 1723 | 20. Sonntag nach Trinitatis (20th Sunday after Trinity) | Nikolaikirche Leipzig | B minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno da tirarsi, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXXIII/2, NBA I/25: 2; Klavierauszug: Breitkopf und Härtel | Movement I and VI with Corno da tirarsi; Movement III Obligato part lost; Recorded |
| 109 | A151 | -- | -- | Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109 | Unknown librettist | 17 October 1723 | 21. Sonntag nach Trinitatis (21st Sunday after Trinity) | Leipzig | D minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno da tirarsi, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXIII/9, NBA I/25: 5, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 89 | A155 | -- | -- | Was soll ich aus dir machen, Ephraim, BWV 89 | Unknown librettist | 24 October 1723 | 22. Sonntag nach Trinitatis (22nd Sunday after Trinity) | Leipzig | C minor | Sacred cantatas | Soli: S A B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XX.1/9, NBA I/26: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| -- | -- | -- | -- | -- | -- | 31 October 1723 | 23. Sonntag nach Trinitatis und Reformationsfest (23rd Sunday after Trinity and Reformation Day) | Leipzig | -- | Sacred cantatas | -- | -- | Work unknown |
| 194 | B31 (Störmthal Version) | -- | -- | Höchsterwünschtes Freudenfest, BWV 194 | Unknown librettist | 2 November 1723 | Kirch- & Orgelweihe (Dedication of Church and Organ) | Störmthal | B♭ major | Sacred cantatas | Soli: S T B, Coro: S A T B, Oboe I-III, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXIX/9, NBA I/31: 5; Klavierauszug: Breitkopf und Härtel | Recorded |
| 60 | A161 | -- | -- | O Ewigkeit, du Donnerwort, BWV 60 | Unknown librettist | 7 November 1723 | 24. Sonntag nach Trinitatis (24th Sunday after Trinity) | Leipzig | D major | Sacred cantatas | Soli: A T B, Coro: S A T B, Corno, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XII.2/10, NBA I/27: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 90 | A163 | -- | -- | Es reißet euch ein schrecklich Ende, BWV 90 | Unknown librettist | 14 November 1723 | 25. Sonntag nach Trinitatis (25th Sunday after Trinity) | Leipzig | D minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Tromba, Violino I/II, Viola, Continuo | Full Score: BGA XX.1/10, NBA I/27: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 70 | A165 | -- | -- | Wachet! betet! betet! wachet! BWV 70 | Salomo Franck | 21 November 1723 | 26. Sonntag nach Trinitatis (26th Sunday after Trinity) | Leipzig | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe, Violino I/II, Viola, Violoncello, Fagotto, Continuo | Full Score: BGA XX.1/10, NBA I/27: 5, Carus-Verlag; TP: Editions Eulenburg?, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Revised from BWV 70a; Recorded |
| 61 | A1 | -- | -- | Nun komm, der Heiden Heiland, BWV 61 | Erdmann Neumeister | 28 November 1723 | 1. Advent (1st Sunday of Advent) | Leipzig | A minor | Sacred cantatas | Soli: S T B, Coro: S A T B, Violino I/II, Viola I/II, Violoncello, Fagotto, Continuo | Full Score: BGA XVI/1, NBA I/1: 1, Carus-Verlag; TP: Bärenreiter, Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 238 | E11 | -- | -- | Sanctus in D major, BWV 238 | Unknown librettist | 25 December 1723 | 1. Weinachtstag (1st Day of Christmas (Christmas Day)) | Leipzig | D major | Masses and Mass movements (Sanctuses) | Coro: S A T B, Cornetto, Violino I/II, Viola, Continuo | Full Score: BGA XI.1/3, NBA II/2: 8 | Recorded |
| 63 | A8 (Version before 1729) | -- | -- | Christen, ätzet diesen Tag, BWV 63 | Most likely Johann Michael Heineccius | 25 December 1723 | 1. Weinachtstag (1st Day of Christmas (Christmas Day)) | Leipzig | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Oboe I-III, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XVI/3, NBA I/2: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement 3 with Oboe; Recorded |
| 243a | E13 | -- | -- | Magnificat in E-flat major , BWV 243a | Unknown librettist | 25 December 1723 | 1. Weinachtstag (1st Day of Christmas (Christmas Day)) | Leipzig | E♭ major | Magnificats | Soli: S.I S.II A T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I/II, Flauto dolce I/II, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XI.1/1 and Anhang, NBA II/3: 1; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel | With Christmas insertions; Recorded |
| 40 | A12 | -- | -- | Dazu ist erschienen der Sohn Gottes, BWV 40 | Unknown librettist (probably Bach) | 26 December 1723 | 2. Weinachtstag (Stephanustag) (2nd Day of Christmas (St. Stephen's Day)) | Leipzig | F major | Sacred cantatas | Soli: A T B, Coro: S A T B, Corno I/II, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA VII/10, NBA I/3.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement I after 1735 reused as Movement I of BWV 233; Recorded |
| 64 | A15 | -- | -- | Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 | Unknown librettist | 27 December 1723 | 3. Weinachtstag (Johannestag) (3rd Day of Christmas (Feast of St. John the Apostle (St. John the Evangelist))) | Leipzig | E minor | Sacred cantatas | Soli: S A B, Coro: S A T B, Cornetto, Trombone I-III, Oboe d'amore, Violino I/II, Viola, Continuo | Full Score: BGA XVI/4, NBA I/3.1: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 228 | C4 | -- | -- | Fürchte dich nicht, ich bin bei dir, BWV 228 | Unknown librettist | From 1723 possibly also earlier | Unknown | Leipzig | A major | Motets | Coro I/II: S A T B | Full Score: BGA XVI/4, NBA I/3.1: 4, Bärenreiter, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 190 | A21 | -- | -- | Singet dem Herrn ein neues Lied, BWV 190 | Unknown librettist | 1 January 1724 | Sonntag nach Neujahr (Feste der Beschneidung Christi) (New Year's Day (Feast of the Circumcision of Christ)) | Early at the Thomaskirche Leipzig, afternoon at the Nikolaikirche Leipzig | D major | Sacred cantatas | Soli: A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe I-III, Oboe d'amore, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XXXVII/10, NBA I/4: 1; TP: Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel | Movements I and II fragments; Movements I, II, III, and V on 25 June 1730 reused in BWV 190a; Recorded |
| 153 | A25 | -- | -- | Schau, lieber Gott, wie meine Feind, BWV 153 | Unknown librettist | 2 January 1724 | Sonntag nach Neujahr (Sunday after New Year's Day) | Leipzig | A minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Violino I/II, Viola, Continuo | Full Score: BGA XXXII/3, NBA I/4: 6; TP: Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel | Recorded |
| 65 | A27 | -- | -- | Sie werden aus Saba alle kommen, BWV 65 | Unknown librettist | 6 January 1724 | Epiphaniastag (Feast of the Epiphany) | Early at the Thomaskirche Leipzig, afternoon at the Nikolaikirche Leipzig | C major | Sacred cantatas | Soli: T B, Coro: S A T B, Corno I/II, Flauto I/II, Oboe da caccia I/II, Violino I/II, Viola, Continuo | Full Score: BGA XVI/5, NBA I/5: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement VII in original untexted, Text added by Carl Friedrich Zelter after 1800 (10rh verse of "Was mein Gott will, das g'scheh all'zeit"); Recorded |
| 154 | A29 | -- | -- | Mein liebster Jesus ist verloren, BWV 154 | Unknown librettist | 9 January 1724 | 1. Sonntag nach Epiphanias (1st Sunday after Epiphany) | Early at the Nikolaikirche Leipzig | B minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Oboe d'amore I/II, Oboe I/II, Violino I/II, Viola, Cembalo, Continuo | Full Score: BGA XXXII/4, NBA I/5: 3; TP: Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel | Movement IV Cembalo part first in 1724?; Recorded |
| 155 | A32 | -- | -- | Mein Gott, wie lang, ach lange? BWV 155 | Salomo Franck | 16 January 1724 | 2. Sonntag nach Epiphanias (2nd Sunday after Epiphany) | Thomaskirche Leipzig | D minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Fagotto, Violino I/II, Viola, Continuo | Full Score: BGA XXXII/5, NBA I/5: 6, Carus-Verlag; TP: Editions Eulenburg; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 73 | A35 (Version 1724) | -- | -- | Herr, wie du willt, so schicks mit mir, BWV 73 | Unknown librettist | 23 January 1724 | 3. Sonntag nach Epiphanias (3rd Sunday after Epiphany) | Nikolaikirche Leipzig | G minor | Sacred cantatas | Soli: S T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Organo, Continuo | Full Score: BGA XVIII/3, NBA I/6: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements I and V set with Horn; Recorded |
| 81 | A39 | -- | -- | Jesus schläft, was soll ich hoffen? BWV 81 | Unknown librettist | 30 January 1724 | Letzter (4.) Sonntag nach Epiphanias (Last (4th) Sunday after Epiphany) | Thomaskirche Leipzig | E minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Flauto I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XX.1/1, NBA I/6: 6, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 83 | A167 | -- | -- | Erfreute Zeit im neuen Bunde, BWV 83 | Unknown librettist | 2 February 1724 | Feste Mariae Reinigung (Lichtmesse) (Feast of the Purification of Mary (or Feast of the Presentation of Jesus at the Temple) (Votive Mass)) | Early at the Nikolaikirche Leipzig, Vespers at the Thomaskirche Leipzig | F major | Sacred cantatas | Soli: A T B, Coro: S A T B, Corno I/II, Oboe I/II, Violino solo, Violino I/II, Viola, Continuo | Full Score: BGA XX.1/3, NBA I/28.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 144 | A41 | -- | -- | Nimm, was dein ist, und gehe hin, BWV 144 | Unknown librettist | 6 February 1724 | Sonntag Septuagesimae (Septuagesima Sunday) | Thomaskirche Leipzig | B minor | Sacred cantatas | Soli: S A T, Coro: S A T B, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Continuo | Full Score: BGA XXX/4, NBA I/7: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| -- | -- | -- | -- | -- | -- | 8 February 1724 | Trauung Johann Gottlieb Hoffmann und Johanna Gertraud Bösch (Wedding of Johann Gottlieb Hoffmann &
Johanna Gertraud Bösch) |
Thomaskirche Leipzig | -- | Sacred cantatas | -- | -- | Music and Text lost |
| 181 | A45 (Version 1724) | -- | -- | Leichtgesinnte Flattergeister, BWV 181 | Unknown librettist | 13 February 1724 | Sonntag Sexagesimae (Sexagesima Sunday) | Nikolaikirche Leipzig | E minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba, Flauto traverso, Oboe, Violino I/II, Viola, Continuo | Full Score: BGA XXXVII/1, NBA I/7: 6, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Before the Sermon; Movements I and V without Flauto traverso and Oboe; Movement III fragment, Obligato instrument lost (likely Violino solo); Recorded |
| 18 | A44b (Leipzig Version) | -- | -- | Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 | Erdmann Neumeister | 13 February 1724 | Sonntag Sexagesimae (Sexagesima Sunday) | Nikolaikirche Leipzig | A minor | Sacred cantatas | Soli: S T B, Coro: S A T B, Flauto I/II, Viola I-IV, Fagotto, Violoncello, Continuo | Full Score: BGA II/8 (Mixed version of BC A 44a and BC A 44b), NBA I/7: 5; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel | After the Sermon; With Flauti dolci; Recorded |
| 22 | A48 | -- | -- | Jesus nahm zu sich die Zwölfe, BWV 22 | Unknown librettist | 20 February 1724 | Sonntag Quinquagesimae (Esto mihi) (Quinquagesima Sunday (Estomihi Sunday)) | Thomaskirche Leipzig | G minor | Sacred Cantatas | Soli: A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Continuo | Full Score: BGA V.1/2, NBA I/8.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag; Facksimilie: Carus-Verlag | Before the Sermon; Recorded |
| 23 | A47b (Version 1724) | -- | -- | Du wahrer Gott und Davids Sohn, BWV 23 | Unknown librettist | 20 Feburary 1724 | Sonntag Quinquagesimae (Esto mihi) (Quinquagesima Sunday (Estomihi Sunday)) | Thomaskirche Leipzig | B minor | Sacred Cantatas | Soli: S A T, Coro: S A T B, Cornetto, Trombone I-III, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA V.1/3, NBA I/8.1: 3; Klavierauszug: Breitkopf und Härtel | After the Sermon; Movement IV added; With Brass instruments; Recorded |
| 182 | A172 (Version Leipzig 1724) | -- | -- | Himmelskönig, sei willkommen, BWV 182 | Most likely Salomo Franck | 25 March 1724 | Feste Mariae Verkündigung(Feast of the Annunciation) | Leipzig | G major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Flauto, Violino I/II, Viola I/II, Continuo | See Version 1714 | New version of Flauto solo in Movement V; Recorded |
| Anh. I 199 | -- | -- | -- | Siehe, eine Jungfrau ist schwanger, BWV Anh. 199 | Unknown librettist | 25 March 1724 | Feste Mariae Verkündigung(Feast of the Annunciation) | Leipzig | -- | Sacred Cantatas | -- | -- | Music and Text lost |
| 245 | D2a | -- | -- | Johannes-Passion "Herr, unser Herrscher" (St John Passion) | Unknown librettist | 7 April 1724 | Karfreitagsvesper(Good Friday Vespers) | Nikolaikirche Leipzig | G minor | Passions | Soli: S A T B, Coro: S A T B, Oboe I/II, Oboe d'amore, Oboe da caccia I/II, Violino I/II, Viola d'amore I/II, Viola, Viola da gamba, Liuto, Organo, Continuo | Full Score: NBA II/4 and Anhang I | No Flutes in work; Solos for Movement IX most likely Violins; Movement 33 only 3 measures long (Markus 15: 38); Movements XXXIV and XXXV without winds (Movement XXXV perhaps with Viola d'Amore set); Recorded |
| 31 | A55b (Version 1724) | -- | -- | Der Himmel lacht! Die Erde jubilieret, BWV 31 | Salomo Franck | 9 April 1724 | 1. Ostertag(1st Day of Easter (Easter Sunday)) | Early at the Nikolaikirche Leipzig, Vespers at the Thomaskirche Leipzg | C major | Sacred Cantatas | Soli: S T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I-III, Taille, Violino I/II, Viola I/II, Violoncello I/II, Fagotto, Continuo | Full Score: BGA VII/1, NBA I/9: 2, Carus-Verlag; Klavierauszug: Breitkopf und Härtel | Setting without Oboes I/II, Taille, and Fagotto; Movement VIII Cantus Firmus set with Viola I/II?, Violoncello in b.c., and Oboe I obligato; Recorded |
| 4 | A54b (Version 1724) | -- | -- | Christ lag in Todes Banden, BWV 4 | Martin Luther | 9 April 1724 | 1. Ostertag(1st Day of Easter (Easter Sunday)) | Early at the Nikolaikirche Leipzig, Vespers at the Thomaskirche Leipzg | E minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Violino I/II, Viola I/II, Continuo | Full Score: BGA I/4, NBA I/9: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag, Editions Eulenburg, Sammelband IBA Nr.16; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Movement VIII now 4-part Chorale; still no Brass instruments; Recorded |
| 66 | A56 | -- | -- | Erfreut euch, ihr Herzen, BWV 66 ("Dialogus") | Unknown librettist | 10 April 1724 | 2. Ostertag(2nd Day of Easter (Easter Monday)) | Early at the Thomaskirche Leipzig, Vespers at the Nikolaikirche Leipzg | D major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Tromba, Oboe I/II, Fagotto, Violino solo, Violino I/II, Viola, Continuo | Full Score: BGA XVI/6, NBA I/10: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Trumpet set ad libitum; Recorded |
| 134 | A59a (Version 1724) | -- | -- | Ein Herz, das seinen Jesum lebend weiß, BWV 134 | Unknown librettist | 11 April 1724 | 3. Ostertag(3rd Day of Easter (Easter Tuesday)) | Nikolaikirche Leipzg | B♭ major | Sacred Cantatas | Soli: A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/4, NBA I/10: 3 and Anhang | Recorded |
| 67 | A62 (Version 1724) | -- | -- | Halt im Gedächtnis Jesum Christ, BWV 67 | Unknown librettist | 16 April 1724 | Sonntag Quasimodogeniti(Quasimodogeniti Sunday) | Thomaskirche Leipzg | A major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Corno da tirarsi, Flauto traverso, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XVI/7, NBA I/11.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag, Sammelband IBA Nr. 6 | Movement II with Oboe d'Amore I but without Flauto traverso; Recorded |
| 104 | A65 | -- | -- | Du Hirte Israel, höre, BWV 104 | Unknown librettist | 23 April 1724 | Sonntag Misericordias Domini(Misericordias Domini Sunday) | Nikolaikirche Leipzg | G major | Sacred Cantatas | Soli: T B, Coro: S A T B, Oboe I/II, Taille (Oboe da caccia), Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIII/4, NBA I/11.1: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 12 | A68 | -- | -- | Weinen, Klagen, Sorgen, Zagen, BWV 12 | Salomo Franck | 30 April 1724 | Sonntag Jubilate(Jubilate Sunday) | Leipzg | G minor | Sacred Cantatas | Soli: A T B, Coro: S A T B, Tromba, Oboe, Fagotto, Violino I/II, Viola I/II, Continuo | Full Score: BGA II/2, NBA I/11.2: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 166 | A71 | -- | -- | Wo gehest du hin? BWV 166 | Unknown librettist | 7 May 1724 | Sonntag Cantate(Cantate Sunday) | Leipzg | B♭ major | Sacred Cantatas | Soli: A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Continuo | Full Score: BGA XXXIII/6, NBA I/12: 1; Klavierauszug: Breitkopf und Härtel | 2nd Obligato part lost (reconstructed) possibly Violin; Recorded |
| 86 | A73 | -- | -- | Wahrlich, wahrlich, ich sage euch, BWV 86 | Unknown librettist | 14 May 1724 | Sonntag Rogate(Rogate Sunday) | Leipzg | E major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XX.1/6, NBA I/12: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 37 | A75 | -- | -- | Wer da gläubet und getauft wird, BWV 37 | Unknown librettist | 18 May 1724 | Festo Ascensionis Christi (Himmelfahrt)(Feast of the Ascension) | Leipzg | A major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA VII/7, NBA I/12: 5, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Obligato part to Movement II lost (most likely Violino); Recorded |
| 44 | A78 | -- | -- | Sie werden euch in den Bann tun, BWV 44 | Unknown librettist | 21 May 1724 | Sonntag Exaudi(Exaudi Sunday) | Early at the Thomaskirche Leipzg | G minor | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA X/4, NBA I/12: 8; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 172 | A81b (1st Leipzig Version) | -- | -- | Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 | Probably Salomo Franck | 28 May 1724 | 1. Pfingsttag(1st Day of Pentecost (Whit Sunday)) | Leipzg | D major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo | Full Score: BGA XXXV/2, NBA I/13: 2; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Before the Sermon; Movement I repeated at conclusion; With Flauto traverso in Movements I, IV, and VI; Recorded |
| 59 | A82 | -- | -- | Wer mich liebet, der wird mein Wort halten, BWV 59 | Erdmann Neumeister | 28 May 1724 | 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) | Leipzig | C major | Sacred Cantatas | Soli: S B, Coro: S A T B, Tromba I/II, Tamburi, Violino I/II, Viola, Continuo | Full Score: BGA XII.2/9, NBA I/13: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag | Movements I-IV in the following order: I, II, IV, III; Movements I and IV reused as Movements I and II in BWV 74; Movement III reused as Movement Movement VII in BWV 175; Recorded |
| Anh. II 24/Anh. III 167 | -- | I/P/6 | -- | Missa in A minor, BWV Anh. II 24 | Unknown librettist | 28 May 1724 | 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) | Leipzig | A minor | Masses and Mass movements (Missa (Bach)) | Coro: S A T B, Violino I/II, Viola, Continuo | -- | By Johann Christoph Pez; Recorded |
| 173 | A85 | -- | -- | Erhöhtes Fleisch und Blut, BWV 173 | Unknown librettist | 29 May 1724 | 2. Pfingsttag (2nd Day of Pentecost (Whit Monday)) | Leipzig | D major | Sacred Cantatas | Soli: S A T B, Coro: S A T B, Flauto traverso I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXXV/3, NBA I/14: 1; Klavierauszug: Breitkopf und Härtel | Music parodied from BWV 173a Movements I-V (for Movements I-V) and Movement VIII (for Movement VI); Recorded |
| 184 | A88 | -- | -- | Erwünschtes Freudenlicht, BWV 184 | Unknown librettist | 30 May 1724 | 3. Pfingsttag (3rd Day of Pentecost (Whit Tuesday)) | Leipzig | G major | Sacred Cantatas | Soli: S A T, Coro: S A T B, Flauto traverso I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXXVII/4, NBA I/14: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements I-IV and VI parodied from BWV 184a Movements I-V; Movement VI in 1733 reused as Movement XIII of BWV 213 and in 1735 as Movement I (43) of BWV 248/V; Recorded |
| 165 | A90 | -- | -- | O heilges Geist- und Wasserbad, BWV 165 | Salomo Franck | 4 June 1724 | Trinitatis (Trinity Sunday) | Leipzig | G major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXXIII/5, NBA I/15: 1; Klavierauszug: Breitkopf und Härtel | Preparation of a new score copy (with revisions?); Recorded |
| 194 | A91a (1st Leipzig Version) | -- | -- | Höchsterwünschtes Freudenfest, BWV 194 | Unknown librettist | 4 June 1724 | Trinitatis (Trinity Sunday) | Leipzig | B♭ major | Sacred cantatas | Soli: S T B, Coro: S A T B, Oboe I-III, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXIX/9, NBA I/31: 5; Klavierauszug: Breitkopf und Härtel | End of 1st year in Leipzig and 1st Cantata Cycle; Recorded |
| 20 | A95 | -- | -- | O Ewigkeit, du Donnerwort, BWV 20 | Unknown librettist | 11 June 1724 | 1. Sonntag nach Trinitatis (Sonntag Corpus Christi) (1st Sunday after Trinity (Corpus Christi Sunday)) | Nikolaikirche Leipzig | F major | Sacred cantatas | Soli: A T B, Coro: S A T B, Tromba, Tromba da tirarsi, Oboe I-III, Violino I/II, Viola, Continuo | Full Score: BGA II/10, NBA I/15: 5, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements I and VII with Tromba da tirarsi; 1st work of 2nd Leipzig Year and 2nd Cantata Cycle (Chorale Cantatas); Recorded |
| 2 | A98 | -- | -- | Ach Gott, vom Himmel sieh darein, BWV 2 | Unknown librettist | 18 June 1724 | 2. Sonntag nach Trinitatis (2nd Sunday after Trinity) | Leipzig | G minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Trombone I-IV, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA I/2, NBA I/16: 2, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 7 | A177 | -- | -- | Christ unser Herr zum Jordan kam, BWV 7 | Unknown librettist | 24 June 1724 | Johannistag (Feast of the Nativity of St. John the Baptist) | Leipzig | E minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Oboe d'amore I/II, Violino concertante I/II, Violino I/II, Viola, Continuo | Full Score: BGA I/7, NBA I/29: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 135 | A100 | -- | -- | Ach Herr, mich armen Sünder, BWV 135 | Unknown librettist | 25 June 1724 | 3. Sonntag nach Trinitatis (3rd Sunday after Trinity) | Leipzig | A minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Cornetto, Trombone, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/5, NBA I/16: 4; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Performance probably without Bach's involvement, as he was testing an Organ in Gera on that date; Recorded |
| 10 | A175 | -- | -- | Meine Seel erhebt den Herren, BWV 10 | Unknown librettist | 2 July 1724 | Festo Mariae Heimsuchung (Feast of the Visitation of Mary) | Leipzig | G minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA I/10, NBA I/28.2: 3; Klavierauszug: Breitkopf und Härtel | 4th Sunday after Trinity that year fell on 2 July, hence the Feast of the Visitation took presedence; Movement V with Trumpet; Movement V ca. 1748/1749 reused as BWV 648 (BC K25); Recorded |
| 93 | A104 | -- | -- | Wer nur den lieben Gott läßt walten, BWV 93 | Unknown librettist | 9 July 1724 | 5. Sonntag nach Trinitatis (5th Sunday after Trinity) | Leipzig | C minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXII/3, NBA I/17.2: 1; TP: Editions Eulenburg | Movement IV ca. 1748/1749 reused as BWV 647 (BC K24); Recorded |
| -- | -- | -- | -- | -- | -- | 16 July 1724 | 6. Sonntag nach Trinitatis (6th Sunday after Trinity) | -- | -- | -- | -- | -- | Skipped |
| 107 | A109 | -- | -- | Was willst du dich betrüben, BWV 107 | Johann Heermann | 23 July 1724 | 7. Sonntag nach Trinitatis (7th Sunday after Trinity) | Leipzig | B minor | Sacred cantatas | Soli: S T B, Coro: S A T B, Corno da caccia, Flauto traverso I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIII/7, NBA I/18: 3; Klavierauszug: Breitkopf und Härtel | First known evidence of use of Transverse Flute in Leipzig; Recorded |
| 178 | A112 | -- | -- | Wo Gott der Herr nicht bei uns hält, BWV 178 | Unknown librettist | 30 July 1724 | 8. Sonntag nach Trinitatis (8th Sunday after Trinity) | Leipzig | A minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Oboe I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXXV/8 (other instrumental parts in BGA XLI/11), NBA I/18: 6, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | After 1750 performed in Leipzig by Bach's successor Johann Gottlob Harrer and in Halle by Wilhelm Friedemann Bach; Recorded |
| 94 | A115 | -- | -- | Wo Gott der Herr nicht bei uns hält, BWV 178 | Unknown librettist | 6 August 1724 | 9. Sonntag nach Trinitatis (9th Sunday after Trinity) | Leipzig | D major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Flauto traverso, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Continuo | Full Score: BGA XIX/4, NBA I/19: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | With Organ in Movements II, IV, and VII; possibly by performance Flauto traverso replaced by Recorder?; Recorded |
| 101 | A118 (Orignial version) | -- | -- | Nimm von uns, Herr, du treuer Gott, BWV 101 | Unknown librettist | before 13 August 1724 | 10. Sonntag nach Trinitatis (10th Sunday after Trinity) | Leipzig | D minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Tromba I-III, Oboe I/II, Oboe da caccia (Taille), Flauto traverso solo, Violino I/II, Viola, Continuo | Full Score: NBA I/19: 5 and Anhang | Movement II with Flauto traverso solo; Recorded |
| 101 | A118 | -- | -- | Nimm von uns, Herr, du treuer Gott, BWV 101 | Unknown librettist | 13 August 1724 | 10. Sonntag nach Trinitatis (10th Sunday after Trinity) | Leipzig | D minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Tromba I-III, Oboe I/II, Oboe da caccia (Taille), Violino solo, Violino I/II, Viola, Continuo | Full Score: BGA XXIII/1, NBA I/19: 5, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement II with Violino solo; Recorded |
| 113 | A122 | -- | -- | Herr Jesu Christ, du höchstes Gut, BWV 113 | Unknown librettist | 20 August 1724 | 11. Sonntag nach Trinitatis (11th Sunday after Trinity) | Leipzig | B minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Flauto traverso, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIV/3, NBA I/20: 7, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| -- | -- | -- | -- | -- | -- | 27 August 1724 | 12. Sonntag nach Trinitatis (12th Sunday after Trinity) | -- | -- | -- | -- | -- | Skipped |
| -- | -- | -- | -- | -- | -- | 28 August 1724 | Ratswahl (Change of Town Council) | -- | -- | -- | -- | -- | Text and Music lost |
| 33 | A127 | -- | -- | Allein zu dir, Herr Jesu Christ, BWV 33 | Unknown librettist | 3 September 1724 | 13. Sonntag nach Trinitatis (13th Sunday after Trinity) | Leipzig | A minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA VII/3, NBA I/21: 2; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 78 | A130 (Version 1724) | -- | -- | Jesu, der du meine Seele, BWV 78 | Unknown librettist | 10 September 1724 | 14. Sonntag nach Trinitatis (14th Sunday after Trinity) | Leipzig | G minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Oboe I/II, Violino I/II, Viola, Violone, Organo, Continuo | Full Score: BGA XVIII/8, NBA I/21: 5, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movements I and VII with Horn, but without Flauto traverso; Recorded |
| 99 | A133 | -- | -- | Was Gott tut, das ist wohlgetan, BWV 99 | Unknown librettist | 17 September 1724 | 15. Sonntag nach Trinitatis (15th Sunday after Trinity) | Leipzig | G major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Cornetto, Flauto traverso, Oboe d'amore, Violino I/II, Viola, Continuo | Full Score: BGA XXII/9, NBA I/22: 2, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement I ca. 1734 reused as Movement I of BWV 100; Recorded |
| 8 | A137 (Original Version) | -- | -- | Liebster Gott, wenn werd ich sterben? BWV 8 | Unknown librettist | Before 24 September 1724 | 16. Sonntag nach Trinitatis (16th Sunday after Trinity) | Leipzig | E major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Flauto piccolo, Oboe d'amore I/II, Violino I/II, Viola, Continuo | -- | Movements I, IV, and VI set with Flauto piccolo instead of Flauto traverso |
| 8 | A137a (Early Version) | -- | -- | Liebster Gott, wenn werd ich sterben? BWV 8 | Unknown librettist | 24 September 1724 | 16. Sonntag nach Trinitatis (16th Sunday after Trinity) | Leipzig | E major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Flauto piccolo, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA I/8, NBA I/23: 4, Carus-Verlag (E major); TP: Carus-Verlag (E major); Klavierauszug: Breitkopf und Härtel, Carus-Verlag (E major) | Movement I with Flauto traverso instead of Flauto piccolo, Measures 41-50 adapted; Movement IV with Flauto traverso/piccolo; Movement VI with Flauto traverso/piccolo all' ottava; Recorded |
| 130 | A179a (Earlier Version) | -- | -- | Herr Gott, dich loben alle wir, BWV 130 | Unknown librettist | 29 September 1724 | Michaelistag (Michaelmas) | Leipzig | C major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto traverso, Oboe I-III, Violino I/II, Viola, Continuo | Full Score: BGA XXVI/10, NBA I/30: 1; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement III with Trumpets I-III and Timpani; Recorded |
| 114 | A139 | -- | -- | Ach, lieben Christen, seid getrost, BWV 114 | Unknown librettist | 1 October 1724 | 17. Sonntag nach Trinitatis (17th Sunday after Trinity) | Nikolaikirche Leipzig | G minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Flauto traverso solo, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIV/4, NBA I/23: 8, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 96 | A142 (Earlier Version) | -- | -- | Herr Christ, der einge Gottessohn, BWV 96 | Unknown librettist | 8 October 1724 | 18. Sonntag nach Trinitatis (18th Sunday after Trinity) | Thomaskirche Leipzig | F major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Trombone, Flauto traverso, Flauto piccolo, Oboe I/II, Violino piccolo, Violino I/II, Viola, Continuo | Full Score: BGA XXII/6, NBA I/24: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement I with Flauto piccolo; Recorded |
| 5 | A145 | -- | -- | Wo soll ich fliehen hin, BWV 5 | Unknown librettist | 15 October 1724 | 19. Sonntag nach Trinitatis (19th Sunday after Trinity) | Nikolaikirche Leipzig | G minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Tromba da tirarsi, Oboe I/II, Violino I/II, Viola, Violoncello, Continuo | Full Score: BGA I/5, NBA I/24: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 180 | A149 | -- | -- | Schmücke dich, o liebe Seele, BWV 180 | Unknown librettist | 22 October 1724 | 20. Sonntag nach Trinitatis (20th Sunday after Trinity) | Thomaskirche Leipzig | F major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Flauto I/II, Flauto traverso, Oboe, Oboe da caccia, Violino I/II, Viola, Violoncello piccolo, Continuo | Full Score: BGA XXXV/10, NBA I/25: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 38 | A152 | -- | -- | Aus tiefer Not schrei ich zu dir, BWV 38 | Unknown librettist | 29 October 1724 | 21. Sonntag nach Trinitatis (21st Sunday after Trinity) | Thomaskirche Leipzig | E Phrygian | Sacred cantatas | Soli: S A T B, Coro: S A T B, Trombone I-IV, Oboe I/II, Violino I/II, Viola, Continuo | Full Score: BGA VII/8, NBA I/25: 6, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 76/II | A185(b) | -- | -- | Gott segne noch die treue Schar, BWV 76/II | Unknown librettist | 31 October 1724 | Reformationsfest (Reformation Day) | Leipzig | E minor | Sacred cantatas | Soli: A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Violino I/II, Violino solo, Viola da gamba, Continuo | Full Score: BGA XVIII/6, NBA I/16: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement I ca. 1730 arranged as Movement I of BWV 528; Recorded |
| -- | -- | I/T/1 | TWV 8: 6 | Der Herr ist König, TWV 8: 6 | Unknown librettist | 31 October 1724 | Reformationsfest (Reformation Day) | Paulinerkirhce, Leipzig | ? | Motets | Coro: S A T B | -- | 1 Movement arranged by Bach |
| 115 | A156 | -- | -- | Mache dich, mein Geist, bereit, BWV 115 | Unknown librettist | 5 November 1724 | 22. Sonntag nach Trinitatis (22nd Sunday after Trinity) | Leipzig | G major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Oboe d'amore, Violino I/II, Viola, Violoncello piccolo, Continuo | Full Score: BGA XXIV/5, NBA I/26: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 139 | A159 | -- | -- | Wohl dem, der sich auf seinen Gott, BWV 139 | Unknown librettist | 12 November 1724 | 23. Sonntag nach Trinitatis (23rd Sunday after Trinity) | Leipzig | E major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/9, NBA I/26: 6; Klavierauszug: Breitkopf und Härtel | 2nd Obligato Instrument in Movement II lost; Recorded |
| 26 | A162 | -- | -- | Ach wie flüchtig, ach wie nichtig, BWV 26 | Unknown librettist | 19 November 1724 | 24. Sonntag nach Trinitatis (24th Sunday after Trinity) | Leipzig | A minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Oboe I-III, Violino solo, Violino I/II, Viola, Organo, Continuo | Full Score: BGA V.1/6, NBA I/27: 2; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel | Recorded |
| 116 | A164 | -- | -- | Du Friedefürst, Herr Jesu Christ, BWV 116 | Unknown librettist | 26 November 1724 | 25. Sonntag nach Trinitatis (25th Sunday after Trinity) | Leipzig | A major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXIV/6, NBA I/27: 4; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Movement IV in two different versions; Recorded |
| 62 | A2 | -- | -- | Nun komm, der Heiden Heiland, BWV 62 | Unknown librettist | 3 December 1724 | 1. Adventsonntag (1st Sunday of Advent) | Leipzig | B minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Violone, Continuo | Full Score: BGA XVI/2, NBA I/1: 4, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Original parts of Movement IV with Violins and Violas all'ottava along with Solo Bass and b.c., Fair Score Copy of Movement IV only Solo Bass and b.c.; Recorded |
| 91 | A9a (Early Version) | -- | -- | Gelobet seist du, Jesu Christ, BWV 91 | Unknown librettist | 25 December 1724 | 1. Weinachtstag (1st Day of Christmas (Christmas Day)) | Leipzig | G major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Corno I/II, Tamburi, Oboe I-III, Violino I/II, Viola, Fagotto, Continuo | Full Score: BGA XXII/1, NBA I/2: 4, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 232 III | E12 | -- | -- | Sanctus in D major, BWV 232 III | Unknown librettist | 25 December 1724 | 1. Weinachtstag (1st Day of Christmas (Christmas Day)) | Leipzig | D major | Masses and Mass movements (Sanctuses) | Coro: S.I S.II A.I A.II T B, Tromba I-III, Tamburi, Oboe I-III, Violino I/II, Viola, Continuo | Full Score: BGA VI/3, NBA II/1a: 3 | Recorded |
| 121 | A13 | -- | -- | Christum wir sollen loben schon, BWV 121 | Unknown librettist | 26 December 1724 | 2. Weinachtstag (Stephanustag) (2nd Day of Christmas (St. Stephen's Day)) | Leipzig | E dorian | Sacred cantatas | Soli: S A T B, Coro: S A T B, Cornetto, Trombone I-III, Oboe d'amore, Violino I/II, Viola, Continuo | Full Score: BGA XXVI/1, NBA I/3.1: 2; Klavierauszug: Breitkopf und Härtel | Recorded |
| 133 | A16 | -- | -- | Ich freue mich in dir, BWV 133 | Unknown librettist | 27 December 1724 | 3. Weinachtstag (Johannesstag) (3rd Day of Christmas (Feast of St. John the Apostle (St. John the Evangelist))) | Leipzig | D major | Sacred cantatas | Soli: S A T B, Coro: S A T B, Cornetto, Oboe d'amore I/II, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/3, NBA I/3.1: 5; Klavierauszug: Breitkopf und Härtel, Carus-Verlag | Recorded |
| 122 | A19 | -- | -- | Das neugeborne Kindelein, BWV 122 | Unknown librettist | 31 December 1724 | Sonntag nach Weinachtsen (Sylvestertag) (Sunday after Christmas Day (Feast of St. Sylvester)) | Leipzig | G minor | Sacred cantatas | Soli: S A T B, Coro: S A T B, Flauto I-III, Oboe I/II, Taille, Violino I/II, Viola, Continuo | Full Score: BGA XXVIII/3, NBA I/3.1: 5; Klavierauszug: Breitkopf und Härtel | Recorded |
| 120 | B6 | {{LinkWorkN|Gott, man lobet dich in der Stille|BWV 120|Bach|Johann Sebastian|0}} | A major | 1728–29? | Secular cantatas | For 4 voices, mixed chorus, orchestra | re-used in BWV 120a, 120b | ||||||
| 120a | B15 | {{LinkWorkN|Herr Gott, Beherrscher aller Dinge|BWV 120a|Bach|Johann Sebastian|0}} | D major | 1729? | Secular cantatas | For 4 voices, mixed chorus, orchestra | based on BWV 120; partly lost | ||||||
| 120b | B28 | Gott, man lobet dich in der Stille | 1730 | Secular cantatas | lost | ||||||||
| 121 | A13 | {{LinkWorkN|Christum wir sollen loben schon|BWV 121|Bach|Johann Sebastian|0}} | E minor | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 122 | A19 | {{LinkWorkN|Das neugeborne Kindelein|BWV 122|Bach|Johann Sebastian|0}} | G minor | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 123 | A28 | {{LinkWorkN|Liebster Immanuel, Herzog der Frommen|BWV 123|Bach|Johann Sebastian|0}} | B minor | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 124 | A30 | {{LinkWorkN|Meinen Jesum lass ich nicht|BWV 124|Bach|Johann Sebastian|0}} | E major | 1725 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 125 | A168 | {{LinkWorkN|Mit Fried und Freud ich fahr dahin|BWV 125|Bach|Johann Sebastian|0}} | E minor | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 126 | A46 | {{LinkWorkN|Erhalt uns, Herr, bei deinem Wort|BWV 126|Bach|Johann Sebastian|0}} | A minor | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 127 | A49 | {{LinkWorkN|Herr Jesu Christ, wahr' Mensch und Gott|BWV 127|Bach|Johann Sebastian|0}} | F major | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 128 | A76 | {{LinkWorkN|Auf Christi Himmelfahrt allein|BWV 128|Bach|Johann Sebastian|0}} | G major | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 129 | A93 | {{LinkWorkN|Gelobet sei der Herr, mein Gott|BWV 129|Bach|Johann Sebastian|0}} | D major | 1726 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 130 | A179 | {{LinkWorkN|Herr Gott, dich loben alle wir|BWV 130|Bach|Johann Sebastian|0}} | C major | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 131 | B25 | {{LinkWorkN|Aus der Tiefe rufe ich, Herr, zu dir|BWV 131|Bach|Johann Sebastian|0}} | G minor | 1707–08 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 131a | J62 | Fugue | G minor | — | Fugues | For organ | Bach's authorship uncertain; arranged from the finale of BWV 131 | ||||||
| 132 | A6 | {{LinkWorkN|Bereitet die Wege, bereitet die Bahn|BWV 132|Bach|Johann Sebastian|0}} | A major | 1715 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 133 | A16 | {{LinkWorkN|Ich freue mich in dir|BWV 133|Bach|Johann Sebastian|0}} | D major | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 134 | A59 | {{LinkWorkN|Ein Herz, das seinen Jesum lebend weiss|BWV 134|Bach|Johann Sebastian|0}} | B♭ major | 1724 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | based on BWV 134a | ||||||
| 134a | G5 | {{LinkWorkN|Die Zeit, die Tag und Jahre macht|BWV 134a|Bach|Johann Sebastian|0}} | B♭ major | 1718 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | revised as BWV 134 | ||||||
| 135 | A100 | {{LinkWorkN|Ach Herr, mich armen Sünder|BWV 135|Bach|Johann Sebastian|0}} | E minor | 1724 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 136 | A111 | {{LinkWorkN|Erforsche mich, Gott, und erfahre mein Herz|BWV 136|Bach|Johann Sebastian|0}} | A major | 1723 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | partly re-used in BWV 234 | ||||||
| 137 | A124 | {{LinkWorkN|Lobe den Herren, den mächtigen König der Ehren|BWV 137|Bach|Johann Sebastian|0}} | C major | 1725 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | movt.II adapted in BWV 650 | ||||||
| 138 | A132 | {{LinkWorkN|Warum betrübst du dich, mein Herz|BWV 138|Bach|Johann Sebastian|0}} | B minor | 1723 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly re-used in BWV 236 | ||||||
| 139 | A159 | {{LinkWorkN|Wohl dem, der sich auf seinen Gott|BWV 139|Bach|Johann Sebastian|0}} | E major | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 140 | A166 | {{LinkWorkN|Wachet auf, ruft uns die Stimme|BWV 140|Bach|Johann Sebastian|0}} | E♭ major | 1731 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | movt.IV adapted in BWV 645 | ||||||
| 141 | V3 | {{LinkWorkN|Das ist je gewisslich wahr|BWV 141|Bach|Johann Sebastian|0}} | G major | — | Sacred cantatas | For 3 voices, mixed chorus, orchestra | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} | ||||||
| 142 | V4 | {{LinkWorkN|Uns ist ein Kind geboren||Kuhnau|Johann|0}} | A minor | — | Sacred cantatas | For 3 voices, mixed chorus, orchestra | spurious; probably compoed by {{LinkComp|Johann|Kuhnau}} | ||||||
| 143 | T1 | {{LinkWorkN|Lobe den Herrn, meine Seele|BWV 143|Bach|Johann Sebastian|0}} | B♭ major | 1708–14 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | Bach's authorship uncertain | ||||||
| 144 | A41 | {{LinkWorkN|Nimm, was dein ist, und gehe hin|BWV 144|Bach|Johann Sebastian|0}} | B minor | 1724 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 145 | A60 | {{LinkWorkN|Ich lebe, mein Herze, zu deinem Ergötzen|BWV 145|Bach|Johann Sebastian|0}} | D major | 1729 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 146 | A70 | {{LinkWorkN|Wir müssen durch viel Trübsal|BWV 146|Bach|Johann Sebastian|0}} | D minor | 1726 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly based on BWV 1052 | ||||||
| 147 | A174 | {{LinkWorkN|Herz und Mund und Tat und Leben|BWV 147|Bach|Johann Sebastian|0}} | C major | 1723 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | based on BWV 147a | ||||||
| 147a | A7 | Herz und Mund und Tat und Leben | 1716 | Sacred cantatas | lost; revised as BWV 147 | ||||||||
| 148 | A140 | {{LinkWorkN|Bringet dem Herrn Ehre seines Namens|BWV 148|Bach|Johann Sebastian|0}} | D major | 1723 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | |||||||
| 149 | A181 | {{LinkWorkN|Man singet mit Freuden vom Sieg|BWV 149|Bach|Johann Sebastian|0}} | D major | 1729 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 150 | B24 | {{LinkWorkN|Nach dir, Herr, verlanget mich|BWV 150|Bach|Johann Sebastian|0}} | B minor | 1706 | Secular cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 151 | A17 | {{LinkWorkN|Süsser Trost, mein Jesus kömmt|BWV 151|Bach|Johann Sebastian|0}} | G major | 1726, rev. 1727? | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 152 | A18 | {{LinkWorkN|Tritt auf die Glaubensbahn|BWV 152|Bach|Johann Sebastian|0}} | 1714 | Sacred cantatas | For 2 voices, orchestra | ||||||||
| 153 | A25 | {{LinkWorkN|Schau, lieber Gott, wie meine Feind|BWV 153|Bach|Johann Sebastian|0}} | A minor | 1723 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 154 | A29 | {{LinkWorkN|Mein liebster Jesus ist verloren|BWV 154|Bach|Johann Sebastian|0}} | B minor | 1724 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 155 | A32 | {{LinkWorkN|Mein Gott, wie lang, ach lange|BWV 155|Bach|Johann Sebastian|0}} | D minor | 1716 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 156 | A38 | {{LinkWorkN|Ich steh mit einem Fuss im Grabe|BWV 156|Bach|Johann Sebastian|0}} | F major | 1729 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | sinfonia based on BWV 1056 | ||||||
| 157 | A170 | {{LinkWorkN|Ich lasse dich nicht, du segnest mich denn!|BWV 157|Bach|Johann Sebastian|0}} | B minor | 1728 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | based on BWV 157a | ||||||
| 157a | B20 | Ich lasse dich nicht, du segnest mich denn! | B minor | 1727 | Secular cantatas | For 2 voices, mixed chorus, orchestra | revised as BWV 157 | ||||||
| 158 | A61 | {{LinkWorkN|Der Friede sei mit dir|BWV 158|Bach|Johann Sebastian|0}} | D major | 1732–35 | Sacred cantatas | For voice, mixed chorus, oboe, violin, continuo | based on BWV 158a | ||||||
| 158a | A61 | Der Friede sei mit dir | D major | 1732–35 | Sacred cantatas | For voice, mixed chorus, oboe, violin, continuo | incomplete; revised as BWV 158 | ||||||
| 159 | A50 | {{LinkWorkN|Sehet, wir geh'n hinauf gen Jerusalem|BWV 159|Bach|Johann Sebastian|0}} | C minor | 1729 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 160 | V5 | {{LinkWorkN|Ich weiss, dass mein Erlöser lebt|BWV 160|Bach|Johann Sebastian|0}} | C major | — | Sacred cantatas | For voice, bassoon, violin, continuo | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:877) | ||||||
| 161 | A135 | {{LinkWorkN|Komm, du süsse Todesstunde|BWV 161|Bach|Johann Sebastian|0}} | C major | 1715 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | |||||||
| 162 | A90 | {{LinkWorkN|Ach! ich sehe, itzt, da ich zur Hochzeit gehe|BWV 162|Bach|Johann Sebastian|0}} | A minor | 1716 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | incomplete | ||||||
| 163 | A158 | {{LinkWorkN|Nur jedem das Seine|BWV 163|Bach|Johann Sebastian|0}} | B mnor | 1715 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 164 | A128 | {{LinkWorkN|Ihr, die ihr euch von Christo nennet|BWV 164|Bach|Johann Sebastian|0}} | G minor | 1725 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 165 | A90 | {{LinkWorkN|O heilges Geist- und Wasserbad|BWV 165|Bach|Johann Sebastian|0}} | G major | 1715 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 166 | A71 | {{LinkWorkN|Wo gehest du hin?|BWV 166|Bach|Johann Sebastian|0}} | B♭ major | 1724 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | incomplete | ||||||
| 167 | A176 | {{LinkWorkN|Ihr Menschen, rühmet Gottes Liebe|BWV 167|Bach|Johann Sebastian|0}} | G major | 1723 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 168 | A116 | {{LinkWorkN|Tue Rechnung! Donnerwort|BWV 168|Bach|Johann Sebastian|0}} | B minor | 1725 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 169 | A143 | {{LinkWorkN|Gott soll allein mein Herze haben|BWV 169|Bach|Johann Sebastian|0}} | D major | 1726 | Sacred cantatas | For voice, mixed chorus, orchestra | partly based on BWV 1053 | ||||||
| 170 | A106 | {{LinkWorkN|Vergnügte Ruh, beliebte Seelenlust|BWV 170|Bach|Johann Sebastian|0}} | D major | 1726 | Sacred cantatas | For voice, orchestra | |||||||
| 171 | A24 | {{LinkWorkN|Gott, wie dein Name, so ist auch dein Ruhm|BWV 171|Bach|Johann Sebastian|0}} | D major | 1728? | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 172/1 | A81a | {{LinkWorkN|Erschallet, ihr Lieder|BWV 172|Bach|Johann Sebastian|0}} | D major | 1714 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | 1st version | ||||||
| 172/2 | A81b | {{LinkWorkN|Erschallet, ihr Lieder|BWV 172|Bach|Johann Sebastian|0}} | C major | 1731 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | 2nd version | ||||||
| 173 | A85 | {{LinkWorkN|Erhöhtes Fleisch und Blut|BWV 173|Bach|Johann Sebastian|0}} | D major | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | based on BWV 173a | ||||||
| 173a | G9 | {{LinkWorkN|Durchlauchtster Leopold|BWV 173a|Bach|Johann Sebastian|0}} | D major | 1717–22? | Secular cantatas | For 2 voices, orchestra | revised as BWV 173 | ||||||
| 174 | A87 | {{LinkWorkN|Ich liebe den Höchsten von ganzem Gemüte|BWV 174|Bach|Johann Sebastian|0}} | G major | 1729 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 175 | A89 | {{LinkWorkN|Er rufet seinen Schafen mit Namen|BWV 175|Bach|Johann Sebastian|0}} | G major | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 176 | A92 | {{LinkWorkN|Es ist ein trotzig und verzagt Ding|BWV 176|Bach|Johann Sebastian|0}} | C minor | 1725 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 177 | A103 | {{LinkWorkN|Ich ruf zu dir, Herr Jesu Christ|BWV 177|Bach|Johann Sebastian|0}} | G minor | 1732 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 178 | A112 | {{LinkWorkN|Wo Gott der Herr nicht bei uns hält|BWV 178|Bach|Johann Sebastian|0}} | A minor | 1724 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 179 | A121 | {{LinkWorkN|Siehe zu, dass deine Gottesfurcht|BWV 179|Bach|Johann Sebastian|0}} | G major | 1723 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | partly re-used in BWV 234, BWV 236 | ||||||
| 180 | A149 | {{LinkWorkN|Schmücke dich, o liebe Seele|BWV 180|Bach|Johann Sebastian|0}} | F major | 1724 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 181/1 | A45 | {{LinkWorkN|Leichtgesinnte Flattergeister|BWV 181|Bach|Johann Sebastian|0}} | E minor | 1724, rev. 1743–46 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 182/1 | A53 | {{LinkWorkN|Himmelskönig, sei willkommen|BWV 182|Bach|Johann Sebastian|0}} | G major | 1714 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | 1st version | ||||||
| 182/2 | A172 | {{LinkWorkN|Himmelskönig, sei willkommen|BWV 182|Bach|Johann Sebastian|0}} | G major | 1728 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | 2nd version | ||||||
| 183 | A79 | {{LinkWorkN|Sie werden euch in den Bann tun|BWV 183|Bach|Johann Sebastian|0}} | A minor | 1725 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 184 | A88 | {{LinkWorkN|Erwünschtes Freudenlicht|BWV 184|Bach|Johann Sebastian|0}} | G major | 1724 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | based on BWV 184a | ||||||
| 184a | G8 | Cantata | G major | 1720 | Sacred cantatas | lost; possibly the same as BWV Anh.8; revised as BWV 184 | |||||||
| 185 | A101 | {{LinkWorkN|Barmherziges Herze der ewigen Liebe|BWV 185|Bach|Johann Sebastian|0}} | F♯ minor | 1715 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 186 | A108 | {{LinkWorkN|Ärgre dich, o Seele, nicht|BWV 186|Bach|Johann Sebastian|0}} | G minor | 1723 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | based on BWV 186a | ||||||
| 186a | A108 | Ärgre dich, o Seele, nicht | 1716 | Sacred cantatas | lost; revised as BWV 186 | ||||||||
| 187 | A110 | {{LinkWorkN|Es wartet Alles auf dich|BWV 187|Bach|Johann Sebastian|0}} | G minor | 1726 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | parts re-used in BWV 235 | ||||||
| 188 | A154 | {{LinkWorkN|Ich habe meine Zuversicht|BWV 188|Bach|Johann Sebastian|0}} | D minor | 1728 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | sinfonia based on BWV 1052 | ||||||
| 189 | V6 | {{LinkWorkN|Meine Seele rühmt und preist||Hoffmann|Melchior|0}} | B♭ major | — | Sacred cantatas | For voice, orchestra | spurious; composed by {{LinkComp|Melchior|Hoffmann}} | ||||||
| 190 | A21 | {{LinkWorkN|Singet dem Herrn ein neues Lied|BWV 190|Bach|Johann Sebastian|0}} | D major | 1723 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | partly lost; revised as BWV 190a | ||||||
| 190a | B27 | Singet dem Herrn ein neues Lied | D major | 1730 | Secular cantatas | lost | |||||||
| 191 | E16 | {{LinkWorkN|Gloria in excelsis Deo|BWV 191|Bach|Johann Sebastian|0}} | D major | 1741–45 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | based on BWV 232/1 | ||||||
| 192 | A188 | {{LinkWorkN|Nun danket alle Gott|BWV 192|Bach|Johann Sebastian|0}} | G major | 1730 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | partly lost | ||||||
| 193 | B5 | {{LinkWorkN|Ihr Tore zu Zion|BWV 193|Bach|Johann Sebastian|0}} | D major | 1727 | Secular cantatas | For 2 voices, mixed chorus, orchestra | incomplete | ||||||
| 193a | G15 | Ihr Häuser des Himmels, ihr scheinenden Lichter | 1727 | Secular cantatas | lost | ||||||||
| 194 | A91 | {{LinkWorkN|Höchsterwünschtes Freudenfest|BWV 194|Bach|Johann Sebastian|0}} | B♭ major | 1723 | Sacred cantatas | For 3 voices, mixed chorus, orchestra | based on BWV 194a | ||||||
| 194a | G11 | Cantata [for the consecration of the organ at Störmthal] | 1723 | Secular cantatas | lost; revised as BWV 194 | ||||||||
| 195 | B14 | {{LinkWorkN|Dem Gerechten muss das Licht|BWV 195|Bach|Johann Sebastian|0}} | D major | 1727–31, rev. 1742, 1748–49 | Secular cantatas | partly lost | |||||||
| 196 | B11 | {{LinkWorkN|Der Herr denket an uns|BWV 196|Bach|Johann Sebastian|0}} | C major | 1707–08 | Secular cantatas | For 3 voices, mixed chorus, orchestra | |||||||
| 197 | B16 | {{LinkWorkN|Gott ist unsre Zuversicht|BWV 197|Bach|Johann Sebastian|0}} | D major | 1736–37 | Secular cantatas | For 3 voices, mixed chorus, orchestra | partly based on BWV 197a | ||||||
| 197a | A11 | {{LinkWorkN|Ehre sei Gott in der Höhe|BWV 197a|Bach|Johann Sebastian|0}} | D major | 1728 | Sacred cantatas | For 2 voices, mixed chorus, orchestra | re-used in BWV 197; partly lost | ||||||
| 198 | G34 | {{LinkWorkN|Lass, Fürstin, lass noch einen Strahl|BWV 198|Bach|Johann Sebastian|0}} (Trauer-Ode) | B minor | 1727 | Secular cantatas | For 4 voices, mixed chorus, orchestra | partly re-used in BWV 244a, BWV 247 | ||||||
| 199 | A120 | {{LinkWorkN|Mein Herze schwimmt im Blut|BWV 199|Bach|Johann Sebastian|0}} | C minor | 1714 | Sacred cantatas | For voice, orchestra | |||||||
| 200 | A192 | {{LinkWorkN|Bekennen will ich seinen Namen|BWV 200|Bach|Johann Sebastian|0}} | E major | 1742–43 | Sacred cantatas | For voice, 2 violins, continuo | incomplete (aria only) | ||||||
| 201 | G46 | {{LinkWorkN|Geschwinde, ihr wirbelnden Winde|BWV 201|Bach|Johann Sebastian|0}} (Der Streit zwischen Phoebus und Pan) | D major | 1729? | Secular cantatas | For 6 voices, mixed chorus, orchestra | |||||||
| 202 | G41 | {{LinkWorkN|Weichet nur, betrübte Schatten|BWV 202|Bach|Johann Sebastian|0}} | G major | 1730? | Secular cantatas | For voice, oboe, strings, continuo | |||||||
| 203 | G51 | {{LinkWorkN|Amore traditore|BWV 203|Bach|Johann Sebastian|0}} | A minor | 1723? | Secular cantatas | For voice, harpsichord | Bach's authorship uncertain | ||||||
| 204 | G45 | {{LinkWorkN|Ich bin in mir vergnügt|BWV 204|Bach|Johann Sebastian|0}} | B♭ major | 1726–27 | Secular cantatas | For voice, orchestra | |||||||
| 205 | G36 | {{LinkWorkN|Zerreißet, zersprenget, zertrümmert die Gruft|BWV 205|Bach|Johann Sebastian|0}} (Der zufriedengestellte Aeolus) | D major | 1725 | Secular cantatas | For 4 voices, mixed chorus, orchestra | dramma per musica, for the birthday of Professor Augustus Friedrich Müller; parts re-used in BWV 205a | ||||||
| 205a | G20 | Blast Lärmen, ihr Feinde! verstärket die Macht | D major | 1731 | Secular cantatas | incomplete | |||||||
| 206/1 | G23 | {{LinkWorkN|Schleicht, spielende Wellen|BWV 206|Bach|Johann Sebastian|0}} | D major | 1736 | Secular cantatas | For 4 voices, mixed chorus, orchestra | 1st version | ||||||
| 206/2 | G26 | {{LinkWorkN|Schleicht, spielende Wellen|BWV 206|Bach|Johann Sebastian|0}} | D major | 1740 | Secular cantatas | For 4 voices, mixed chorus, orchestra | 2nd version | ||||||
| 207 | G37 | {{LinkWorkN|Vereinigte Zwietracht der wechselnden Saiten|BWV 207|Bach|Johann Sebastian|0}} | D major | 1726 | Secular cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 207a | G22 | {{LinkWorkN|Auf, schmetternde Töne der muntern Trompeten|BWV 207a|Bach|Johann Sebastian|0}} | D major | 1735 | Secular cantatas | For 4 voices, mixed chorus, orchestra | |||||||
| 208/1 | G1 | {{LinkWorkN|Was mir behagt, ist nur die muntre Jagd|BWV 208|Bach|Johann Sebastian|0}} (Jagdkantate) | F major | 1713 | Secular cantatas | For 4 voices, orchestra | 1st version of BWV 208/2; partly re-used in BWV 208a, BWV Anh.193 | ||||||
| 208/2 | G3 | {{LinkWorkN|Was mir behagt, ist nur die muntre Jagd|BWV 208|Bach|Johann Sebastian|0}} (Jagdkantate) | F major | 1716? | Secular cantatas | For 4 voices, orchestra | 2nd version of BWV 208/1 | ||||||
| 208a | G26 | Was mir behagt, ist nur die muntre Jagd (Frolockender Goetterstreit) | F major | 1740? | Secular cantatas | cantata for the nameday of King August III; based on BWV 208; lost | |||||||
| 209 | G50 | {{LinkWorkN|Non sa che sia dolore|BWV 209|Bach|Johann Sebastian|0}} | B minor | 1729? | Secular cantatas | For voice, flute, strings, continuo | |||||||
| 210 | G44 | {{LinkWorkN|O holder Tag, erwünschte Zeit|BWV 210|Bach|Johann Sebastian|0}} | A major | 1738–41? | Secular cantatas | For voice, orchestra | re-used in BWV 210? | ||||||
| 210a | G29 | {{LinkWorkN|O angenehme Melodei|BWV 210a|Bach|Johann Sebastian|0}} | A major | 1740 | Secular cantatas | incomplete; based on BWV 210? | |||||||
| 211 | G48 | {{LinkWorkN|Schweigt stille, plaudert nicht|BWV 211|Bach|Johann Sebastian|0}} ("Kaffee-Kantate" / "Coffee Cantata") | G major | 1732–34 | Secular cantatas | For 3 voices, orchestra | |||||||
| 212 | G32 | {{LinkWorkN|Mer hahn en neue Oberkeet|BWV 212|Bach|Johann Sebastian|0}} ("Bauernkantate" / "Peasant Cantata") | A major | 1742 | Secular cantatas | For 2 voices, orchestra | |||||||
| 213 | G18 | {{LinkWorkN|Laßt uns sorgen, laßt uns wachen|BWV 213|Bach|Johann Sebastian|0}} (Hercules auf dem Scheidewege) | F major | 1733 | Secular cantatas | For 5 voices, mixed chorus, orchestra | partly re-used in BWV 248/1–5 | ||||||
| 214 | G19 | {{LinkWorkN|Tönet, ihr Pauken! Erschallet, Trompeten!|BWV 214|Bach|Johann Sebastian|0}} | D major | 1733 | Secular cantatas | For 4 voices, orchestra | |||||||
| 215 | G21 | {{LinkWorkN|Preise dein Glücke, gesegnetes Sachsen|BWV 215|Bach|Johann Sebastian|0}} | D major | 1734 | Secular cantatas | For 3 voices, 2 mixed choruses, orchestra | partly re-used in BWV 248/1–5 | ||||||
| 216 | G43 | {{LinkWorkN|Vergnügte Pleissenstadt|BWV 216|Bach|Johann Sebastian|0}} (Apollo et Mercurius) | C major | 1728 | Secular cantatas | For 2 voices (orchestra?) | incomplete | ||||||
| 216a | G47 | {{LinkWorkN|Erwählte Pleissenstadt|BWV 216a|Bach|Johann Sebastian|0}} (Apollo et Mercurius) | 1728 | Secular cantatas | lost | ||||||||
| 217 | V7 | {{LinkWorkN|Gedenke, Herr, wie es uns gehet|BWV 217|Bach|Johann Sebastian|0}} | D minor | — | Sacred cantatas | For 4 voices, mixed chorus, orchestra | spurious; probably composed by Johann Christoph Altnikol | ||||||
| 218 | V8 | {{LinkWorkN|Gott der Hoffnung erfülle euch|BWV 218|Bach|Johann Sebastian|0}} | D major | — | Sacred cantatas | For 4 voices, mixed chorus, orchestra | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:634) | ||||||
| 219 | V9 | {{LinkWorkN|Siehe, es hat überwunden|BWV 219|Bach|Johann Sebastian|0}} | D major | — | Sacred cantatas | For 3 voices, mixed chorus, orchestra | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:1328) | ||||||
| 220 | V10 | {{LinkWorkN|Lobt ihn mit Herz und Munde|BWV 220|Bach|Johann Sebastian|0}} | B minor | — | Sacred cantatas | For 3 voices, mixed chorus, orchestra | spurious; composer unidentified | ||||||
| 221 | V11 | Wer sucht die Pracht, wer wünscht den Glanz | B minor | — | Sacred cantatas | For 2 voices, orchestra | spurious; composer unidentified | ||||||
| 222 | V12 | Mein Odem ist schwach | D major | — | Sacred cantatas | For 2 voices, mixed chorus, organ, strings | spurious; composed by {{LinkComp|Johann Ernst|Bach}} | ||||||
| 223 | A186 | Meine Seele soll Gott loben | B♭ major | 1707–08? | Sacred cantatas | incomplete | |||||||
| 224 | T2 | Reißt euch los, bekränkte Sinnen | D minor | 1724 | Sacred cantatas | incomplete; spurious; probably composed by {{LinkComp|Carl Philipp Emanuel|Bach}} | |||||||
| 225 | C1 | {{LinkWorkN|Singet dem Herrn ein neues Lied|BWV 225|Bach|Johann Sebastian|0}} | B♭ major | 1727 | Motets | For 2 mixed choruses | |||||||
| 226 | C2 | {{LinkWorkN|Der Geist hilft unsrer Schwachheit auf|BWV 226|Bach|Johann Sebastian|0}} | B♭ major | 1729 | Motets | For 2 mixed choruses, orchestra | |||||||
| 227 | C5 | {{LinkWorkN|Jesu, meine Freude|BWV 227|Bach|Johann Sebastian|0}} | E minor | 1723? | Motets | For mixed chorus | |||||||
| 228 | C4 | {{LinkWorkN|Fürchte dich nicht, ich bin bei dir|BWV 228|Bach|Johann Sebastian|0}} | A major | 1726 | Motets | For 2 mixed choruses | A major | ||||||
| 229 | C3 | {{LinkWorkN|Komm, Jesu, komm|BWV 229|Bach|Johann Sebastian|0}} | G minor | 1723–24? | Motets | For 2 mixed choruses | |||||||
| 230 | C6 | {{LinkWorkN|Lobet den Herrn, alle Heiden|BWV 230|Bach|Johann Sebastian|0}} (Psalm 117) | C major | ? | Motets | For mixed chorus, continuo | |||||||
| 231 | C7 | {{LinkWorkN|Sei Lob und Preis mit Ehren|BWV 231|Bach|Johann Sebastian|0}} | C major | — | Motets | 2 mixed choruses | based partly on BWV 28 and music by {{LinkComp|Georg Philipp|Telemann}}; spurious; probably composed by Johann Gottlob Harrer | ||||||
| 232 | E1 | Mass | B minor | 1747–49 | Masses | For 5 voices, 2 mixed choruses, orchestra | assembled from previous compositions | ||||||
| 233 | E6 | Mass | F major | 1738–39? | Masses | For 3 voices, mixed chorus, orchestra | based on BWV 233a, BWV 11, BWV 40, BWV 102, BWV Anh.18 | ||||||
| 233a | E7 | Kyrie ("Christe du Lamm Gottes") | F major | 1708–17? | Kyrie | For mixed chorus, continuo | revised in BWV 233 | ||||||
| 234 | E3 | Mass | A major | 1738–39? | Masses | For 3 voices, mixed chorus, orchestra | based on BWV 67, BWV 79, BWV 136, BWV 179 | ||||||
| 235 | E5 | Mass | G minor | 1738–39? | Masses | For 3 voices, mixed chorus, orchestra | based on BWV 72, BWV 102, BWV 187 | ||||||
| 236 | E4 | Mass | G major | 1738–39? | Masses | For 4 voices, mixed chorus, orchestra | based on BWV 17, BWV 79, BWV 138, BWV 179 | ||||||
| 237 | E10 | Sanctus | C major | 1723 | Sanctus | For mixed chorus, orchestra | |||||||
| 238 | E12 | Sanctus | D major | 1723 | Sanctus | For mixed chorus, orchestra | |||||||
| 239 | — | Sanctus | D minor | 1738–41? | Sanctus | For mixed chorus, strings, continuo | |||||||
| 240 | — | Sanctus | G major | 1742? | Sanctus | For mixed chorus, orchestra | Bach's authorship uncertain | ||||||
| 241 | E17 | Sanctus | D major | 1747–48 | Sanctus | For 2 mixed choruses, orchestra | arrangement of the Sanctus from the Missa superba by Johann Kasper Kerll | ||||||
| 242 | E8 | Christe eleison | G minor | 1727–32 | Masses | For 2 voices, mixed chorus, orchestra | adapted from a Mass in C minor by {{LinkComp|Francesco|Durante}} (see BWV Anh.26) | ||||||
| 243 | E14 | Magnificat | D major | 1733 | Magnificats | For 5 voices, mixed chorus, orchestra | 2nd version of BWV 243a | ||||||
| 243a | E14 | Magnificat | E♭ major | 1723 | Magnificats | For 5 voices, mixed chorus, orchestra | 1st version of BWV 243 | ||||||
| deest | D5a | I/K/1 | Markus-Passion (St Mark Passion pastiche) | Unknown librettist | 18 April 1710, 3 April 1711, 25 March 1712, 14 April 1713, or 30 March 1714 | Karfreitag (Good Friday) | Schloßkirche Himmelsburg (Castle Church Himmelsburg) Weimar | G minor | Passions | Soloists: Soprano, Alto, Tenor, Bass (voice type); Choir: SATB, 2 violins, 2 violas, basso continuo | Full Score: NBA II/9: 6-7, Carus-Verlag | Movements XIV and XXIX alla breve (quarter notes) by Bach; Possibly 1 or even 2 oboes used in work (Sinfonias and Movement XIX [the oboe part in the latter in the Violino I part]); Recorded | |
| deest | D1 | -- | Weimarer Passion | Unknown librettist | 26 March 1717 | Karfreitag (Good Friday) | Kirche zu Schloß Friedrichstein (Church to Friedrichstein Castle) Gotha | -- | Passions | Soloists: Tenor, Bass; Choir: SATB, 2 flutes, 2 oboes, 2 violins, viola, lute, b.c. | -- | Music and text lost; 5 movements re-used in St John Passion Version 1725 (1 later in St Matthew Passion, another in Du wahrer Gott und Davids Sohn, BWV 23), also included the Chorale "Christus, der uns selig macht, BWV 283 and Movements III-V of Ich armer Mensch, ich Sündenknecht, BWV 55 | |
| 245 (I) | D2a | -- | Johannes-Passion Fassung 1724 (St John Passion Version 1724) (Herr, unser Herrscher) | Unknown librettist | 7 April 1724 | Karfreitag (Good Friday) | Nikolaikirche zu Leipzig (St. Nicholas Church, Leipzig) | G minor | Passions | Soloists: Soprano, Alto, Tenor, Bass; Choir: SATB, 2 oboes, 2 oboe da caccias, 2 violins, viola, 2 viola d'Amore]]s, viola da gamba, lute, b.c. | Full Score: NBA II/4: Anh. I and main body | No Flute parts extant; Movement XXX B-Section, Viola da Gamba part colla parte with the Continuo; Movement XXXII, Choir not doubled with strings; Movement XXXIII only three bars long (uses Mark 15: 38); Movement XXXVIII only 23 measures long; Recorded | |
| 245 (II) | D2b | -- | Johannes-Passion Fassung 1725 (St John Passion Version 1725) (O Mensch, bewein' dein' Sünde groß) | Unknown librettist | 30 March 1725 | Karfreitag (Good Friday) | Thomaskirche zu Leipzig (St. Thomas Church, Leipzig) | E♭ Major | Passions | Soloists: Soprano, Alto, Tenor Bass; Choir: SATB, 2 flutes, 2 oboes, 2 oboes da caccia, 2 violins, viola, viola da gamba, b.c. | Full Score: BGA XII.1/Anh., NBA II/4: Anh. II and body, Carus-Verlag | Reorganization of movements from Version I: Movements 2-11 Version I = Movements 2-11; Movements 12-14 Version I = Movements 13-15, Movement 13 Version I replaced by new Aria; New Movement 12; Movements 15-19 Version I = Movements 16-20, Movement 19 replaced by new Aria; Movement 20 Version I discarded; Movements 21-40 Version I = Movements 21-40, New Movement 40; Movement XXXIII now 7 measures long (using Matthew 27: 51-52); Movement XXXIV now set with two flutes and two oboes da caccia; Movement XXXV now set with flute and oboe da caccia; Recorded | |
| 249 | D8aI | -- | Kommt, gehet und eilet overo Kommt, fliehet und eilet (Osterkantate) (Come, go and hurry or Come, escape and hurry (Easter Oratorio)) | Christian Friedrich Henrici (also known as Picander) | 1 April 1725 | 1. Ostertag (1st day of Easter (Easter Sunday)) | Thomaskirche zu Leipzig (St. Thomas Church, Leipzig) | D Major | Oratorios; Sacred Cantatas | Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto traverso, Flauto I/II, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Fagotto, Continuo | Full Score: Carus-Verlag, Hänssler-Verlag | Movement I without measure 163; Movement II with oboe solo; Movement III no Choir; Movement V B-part different text; Movement 9 without measure 67, 6th eighth to measure 72 in middle part | |
| deest | D5b (1st Leipzig Version) | I/K/1 | Markus-Passion (St Mark Passion pastiche) | Unknown librettist | 19 April 1726 | Karfreitag (Good Friday) | Nikolaikirche zu Leipzig (St. Nicholas Church, Leipzig) | G minor | Passions | Soloists: Soprano, Alto, Tenor, Bass; Choir: SATB, 2 violins, 2 violas, b.c. | Full Score: NBA II/9: 8-10, Carus-Verlag | Reorganization of Movments: Movements 1-9 Weimar Version = Movements 1-9; New Movement 10 (= BWV 500a); Movements 10-32 Weimar Version = Movements 11-33; Movement 15 now half-note value (= BWV 1084) replaces Movement 14 of Weimar Version; Movement 30 now Half-note value replaces Movement 29 of Weimar Version; Movements X, XV, and XXX by Bach; See above about Oboe parts; Violino I parts for Movements X, XV, and XXX missing and reconstructed; Recorded | |
| deest | D1 | -- | Weimarer Passion | Unknown librettist | 26 March 1717 | Karfreitag (Good Friday) | -- | Passions | Soloists: Tenor, Bass; Choir: SATB, 2 flutes, 2 oboes, 2 violins, viola, lute, b.c. | -- | Music and text lost; 5 movements re-used in St John Passion Version 1725 (1 later in St Matthew Passion, another in Du wahrer Gott und Davids Sohn, BWV 23), also included the Chorale "Christus, der uns selig macht, BWV 283 and Movements III-V of Ich armer Mensch, ich Sündenknecht, BWV 55 | ||
| 244 | D3b | -- | St. Matthew Passion BWV 244 | Picander (Christian Friedrich Henrici) | -- | 23 March 1742 St. Nicholas Church, Leipzig | Passions | Soloists: Soprano, Alto, Tenor, Bass; Choir I: SATB; Choir II: SATB, Orchestra I: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo, Orchestra II: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo | -- | Essential change: Setting B. c. Choir II with harpsichord. in place of of Organo II; Movements 1 & 29: "Soprano in ripieno" - strengthening of the C. f.; Movements 34 & 35 strengthenings B. c with Va da gamba; Recorded | |||
| 244 | D3b | -- | St. Matthew Passion BWV 244 | Picander (Christian Friedrich Henrici) | -- | ca. 1743-1746 | Passions | Soloists: Soprano, Alto, Tenor, Bass; Choir I: SATB; Choir II: SATB, Orchestra I: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo, Orchestra II: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo | Full Score: BGA 4, NBA 5, Breitkopf und Härtel, Novello & Company, Edition Peters, G. Schirmer Inc., Schott Music; TP: Breitkopf und Härtel, Bärenreiter, Editions Eulenburg, Editions Peters, G. Schirmer Inc., Schott Music; Klavierauszug: Breitkopf und Härtel, Bärenreiter, Novello & Company, Edition Peters, G. Schirmer Inc., Schott Music | Essential change: Revision of Basso continuo parts in Recitatives (now only Jesus Recitatives are sustained); Recorded | |||
| 244a | B22 | -- | Klagt, Kinder, klagt es aller Welt, BWV 244a | Picander (Christian Friedrich Henrici) | -- | 24 March 1729 (before Noon) | Sacred cantatas | Soloists: Soprano, Alto, Tenor, Bass; Choir I: SATB; Choir II: SATB, Orchestra I: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo, Orchestra II: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo; 2 Violas da gamba, 2 Lutes | -- | Lost, but mostly based on BWV 198 (Movements 1 and 10) and BWV 244b | |||
| 244b | D3a | {{LinkWorkN|Matthäuspassion|BWV 244|Bach|Johann Sebastian|0}} (St. Matthew Passion) | 1727 | Passions | For voices, 2 mixed choruses, 2 orchestras | 1st version of BWV 244; text partly re-used in BWV 244a | |||||||
| 245 | D2 | {{LinkWorkN|Johannespassion|BWV 245|Bach|Johann Sebastian|0}} (St. John Passion) | 1724, rev. 1725–49 | Passions | For 4 voices, mixed chorus, orchestra | ||||||||
| 246 | D6 | {{LinkWorkN|Lukaspassion|BWV 246|Bach|Johann Sebastian|0}} (St. Luke Passion) | — | Passions | For 4 voices, mixed chorus, orchestra | spurious; probably composed by Johann Melchior Molter | |||||||
| 247 | D4 | Markuspassion (St. Mark Passion) | 1731 | Passions | For 4 voices, mixed chorus, orchestra | partly based on BWV 198, BWV 54; lost, but various modern reconstructions exist; partly revised in BWV 248? | |||||||
| 248 | D7 | {{LinkWorkN|Weihnachts-Oratorium|BWV 248|Bach|Johann Sebastian|0}} (Christmas Oratorio): | 1734 | Sacred oratorios | For 4 voices, mixed chorus, orchestra | ||||||||
| 248/1 | D7/1 |
|
1734 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly based on BWV 213, BWV 215 | |||||||
| 248/2 | D7/2 |
|
1734 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly based on BWV 213, BWV 215 | |||||||
| 248/3 | D7/3 |
|
1734 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly based on BWV 213, BWV 215 | |||||||
| 248/4 | D7/4 |
|
1734 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly based on BWV 213, BWV 215 | |||||||
| 248/5 | D7/5 |
|
1734 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | partly based on BWV 213, BWV 215 | |||||||
| 248/6 | D7/6 |
|
1734 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | based on BWV 248a | |||||||
| 248a | A190 | Cantata | 1730–34? | Sacred cantatas | ? | incomplete; revised as BWV 248/6 | |||||||
| 249/1 | D8a | Kommt, eilet und laufet | 1725 | Sacred cantatas | For 4 voices, mixed chorus, orchestra | cantata for Easter Sunday; based on BWV.249a; 1st version of BWV 249/2 | |||||||
| 249/2 | D8b | {{LinkWorkN|Oster-Oratorium|BWV 249|Bach|Johann Sebastian|0}} (Easter Oratorio) | 1738 | Sacred oratorios | For 4 voices, mixed chorus, orchestra | 2nd version of BWV 249/1 | |||||||
| 249a | G2 | Entfliehet, verschwindet, entweichet, ihr Sorgen ("Schäferkantate" or "Shepherd Cantata") | 1725 | Secular cantatas | For 4 voices, orchestra | lost; revised as BWV.249/1 | |||||||
| 249b | G28 | Verjaget, zerstreuet, zerrütet, ihr Sterne ("Die Feier des Genius") | 1726 | Secular cantatas | ? | lost | |||||||
| 250 | F193.3 | Was Gott tut, das ist wohlgetan | 1730? | Chorales | For mixed chorus, orchestra | ||||||||
| 251 | F59.4 | Sei Lob und Ehr dem höchsten Gut | 1730? | Chorales | For mixed chorus, orchestra | ||||||||
| 252 | F148.2 | Nun danket alle Gott | 1730? | Chorales | For mixed chorus, orchestra | ||||||||
| 253 | F35 | Ach bleib bei uns, Herr Jesu Christ | ? | Chorales | For mixed chorus | ||||||||
| 254 | F1 | Ach Gott, erhör' mein Seufzen | ? | Chorales | For mixed chorus | ||||||||
| 255 | F2 | Ach Gott und Herr | ? | Chorales | For mixed chorus | ||||||||
| 256 | F212 | Ach, lieben Christen, seidgetrost | ? | Chorales | For mixed chorus | ||||||||
| 257 | F212.2 | Wär Gott nicht mit uns diese Zeit | ? | Chorales | For mixed chorus | ||||||||
| 258 | F212.3 | Wo Gott der Herr nicht bei uns hält | ? | Chorales | For mixed chorus | ||||||||
| 259 | F5 | Ach, was soll ich Sünder machen | ? | Chorales | For mixed chorus | ||||||||
| 260 | F10 | Allein Gott in der Höh sei Ehr | ? | Chorales | For mixed chorus | ||||||||
| 261 | F11 | Allein zu dir, Herr Jesu Christ | ? | Chorales | For mixed chorus | ||||||||
| 262 | F8 | Alle Menschen müssen sterben | ? | Chorales | For mixed chorus | ||||||||
| 263 | F12 | Alles ist an Gottes Segen | ? | Chorales | For mixed chorus | ||||||||
| 264 | F13 | Als der gütige Gott | ? | Chorales | For mixed chorus | ||||||||
| 265 | F14 | Als Jesus Christus in der Nacht | ? | Chorales | For mixed chorus | ||||||||
| 266 | F15 | Als vierzig Tag nach Ostern war | ? | Chorales | For mixed chorus | ||||||||
| 267 | F17 | An Wasserflüssen Babylon | ? | Chorales | For mixed chorus | ||||||||
| 268 | F19 | Auf, auf, mein Herz, und du, meinganzer Sinn | ? | Chorales | For mixed chorus | ||||||||
| 269 | F21 | Aus meines Herzens Grunde | ? | Chorales | For mixed chorus | ||||||||
| 270 | F92.1 | Befiehl du deine Wege (I) | ? | Chorales | For mixed chorus | ||||||||
| 271 | F92.2 | Befiehl du deine Wege (II) | ? | Chorales | For mixed chorus | ||||||||
| 272 | F136.2 | Befiehl du deine Wege (III) | ? | Chorales | For mixed chorus | ||||||||
| 273 | F24 | Christ, der du bist der helleTag | ? | Chorales | For mixed chorus | ||||||||
| 274 | F27 | Christe, der du bist Tag undLicht | ? | Chorales | For mixed chorus | ||||||||
| 275 | F28 | Christe du Beistand deinerKreuzgemeine | ? | Chorales | For mixed chorus | ||||||||
| 276 | F25 | Christ ist erstanden'' | ? | Chorales | For mixed chorus | ||||||||
| 277 | F26.1 | Christ lag in Todes Banden (I) | ? | Chorales | For mixed chorus | ||||||||
| 278 | F26.2 | Christ lag in Todes Banden (II) | ? | Chorales | For mixed chorus | ||||||||
| 279 | A61/4 | Christ lag in Todes Banden (III) | ? | Chorales | For mixed chorus | ||||||||
| 280 | F65 | Christ, unser Herr, zum Jordankam | ? | Chorales | For mixed chorus | ||||||||
| 281 | F30.1 | Christus, der ist mein Leben (I) | ? | Chorales | For mixed chorus | ||||||||
| 282 | F30.2 | Christus, der ist mein Leben (II) | ? | Chorales | For mixed chorus | ||||||||
| 283 | F31 | Christus, der uns selig macht | ? | Chorales | For mixed chorus | ||||||||
| 284 | F32 | Christus ist erstanden, hat überwunden | ? | Chorales | For mixed chorus | ||||||||
| 285 | F34 | Da der Herr Christ zu Tischesass | ? | Chorales | For mixed chorus | ||||||||
| 286 | F183 | Danket dem Herren, denn er istsehr freundlich | ? | Chorales | For mixed chorus | ||||||||
| 287 | F119 | Dank sei Gott in der Höhe | ? | Chorales | For mixed chorus | ||||||||
| 288 | F36.1 | Das alte Jahr vergangen ist (I) | ? | Chorales | For mixed chorus | ||||||||
| 289 | F36.2 | Das alte Jahr vergangen ist (II) | ? | Chorales | For mixed chorus | ||||||||
| 290 | F38 | Das walt' mein Gott Vater undGott Sohn | ? | Chorales | For mixed chorus | ||||||||
| 291 | F39 | Das walt' mein Gott Vater undGott Sohn und heil'ger Geist | ? | Chorales | For mixed chorus | ||||||||
| 292 | F40 | Den Vater dort oben | ? | Chorales | For mixed chorus | ||||||||
| 293 | F42 | Der du bist drei in Einigkeit | ? | Chorales | For mixed chorus | ||||||||
| 294 | F43 | Der Tag, der ist so freudenreich | ? | Chorales | For mixed chorus | ||||||||
| 295 | F178 | Des heil'gen Geistes reiche Gnad' | ? | Chorales | For mixed chorus | ||||||||
| 296 | F44 | Die Nacht ist kommen | ? | Chorales | For mixed chorus | ||||||||
| 297 | F161 | Die Sonn' hat sich mit ihrem Glanz] | ? | Chorales | For mixed chorus | ||||||||
| 298 | F46 | Dies sind die heil'gen zehn Gebot' | ? | Chorales | For mixed chorus | ||||||||
| 299 | F47 | Dir, dir, Jehova, will ichsingen | ? | Chorales | For mixed chorus | ||||||||
| 300 | F51 | Du grosser Schmerzensmann | ? | Chorales | For mixed chorus | ||||||||
| 301 | F50 | Du, o schönes Weltgebäude | ? | Chorales | For mixed chorus | ||||||||
| 302 | F53.1 | Ein feste Burg ist unser Gott (I) | ? | Chorales | For mixed chorus | ||||||||
| 303 | F53.2 | Ein feste Burg ist unser Gott (II) | ? | Chorales | For mixed chorus | ||||||||
| 304 | F54 | Eins ist Not! ach Herr, diesEine | ? | Chorales | For mixed chorus | ||||||||
| 305 | F55 | Erbarm' dich mein, o Herre Gott | ? | Chorales | For mixed chorus | ||||||||
| 306 | F58 | Erstanden ist der heil'ge Christ | ? | Chorales | For mixed chorus | ||||||||
| 307 | F150 | Es ist gewisslich an der Zeit | ? | Chorales | For mixed chorus | ||||||||
| 308 | F62 | Es spricht der unweisen Mundwohl | ? | Chorales | For mixed chorus | ||||||||
| 309 | F63 | Es steh'n vor Gottes Throne | ? | Chorales | For mixed chorus | ||||||||
| 310 | F64 | Es wird schier der letzte Tagherkommen | ? | Chorales | For mixed chorus | ||||||||
| 311 | F66.1 | Es woll' uns Gott genädig sein (I) | ? | Chorales | For mixed chorus | ||||||||
| 312 | F66.2 | Es woll' uns Gott genädig sein (II) | ? | Chorales | For mixed chorus | ||||||||
| 313 | F68 | Für Freuden lasst uns springen | ? | Chorales | For mixed chorus | ||||||||
| 314 | F69 | Gelobet seist du, Jesu Christ | ? | Chorales | For mixed chorus | ||||||||
| 315 | F70 | Gib dich zufrieden und sei stille (I) | ? | Chorales | For mixed chorus | ||||||||
| 316 | F71 | Gott, der du selber bist das Licht | ? | Chorales | For mixed chorus | ||||||||
| 317 | F72 | Gott, der Vater wohn' uns bei | ? | Chorales | For mixed chorus | ||||||||
| 318 | F143 | Gottes Sohn ist kommen | ? | Chorales | For mixed chorus | ||||||||
| 319 | F74 | Gott hat das Evangeliums | ? | Chorales | For mixed chorus | ||||||||
| 320 | F75 | Gott lebet noch | ? | Chorales | For mixed chorus | ||||||||
| 321 | F77 | Gottlob, es geht nunmehr zu Ende | ? | Chorales | For mixed chorus | ||||||||
| 322 | F76 | Gott sei gelobet und gebenedeiet | ? | Chorales | For mixed chorus | ||||||||
| 323 | F140 | Gott sei uns gnädig und barmherzig | ? | Chorales | For mixed chorus | ||||||||
| 324 | F140 | Meine Seele erhebt den Herrn | ? | Chorales | For mixed chorus | ||||||||
| 325 | F79 | Heilig, heilig, heilig | ? | Chorales | For mixed chorus | ||||||||
| 326 | F105 | Herr Gott, dich loben alle wir | ? | Chorales | For mixed chorus | ||||||||
| 327 | F105.2 | Für deinen Thron tret' ich hiermit | ? | Chorales | For mixed chorus | ||||||||
| 328 | F83 | Herr Gott, dich loben wir | ? | Chorales | For mixed chorus | ||||||||
| 329 | F134 | Herr, ich denk an jene Zeit | ? | Chorales | For mixed chorus | ||||||||
| 330 | F84.1 | Herr, ich habe missgehandelt (I) | ? | Chorales | For mixed chorus | ||||||||
| 331 | F84.2 | Herr, ich habe missgehandelt (II) | ? | Chorales | For mixed chorus | ||||||||
| 332 | F85 | Herr Jesu Christ, dich zu unswend | ? | Chorales | For mixed chorus | ||||||||
| 333 | F86 | Herr Jesu Christ, du hast bereit | ? | Chorales | For mixed chorus | ||||||||
| 334 | F202 | Herr Jesu Christ, du höchstes Gut | ? | Chorales | For mixed chorus | ||||||||
| 335 | F170 | Herr Jesu Christ, meins LebensLicht | ? | Chorales | For mixed chorus | ||||||||
| 336 | F88 | Herr Jesu Christ, wah'r Menschund Gott | ? | Chorales | For mixed chorus | ||||||||
| 337 | F89 | Herr, nun lass in Friede | ? | Chorales | For mixed chorus | ||||||||
| 338 | F90 | Herr, straf mich nicht in deinem Zorn | ? | Chorales | For mixed chorus | ||||||||
| 339 | F23 | Herr, wie du willst, so schick'smit mir | ? | Chorales | For mixed chorus | ||||||||
| 340 | F91.1 | Herzlich lieb hab ich dich, oHerr | ? | Chorales | For mixed chorus | ||||||||
| 341 | F94.1a | Heut ist, o Mensch, ein grosserTrauertag | ? | Chorales | For mixed chorus | ||||||||
| 342 | F95 | Heut' triumphieret Gottes Sohn | ? | Chorales | For mixed chorus | ||||||||
| 343 | F96 | Hilf, Gott, dass mir's gelinge | ? | Chorales | For mixed chorus | ||||||||
| 344 | F97 | Hilf, Herr Jesu, lass gelingen | ? | Chorales | For mixed chorus | ||||||||
| 345 | F99 | Ich bin ja, Herr, in deinerMacht | ? | Chorales | For mixed chorus | ||||||||
| 346 | F100 | Ich dank' dir, Gott, für all' Wohltat | ? | Chorales | For mixed chorus | ||||||||
| 347 | F101.1 | Ich dank dir, lieber Herre (I) | ? | Chorales | For mixed chorus | ||||||||
| 348 | F101.2 | Ich dank dir, lieber Herre (II) | ? | Chorales | For mixed chorus | ||||||||
| 349 | F4 | Ich dank dir schon durch deinen Sohn | ? | Chorales | For mixed chorus | ||||||||
| 350 | F139 | Ich dank dir, o Gott, in deinem Throne | ? | Chorales | For mixed chorus | ||||||||
| 351 | F102 | Ich hab' mein' Sach' Gottheimgestellt | ? | Chorales | For mixed chorus | ||||||||
| 352 | F187.1 | Jesu, der du meine Seele (I) | ? | Chorales | For mixed chorus | ||||||||
| 353 | F187.2 | Jesu, der du meine Seele (II) | ? | Chorales | For mixed chorus | ||||||||
| 354 | F187.3 | Jesu, der du meine Seele (III) | ? | Chorales | For mixed chorus | ||||||||
| 355 | F112.1 | Jesu, der du selbsten wohl | ? | Chorales | For mixed chorus | ||||||||
| 356 | F113 | Jesu, du mein habstes Leben | ? | Chorales | For mixed chorus | ||||||||
| 357 | F114 | Jesu, Jesu, du bist mein | ? | Chorales | For mixed chorus | ||||||||
| 358 | F116 | Jesu, meine Freude | ? | Chorales | For mixed chorus | ||||||||
| 359 | F206.1b | Jesu, meiner Seelen Wonne (I) | ? | Chorales | For mixed chorus | ||||||||
| 360 | F206.2 | Jesu, meiner Seelen Wonne (II) | ? | Chorales | For mixed chorus | ||||||||
| 361 | F117.1 | Jesu, meines Herzens Freud' | ? | Chorales | For mixed chorus | ||||||||
| 362 | F118 | Jesu, nun sei gepreiset | ? | Chorales | For mixed chorus | ||||||||
| 363 | F121.1 | Jesus Christus, unser Heiland (I) | ? | Chorales | For mixed chorus | ||||||||
| 363 | F121.2 | Jesus Christus, unser Heiland (II) | ? | Chorales | For mixed chorus | ||||||||
| 364 | F120.1 | Jesus Christus, unser Heiland (III) | ? | Chorales | For mixed chorus | ||||||||
| 365 | F123 | Jesus, Meine Zuversicht | ? | Chorales | For mixed chorus | ||||||||
| 366 | F104 | Ihr Gestrin', ihr hohlen Lüfte | ? | Chorales | For mixed chorus | ||||||||
| 367 | F107 | In allen meinen Taten | ? | Chorales | For mixed chorus | ||||||||
| 368 | F110 | In dulci jubilo | ? | Chorales | For mixed chorus | ||||||||
| 369 | F124 | Keinen hat Gott verlassen | ? | Chorales | For mixed chorus | ||||||||
| 370 | F125 | Komm, Gott Schöpfer, heiliger Geist | ? | Chorales | For mixed chorus | ||||||||
| 371 | F129 | Kyrie, Gott Vater in Ewigkeit | ? | Chorales | For mixed chorus | ||||||||
| 372 | F82 | Lass, o Herr, dein Ohr sichneigen | ? | Chorales | For mixed chorus | ||||||||
| 373 | F133 | Liebster Jesu, wir sind hier | ? | Chorales | For mixed chorus | ||||||||
| 374 | F135 | Lobet den Herrn, denn er ist sehrfreundlich | ? | Chorales | For mixed chorus | ||||||||
| 375 | F127 | Lobt Gott, ihr Christen,allzugleich (I) | ? | Chorales | For mixed chorus | ||||||||
| 376 | F128 | Lobt Gott, ihr Christen,allzugleich (II) | ? | Chorales | For mixed chorus | ||||||||
| 377 | F137 | Machs mit mir, Gott, nach deiner Güt' | ? | Chorales | For mixed chorus | ||||||||
| 378 | F138 | Mein' augen schliess ich jetzt | ? | Chorales | For mixed chorus | ||||||||
| 379 | F122 | Meinem Jesum lass' ich nicht,Jesus | ? | Chorales | For mixed chorus | ||||||||
| 380 | F141 | Meinem Jesum lass' ich nicht,weil | ? | Chorales | For mixed chorus | ||||||||
| 381 | F142 | Meines Lebens letzte Zeit | ? | Chorales | For mixed chorus | ||||||||
| 382 | F144 | Mit Fried und Freud ich fahrdahin | ? | Chorales | For mixed chorus | ||||||||
| 383 | F145 | Mitten wir im Leben sind | ? | Chorales | For mixed chorus | ||||||||
| 384 | F146 | Nicht so traurig, nicht so sehr | ? | Chorales | For mixed chorus | ||||||||
| 385 | F147 | Nun bitten wir den heiligen Geist | ? | Chorales | For mixed chorus | ||||||||
| 386 | F148.1 | Nun danket alle Gott | ? | Chorales | For mixed chorus | ||||||||
| 387 | F106 | Nun freut euch, Gottes Kinderall' | ? | Chorales | For mixed chorus | ||||||||
| 388 | F149 | Nun freut euch, lieben Christeng'mein | ? | Chorales | For mixed chorus | ||||||||
| 389 | F153.1 | Nun lob, mein Seel, den Herren (I) | ? | Chorales | For mixed chorus | ||||||||
| 390 | F153.2 | Nun lob, mein Seel, den Herren (II) | ? | Chorales | For mixed chorus | ||||||||
| 391 | F154 | Nun preiset alle GottesBarmherzigkeit | ? | Chorales | For mixed chorus | ||||||||
| 392 | F166 | Nun ruhen alle Wälder | ? | Chorales | For mixed chorus | ||||||||
| 393 | F166.2 | O Welt, sieh hier dein Leben (I) | ? | Chorales | For mixed chorus | ||||||||
| 394 | F166.5 | O Welt, sieh hier dein Leben (II) | ? | Chorales | For mixed chorus | ||||||||
| 395 | F166.9 | O Welt, sieh hier dein Leben (III) | ? | Chorales | For mixed chorus | ||||||||
| 396 | F155 | Nun sich der Tag geendet hat | ? | Chorales | For mixed chorus | ||||||||
| 397 | F156 | O Ewigkeit, du Donnerwort | ? | Chorales | For mixed chorus | ||||||||
| 398 | F45.2b | O Gott, du frommer Gott (II) | ? | Chorales | For mixed chorus | ||||||||
| 399 | F157 | O Gott, du frommer Gott (I) | ? | Chorales | For mixed chorus | ||||||||
| 400 | F160 | O Herzensangst, o Bangigkeit, undZagen! | ? | Chorales | For mixed chorus | ||||||||
| 401 | F162 | O Lamm Gottes, unschuldig | ? | Chorales | For mixed chorus | ||||||||
| 402 | F61 | O Mensch, bewein dein Sünde gross | ? | Chorales | For mixed chorus | ||||||||
| 403 | F163 | O Mensch, schau Jesum Christuman | ? | Chorales | For mixed chorus | ||||||||
| 404 | F165 | O Traurigkeit, o Herzeleid | ? | Chorales | For mixed chorus | ||||||||
| 405 | F167 | O wie selig seid ihr doch, ihrFrommen (I) | ? | Chorales | For mixed chorus | ||||||||
| 406 | F7 | O wie selig seid ihr doch, ihrFrommen (II) | ? | Chorales | For mixed chorus | ||||||||
| 407 | F168 | O wir armen Sünder | ? | Chorales | For mixed chorus | ||||||||
| 408 | F94.1b | Schaut, ihr Sünder! | ? | Chorales | For mixed chorus | ||||||||
| 409 | F173 | Seelen-Bräutigam | ? | Chorales | For mixed chorus | ||||||||
| 410 | F174 | Sei gegrüsset, Jesu gütig, | ? | Chorales | For mixed chorus | ||||||||
| 411 | F175 | Singet dem Herrn ein neues Lied | ? | Chorales | For mixed chorus | ||||||||
| 412 | F177 | So giebst du nun, mein Jesu, guteNacht | ? | Chorales | For mixed chorus | ||||||||
| 413 | F130 | Sollt' ich meinem Gott nichtsingen | ? | Chorales | For mixed chorus | ||||||||
| 414 | F35 | Uns ist ein Kindlein heut'gebor'n | ? | Chorales | For mixed chorus | ||||||||
| 415 | F18 | Valet will ich dir geben | ? | Chorales | For mixed chorus | ||||||||
| 416 | F181.4a | Vater unser im Himmelreich | ? | Chorales | For mixed chorus | ||||||||
| 417 | F185.1 | Von Gott will ich nicht lassen (I) | ? | Chorales | For mixed chorus | ||||||||
| 418 | F185.2 | Von Gott will ich nicht lassen (II) | ? | Chorales | For mixed chorus | ||||||||
| 419 | F185.3 | Von Gott will ich nicht lassen (III) | ? | Chorales | For mixed chorus | ||||||||
| 420 | F189.1 | Warum betrübst du dich, mein Herz (I) | ? | Chorales | For mixed chorus | ||||||||
| 421 | F189.2 | Warum betrübst du dich, mein Herz (II) | ? | Chorales | For mixed chorus | ||||||||
| 422 | F190 | Warum sollt' ich mich denn grämen | ? | Chorales | For mixed chorus | ||||||||
| 423 | F191 | Was betrübst du dich, mein Herz | ? | Chorales | For mixed chorus | ||||||||
| 424 | F192 | Was bist du doch, o Seele, sobetrübet | ? | Chorales | For mixed chorus | ||||||||
| 425 | F195 | Was willst du dich, o meineSeele | ? | Chorales | For mixed chorus | ||||||||
| 426 | F197 | Weltlich Ehr' und zeitlich Gut | ? | Chorales | For mixed chorus | ||||||||
| 427 | F200 | Wenn ich in Angst und Not | ? | Chorales | For mixed chorus | ||||||||
| 428 | F201.1 | Wenn mein Stündlein vorhanden ist (I) | ? | Chorales | For mixed chorus | ||||||||
| 429 | F201.2 | Wenn mein Stündlein vorhanden ist (II) | ? | Chorales | For mixed chorus | ||||||||
| 430 | F201.3 | Wenn mein Stündlein vorhanden ist (III) | ? | Chorales | For mixed chorus | ||||||||
| 431 | F203.1 | Wenn wir in höchsten Nöten sein (I) | ? | Chorales | For mixed chorus | ||||||||
| 432 | F203.2 | Wenn wir in höchsten Nöten sein (II) | ? | Chorales | For mixed chorus | ||||||||
| 433 | F204 | Wer Gott vertraut, hat wohlgebaut | ? | Chorales | For mixed chorus | ||||||||
| 434 | F205 | Wer nur den lieben Gott lässt walten | ? | Chorales | For mixed chorus | ||||||||
| 435 | F207 | Wie bist du, Seele, in mir so garbetrübt | ? | Chorales | For mixed chorus | ||||||||
| 436 | F109 | Wie schön leuchtet der Morgenstern | ? | Chorales | For mixed chorus | ||||||||
| 437 | F211 | Wir glauben all' an einen Gott | ? | Chorales | For mixed chorus | ||||||||
| 438 | F213 | Wo Gott zum Haus nicht gibt sein' Gunst (I) | ? | Chorales | For mixed chorus | ||||||||
| 439 | F274 | Ach, dass nicht die letzte Stunde | 1736 | Sacred songs | For voice, continuo | ||||||||
| 440 | F229 | Auf, auf! die rechte Zeit isthier | 1736 | Sacred songs | For voice, continuo | ||||||||
| 441 | F245 | Auf, auf! mein Herz, mit Freuden | 1736 | Sacred songs | For voice, continuo | ||||||||
| 442 | F257 | Beglücketer Stand getreuer Seelen | 1736 | Sacred songs | For voice, continuo | ||||||||
| 443 | F265 | Beschränkt, ihr Weisen dieser Welt | 1736 | Sacred songs | For voice, continuo | ||||||||
| 444 | F242 | Bricht entzwei, mein armes Herze | 1736 | Sacred songs | For voice, continuo | ||||||||
| 445 | F247 | Brunnquell aller Güter | 1736 | Sacred songs | For voice, continuo | ||||||||
| 446 | F220 | Der lieben Sonne Licht und Pracht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 447 | F221 | Der Tag ist hin, die Sonne gehetnieder | 1736 | Sacred songs | For voice, continuo | ||||||||
| 448 | F222 | Der Tag mit seinem Lichte | 1736 | Sacred songs | For voice, continuo | ||||||||
| 449 | F249 | Dich bet' ich an, mein höchster Gott | 1736 | Sacred songs | For voice, continuo | ||||||||
| 450 | F235 | Die bittre Leidenszeit beginnetabermal | 1736 | Sacred songs | For voice, continuo | ||||||||
| 451 | F219 | Die goldne Sonne, voll Freud und Wonne | 1736 | Sacred songs | For voice, continuo | ||||||||
| 452 | F250 | Dir, dir, Jehova, will ichsingen | 1736 | Sacred songs | For voice, continuo | ||||||||
| 453 | F225 | Eins ist Noth! ach Herr, diess Eine | 1736 | Sacred songs | For voice, continuo | ||||||||
| 454 | F230 | Ermuntre dich, mein schwacher Geist | 1736 | Sacred songs | For voice, continuo | ||||||||
| 455 | F261 | Erwürgtes Lamm, das die erwahrten siegel | ? | Sacred songs | For voice, continuo | ||||||||
| 456 | F258 | Es glänzet der Christen innwendiges Leben | 1736 | Sacred songs | For voice, continuo | ||||||||
| 457 | F275 | Es ist nun aus mit meinem Leben | 1736 | Sacred songs | For voice, continuo | ||||||||
| 458 | F243 | Es ist vollbracht! vergiss janicht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 459 | F256 | Es kostet viel, ein Christ zusein | 1736 | Sacred songs | For voice, continuo | ||||||||
| 460 | F263 | Gieb dich zufrieden und seistille | 1736 | Sacred songs | For voice, continuo | ||||||||
| 461 | F255 | Gott lebet noch | 1736 | Sacred songs | For voice, continuo | ||||||||
| 462 | F248 | Gott, wie gross ist deine Güte | 1736 | Sacred songs | For voice, continuo | ||||||||
| 463 | F223 | Herr, nicht schicke deine Rache | 1736 | Sacred songs | For voice, continuo | ||||||||
| 464 | F276 | Ich bin ja, Herr, in deiner Macht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 465 | F231 | Ich freue mich in dir | 1736 | Sacred songs | For voice, continuo | ||||||||
| 466 | F264 | Ich halte treulich still | 1736 | Sacred songs | For voice, continuo | ||||||||
| 467 | F269 | Ich lass' dich nicht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 468 | F270 | Ich liebe Jesum alle Stund | 1736 | Sacred songs | For voice, continuo | ||||||||
| 469 | F232 | Ich steh an deiner Krippen hier | 1736 | Sacred songs | For voice, continuo | ||||||||
| 470 | F271 | Jesu, Jesu, du bist mein | 1736 | Sacred songs | For voice, continuo | ||||||||
| 471 | F228 | Jesu, deine Liebeswunden | 1736 | Sacred songs | For voice, continuo | ||||||||
| 472 | F226 | Jesu, meines Glaubens Zier | 1736 | Sacred songs | For voice, continuo | ||||||||
| 473 | F266 | Jesu, meines Herzens Freud' | 1736 | Sacred songs | For voice, continuo | ||||||||
| 474 | F251 | Jesu ist das schönste Licht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 475 | F246 | Jesus, unser Trost und Leben | 1736 | Sacred songs | For voice, continuo | ||||||||
| 476 | F233 | Ihr Gestirn, ihr hohen Lüfte | 1736 | Sacred songs | For voice, continuo | ||||||||
| 477 | F278 | Kein stündlein geht dahin | 1736 | Sacred songs | For voice, continuo | ||||||||
| 478 | F227 | Komm, süsser Tod | 1736 | Sacred songs | For voice, continuo | ||||||||
| 479 | F235 | Kommt, Seelen, dieser Tag | 1736 | Sacred songs | For voice, continuo | ||||||||
| 480 | F286 | Kommt wieder aus der finstern Gruft | 1736 | Sacred songs | For voice, continuo | ||||||||
| 481 | F236 | Lasset uns mit Jesu ziehen | 1736 | Sacred songs | For voice, continuo | ||||||||
| 482 | F252 | Liebes Herz, bedenke doch | 1736 | Sacred songs | For voice, continuo | ||||||||
| 483 | F279 | Liebster Gott, wann werd' ichsterben | 1736 | Sacred songs | For voice, continuo | ||||||||
| 484 | F280 | Liebster Herr Jesu! | 1736 | Sacred songs | For voice, continuo | ||||||||
| 485 | F272 | Liebster Immanuel Herzog der Frommen | 1736 | Sacred songs | For voice, continuo | ||||||||
| 486 | F227 | Mein Jesu, dem die Seraphinen | 1736 | Sacred songs | For voice, continuo | ||||||||
| 487 | F237 | {{LinkWorkN|Mein Jesu! was für Seelenweh|BWV 487|Bach|Johann Sebastian|0}} | 1736 | Sacred songs | For voice, continuo | ||||||||
| 488 | F281 | Meines Lebens letzte Zeit | 1736 | Sacred songs | For voice, continuo | ||||||||
| 489 | F259 | Nicht so traurig, nicht so sehr | 1736 | Sacred songs | For voice, continuo | ||||||||
| 490 | F267 | Nur mein Jesus ist mein Leben | 1736 | Sacred songs | For voice, continuo | ||||||||
| 491 | F238 | O du Liebe meinder Liebe | 1736 | Sacred songs | For voice, continuo | ||||||||
| 492 | F282 | O finstre Nacht, wann wirst dudoch vergeben | 1736 | Sacred songs | For voice, continuo | ||||||||
| 493 | F234 | O Jesulein süss | 1736 | Sacred songs | For voice, continuo | ||||||||
| 494 | F260 | O liebe Seele, zieh' die Sinnen | 1736 | Sacred songs | For voice, continuo | ||||||||
| 495 | F283 | O wie selig seid ihr doch | 1736 | Sacred songs | For voice, continuo | ||||||||
| 496 | F253 | Seelen-Bräutigam, Jesu, Gottes Lamm | 1736 | Sacred songs | For voice, continuo | ||||||||
| 497 | F268 | Seelenweide, mein Freude | 1736 | Sacred songs | For voice, continuo | ||||||||
| 498 | F239 | Selig, wer an Jesum denkt | 1736 | Sacred songs | For voice, continuo | ||||||||
| 499 | F268 | Sei gegrüsset, Jesu gütig | 1736 | Sacred songs | For voice, continuo | ||||||||
| 500 | F241 | So gehst du nun, mein Jesu, hin | 1736 | Sacred songs | For voice, continuo | see also BWV 500a | |||||||
| 500a | — | So gehst du nun, mein Jesu, hin | 1736 | Sacred songs | For voice, continuo | alternative version of BWV 500 | |||||||
| 501 | F244 | So gibst du nun, mein Jesu, gut Nacht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 502 | F284 | So wünsch' ich mir zu guter Letzt | 1736 | Sacred songs | For voice, continuo | ||||||||
| 503 | F287 | Steh ich bei meinem Gott | 1736 | Sacred songs | For voice, continuo | ||||||||
| 504 | F475 | Vergiss mein nicht, dass ich deinnicht vergesse | 1736 | Sacred songs | For voice, continuo | ||||||||
| 505 | F262 | Vergiss mein nicht | 1736 | Sacred songs | For voice, continuo | ||||||||
| 506 | F273 | Was bist du doch, o Seele | 1736 | Sacred songs | For voice, continuo | ||||||||
| 507 | F224 | {{LinkWorkN|Wo ist mein Schäflein|BWV 507|Bach|Johann Sebastian|0}} | 1736 | Sacred songs | For voice, continuo | ||||||||
| 508 | — | Bist du bei mir | — | Arias | For voice, continuo | spurious; composed by Gottfried Stölzel | |||||||
| 509 | — | Gedenke doch, mein Geist | 1725 | Arias | For voice, continuo | Bach's authorship uncertain | |||||||
| 510 | — | Gib dich zufrieden und sei stille (II) | 1725 | Chorales | For voice, continuo | Bach's authorship uncertain | |||||||
| 511 | F214a | {{LinkWorkN|Gib dich zufrieden und sei stille|BWV 511|Bach|Johann Sebastian|0}} | G minor | 1725 | Chorales | For voice, continuo | |||||||
| 512 | F214b | Gib dich zufrieden und sei stille (II) | E minor | 1725 | Chorales | For voice, continuo | |||||||
| 513 | F216 | O Ewigkeit, du Donnerwort | 1725 | Chorales | For voice, continuo | ||||||||
| 514 | F216 | Schaffs mit mir, Gott, nachdeinem Willen | ? | Chorales | For voice, continuo | ||||||||
| 515 | H2 | Schaffs mit mir, Gott, nachdeinem Willen | 1725 | Arias | For voice, continuo | see also BWV 515a | |||||||
| 515a | H2 | Schaffs mit mir, Gott, nachdeinem Willen | 1725 | Arias | For voice, continuo | alternative version of BWV 515 | |||||||
| 516 | F215 | Warum betrübst du dich | 1725 | Arias | For voice, continuo | ||||||||
| 517 | — | Wie wohl ist mir, O Freund der Seelen | 1725 | Arias | For voice, continuo | Bach's authorship uncertain | |||||||
| 518 | — | Willst du dein Herz mir schenken | 1725 | Arias | For voice, continuo | Bach's authorship uncertain | |||||||
| 519 | — | {{LinkWorkN|Hier lieg’ ich nun|BWV 519|Bach|Johann Sebastian|0}} | — | Sacred songs | For voice, continuo | spurious | |||||||
| 520 | — | {{LinkWorkN|Das walt’ mein Gott|BWV 520|Bach|Johann Sebastian|0}} | — | Sacred songs | For voice, continuo | spurious | |||||||
| 521 | — | {{LinkWorkN|Gott mein Herz dir Dank zusendet|BWV 521|Bach|Johann Sebastian|0}} | — | Sacred songs | For voice, continuo | spurious | |||||||
| 522 | — | {{LinkWorkN|Meine Seele, laß es gehen|BWV 522|Bach|Johann Sebastian|0}} | — | Sacred songs | For voice, continuo | spurious | |||||||
| 523 | — | {{LinkWorkN|Ich gnüge mich an meinem Stande|BWV 523|Bach|Johann Sebastian|0}} | — | Sacred songs | For voice, continuo | spurious | |||||||
| 524 | H1 | {{LinkWorkN|Quodlibet|BWV 524|Bach|Johann Sebastian|0}} ("Was sind das für große Schlösser") | 1708? | Quodlibets | For 4 voices, continuo | incomplete |
Works for Instruments (BWV 525-1080, 1085-1087, 1090-1126, 1128, Anh. deest)[edit]
| BWV | BC | VBN | Other Catalogue | Title | Dedicatee | Date | Event (if any) | Venue | Key | Genre | Instrumentation | Modern Editions | Notes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 945 | -- | -- | -- | Fugue in E minor, BWV 945 | -- | Possibly from the Ohrdruf period, before 1700(?) | -- | -- | E minor | Fugues | For Keyboard instrument | Full Score: BGA XXXVI/155, NBA V/12 (Critical Report), Breitkopf und Härtel EB 1854 (ed. Reinecke) and EB 4321 (ed. Mugellini), Peters Nr. 212, Steingräbner Nr. 117b (ed. Bischoff), Bärenreiter BA 5249 | Bach's authorship uncertain, perhaps by Johann Christoph Graupner; Recorded |
| 766 | K94 | -- | -- | Chorale partita "Christ, der du bist der helle Tag", BWV 766 | -- | Lüneburg about 1700 (or yet in Ohrdruf?) | -- | -- | F minor | Chorale variations | For Organ (music) | Full Score: BGA XL/107, NBA IV/1: 114, Breitkopf und Härtel EB 3177, NBG XXII1, p. 3, Peters Organ Works Band V, p. 60, Bärenreiter BA 5171 | Recorded |
| 767 | K95 | -- | -- | Chorale partita "O Gott, du frommer Gott", BWV 767 | -- | Lüneburg about 1700 (or yet in Ohrdruf?) | -- | -- | C minor | Chorale variations | For Organ | Full Score: BGA XL/114, NBA IV/1: 122, Breitkopf und Härtel EB 3177, NBG XXII1, p. 6, Peters Organ Works Band V, p. 68, Bärenreiter BA 5171 | Recorded |
| 768 | K96 | -- | -- | Chorale partita "Sei gegrüsset, Jesu gütig", BWV 768 | -- | Lüneburg (or yet in Ohrdruf?) | -- | -- | G minor | Chorale variations | For Organ | Full Score: BGA XL/122, NBA IV/1: 132 & 152, Breitkopf und Härtel EB 3177, NBG XXII1, p. 12, Peters Organ Works Band V, p. 76, Bärenreiter BA 5171 | Partitas I, II, IV, and X; Recorded |
| 770 | K93 | -- | -- | Chorale partita "Ach, was soll ich Sünder machen?", BWV 770 | -- | Lüneburg about 1700-1702 | -- | -- | E minor | Chorale variations | For Organ | Full Score: BGA XL/189, NBA IV/1: 104, Peters Organ Works Band IX, p. 26, Bärenreiter BA 5171 | Bach's authorship uncertain; Recorded |
| 549a | -- | -- | Prelude and Fugue in D minor, BWV 549a | -- | Arnstadt about 1703/1704 (or already in Lüneburg 1700-1703?) | -- | -- | D minor | Prelude and Fugues | For Organ | Full Score: NBA IV/6: 101, Bärenreiter BA 5176 | First manuscript copy in the "Möller Manuscript" (Scribe: Johann Christoph Bach (1671–1721)); Recorded | |
| 531 | J9 | -- | -- | Prelude and Fugue in C major, BWV 531 | -- | Lüneburg or Arnstadt, about 1700-1707 | -- | -- | C major | Preludes and Fugues | For Organ | Full Score: BGA XV/81, NBA IV/5: 3, Breitkopf und Härtel EB 3174, p. 2, Peters Organ Works Band IV, p. 2, Bärenreiter BA 5175 | First manuscript copy in the "Möller Manuscript" (Scribe: Johann Christoph Bach); Recorded |
| 532 | — | Prelude and Fugue | D major | 1710? | Preludes Fugues |
For organ | see also BWV 532a | ||||||
| 532a | J13 J 54 J 70 |
Prelude and Fugue | D major | 1710? | Preludes Fugues |
For organ | alternative version of BWV 532 | ||||||
| 533 | J18 | Prelude and Fugue ("Cathedral") | E minor | 1705? | Preludes Fugues |
For organ | see also BWV 533a | ||||||
| 533a | — | Prelude and Fugue | E minor | 1705? | Preludes Fugues |
For organ | alternative version of BWV 533 | ||||||
| 534 | J20 | Prelude and Fugue | F minor | 1710? | Preludes Fugues |
For organ | |||||||
| 535 | J23 | Prelude and Fugue | G minor | 1708–17? | Preludes Fugues |
For organ | see also BWV 535a | ||||||
| 535a | J23 | Prelude and Fugue | G minor | 1705? | Preludes Fugues |
For organ | alternative version of BWV 535; incomplete | ||||||
| 536 | J24 | Prelude and Fugue | A major | 1708–17? | Preludes Fugues |
For organ | see also BWV 536a | ||||||
| 536a | Prelude and Fugue | A major | ? | Preludes Fugues |
For organ | alternative version of BWV 536; Bach's authorship uncertain | |||||||
| 537 | J40 | Fantasia and Fugue | C minor | 1723? | Fantasias Fugues |
For organ | |||||||
| 538 | J38 | Toccata and Fugue (“Dorian”) | D minor | 1712–17 | Toccatas Fugues |
For organ | |||||||
| 539 | J15 J 71 |
Prelude and Fugue | D minor | 1720? | Preludes Fugues |
For organ | Fugue based on part of BWV 1001 | ||||||
| 540 | J39 J 55 J 73 |
Toccata and Fugue | F major | 1713–31 | Toccatas Fugues |
For organ | |||||||
| 541 | J22 | Prelude and Fugue | G major | 1712?, rev. 1724–25 | Preludes Fugues |
For organ | |||||||
| 542 | J42 J 57 J 67 |
Fantasia and Fugue (“Great”) | G minor | 1720–25? | Fantasias Fugues |
For organ | |||||||
| 543 | J42 | Prelude and Fugue | A minor | 1715? | Preludes Fugues |
For organ | Fugue based on part of BWV 944 | ||||||
| 544 | J27 | Prelude and Fugue | B minor | 1727–31 | Preludes Fugues |
For organ | |||||||
| 545 | J51 | Prelude and Fugue | C major | 1712–17? | Preludes Fugues |
For organ | see also BWV 545a, BWV 545b | ||||||
| 545a | — | Prelude and Fugue | C major | 1708? | Preludes Fugues |
For organ | alternative version of BWV 545 | ||||||
| 545b | — | Prelude, Trio and Fugue | C major | ? | Preludes Trios Fugues |
For organ | alternative version of BWV 545; Bach's authorship is uncertain; possibly composed by {{LinkComp|Johann Tobias|Krebs}} | ||||||
| 546 | J12 J 53 J 69 |
Prelude and Fugue | C minor | 1723–29? | Preludes Fugues |
For organ | |||||||
| 547 | J11 | Prelude and Fugue | C major | 1725? | Preludes Fugues |
For organ | |||||||
| 548 | J19 | Prelude and Fugue | E minor | 1727–31 | Preludes Fugues |
For organ | |||||||
| 549 | J14 | Prelude and Fugue ("Arnstadt") | C minor | 1723? | Preludes Fugues |
For organ | see also BWV 549a | ||||||
| 549a | J14 | Prelude and Fugue ("Arnstadt") | D minor | 1703–07 | Preludes Fugues |
For organ | alternative version of BWV 549 | ||||||
| 550 | J21 | Prelude and Fugue | G major | 1710? | Preludes Fugues |
For organ | |||||||
| 551 | J25 | Prelude and Fugue | A minor | 1707? | Preludes Fugues |
For organ | |||||||
| 552 | J16 | Prelude and Fugue ("St. Anne") | E♭ major | 1739? | Preludes Fugues |
For organ | |||||||
| 553–560 | Kleine Präludien und Fugen (8): | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||||
| 553 | J28 |
|
C major | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 554 | J29 |
|
D minor | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 555 | J30 |
|
E minor | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 556 | J31 |
|
F major | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 557 | J32 |
|
G major | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 558 | J33 |
|
G minor | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 559 | J34 |
|
A minor | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 560 | J35 |
|
B♭ major | ? | Preludes Fugues |
For organ | Bach's authorship uncertain | ||||||
| 561 | — | Fantasia and Fugue | A minor | — | Fantasias Fugues |
For organ | spurious; composer unidentified | ||||||
| 562 | J41 J56 |
Fantasia and Fugue | C minor | 1730–45 | Fantasias Fugues |
For organ | Fugue incomplete | ||||||
| 563 | J43 | Fantasia with Imitation | B minor | 1707 | Fantasias | For organ | Bach's authorship uncertain | ||||||
| 564 | J36 | Toccata, Adagio and Fugue | C major | 1712? | Toccatas Adagios Fugues |
For organ | |||||||
| 565 | J37 | Toccata and Fugue | D minor | 1708? | Toccatas Fugues |
For organ | Bach's authorship uncertain | ||||||
| 566 | J17 | Toccata and Fugue | E major | 1708? | Toccatas Fugues |
For organ | Bach's authorship uncertain; 1st version of BWV 566a | ||||||
| 566a | J17 | Toccata and Fugue | C major | 1708? | Toccatas Fugues |
For organ | Bach's authorship uncertain; 2nd version of BWV 566 | ||||||
| 567 | — | Prelude | C major | — | Preludes | For organ | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}} | ||||||
| 568 | J47 | Prelude | G major | 1705? | Preludes | For organ | |||||||
| 569 | J48 | Prelude | A minor | 1705? | Preludes | For organ | |||||||
| 570 | J49 | Fantasia | C major | 1705–08? | Fantasias | For organ | |||||||
| 571 | J82 | Fantasia | G major | 1720? | Fantasias | For organ | |||||||
| 572 | J83 | Fantasia ("Pièce d'orgue") | G major | 1712? | Fantasias | For organ | |||||||
| 573 | J50 | Fantasia | C major | 1722? | Fantasias | For organ | incomplete | ||||||
| 574 | J63 | {{LinkWorkN|Fugue on a Theme by Giovanni Legrenzi|BWV 574|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Giovanni Legrenzi) | C minor | 1708? | Fugues | For organ | see also BWV 574a, BWV 574b | ||||||
| 574a | — | {{LinkWorkN|Fugue on a Theme by Giovanni Legrenzi|BWV 574|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Giovanni Legrenzi) | C minor | 1708? | Fugues | For organ | alternative version of BWV 574 | ||||||
| 574b | — | {{LinkWorkN|Fugue on a Theme by Giovanni Legrenzi|BWV 574|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Giovanni Legrenzi) | C minor | 1708? | Fugues | For organ | alternative version of BWV 574 | ||||||
| 575 | J60 | Fugue | C minor | 1708–17 | Fugues | For organ | |||||||
| 576 | — | Fugue | G major | — | Fugues | For organ | spurious; composer unidentified | ||||||
| 577 | J61 | Fugue | G major | ? | Fugues | For organ | |||||||
| 578 | J66 | Fugue ("Little") | G minor | 1707? | Fugues | For organ | |||||||
| 579 | J68 | {{LinkWorkN|Fugue on a Theme by Corelli|BWV 579|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Corelli) | B minor | 1710? | Fugues | For organ | |||||||
| 580 | J65 | Fugue | D major | — | Fugues | For organ | Bach's authorship uncertain | ||||||
| 581 | — | Fugue | G major | — | Fugues | For organ | spurious; composed by {{LinkComp|Gottfried August|Homilius}} | ||||||
| 582 | J79 | Passacaglia | C minor | 1708–12? | Passacaglias | For organ | |||||||
| 583 | J8 | Trio | D minor | 1723–29? | Trios | For organ | |||||||
| 584 | — | Trio | G minor | — | Trios | For organ | Bach's authorship uncertain | ||||||
| 585 | — | Trio | C minor | — | Trios | For organ | spurious; composed by {{LinkComp|Johann Friedrich|Fasch}} | ||||||
| 586 | — | Trio | G major | — | Trios | For organ | spurious; based on music by {{LinkComp|Georg Philipp|Telemann}} | ||||||
| 587 | — | Aria | F major | — | Arias | For organ | spurious; based on Les nations by {{LinkComp|François|Couperin}} | ||||||
| 588 | J80 | Canzona | D minor | 1705? | Canzonas | For organ | |||||||
| 589 | J64 | Alla breve | D major | 1709? | Pieces | For organ | Bach's authorship uncertain | ||||||
| 590 | J81 | Pastorale | F major | after 1720 | Pastorales | For organ | incomplete | ||||||
| 591 | J78 | {{LinkWorkN|Kleines harmonisches Labyrinth|BWV 591|Bach|Johann Sebastian|0}} | C major | 1714 | Pieces | For organ | Bach's authorship uncertain; possibly composed by {{LinkComp|Johann David|Heinichen}} | ||||||
| 592 | J88 | Organ Concerto | G major | 1713–14 | Concertos | For organ | arrangement of a lost violin concerto by Prince Johann Ernst of Saxe-Weimar; arranged for harpsichord as BWV 592a | ||||||
| 592a | J92 | Harpsichord Concerto | G major | 1713–14 | Concertos | For harpsichord | arrangement of BWV 592 | ||||||
| 593 | J86 | Organ Concerto | A minor | 1713–14 | Concertos | For organ | arrangement of the {{LinkWork|Concerto for 2 Violins in A minor|RV 522|Vivaldi|Antonio}} | ||||||
| 594 | J84 | Organ Concerto | C major | 1713–14 | Concertos | For organ | arrangement of the Violin Concerto in D major, RV 208, by {{LinkComp|Antonio|Vivaldi}} | ||||||
| 595 | J87 | Organ Concerto | C major | 1713–14 | Concertos | For organ | arrangement of No.4 of the 6 Violiin Concertos, Op.1, by Prince Johann Ernst of Saxe-Weimar; see also BWV 987 | ||||||
| 596 | J85 | Organ Concerto | D minor | 1713–14 | Concertos | For organ | arrangement of the {{LinkWork|Concerto for 2 Violins and Cello in D minor|RV 565|Vivaldi|Antonio}} | ||||||
| 597 | — | Organ Concerto | E♭ major | — | Concertos | For organ | arrangement of a concerto by an unidentified composer; Bach's authorship uncertain | ||||||
| 598 | — | {{LinkWorkN|Pedal-Exercitium|BWV 598|Bach|Johann Sebastian|0}} | G minor | 1735? | Studies | For organ | Bach's authorship uncertain; possbily composed by {{LinkComp|Carl Philipp Emanuel|Bach}} | ||||||
| {{LinkWorkN|Das Orgel-Büchlein|BWV 599-644|Bach|Johann Sebastian|0}} ("Little Organ Book") | 1713–15 | Chorale preludes | For organ | ||||||||||
| 599 | K28 |
|
A major | 1713–15 | Chorale preludes | For organ | |||||||
| 600 | K29 |
|
F major | 1713–15 | Chorale preludes | For organ | |||||||
| 601 | K30 |
|
A major | 1713–15 | Chorale preludes | For organ | |||||||
| 602 | K31 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 603 | K32 |
|
G minor | 1713–15 | Chorale preludes | For organ | |||||||
| 604 | K33 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 605 | K34 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 606 | K35 |
|
D major | 1713–15 | Chorale preludes | For organ | |||||||
| 607 | K36 |
|
G mnor | 1713–15 | Chorale preludes | For organ | |||||||
| 608 | K37 |
|
A major | 1713–15 | Chorale preludes | For organ | |||||||
| 609 | K38 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 610 | K39 |
|
C minor | 1713–15 | Chorale preludes | For organ | |||||||
| 611 | K40 |
|
E minor | 1713–15 | Chorale preludes | For organ | |||||||
| 612 | K41 |
|
G minor | 1713–15 | Chorale preludes | For organ | |||||||
| 613 | K42 |
|
B minor | 1713–15 | Chorale preludes | For organ | |||||||
| 614 | K43 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 615 | K44 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 616 | K45 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 617 | K46 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 618 | K47 |
|
F major | 1713–15 | Chorale preludes | For organ | |||||||
| 619 | K48 |
|
F major | 1713–15 | Chorale preludes | For organ | |||||||
| 620 | K49 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 620a | — |
|
A minor | 1713? | Chorale preludes | For organ | |||||||
| 621 | K50 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 622 | K51 |
|
E♭ major | 1713–15 | Chorale preludes | For organ | |||||||
| 623 | K52 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 624 | K53 |
|
G minor | 1713–15 | Chorale preludes | For organ | |||||||
| 625 | K55 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 626 | K56 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 627 | K57 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 628 | K58 |
|
D major | 1713–15 | Chorale preludes | For organ | |||||||
| 629 | K59 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 630 | K60 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 630a | — |
|
D minor | 1718? | Chorale preludes | For organ | |||||||
| 631 | K61 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 631a | — |
|
G major | 1727–30 | Chorale preludes | For organ | |||||||
| 632 | K62 |
|
F major | 1713–15 | Chorale preludes | For organ | |||||||
| 633 | K63b |
|
A major | 1713–15 | Chorale preludes | For organ | |||||||
| 634 | K63a |
|
A major | 1713–15 | Chorale preludes | For organ | |||||||
| 635 | K64 |
|
C major | 1713–15 | Chorale preludes | For organ | |||||||
| 636 | K65 |
|
D minor | 1713–15 | Chorale preludes | For organ | |||||||
| 637 | K66 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 637 | K144 |
|
A minor | ? | Chorale preludes | For organ | |||||||
| 638 | K67 |
|
D major | 1713–15 | Chorale preludes | For organ | |||||||
| 638a | — |
|
D major | 1710–14 | Chorale preludes | For organ | |||||||
| 639 | K68 |
|
F minor | 1713–15 | Chorale preludes | For organ | |||||||
| 640 | K69 |
|
E minor | 1713–15 | Chorale preludes | For organ | |||||||
| 641 | K70 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 642 | K71 |
|
A minor | 1713–15 | Chorale preludes | For organ | |||||||
| 643 | K72 |
|
G major | 1713–15 | Chorale preludes | For organ | |||||||
| 644 | K73 |
|
G minor | 1713–15 | Chorale preludes | For organ | |||||||
| Chorale Preludes (6) ("Choräle von verschiedener Art" or "Schubler Chorales") | 1748–49 | Chorale preludes | For organ | ||||||||||
| 645 | K22 |
|
E♭ major | 1748–49 | Chorale preludes | For organ | based on movt.IV of BWV 140 | ||||||
| 646 | K23 |
|
E minor | 1748–49 | Chorale preludes | For organ | |||||||
| 647 | K24 |
|
C minor | 1748–49 | Chorale preludes | For organ | based on movt.IV of BWV 93 | ||||||
| 648 | K25 |
|
D minor | 1748–49 | Chorale preludes | For organ | based on movt.V of BWV 10 | ||||||
| 649 | K26 |
|
B♭ major | 1748–49 | Chorale preludes | For organ | based on movt.III of BWV 6 | ||||||
| 650 | K27 |
|
G major | 1748–49 | Chorale preludes | For organ | based on movt.II of BWV 137 | ||||||
| Chorale Preludes (18) ("Choräle von verschiedener Art" or "The Great Eighteen") | 1723? | Chorale preludes | For organ | ||||||||||
| 651 | K74 |
|
F major | 1723? | Chorale preludes | For organ | |||||||
| 651a | — |
|
F major | 1714? | Chorale preludes | For organ | |||||||
| 652 | K75 |
|
G major | 1723? | Chorale preludes | For organ | |||||||
| 652a | — |
|
G major | 1718? | Chorale preludes | For organ | |||||||
| 653 | K76 |
|
G major | 1723? | Chorale preludes | For organ | |||||||
| 653a | — |
|
G major | 1719? | Chorale preludes | For organ | |||||||
| 653b | — |
|
G major | 1723? | Chorale preludes | For organ | |||||||
| 654 | K77 |
|
E♭ major | 1723? | Chorale preludes | For organ | |||||||
| 654a | — |
|
E♭ major | 1715? | Chorale preludes | For organ | |||||||
| 655 | K78 |
|
G major | 1723? | Chorale preludes | For organ | |||||||
| 655b | — |
|
G major | 1735–45? | Chorale preludes | For organ | |||||||
| 655c | — |
|
G major | ? | Chorale preludes | For organ | |||||||
| 656 | K79 |
|
A major | 1723? | Chorale preludes | For organ | |||||||
| 657 | K80 |
|
G major | 1723? | Chorale preludes | For organ | |||||||
| 658 | K81 |
|
F minor | 1723? | Chorale preludes | For organ | |||||||
| 658a | — |
|
F minor | 1718? | Chorale preludes | For organ | |||||||
| 659 | K82 |
|
G minor | 1723? | Chorale preludes | For organ | |||||||
| 659a | — |
|
G minor | 1715? | Chorale preludes | For organ | |||||||
| 660 | K83 |
|
G minor | 1723? | Chorale preludes | For organ | |||||||
| 660a | — |
|
G minor | 1718? | Chorale preludes | For organ | |||||||
| 660b | — |
|
G minor | ? | Chorale preludes | For organ | Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Ludwig|Krebs}} | ||||||
| 661 | K84 |
|
G minor | 1723? | Chorale preludes | For organ | |||||||
| 661a | — |
|
G minor | 1715? | Chorale preludes | For organ | |||||||
| 662 | K85 |
|
A major | 1723? | Chorale preludes | For organ | |||||||
| 663 | K86 |
|
G major | 1723? | Chorale preludes | For organ | |||||||
| 664 | K87 |
|
A major | 1723? | Chorale preludes | For organ | |||||||
| 665 | K88 |
|
E minor | 1723? | Chorale preludes | For organ | |||||||
| 665a | — |
|
E minor | 1740? | Chorale preludes | For organ | |||||||
| 666 | K89 |
|
E minor | 1723? | Chorale preludes | For organ | |||||||
| 666a | — |
|
E minor | 1740? | Chorale preludes | For organ | |||||||
| 667 | K90 |
|
C major | 1723? | Chorale preludes | For organ | |||||||
| 667a | — |
|
C major | 1749? | Chorale preludes | For organ | |||||||
| 667b | — |
|
C major | 1718? | Chorale preludes | For organ | |||||||
| 668 | K91 |
|
G major | 1723? | Chorale preludes | For organ | incomplete | ||||||
| 668a | — |
|
G major | 1750 | Chorale preludes | For organ | |||||||
| Chorale Preludes ("Clavier-Übung III") | 1739 | Chorale preludes | For organ | ||||||||||
| 669 | K1 |
|
1739 | Kyrie | For organ | ||||||||
| 670 | K2 |
|
1739 | Chorale preludes | For organ | ||||||||
| 671 | K3 |
|
1739 | Kyrie | For organ | ||||||||
| 672 | K4 |
|
1739 | Kyrie | For organ | ||||||||
| 673 | K5 |
|
1739 | Chorale preludes | For organ | ||||||||
| 674 | K6 |
|
1739 | Kyrie | For organ | ||||||||
| 675 | K7 |
|
1739 | Chorale preludes | For organ | ||||||||
| 676 | K8 |
|
1739 | Fughettas | For organ | ||||||||
| 677 | K9 |
|
1739 | Chorale preludes | For organ | ||||||||
| 678 | K10 |
|
1739 | Chorale preludes | For organ | ||||||||
| 679 | K11 |
|
1739 | Chorale preludes | For organ | ||||||||
| 680 | K12 |
|
1739 | Chorale preludes | For organ | ||||||||
| 681 | K13 |
|
1739 | Fughettas | For organ | ||||||||
| 682 | K14 |
|
1739 | Chorale preludes | For organ | ||||||||
| 683 | K15 |
|
1739 | Chorale preludes | For organ | ||||||||
| 684 | K16 |
|
1739 | Chorale preludes | For organ | ||||||||
| 685 | K17 |
|
1739 | Chorale preludes | For organ | ||||||||
| 686 | K18 |
|
1739 | Chorale preludes | For organ | ||||||||
| 687 | K19 |
|
1739 | Chorale preludes | For organ | ||||||||
| 688 | K20 |
|
1739 | Chorale preludes | For organ | ||||||||
| 689 | K21 |
|
1739 | Fugues | For organ | ||||||||
| Chorale Preludes ("Kirnberger") | Chorale preludes | For organ | |||||||||||
| 690 | K127 |
|
1705? | Chorale preludes | For organ | ||||||||
| 691 | K99 |
|
1720 | Chorale preludes | For organ | see also BWV 691 | |||||||
| 691a | — |
|
1749? | Chorale preludes | For organ | alternative version of BWV 691; Bach's authorship uncertain | |||||||
| 692 | — |
|
— | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Gottfried|Walther}} | |||||||
| 692a | — |
|
— | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Gottfried|Walther}} | |||||||
| 693 | — |
|
— | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Gottfried|Walther}} | |||||||
| 694 | K139 |
|
1708? | Chorale preludes | For organ | ||||||||
| 695 | K136 |
|
1708? | Chorale preludes | For organ | ||||||||
| 695a | — |
|
1708 | Chorale preludes | For organ | Bach's authorship uncertain | |||||||
| 696 | K142 |
|
1739–42 | Chorale preludes | For organ | ||||||||
| 697 | K147 |
|
1739–42 | Chorale preludes | For organ | ||||||||
| 698 | K149 |
|
1739–42 | Fughetta | For organ | ||||||||
| 699 | K155 |
|
1739–42 | Chorale preludes | For organ | ||||||||
| 700 | K156 |
|
1708? | Chorale preludes | For organ | ||||||||
| 701 | K157 |
|
1739–42 | Chorale preludes | For organ | ||||||||
| 702 | K143 |
|
? | Fughetta | For organ | ||||||||
| 703 | K148 |
|
1739–42 | Chorale preludes | For organ | ||||||||
| 704 | K153 |
|
1739–42 | Chorale preludes | For organ | ||||||||
| 705 | — |
|
D minor | 1708 | Fughetta | For organ | |||||||
| 706 | K116 |
|
1708–14 | Chorale preludes | For organ | ||||||||
| 707 | K137 |
|
? | Chorale preludes | For organ | ||||||||
| 708 | K158 |
|
1731? | Chorale preludes | For organ | ||||||||
| 708a | — |
|
1731? | Chorale preludes | For organ | ||||||||
| 709 | K150 |
|
1708–17 | Chorale preludes | For organ | ||||||||
| 710 | — |
|
1708 | Chorale preludes | For organ | spurious; composer unidentfied | |||||||
| 711 | K140 |
|
1708–17 | Chorale preludes | For organ | ||||||||
| 712 | K151 |
|
? | Chorale preludes | For organ | ||||||||
| 713 | K138 |
|
? | Chorale preludes | For organ | ||||||||
| 714 | K172 | Ach Gott und Herr ("per canonem") | 1715? | Chorale preludes | For organ | ||||||||
| 715 | K128 | Allein Gott in der Höh sei Ehr (VIII) | 1727? | Chorale preludes | For organ | ||||||||
| 716 | K141 | Fuga super "Allein Gott in der Höh sei Ehr" | — | Fugues | For organ | ||||||||
| 717 | K106 | Allein Gott in der Höh sei Ehr (IX) | 1710–14 | Chorale preludes | For organ | ||||||||
| 718 | K119 | Christ lag in Todesbanden (II) | 1712–13 | Chorale preludes | For organ | ||||||||
| 719 | K34 | Der Tag, der ist so freudenreich (II) | 1710? | Chorale preludes | For organ | ||||||||
| 720 | K103 | Ein feste Burg ist unser Gott | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Michael|Bach}} | |||||||
| 721 | K107 | Erbarm dich mein, o Herre Gott | 1740? | Chorale preludes | For organ | ||||||||
| 722 | K114 | Gelobet seist du, Jesu Christ (III) | ? | Chorale preludes | For organ | ||||||||
| 723 | — | Gelobet seist du, Jesu Christ | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Michael|Bach}} | |||||||
| 724 | K29 | Gott, durch deine Güte ("Gottes Sohn ist kommen") | 1705? | Chorale preludes | For organ | ||||||||
| 725 | K99 | Herr Gott, dich loben wir | ? | Chorale preludes | For organ | ||||||||
| 726 | K130 | Herr Jesu Christ, dich zu unswend (III) | 1726 | Chorale preludes | For organ | ||||||||
| 727 | K109 | Herzlich tut mich verlangen | 1740 | Chorale preludes | For organ | ||||||||
| 728 | K101 | Jesus, meine Zuversicht | 1722 | Chorale preludes | For organ | ||||||||
| 729 | K115 | In dulci jubilo (II) | ? | Chorale preludes | For organ | ||||||||
| 729a | — | In dulci jubilo (III) | 1730? | Chorale preludes | For organ | ||||||||
| 730 | K133 | Liebster Jesu, wir sind hier (IV) | ? | Chorale preludes | For organ | ||||||||
| 731 | K134 | Liebster Jesu, wir sind hier (V) | ? | Chorale preludes | For organ | ||||||||
| 732 | K117 | Lobt Gott, ihr Christen,allzugleich (II) | 1718? | Chorale preludes | For organ | ||||||||
| 733 | K120 | MeineSeele erhebet den Herren (Fuga sopra il Magnificat) | ? | Fugues | For organ | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}} | |||||||
| 734 | K125 | Nun freut euch, lieben Christen gmein (I) | ? | Chorale preludes | For organ | ||||||||
| 734a | — | Nun freut euch, lieben Christen gmein (II) | 1715? | Chorale preludes | For organ | Bach's authorship uncertain | |||||||
| 735 | K104 | Fantasia super Valet will ich dirgeben | 1708–17? | Chorale preludes | For organ | ||||||||
| 736 | K131 | Valet will ich dir geben | 1715? | Chorale preludes | For organ | ||||||||
| 737 | K112 | Vater unser im Himmelreich (IV) | 1710? | Chorale preludes | For organ | ||||||||
| 738 | K118 | Vom Himmel hoch, da komm ich her (IV) | 1718? | Chorale preludes | For organ | ||||||||
| 738a | — | Vom Himmel hoch, da komm ich her (V) | 1718? | Chorale preludes | For organ | ||||||||
| 739 | K97 | Wie schön leuchtet uns der Morgenstern (I) | 1705? | Chorale preludes | For organ | ||||||||
| 740 | — | Wir glauben all an einen Gott (IV) | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}} | |||||||
| 741 | K135 | Ach Gott vom Himmel sieh darein | ? | Chorale preludes | For organ | ||||||||
| 742 | K173 | Ach Herr, mich armen Sünder | 1733? | Chorale preludes | For organ | ||||||||
| 743 | K121 | Ach, was ist doch unser Leben | 1740? | Chorale preludes | For organ | ||||||||
| 744 | K122 | Auf meinen lieben Gott | — | Chorale preludes | For organ | Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Ludwig|Krebs}} | |||||||
| 745 | — | Aus der Tiefe rufe ich | — | Chorale preludes | For organ | spurious; probably composed by {{LinkComp|Carl Philipp Emanuel|Bach}} | |||||||
| 746 | — | Christ ist erstanden (II) | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Caspar Ferdinand|Fischer}} | |||||||
| 747 | K102 | Christus, der uns selig macht (III) | 1731–40? | Chorale preludes | For organ | ||||||||
| 748 | — | Gott der Vater wohn uns bei | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Gottfried|Walther}}; see also BWV 748a | |||||||
| 748a | — | Gott der Vater wohn uns bei | — | Chorale preludes | For organ | variant of BWV 748; spurious; composed by {{LinkComp|Johann Gottfried|Walther}} | |||||||
| 749 | K195 | Herr Jesu Christ, dich zu uns wend (IV) | 1700? | Chorale preludes | For organ | ||||||||
| 750 | K196 | Herr Jesu Christ, meins Lebens Licht | 1700? | Chorale preludes | For organ | ||||||||
| 751 | — | In dulci jubilo (IV) | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Michael|Bach}} | |||||||
| 752 | — | Jesu, der du meine Seele | 1740? | Chorale preludes | For organ | Bach's authorship uncertain | |||||||
| 753 | K124 | Jesu, meine Freude (II) | 1723? | Chorale preludes | For organ | incomplete | |||||||
| 754 | — | Liebster Jesu, wir sind hier (VI) | 1740? | Chorale preludes | For organ | ||||||||
| 755 | — | Nun freut euch, lieben Christengmein (III) | ? | Chorale preludes | For organ | Bach's authorship uncertain | |||||||
| 756 | K197 | Nun ruhen alle Wälder | 1700? | Chorale preludes | For organ | ||||||||
| 757 | K126 | O Herre Gott, dein göttlich's Wort (I) | ? | Chorale preludes | For organ | ||||||||
| 758 | K198 | O Vater, allmächtiger Gott | ? | Chorale preludes | For organ | ||||||||
| 759 | — | Schmücke dich, o liebe SeeleI | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Gottfried August|Homilius}}; see also BWV Anh.74 | |||||||
| 760 | — | Vater unser im Himmelreich (VI) | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Georg|Böhm}} | |||||||
| 761 | — | Vater unser im Himmelreich (VII) | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Georg|Böhm}} | |||||||
| 762 | K113 | Vater unser im Himmelreich (V) | 1715? | Chorale preludes | For organ | ||||||||
| 763 | — | Wie schön leuchtet uns der Morgenstern (II) | 1737? | Chorale preludes | For organ | Bach's authorship uncertain | |||||||
| 764 | K98 | Wie schön leuchtet uns der Morgenstern (III) | 1705? | Chorale preludes | For organ | incomplete | |||||||
| 765 | K105 | Wir glauben all an einen Gott (II) | 1718 | Chorale preludes | For organ | ||||||||
| 766 | K94 | {{LinkWorkN|Christ, der du bist der helle Tag|BWV 766|Bach|Johann Sebastian|0}} | 1700? | Chorales Partitas |
For organ | ||||||||
| 767 | K95 | {{LinkWorkN|O Gott, du frommer Gott|BWV 767|Bach|Johann Sebastian|0}} | ? | Chorales Partitas |
For organ | ||||||||
| 768 | K96 | {{LinkWorkN|Sei gegrüsset, Jesu gütig|BWV 768|Bach|Johann Sebastian|0}} | 1710? | Chorales Partitas |
For organ | ||||||||
| 769 | — | {{LinkWorkN|Vom himmel hoch, da komm ich her|BWV 769|Bach|Johann Sebastian|0}} (I) | 1747 | Canons Variations |
For organ | see also BWV 769a | |||||||
| 769a | — | {{LinkWorkN|Vom himmel hoch, da komm ich her|BWV 769|Bach|Johann Sebastian|0}} (I) | 1747 | Canons Variations |
For organ | alternative version of BWV 768 | |||||||
| 770 | K93 | {{LinkWorkN|Ach, was soll ich Sünder machen|BWV 770|Bach|Johann Sebastian|0}} | ? | Chorales Partitas |
For organ | ||||||||
| 771 | — | {{LinkWorkN|Allein Gott in der Höh sei Ehr'|BWV 771|Bach|Johann Sebastian|0}} | — | Chorales Variations |
For organ | spurious; composed by {{LinkComp|Nicolaus|Vetter}} |
|- | 772–786 | — | Inventions (15): | C major | 1720–23 | Inventions | For keyboard | |- | 772 | L27
|
- Invention No.1
| C major | 1720–23 | Inventions | For keyboard | see also BWV 772a |- | 772a | —
|
- Invention No.1
| C major | 1720–23 | Inventions | For keyboard | alternative version of BWV 772; Bach's authorship uncertain |- | 773 | L28
|
- Invention No.2
| C minor | 1720–23 | Inventions | For keyboard | |- | 774 | L29
|
- Invention No.3
| D major | 1720–23 | Inventions | For keyboard | |- | 775 | L30
|
- Invention No.4
| D minor | 1720–23 | Inventions | For keyboard | |- | 776 | L31
|
- Invention No.5
| E♭ major | 1720–23 | Inventions | For keyboard | |- | 777 | L32
|
- Invention No.6
| E major | 1720–23 | Inventions | For keyboard | |- | 778 | L33
|
- Invention No.7
| E minor | 1720–23 | Inventions | For keyboard | |- | 779 | L34
|
- Invention No.8
| F major | 1720–23 | Inventions | For keyboard | |- | 780 | L35
|
- Invention No.9
| F minor | 1720–23 | Inventions | For keyboard | |- | 781 | L36
|
- Invention No.10
| G major | 1720–23 | Inventions | For keyboard | |- | 782 | L37
|
- Invention No.11
| G minor | 1720–23 | Inventions | For keyboard | |- | 783 | L38
|
- Invention No.12
| A major | 1720–23 | Inventions | For keyboard | |- | 784 | L39
|
- Invention No.13
| A minor | 1720–23 | Inventions | For keyboard | |- | 785 | L40
|
- Invention No.14
| B♭ major | 1720–23 | Inventions | For keyboard | |- | 786 | L41
|
- Invention No.15
| B minor | 1720–23 | Inventions | For keyboard | |- | 787–801 | — | Sinfonias (15): | | 1720–23 | Sinfonias | For keyboard | |- | 787 | L42
|
- Sinfonia No.1
| C major | 1720–23 | Sinfonias | For keyboard | |- | 788 | L43
|
- Sinfonia No.2
| C minor | 1720–23 | Sinfonias | For keyboard | |- | 789 | L44
|
- Sinfonia No.3
| D major | 1720–23 | Sinfonias | For keyboard | |- | 790 | L45
|
- Sinfonia No.4
| D minor | 1720–23 | Sinfonias | For keyboard | |- | 791 | L46
|
- Sinfonia No.5
| E♭ major | 1720–23 | Sinfonias | For keyboard | |- | 792 | L47
|
- Sinfonia No.6
| E major | 1720–23 | Sinfonias | For keyboard | |- | 793 | L48
|
- Sinfonia No.7
| E minor | 1720–23 | Sinfonias | For keyboard | |- | 794 | L49
|
- Sinfonia No.8
| F major | 1720–23 | Sinfonias | For keyboard | |- | 795 | L50
|
- Sinfonia No.9
| F minor | 1720–23 | Sinfonias | For keyboard | |- | 796 | L51
|
- Sinfonia No.10
| G major | 1720–23 | Sinfonias | For keyboard | |- | 797 | L52
|
- Sinfonia No.11
| G minor | 1720–23 | Sinfonias | For keyboard | |- | 798 | L53
|
- Sinfonia No.12
| A major | 1720–23 | Sinfonias | For keyboard | |- | 799 | L54
|
- Sinfonia No.13
| A minor | 1720–23 | Sinfonias | For keyboard | |- | 800 | L55
|
- Sinfonia No.14
| B♭ major | 1720–23 | Sinfonias | For keyboard | |- | 801 | L56
|
- Sinfonia No.15
| B minor
| 1720–23
| Sinfonias
| For keyboard
|
|-
| 802
| J74
| Duetto No.1
| E minor
| 1739
| Duets
| For keyboard
| No.23 in Clavier-Übung III
|-
| 803
| J75
| Duetto No.2
| F major
| 1739
| Duets
| For keyboard
| No.24 in Clavier-Übung III
|-
| 804
| J76
| Duetto No.3
| G major
| 1739
| Duets
| For keyboard
| No.25 in Clavier-Übung III
|-
| 805
| J77
| Duetto No.4
| A minor
| 1739
| Duets
| For keyboard
| No.26 in Clavier-Übung III
|-
| 806
| L13
| English Suite No.1
| A major
| 1720–22?
| Suites
| For keyboard
|
|-
| 807
| L14
| English Suite No.2
| A minor
| 1720–22?
| Suites
| For keyboard
|
|-
| 808
| L15
| English Suite No.3
| G minor
| 1720–22?
| Suites
| For keyboard
|
|-
| 809
| L16
| English Suite No.4
| F major
| 1720–22?
| Suites
| For keyboard
|
|-
| 810
| L17
| English Suite No.5
| E minor
| 1720–22?
| Suites
| For keyboard
|
|-
| 811
| L18
| English Suite No.6
| D minor
| 1720–22?
| Suites
| For keyboard
|
|-
| 812
| L19
| French Suite No.1
| D minor
| 1722–25?
| Suites
| For keyboard
|
|-
| 813
| L20
| French Suite No.2
| C minor
| 1722–25?
| Suites
| For keyboard
| see also BWV 813a
|-
| 813a
| L20
| French Suite No.2
| C minor
| 1722–25?
| Suites
| For keyboard
| alternative version of BWV 813
|-
| 814
| L21
| French Suite No.3
| B minor
| 1722–25?
| Suites
| For keyboard
| see also BWV 814a
|-
| 814a
| L21
| French Suite No.3
| B minor
| 1722–25?
| Suites
| For keyboard
| alternative version of BWV 814
|-
| 815
| L22
| French Suite No.4
| E♭ major
| 1722–25?
| Suites
| For keyboard
| see also BWV 815a
|-
| 815a
| L22
| French Suite No.4
| E♭ major
| 1722–25?
| Suites
| For keyboard
| alternative version of BWV 815
|-
| 816
| L23
| French Suite No.5
| G major
| 1722–25?
| Suites
| For keyboard
|
|-
| 817
| L24
| French Suite No.6
| E major
| 1722–25?
| Suites
| For keyboard
|
|-
| 818
| L25
| Suite
| A minor
| 1720–22?
| Suites
| For keyboard
| see also BWV 818
|-
| 818a
| L25
| Suite
| A minor
| 1720–22?
| Suites
| For keyboard
| alternative version of BWV 818
|-
| 819
| L26
| Suite
| E♭ major
| 1725?
| Suites
| For keyboard
| see also BWV 819
|-
| 819a
| L26
| Suite
| E♭ major
| 1725–28?
| Suites
| For keyboard
| alternative version of BWV 819
|-
| 820
| L173
| Overture
| F major
| 1705?
| Overtures
| For keyboard
|
|-
| 821
| L169
| Suite
| B♭ major
| ?
| Suites
| For keyboard
| Bach's authorship uncertain
|-
| 822
| L168
| Suite
| G minor
| 1705?
| Suites
| For keyboard
|
|-
| 823
| L167
| Suite
| F minor
| 1715?
| Suites
| For keyboard
| incomplete
|-
| 824
| —
| Suite
| A major
| —
| Suites
| For keyboard
| spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 32:14)
|-
| 825
| L1
| Partita No.1
| B♭ major
| 1726
| Partitas
| For keyboard
| No.1 in Clavier-Übung I
|-
| 826
| L2
| Partita No.2
| C minor
| 1727
| Partitas
| For keyboard
| No.2 in Clavier-Übung I
|-
| 827
| L3
| Partita No.3
| A minor
| 1725–27
| Partitas
| For keyboard
| No.3 in Clavier-Übung I
|-
| 828
| L4
| Partita No.4
| D major
| 1728
| Partitas
| For keyboard
| No.4 in Clavier-Übung I
|-
| 829
| L5
| Partita No.5
| G major
| 1730
| Partitas
| For keyboard
| No.5 in Clavier-Übung I
|-
| 830
| L6
| Partita No.6
| E minor
| 1725–30
| Partitas
| For keyboard
| No.6 in Clavier-Übung I
|-
| 831
| L8
| Ouverture nach Französischer Art (Overture in the French Style)
| B minor
| 1735
| Overtures
Partitas
| For keyboard
| 2nd version of BWV 831a; No.2 in Clavier-Übung II
|-
| 831a
| L8
| Ouverture nach Französischer Art (Overture in the French Style)
| C minor
| 1733
| Overtures
Partitas
| For keyboard
| 1st version of BWV 831
|-
| 832
| L174
| Suite
| A major
| 1708?
| Suites
| For keyboard
|
|-
| 833
| L172
| Praeludium et Partita dei Tuono Terzo
| F major
| 1708–14?
| Preludes
Partitas
| For keyboard
| Bach's authorship uncertain; possibly composed by {{LinkComp|Bernardo|Pasquini}}
|-
| 834
| —
| Allemande
| C minor
| —
| Allemandes
| For keyboard
| Bach's authorship uncertain
|-
| 835
| —
| Allemande
| A minor
| —
| Allemandes
| For keyboard
| spurious; composed by {{LinkComp|Johann Philipp|Kirnberger}}
|-
| 836
| A40
| Allemande
| G minor
| 1720–22
| Allemandes
| For keyboard
| composed with {{LinkComp|Wilhelm Friedemann|Bach}}
|-
| 837
| A41
| Allemande
| G minor
| 1720–22
| Allemandes
| For keyboard
| composed with {{LinkComp|Wilhelm Friedemann|Bach}}; incomplete
|-
| 838
| —
| Allemande and Courante
| A major
| —
| Allemandes
Courantes
| For keyboard
| spurious; composed by {{LinkComp|Christoph|Graupner}} (GWV 149/2–3)
|-
| 839
| —
| Sarabande
| G minor
| 1735?
| Sarabandes
| For keyboard
| Bach's authorship uncertain
|-
| 840
| —
| Courante
| G major
| —
| Courantes
| For keyboard
| spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 32:13)
|-
| 841
| L176/1
| Minuet
| G major
| 1720
| Minuets
| For keyboard
|
|-
| 842
| L176/2
| Minuet
| G minor
| 1720
| Minuets
| For keyboard
|
|-
| 843
| L176/3
| Minuet
| G major
| 1720
| Minuets
| For keyboard
|
|-
| 844
| —
| Scherzo
| D minor
| ?
| Scherzos
| For keyboard
| Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}}; see also BWV 844a
|-
| 844a
| —
| Scherzo
| E minor
| —
| Scherzos
| For keyboard
| alternative version of BWV 844; Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}}
|-
| 845
| —
| Gigue
| F minor
| ?
| Gigues
| For keyboard
| Bach's authorship uncertain
|-
| 846-869
|
| {{LinkWorkN|Das wohltemperierte Klavier I|BWV 846-869|Bach|Johann Sebastian|0}} (The Well-Tempered Clavier, Part I)
|
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 846
| L80
|
- Prelude and Fugue
| C major
| 1722
| Preludes
Fugues
| For keyboard
| see also BWV 846a
|-
| 846a
| L80
|
- Prelude and Fugue
| C major
| 1722
| Preludes
Fugues
| For keyboard
| alternative version of BWV 846a
|-
| 847
| L81
|
- Prelude and Fugue
| C minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 848
| L82
|
- Prelude and Fugue
| C♯ major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 849
| L83
|
- Prelude and Fugue
| C♯ minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 850
| L84
|
- Prelude and Fugue
| D major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 851
| L85
|
- Prelude and Fugue
| D minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 852
| L86
|
- Prelude and Fugue
| E♭ major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 853
| L87
|
- Prelude and Fugue
| E♭ minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 854
| L88
|
- Prelude and Fugue
| E major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 855
| L89
|
- Prelude and Fugue
| E minor
| 1722
| Preludes
Fugues
| For keyboard
| see also BWV 855a
|-
| 855a
| L89
|
- Prelude and Fugue
| E minor
| 1722
| Preludes
Fugues
| For keyboard
| alternative version of BWV 855
|-
| 856
| L90
|
- Prelude and Fugue
| F major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 857
| L91
|
- Prelude and Fugue
| F minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 858
| L92
|
- Prelude and Fugue
| F♯ major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 859
| L93
|
- Prelude and Fugue
| F♯ minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 860
| L94
|
- Prelude and Fugue
| G major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 861
| L95
|
- Prelude and Fugue
| G minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 862
| L96
|
- Prelude and Fugue
| A♭ major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 863
| L97
|
- Prelude and Fugue
| G♯ minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 864
| L98
|
- Prelude and Fugue
| A major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 865
| L99
|
- Prelude and Fugue
| A minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 866
| L100
|
- Prelude and Fugue
| B♭ major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 867
| L101
|
- Prelude and Fugue
| B♭ minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 868
| L102
|
- Prelude and Fugue
| B major
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 869
| L103
|
- Prelude and Fugue
| B minor
| 1722
| Preludes
Fugues
| For keyboard
|
|-
| 870-893
|
| {{LinkWorkN|Das wohltemperierte Klavier II|BWV 870-893|Bach|Johann Sebastian|0}} (The Well-Tempered Clavier, Part I)
|
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 870
| L104
|
- Prelude and Fugue
| C major
| 1740
| Preludes
Fugues
| For keyboard
| see also BWV 870a, 870b
|-
| 870a
| L104
|
- Prelude and Fugue
| C major
| 1740
| Preludes
Fugues
| For keyboard
| alternative version of BWV 870
|-
| 870b
| L104
|
- Prelude and Fugue
| C major
| 1740
| Preludes
Fugues
| For keyboard
| alternative version of BWV 870
|-
| 871
| L105
|
- Prelude and Fugue
| C minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 872
| L106
|
- Prelude and Fugue
| C♯ major
| 1740
| Preludes
Fugues
| For keyboard
| see also BWV 872a
|-
| 872a
| L106
|
- Prelude and Fugue
| C♯ major
| 1740
| Preludes
Fugues
| For keyboard
| alternative version of BWV 872
|-
| 873
| L107
|
- Prelude and Fugue
| C♯ minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 874
| L108
|
- Prelude and Fugue
| D major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 875
| L109
|
- Prelude and Fugue
| D minor
| 1740
| Preludes
Fugues
| For keyboard
| see also BWV 875a
|-
| 875a
| L109
|
- Prelude and Fugue
| D minor
| 1740
| Preludes
Fugues
| For keyboard
| alternative version of BWV 875
|-
| 876
| L110
|
- Prelude and Fugue
| E♭ major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 877
| L111
|
- Prelude and Fugue
| E♭ minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 878
| L112
|
- Prelude and Fugue
| E major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 879
| L113
|
- Prelude and Fugue
| E minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 880
| L114
|
- Prelude and Fugue
| F major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 881
| L115
|
- Prelude and Fugue
| F minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 882
| L116
|
- Prelude and Fugue
| F♯ major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 883
| L117
|
- Prelude and Fugue
| F♯ minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 884
| L118
|
- Prelude and Fugue
| G major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 885
| L119
|
- Prelude and Fugue
| G minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 886
| L120
|
- Prelude and Fugue
| A♭ major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 887
| L121
|
- Prelude and Fugue
| G♯ minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 888
| L122
|
- Prelude and Fugue
| A major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 889
| L123
|
- Prelude and Fugue
| A minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 890
| L124
|
- Prelude and Fugue
| B♭ major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 891
| L125
|
- Prelude and Fugue
| B♭ minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 892
| L126
|
- Prelude and Fugue
| B major
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 893
| L127
|
- Prelude and Fugue
| B minor
| 1740
| Preludes
Fugues
| For keyboard
|
|-
| 894
| L130
| Prelude and Fugue
| A minor
| 1715–25
| Preludes
Fugues
| For keyboard
| revised in BWV 1044
|-
| 895
| L129
| Prelude and Fugue
| A minor
| 1709
| Preludes
Fugues
| For keyboard
|
|-
| 896
| L128
| Prelude and Fugue
| A minor
| 1710?
| Preludes
Fugues
| For keyboard
|
|-
| 897
| —
| Prelude and Fugue
| A minor
| —
| Preludes
Fugues
| For keyboard
| prelude composed by {{LinkComp|Cornelius Heinrich|Dretzel}}; composer of fugue uncertain
|-
| 898
| —
| Prelude and Fugue (on the name of "B-A-C-H")
| B♭ major
| ?
| Preludes
Fugues
| For keyboard
| Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Christian|Kittel}}
|-
| 899
| —
| Prelude and Fughetta
| D minor
| 1725–26?
| Preludes
Fughettas
| For keyboard
| Bach's authorship uncertain
|-
| 900
| L77
| Prelude and Fughetta
| E minor
| 1725–26?
| Preludes
Fughettas
| For keyboard
|
|-
| 901
| L78
| Prelude and Fughetta
| F major
| 1730?
| Preludes
Fughettas
| For keyboard
|
|-
| 902
| L79
| Prelude and Fughetta
| G major
| 1730?
| Preludes
Fughettas
| For keyboard
| see also BWV 902/1a
|-
| 902/1a
| —
| Prelude
| G major
| 1730?
| Preludes
Fughettas
| For keyboard
| alternative version of prelude from BWV 902
|-
| 903
| L34
| Chromatic Fantasia
| D minor
| 1723?
| Fantasias
Fugues
| For keyboard
| see also BWV 903a
|-
| 903a
| —
| Fantasia
| D minor
| 1723?
| Fantasias
Fugues
| For keyboard
| alternative version of BWV 903
|-
| 904
| L136
| Fantasia and Fugue
| A minor
| 1725?
| Fantasias
Fugues
| For keyboard
|
|-
| 905
| —
| Fantasia and Fugue
| D minor
| ?
| Fantasias
Fugues
| For keyboard
| Bach's authorship uncertain
|-
| 906
| L133
L138
| Fantasia and Fugue
| C minor
| 1704?
| Fantasias
Fugues
| For keyboard
| fugue incompete
|-
| 907
| —
| Fantasia and Fughetta
| B♭ major
| ?
| Fantasias
Fughettas
| For keyboard
| spurious; composed by {{LinkComp|Gottfried|Kirchhoff}}
|-
| 908
| —
| Fantasia and Fughetta
| D major
| ?
| Fantasias
Fughettas
| For keyboard
| spurious; composed by {{LinkComp|Gottfried|Kirchhoff}}
|-
| 909
| —
| Concerto and Fugue
| C minor
| 1703
| Concertos
Fugues
| For keyboard
| Bach's authorship uncertain
|-
| 910
| L146
| Toccata
| F♯ minor
| 1712
| Toccatas
| For keyboard
|
|-
| 911
| L142
| Toccata
| C minor
| 1714?
| Toccatas
| For keyboard
|
|-
| 912
| L143
| Toccata
| D major
| 1710?
| Toccatas
| For keyboard
| see also BWV 912
|-
| 912a
| L143
| Variations (2)
| D major
| 1710?
| Toccatas
| For keyboard
| early version of the Adagio from BWV 912
|-
| 913
| L144
| Toccata
| D minor
| 1708?
| Toccatas
| For keyboard
|
|-
| 914
| L145, 163
| Toccata
| E minor
| 1710
| Toccatas
| For keyboard
|
|-
| 915
| L148
| Toccata
| G minor
| 1710
| Toccatas
| For keyboard
|
|-
| 916
| L147
| Toccata
| G major
| 1714?
| Toccatas
| For keyboard
|
|-
| 917
| L140
| Fantasia
| G minor
| 1710?
| Fantasias
| For keyboard
|
|-
| 918
| L139
| Fantasia (Fantasia über ein rondo)
| C minor
| 1740?
| Fantasias
| For keyboard
|
|-
| 919
| —
| Fantasia
| C minor
| —
| Fantasias
| For keyboard
| spurious; by {{LinkComp|Johann Bernhard|Bach}}
|-
| 920
| —
| Fantasia
| G minor
| ?
| Fantasias
| For keyboard
| Bach's authorship uncertain
|-
| 921
| J44
J52
| Prelude (Fantasia)
| C minor
| 1713
| Preludes
Fantasias
| For keyboard
|
|-
| 922
| L141
| Prelude (Fantasia)
| A minor
| 1710–14?
| Preludes
Fantasias
| For keyboard
|
|-
| 923
| L131
| Prelude
| B minor
| —
| Preludes
| For keyboard
| Bach's authorship uncertain; possibly composed by Wilhelm Heironymous Pachelbel; see also BWV 923a
|-
| 923a
| L131
| Prelude
| A minor
| —
| Preludes
| For keyboard
| alternative version of BWV 923; Bach's authorship uncertain
|-
| 924–932
|
| Kleine Präluden (9):
|
| 1720
| Preludes
| For keyboard
|
|-
| 924
| L57
|
Prelude
| C major | 1720 | Preludes | For keyboard | see also BWV 924a |- | 924a | L57
|
Prelude
| C major | 1720 | Preludes | For keyboard | alternative version of BWV 924; Bach's authorship uncertain |- | 925 | —
|
Prelude
| D major | 1720 | Preludes | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 926 | L58
|
Prelude
| D minor | 1720 | Preludes | For keyboard | |- | 927 | L59
|
Prelude
| F major | 1720 | Preludes | For keyboard | |- | 928 | L60
|
Prelude
| F major | 1720 | Preludes | For keyboard | |- | 929 | L61
|
Prelude
| G minor | 1720 | Preludes | For keyboard | |- | 930 | L62
|
Prelude
| G minor | 1720 | Preludes | For keyboard | |- | 931 | —
|
Prelude
| A minor | 1720 | Preludes | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 932 | L63
|
Prelude
| E minor | 1720 | Preludes | For keyboard | incomplete; Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 933–938 | | Kleine Präluden (6): | | 1717 | Preludes | For keyboard | |- | 933 | L64
|
Prelude
| C major | 1717 | Preludes | For keyboard | |- | 934 | L65
|
Prelude
| C minor | 1717 | Preludes | For keyboard | |- | 935 | L66
|
Prelude
| D minor | 1717 | Preludes | For keyboard | |- | 936 | L67
|
Prelude
| D major | 1717 | Preludes | For keyboard | |- | 937 | L68
|
Prelude
| E major | 1717 | Preludes | For keyboard | |- | 938 | L69
|
Prelude
| E minor | 1717 | Preludes | For keyboard | |- | 939–943 | | Kleine Präluden (5): | | 1717 | Preludes | For keyboard | |- | 939 | L70
|
Prelude
| C major | 1717 | Preludes | For keyboard | |- | 940 | L71
|
Prelude
| D major | 1717 | Preludes | For keyboard | |- | 941 | L72
|
Prelude
| E minor | 1717 | Preludes | For keyboard | |- | 942 | L73
|
Prelude
| A minor | 1717? | Preludes | For keyboard | |- | 943 | L74
|
Prelude
| C major
| 1703–07
| Preludes
| For keyboard
|
|-
| 944
| L135
| Fantasia and Fugue
| A minor
| 1714?
| Fantasias
Fugues
| For keyboard
| Fugue revised in BWV 543
|-
| 945
| —
| Fugue
| E minor
| 1695–1700?
| Fugues
| For keyboard
| Bach's authorship uncertain (possibly composed by {{LinkComp|Christoph|Graupner}}
|-
| 946
| L160
| Fugue
| C major
| 1708?
| Fugues
| For keyboard
| on a theme by {{LinkComp|Tomaso|Albinoni}}
|-
| 947
| L157
| Fugue
| A minor
| ?
| Fugues
| For keyboard
|
|-
| 948
| L151
| Fugue
| D minor
| 1727?
| Fugues
| For keyboard
|
|-
| 949
| L154
| Fugue
| A major
| 1715?
| Fugues
| For keyboard
|
|-
| 950
| L161
| Fugue
| A major
| 1710
| Fugues
| For keyboard
| on a theme by {{LinkComp|Tomaso|Albinoni}}
|-
| 951
| L162
| Fugue
| B minor
| 1712
| Fugues
| For keyboard
| on a theme by {{LinkComp|Tomaso|Albinoni}}; see also BWV 951a
|-
| 951a
| —
| Fugue
| B minor
| 1712
| Fugues
| For keyboard
| alternative version of BWV 951
|-
| 952
| L150
| Fugue
| C major
| ?
| Fugues
| For keyboard
|
|-
| 953
| L149
| Fugue
| C major
| 1723?
| Fugues
| For keyboard
|
|-
| 954
| L163
| Fugue
| B♭ major
| 1730?
| Fugues
| For keyboard
| on a theme by {{LinkComp|Johann Adam|Reincken|0}}
|-
| 955
| —
| Fugue
| B♭ major
| ?
| Fugues
| For keyboard
| previously thought to have been arranged from a work by {{LinkComp|Johann Christoph|Erselius}}; see also BWV 955a
|-
| 955a
| —
| Fugue
| G major
| ?
| Fugues
| For keyboard
| early variant of BWV 955
|-
| 956
| L152
| Fugue
| E minor
| ?
| Fugues
| For keyboard
|
|-
| 957
| K191
| {{LinkWorkN|Machs mit mir, Gott, nach deiner Güt|BWV 957|Bach|Johann Sebastian|0}}
| G major
| 1705?
| Chorale preludes
| For organ
| previously believed to be a fugue for harpsichord
|-
| 958
| L155
| Fugue
| A minor
| ?
| Fugues
| For keyboard
|
|-
| 959
| L156
| Fugue
| A minor
| ?
| Fugues
| For keyboard
|
|-
| 960
| —
| Fugue
| E minor
| ?
| Fugues
| For keyboard
| incomplete; Bach's authorship uncertain
|-
| 961
| L158
| Fughetta
| C minor
| 1712?
| Fughettas
| For keyboard
|
|-
| 962
| —
| Fugue
| E minor
| 1783
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Georg|Albrechtsberger}}
|-
| 963
| L182
| Sonata
| D major
| 1704?
| Sonatas
| For keyboard
|
|-
| 964
| L184
| Sonata
| D minor
| ?
| Sonatas
| For keyboard
| arrangement of BWV 1003
|-
| 965
| L187
| Sonata
| A minor
| 1705?
| Sonatas
| For keyboard
| arrangement of the Sonata No.1 from {{LinkWork|Hortus Musicus||Reincken|Johann Adam}}
|-
| 966
| L186
| Sonata
| C major
| 1705?
| Sonatas
| For keyboard
| arrangement of the Sonata No.3 from {{LinkWork|Hortus Musicus||Reincken|Johann Adam}}
|-
| 967
| L183
| Sonata
| A minor
| 1705?
| Sonatas
| For keyboard
| arrangement of an unidentified work by an unknown composer
|-
| 968
| L185
| Adagio
| G major
| 1720?
| Adagios
| For keyboard
| arrangement of the first movement of BWV 1005
|-
| 969
| —
| Andante
| G minor
| ?
| Andantes
| For keyboard
| Bach's authorship uncertain
|-
| 970
| —
| Presto
| D minor
| —
| Prestos
| For keyboard
| spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.25/2)
|-
| 971
| L7
| Italienisches Konzert (Italian Concerto)
| F major
| 1735
| Concertos
| For keyboard
| No.1 in Clavier-Übung II
|-
| 972–987
| —
| Konzerte nach verschiedenen Meistem (Concertos by Various Maestros) (16):
|
| 1713–14
| Concertos
| For keyboard
| arrangements of works by other composers
|-
| 972
| L189
|
- Concerto No.1
| D major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in D major|RV 230|Vivaldi|Antonio}} |- | 973 | L191
|
- Concerto No.2
| G major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in G major|RV 299|Vivaldi|Antonio}} |- | 974 | L194
|
- Concerto No.3
| D minor | 1713–14 | Concertos | For keyboard | arrangement of the Oboe Concerto in D minor by Alessandro Marcello |- | 975 | L193
|
- Concerto No.4
| G minor | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in G minor, RV 316, by {{LinkComp|Antonio|Vivaldi}} |- | 976 | L188
|
- Concerto No.5
| C major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in E major|RV 265|Vivaldi|Antonio}} |- | 977 | L202
|
- Concerto No.6
| C major | 1713–14 | Concertos | For keyboard | source unidentified |- | 978 | L190
|
- Concerto No.7
| F major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in G major|RV 310|Vivaldi|Antonio}} |- | 979 | L196
|
- Concerto No.8
| B minor | 1713–14 | Concertos | For keyboard | arrangement of a Violin Concerto in D minor by {{LinkComp|Giuseppe|Torelli}} |- | 980 | L192
|
- Concerto No.9
| G major | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in B♭ minor, RV 381, by {{LinkComp|Antonio|Vivaldi}} |- | 981 | L195
|
- Concerto No.10
| C minor | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in C minor, Op.1 No.2, by {{LinkComp|Benedetto|Marcello}} |- | 982 | L200
|
- Concerto No.11
| B♭ major | 1713–14 | Concertos | For keyboard | arrangement of No.1 of the 6 Violin Concertos, Op.1, by Prince Johann Ernst of Saxe-Weimar |- | 983 | L204
|
- Concerto No.12
| G minor | 1713–14 | Concertos | For keyboard | source unidentified |- | 984 | L197
|
- Concerto No.13
| C major | 1713–14 | Concertos | For keyboard | arrangement of a lost concerto by Prince Johann Ernst of Saxe-Weimar |- | 985 | L201
|
- Concerto No.14
| G minor | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in G minor, TWV 51:g21, by {{LinkComp|Georg Philipp|Telemann}} |- | 986 | L203
|
- Concerto No.15
| G major | 1713–14 | Concertos | For keyboard | source unidentified |- | 987 | L198
|
- Concerto No.16
| D minor
| 1713–14
| Concertos
| For keyboard
| arrangement of No.4 of the 6 Violin Concertos, Op.1, by Prince Johann Ernst of Saxe-Weimar; see also BWV 595
|-
| 988
| L9
| {{LinkWorkN|Goldberg-Variationen|BWV 988|Bach|Johann Sebastian|0}} (Goldberg Variations)
| G major
| 1741–42
| Variations
| For keyboard
| published in Clavier-Übung IV
|-
| 989
| L179
| Aria variata ("alla maniera italiana")
| A minor
| 1714?
| Variations
| For keyboard
|
|-
| 990
| —
| Sarabande con partite
| C major
| ?
| Sarabandes
Partitas
| For keyboard
|
|-
| 991
| —
| Air with Variations
| C minor
| 1722
| Variations
| For keyboard
| incomplete
|-
| 992
| L181
| Capriccio ("sopra la lotananza delsuo fratello dilettissimo")
| B♭ major
| 1704?
| Capriccios
| For keyboard
|
|-
| 993
| L180
| Capriccio ("in honorem Johann Christoph Bachii")
| E major
| 1721?
| Capriccios
| For keyboard
|
|-
| 994
| Q1
| Applicatio
| C major
| 1720–21
| Pieces
| For keyboard
|-
| 995
| —
| Suite
| G minor
| 1727–31?
| Suites
| For lute
| arrangement of BWV 1011
|-
| 996
| L166
| Suite
| E minor
| 1712–17?
| Suites
| For lute-harpsichord
|
|-
| 997
| L170
| Suite
| C minor
| 1740?
| Suites
| For lute, lute-harpsichord
|
|-
| 998
| L132
| Prelude, Fugue and Allegro
| E♭ major
| 1740–45?
| Preludes
Fugues
Allegros
| For lute or keyboard
|
|-
| 999
| L175
| Prelude
| C minor
| 1725?
| Preludes
| For lute
|
|-
| 1000
| —
| Fugue
| G minor
| 1720?
| Fugues
| For lute
| arrangement of 2nd movement from BWV 1001
|-
| 1001–1006
| —
| Sonatas and Partitas (6)
|
| 1720
| Sonatas
Partitas
| For violin
|
|-
| 1001
| —
|
- Sonata No.1
| G minor | 1720 | Sonatas | For violin | partly revised in BWV 539; 2nd movement arranged for lute as BWV 1000 |- | 1002 | —
|
- Partita No.1
| B minor | 1720 | Partitas | For violin | |- | 1003 | —
|
- Sonata No.2
| A minor | 1720 | Sonatas | For violin | arranged for keyboard as BWV 964 |- | 1004 | —
|
- Partita No.2
| D minor | 1720 | Partitas | For violin | |- | 1005 | —
|
- Sonata No.3
| C major | 1720 | Sonatas | For violin | 1st movement arranged for keyboard as BWV 968 |- | 1006 | —
|
- Partita No.3
| E major | 1720 | Partitas | For violin | arranged for lute as BWV 1006a |- | 1006a | L171 | Suite | E major | 1736–37 | Suites | For lute | arrangement of BWV 1006 |- | 1007–1012 | — | Cello Suites (6): | | 1720 | Suites | For cello | |- | 1007 | —
|
- Suite No.1
| G major | 1720 | Suites | For cello | |- | 1008 | —
|
- Suite No.2
| D minor | 1720 | Suites | For cello | |- | 1009 | —
|
- Suite No.3
| C major | 1720 | Suites | For cello | |- | 1010 | —
|
- Suite No.4
| E♭ major | 1720 | Suites | For cello | |- | 1011 | —
|
- Suite No.5
| C minor | 1720 | Suites | For cello | arranged for lute as BWV 995 |- | 1012 | —
|
- Suite No.6
| D major | 1720 | Suites | For cello | |- | 1013 | — | Partita | A minor | 1722–23 | Partitas | For flute | |- | 1014–1019 | — | Violin Sonatas (6): | | 1720 | Sonatas | For violin, keyboard | |- | 1014 | —
|
- Sonata No.1
| B minor | 1720 | Sonatas | For violin, keyboard | |- | 1015 | —
|
- Sonata No.2
| A major | 1720 | Sonatas | For violin, keyboard | |- | 1016 | —
|
- Sonata No.3
| E major | 1720 | Sonatas | For violin, keyboard | |- | 1017 | —
|
- Sonata No.4
| C minor | 1720 | Sonatas | For violin, keyboard | |- | 1018 | —
|
- Sonata No.5
| F minor | 1720 | Sonatas | For violin, keyboard | |- | 1019 | —
|
- Sonata No.6
| G major | 1720 | Sonatas | For violin, keyboard | see also BWV 1019a |- | 1019a | —
|
- Sonata No.6
| G major | 1720 | Sonatas | For violin, keyboard | alternative version of BWV 1019 |- | 1020 | — | Violin Sonata | G minor | — | Sonatas | For violin (or flute, keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.542.5) |- | 1021 | — | Violin Sonata | G major | 1730–34? | Sonatas | For violin, continuo | |- | 1022 | — | Violin Sonata | F major | ? | Sonatas | For violin, keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}} |- | 1023 | — | Violin Sonata | E minor | 1714–17? | Sonatas | For violin, continuo | |- | 1024 | — | Violin Sonata | C minor | ? | Sonatas | For violin, continuo | |- | 1025 | — | Suite | A major | 1740 | Suites | For violin, keyboard | arrangement of the Lute Sonata in A major, SC 47, by Silvius Leopold Weiss |- | 1026 | — | Fugue | G minor | before 1712 | Fugues | For violin, continuo | |- | 1027–1029 | — | Sonatas for Viola da Gamba and Harpsichord (3): | | ? | Sonatas | For viola da gamba, harpsichord | |- | 1027 | —
|
- Sonata No.1
| G major | ? | Sonatas | For viola da gamba, harpsichord | see also BWV 1027a |- | 1028 | —
|
- Sonata No.2
| D major | ? | Sonatas | For viola da gamba, harpsichord | |- | 1029 | —
|
- Sonata No.3
| G minor
| ?
| Sonatas
| For viola da gamba, harpsichord
|
|-
| 1027a
| —
| Trios (3)
| G major
| ?
| Trios
| For organ
| arrangements of movements 1, 2 and 4 from BWV 1027a; Bach's authorship uncertain
|-
| 1030
| —
| Flute Sonata
| B minor
| 1736–37
| Sonatas
| For flute, harpsichord
|
|-
| 1031
| —
| Flute Sonata
| E♭ major
| 1730–34?
| Sonatas
| For flute, harpsichord
|
|-
| 1032
| —
| Flute Sonata
| A major
| 1736?
| Sonatas
| For flute, harpsichord
|
|-
| 1033
| —
| Flute Sonata
| C major
| 1736
| Sonatas
| For flute, continuo
|
|-
| 1034
| —
| Flute Sonata
| E minor
| 1724
| Sonatas
| For flute, continuo
|
|-
| 1035
| —
| Flute Sonata
| E major
| 1741
| Sonatas
| For flute, continuo
|
|-
| 1036
| —
| Trio Sonata
| D minor
| —
| Sonatas
| For 2 violins, continuo
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.145, H.569)
|-
| 1037
| —
| Trio Sonata
| C major
| —
| Sonatas
| For 2 violins, continuo
| spurious; composed by {{LinkComp|Johann Gottlieb|Goldberg}}
|-
| 1038
| —
| Trio Sonata
| G major
| ?
| Sonatas
| For flute, violin, continuo
| Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.590.5)
|-
| 1039
| —
| Trio Sonata
| G major
| 1736–41?
| Sonatas
| For 2 flutes, continuo
|
|-
| 1040
| —
| Trio Sonata
| F major
| 1713–16?
| Sonatas
| For oboe, violin, continuo
|
|-
| 1041
| —
| Violin Concerto
| A minor
| ?
| Concertos
| For violin, strings, continuo
| arranged for harpsichord, strings, continuo as BWV 1058
|-
| 1042
| —
| Violin Concerto
| E major
| 1720?
| Concertos
| For violin, strings, continuo
|
|-
| 1043
| —
| Concerto for 2 Violins ("Double Concerto")
| D major
| 1718–20?
| Concertos
| For 2 violins, strings, continuo
| arranged or 2 harpischords, strings, continuo as BWV 1062
|-
| 1044
| —
| Concerto for Flute, Violin and Harpsichord ("Triple Concerto")
| A minor
| 1738–40?
| Concertos
| For flute, violin, harpsichord, strings, continuo
| movements based on BWV 894/1, 527/2, 894/3 respectively
|-
| 1045
| A193
| Sinfonia
| D major
| 1743–46?
| Sinfonias
| For violin, orchestra
| from a lost cantata
|-
| 1046
| —
| Brandenburg Concerto No.1
| F major
| 1721
| Concerti grossi
| For orchestra
| 2nd version of BWV 1046
|-
| 1046a
(1071)
| —
| Sinfonia
| F major
| 1718
| Symphonies concertantes
| For orchestra
| 1st version of BWV 1046
|-
| 1047
| —
| Brandenburg Concerto No.2
| F major
| 1718
| Concerti grossi
| For orchestra
|
|-
| 1048
| —
| Brandenburg Concerto No.3
| G major
| 1718
| Concerti grossi
| For harpsichord, strings
|
|-
| 1049
| —
| Brandenburg Concerto No.4
| G major
| 1719–20
| Concerti grossi
| For orchestra
| arranged for harpsichord, 2 recorders, strings and continuo as BWV 1057
|-
| 1050
| —
| Brandenburg Concerto No.5
| D major
| 1720–21
| Concerti grossi
| For orchestra
| see also BWV 1050a
|-
| 1050a
| —
| Brandenburg Concerto No.5
| D major
| 1719?
| Concerti grossi
| For orchestra
| early version of BWV 1050
|-
| 1051
| —
| Brandenburg Concerto No.6
| B♭ major
| 1718
| Concerti grossi
| For harpsichord, strings
|
|-
| 1052
| —
| HarpsichordConcerto No.1
| D minor
| 1738
| Concertos
| For harpsichord, strings, continuo
| arrangement of a lost Violin Concerto (see BWV 1052R); partly re-used inBWV 146, BWV 188; see also BWV 1052a
|-
| 1052a
| —
| Harpsichord Concerto No.1
| D minor
| 1734
| Concertos
| For harpsichord, strings, continuo
| earlier version of BWV 1052
|-
| 1052R
| —
| Violin Concerto
| D minor
| 1730–34?
| Concertos
| For violin, strings, continuo
| lost, but reconstructed from BWV 1052
|-
| 1053
| —
| Harpsichord Concerto No.2
| E major
| 1738
| Concertos
| For harpsichord, strings, continuo
| arrangement of a lost Oboe Concerto (see BWV 1053R); partly re-used in BWV49, BWV 69
|-
| 1053R
| —
| Oboe Concerto
| F major
| 1730–38?
| Concertos
| For oboe, strings, continuo
| lost, but reconstructed from BWV 1053
|-
| 1054
| —
| Harpsichord Concerto No.3
| D major
| 1738
| Concertos
| For harpsichord, strings, continuo
| arrangement of a lost violin concerto in E major
|-
| 1055
| —
| Harpsichord Concerto No.4
| A major
| 1738
| Concertos
| For harpsichord, strings, continuo
| arrangement of a lost concerto for oboe d'amore (see BWV 1055R)
|-
| 1055R
| —
| Oboe d'Amore Concerto
| A major
| 1730–38?
| Concertos
| For oboe damore, strings, continuo
| lost, but reconstructed from BWV 1055
|-
| 1056
| —
| Harpsichord Concerto No.5
| F minor
| 1738
| Concertos
| For harpsichord, strings, continuo
| arrangement of a lost violin concerto; partly re-used in BWV 156
|-
| 1056R
| —
| Violin Concerto
| G minor
| 1730–38?
| Concertos
| For violin, strings, continuo
| lost, but reconstructed from BWV 1056
|-
| 1057
| —
| Harpsichord Concerto No.6
| F major
| 1738
| Concertos
| For harpsichord, 2 recorders, strings, continuo
| arrangement of BWV 1049
|-
| 1058
| —
| Harpsichord Concerto No.7
| G minor
| 1738
| Concertos
| For harpsichord, strings, continuo
| arrangement of BWV 1041
|-
| 1059
| —
| Harpsichord Concerto No.8
| D minor
| ?
| Concertos
| For harpsichord, strings, continuo
| arrangement of a lost oboe concerto (see BWV 1059R); incomplete; partlyrevised as BWV 35
|-
| 1059R
| —
| Oboe Concerto
| D minor
| ?
| Concertos
| For oboe, strings, continuo
| lost, but reconstructed from BWV 1059
|-
| 1060
| —
| Concerto for 2 Harpsichords
| C minor
| 1730–45?
| Concertos
| For 2 harpsichords, strings, continuo
| arrangement of a lost concerto for oboe and violin (see BWV 1060R)
|-
| 1060R
| —
| Concerto for Oboe and Violin
| C minor
| 1719?
| Concertos
| For oboe, violin, strings, continuo
| lost, but reconstructed from BWV 1060
|-
| 1061
| —
| Concerto for 2 Harpsichords
| C major
| 1733–34
| Concertos
| For 2 harpsichords, strings, continuo
| 2nd version of BWV 1061a
|-
| 1061a
| —
| Concerto for 2 Harpsichords
| C major
| 1732–33
| Concertos
| For 2 harpsichords
| 1st version of BWV 1061
|-
| 1062
| —
| Concerto for 2 Harpsichords
| C minor
| 1736
| Concertos
| For 2 harpsichords, strings, continuo
| arrangement of BWV 1043
|-
| 1063
| —
| Concerto for 3 Harpsichords
| D minor
| 1735–45?
| Concertos
| For 3 harpsichords, strings, continuo
|
|-
| 1064
| —
| Concerto for 3 Harpsichords
| C major
| 1735–45?
| Concertos
| For 3 harpsichords, strings, continuo
| arrangement of a lost concerto for 3 violins (see BWV 1064R)
|-
| 1064R
| —
| Concerto for 3 Violins
| D major
| ?
| Concertos
| For 3 violins, strings, continuo
| lost, but reconstructed from BWV 1064
|-
| 1065
| —
| Concerto for 4 Harpsichords
| A minor
| 1730?
| Concertos
| For 4 harpsichords, strings, continuo
| arrangement of the {{LinkWork|Concerto for 4 Violins and Cello in B minor|RV 580|Vivaldi|Antonio}}
|-
| 1066
| —
| Orchestral Suite No.1 (Overture)
| C major
| 1718?
| Suites
Overtures
| For orchestra
|
|-
| 1067
| —
| Orchestral Suite No.2 (Overture)
| B minor
| 1738–39
| Suites
Overtures
| For orchestra
|
|-
| 1068
| —
| Orchestral Suite No.3 (Overture)
| D major
| 1731
| Suites
Overtures
| For orchestra
|
|-
| 1069
| —
| Orchestral Suite No.4 (Overture)
| D major
| 1725
| Suites
Overtures
| For orchestra
|
|-
| 1070
| —
| Overture ("Orchestral Suite No.5")
| G minor
| ?
| Overtures
Suites
| For orchestra
| Bach's authorship uncertain
|-
| 1071
| —
| Sinfonia
| F major
| —
| —
| For orchestra
| see BWV 1046a
|-
| 1072
| —
| Canon ("Canon trias harmonica")
| D major
| ?
| Canons
| For 8 instruments
|
|-
| 1073
| —
| Canon ("Canon a 4 perpetuus")
| A minor
| 1713
| Canons
| For 4 instruments
|
|-
| 1074
| —
| Canon ("Canon a 4")
| A minor
| 1727
| Canons
| For 4 instruments
|
|-
| 1075
| —
| Canon ("Canon a 2 perpetuus")
| D major
| 1734
| Canons
| For 2 instruments
|
|-
| 1076
| —
| Canon ("Canon triplex a 6")
| G major
| 1746
| Canons
| For 4 instruments
|
|-
| 1077
| —
| Canon ("Canone doppio sopr' il soggetto")
| G major
| 1747
| Canons
| For 3 instruments
|
|-
| 1078
| —
| Canon ("Canon super fa miá 7 post tempus musicum")
| F major
| 1749
| Canons
| For 7 instruments
|
|-
| 1079
| —
| {{LinkWorkN|Musikalisches Opfer|BWV 1079|Bach|Johann Sebastian|0}} ("Musical Offering")
|
| 1747
| Fugues
Canons
Sonatas
| For flute, harpsichord, 2 violins
|
|-
| 1080
| —
| {{LinkWorkN|Die Kunst der Fugue|BWV 1080|Bach|Johann Sebastian|0}} ("The Art of the Fugue")
| D minor
| 1748–49
| Fugues
Canons
| For keyboard
| incomplete
|-
| 1081
| —
| Credo in unum Deum
| F major
| ?
| Credo
| For mixed chorus, continuo
| chorale for a Missa brevis by {{LinkComp|Giovanni Battista|Bassani}}
|-
| 1082
| E15
| Suscepit Israel puerum suum
| E minor
| 1740–42
| Magnificats
| For mixed chorus, strings, continuo
| arrangement of the 3rd movement of the Magnificat in C major by {{LinkComp|Antonio|Caldara}}
|-
| 1083
| —
| Tilge, Höchster, meine Sünden (Psalm 51)
|
| 1745–47
| Psalms
| For 2 voices, strings, continuo
| adaptation of the {{LinkWork|Stabat Mater||Pergolesi|Giovanni Battista}}
|-
| 1084
| D5
| O hilf, Christe, Gottes Sohn
|
| 1726
| Chorales
| For mixed chorus
|
|-
| 1085
| K110
| O Lamm Gottes unschuldig (IV)
|
| 1715–18?
| Chorale preludes
| For organ
|
|-
| 1086
| —
| Canon ("Concordia discors")
| D major
| ?
| Canons
| For 2 instruments
|
|-
| 1087
| —
| Canons (14)
| G major
| 1747–48
| Canons
| For 6 instruments
| based on the theme of BWV 988
|-
| 1088
| D10
| So heb ich denn mein Augesehnlich auf
| G minor/ E♭ major
| ?
| Arias
| For voice, 2 bassoons (or 2 cellos), continuo
| intended for the Passions-Pasticcio by {{LinkComp|Karl Heinrich|Graun}}; Bach's authorship uncertain
|-
| 1089
| F109.1
| Da Jesus an dem Kreuze stund
|
| ?
| Chorales
| For mixed chorus
|
|-
| 1090–1120
| —
| Chorale Preludes ("Neumeister Chorales") (31):
|
| 1703–07?
| Chorale preludes
| For organ
|
|-
| 1090
| K161
|
- Wir Christenleut' (II)
| | 1703–07? | Chorale preludes | For organ | |- | 1091 | K162
|
- Das alte Jahr vergangen ist (II)
| | 1703–07? | Chorale preludes | For organ | |- | 1092 | K163
|
- Herr Gott, nun schleuss den Himmel auf (II)
| | 1703–07? | Chorale preludes | For organ | |- | 1093 | K164
|
- Herzliebster Jesu, was hast duverbrochen (I)
| | 1703–07? | Chorale preludes | For organ | |- | 1094 | K165
|
- O Jesu, wie ist dein Gestalt
| | 1703–07? | Chorale preludes | For organ | |- | 1095 | K166
|
- O Lamm Gottes unschuldig (V)
| | 1703–07? | Chorale preludes | For organ | |- | 1096 | K194
|
- Christ, der du bist Tag und Licht
| | 1703–07? | Chorale preludes | For organ | |- | 1097 | K168
|
- Ehre sei dir, Christe, der duleidest Not
| | 1703–07? | Chorale preludes | For organ | |- | 1098 | K169
|
- Wir glauben all an einen Gott (III)
| | 1703–07? | Chorale preludes | For organ | |- | 1099 | K170
|
- Aus tiefer Not schrei ich zu dir (III)
| | 1703–07? | Chorale preludes | For organ | |- | 1100 | K171
|
- Allein zu dir, Herr Jesu Christ
| | 1703–07? | Chorale preludes | For organ | |- | 1101 | K174
|
- Durch Adams Fall ist ganzverderbt (III)
| | 1703–07? | Chorale preludes | For organ | |- | 1102 | K175
|
- Du Friedenfürst, Herr Jesu Christ
| | 1703–07? | Chorale preludes | For organ | |- | 1103 | K181
|
- Erhalt uns, Herr, bei deinem Wort (I)
| | 1703–07? | Chorale preludes | For organ | |- | 1104 | K177
|
- Wenn dich Unglück tut greifen an
| | 1703–07? | Chorale preludes | For organ | |- | 1105 | K178
|
- Jesu, meine Freude (III)
| | 1703–07? | Chorale preludes | For organ | |- | 1106 | K179
|
- Gott ist mein Heil, mein Hilf undTrost
| | 1703–07? | Chorale preludes | For organ | |- | 1107 | K180
|
- Jesu, meines Lebens Leben (I)
| | 1703–07? | Chorale preludes | For organ | |- | 1108 | K181
|
- Als Jesus Christus in der Nacht
| | 1703–07? | Chorale preludes | For organ | |- | 1109 | K182
|
- Ach Gott, tu dich erbarmen
| | 1703–07? | Chorale preludes | For organ | |- | 1110 | K183
|
- O Herre Gott, dein göttlich's Wort (II)
| | 1703–07? | Chorale preludes | For organ | |- | 1111 | K184
|
- Nun lasst uns den Leib begraben
| | 1703–07? | Chorale preludes | For organ | |- | 1112 | K185
|
- Christus, der ist mein Leben
| | 1703–07? | Chorale preludes | For organ | |- | 1113 | K186
|
- Ich hab mein Sach Gottheimgestellt (IV)
| | 1703–07? | Chorale preludes | For organ | |- | 1114 | K187
|
- Herr Jesu Christ, du höchstes Gut
| | 1703–07? | Chorale preludes | For organ | |- | 1115 | K188
|
- Herzlich lieb hab ich dich, o Herr,
| | 1703–07? | Chorale preludes | For organ | |- | 1116 | K189
|
- Was Gott tut, das ist wohlgetan (I)
| | 1703–07? | Chorale preludes | For organ | |- | 1117 | K190
|
- Alle Menschen müssen sterben (II)
| | 1703–07? | Chorale preludes | For organ | |- | 1118 | K192
|
- Werde munter, mein Gemüte
| | 1703–07? | Chorale preludes | For organ | |- | 1119 | K193
|
- Wie nach einer Wasserquelle
| | 1703–07? | Chorale preludes | For organ | |- | 1120 | K194
|
- Christ, der du bist der helle Tag
| | 1703–07? | Chorale preludes | For organ | |- | 1121 | — | Fantasia | C minor | 1706–10 | Fantasias | For organ | formerly BWV Anh.205 |- | 1122–1126 | — | Chorale Preludes (5): | | 1703–07? | Chorale preludes | For organ | |- | 1122 | —
|
- Denket doch, ihr Menschenkinder
| | ? | Chorale preludes | For organ | |- | 1123 | —
|
- Wo Gott zum Haus nicht gibt sein' Gunst (II)
| | ? | Chorale preludes | For organ | |- | 1124 | —
|
- Ich ruf zu dir, Herr Jesu Christ
| | ? | Chorale preludes | For organ | |- | 1125 | —
|
- O Gott, du frommer Gott (III)
| | ? | Chorale preludes | For organ | |- | 1126 | —
|
- Lobet Gott, unseren Herren
| | ? | Chorale preludes | For organ | |- | 1127 | — | Alles mit Gott, nichts ohn' ihn | | 1713 | Sacred songs | For voice, continuo | |- | 1128 | — | Wo Gott der Herr nicht bei uns hält | B♭ major | ? | Fantasias | For organ | formerly BWV Anh.71 |- | Anh.1 | — | Gesegnet ist die Zuversicht | | — | Sacred cantatas | For voices, 2 flutes, strings, continuo | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:617) |- | Anh.2 | A147 | Cantata | | 1729 | Sacred cantatas | For 4 voices, mixed chorus, strings, continuo | cantata for the 19th Sunday after Trinity; fragment only |- | Anh.3 | B7 | Gott, gib dein Gerichte dem Könige | | 1730 | Secular cantatas | ? | cantata for the inauguration of Leipzig town council; music lost |- | Anh.4 | B4a | Wünschet Jerusalem Glück | | 1726–28? | Secular cantatas | ? | cantata for the inauguration of Leipzig town council; 1st version of BWV Anh.4a; music lost |- | Anh.4a | B29 | Wünschet Jerusalem Glück | | 1730 | Secular cantatas | ? | cantata for the 3rd day of the 200th anniversary of the Augsburg Confession; 2nd version of BWV Anh.4; music lost |- | Anh.5 | B30 | Lobet der Herrn, alle seine Heerscharen | | 1718 | Secular cantatas | ? | cantata for the birthday of Prince Leopold of Anhalt-Cöthen; music lost |- | Anh.6 | G6 | Dich loben die lieblichen Strahlen | | 1719 | Sacred cantatas | ? | cantata for New Year's Day; music lost |- | Anh.7 | G7 | Heut ist gewiss ein guter Tag | | 1720 | Secular cantatas | ? | cantata for the birthday of Prince Leopold of Anhalt-Cöthen; music lost |- | Anh.8 | G10 | Cantata | | 1722 | Secular cantatas | ? | cantata for New Year's Day; lost; possibly the same as BWV 184a |- | Anh.9 | G14 | Entfernet euch, ihr heitern Sterne | | 1727 | Secular cantatas | ? | cantata for birthday of King August III; music lost |- | Anh.10 | G30 | So kämpfet nur, ihr muntern Töne | | 1731 | Secular cantatas | ? | cantata for the birthday of Joachim Friedrich, Graf von Flemming; music lost |- | Anh.11 | G16 | Es lebe der König, der Vater im Lande | | 1732 | Secular cantatas | ? | cantata for the nameday of King August II; music lost |- | Anh.12 | G17 | Frohes Volk, vergnügte Sachsen | | 1733 | Secular cantatas | ? | cantata for the nameday of King August II; based on BWV Anh.18; music lost |- | Anh.13 | G24 | Willkommen! Ihr herrschenden Götter | | 1738 | Secular cantatas | ? | cantata for the wedding of Prince Carl IV and Princess Maria Amalia; music lost |- | Anh.14 | B12 | Sein Segen fliesst daher wie ein Strom | | 1725 | Secular cantatas | ? | wedding cantata for Christoph Friedrich Lösner and Johanna Elisabetha Scherling; music lost |- | Anh.15 | B32 | Siehe, der Hüter Israel | | 1723–49? | Secular cantatas | For 4 voices, orchestra | cantata for a degree ceremony at Leipzig University; fragment only |- | Anh.16 | — | Schließt die Gruft! Ihr Trauerglocken | | 1735 | Secular cantatas | ? | funeral cantata; music lost |- | Anh.17 | — | Mein Gott, nimm die gerechte Seele | | ? | Secular cantatas | For 4 voices, orchestra | funeral cantata; fragments only |- | Anh.18 | G39 | Froher Tag, verlangte Stunden | | 1732 | Secular cantatas | ? | cantata for the the Thomasschule in Leipzig; music lost; revised as BWV Anh.12 |- | Anh.19 | G40 | Thomana saß annoch betrübt | | 1734 | Secular cantatas | ? | cantata for the the Thomasschule in Leipzig; music lost |- | Anh.20 | G33 | Cantata | | 1723 | Secular cantatas | ? | cantata (ode) for the birthday of Duke Friedrich II of Saxe-Gotha; music lost |- | Anh.21 | — | Magnificat ("Kleine Magnificat") | A minor | — | Magnificats | For voice, flute, strings, continuo | spurious; composed by {{LinkComp|Melchior|Hoffmann}} |- | Anh.22 | — | Concerto for Oboe and Violin | | ? | Concertos | For oboe, violin, orchestra | lost, only the theme remains |- | Anh.23 | — | Concerto | E minor | — | Concertos | For strings, continuo | continuo part only; spurious; composed by {{LinkComp|Tomaso|Albinoni}} |- | Anh.24 | — | Mass | A minor | — | Masses | For mixed chorus, strings, continuo | spurious; composed by {{LinkComp|Johann Christoph|Pez}} |- | Anh.25 | — | Mass | C major | ? | Masses | For mixed chorus, orchestra | Bach's authorship uncertain |- | Anh.26 | — | Mass | C minor | 1727–32 | Masses | For mixed chorus, orchestra | spurious; composed by {{LinkComp|Francesco|Durante}}, but Christe eleison adapted by Bach as BWV 242 |- | Anh.27 | — | Sanctus | F major | — | Sanctus | For mixed chorus, orchestra | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}) |- | Anh.28 | — | Sanctus | B♭ major | ? | Sanctus | For mixed chorus, orchestra | Bach's authorship uncertain |- | Anh.29 | — | Mass | C minor | ? | Masses | ? | bass part only; Bach's authorship uncertain |- | Anh.30 | — | Magnificat | C major | ? | Magnificats | For 2 mixed choruses, orchestra | Bach's authorship uncertain; possibly composed by {{LinkComp|Antonio|Lotti}} |- | Anh.31 | — | Herr Gott, dich loben alle wir | D major | ? | Chorales | For mixed chorus, 2 trumpets | Bach's authorship uncertain |- | Anh.32–39 | — | Geistliche Oden und ein Gedicht (7): | | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.32 | —
|
- Getrost mein Geist
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.33 | —
|
- Mein Jesus, spare nicht
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.34 | —
|
- Kann ich mit einem Tone
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.35 | —
|
- Meine Seele lass die Flügel
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.36 | —
|
- Ich stimm' itzund ein Straff-Lied an
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.37 | —
|
- Der schwarze Flügel trüber Nacht
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.38 | —
|
- Das Finsterniß tritt ein
| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.39 | —
|
- Ach was wollt ihr trüben Sinnen
|
| 1704?
| Sacred songs
| For voice, continuo
| Bach's authorship uncertain
|-
| Anh.40
| —
| {{LinkWorkN|Ich bin nun wie ich bin|BWV Anh.40|Bach|Johann Sebastian|0}}
|
| 1734?
| Songs
| For keyboard (or voice, keyboard)
| Bach's authorship uncertain
|-
| Anh.41
| —
| {{LinkWorkN|Dir zu Liebe, wertes Herze|BWV Anh.41|Bach|Johann Sebastian|0}}
|
| 1734?
| Songs
| For keyboard (or voice, keyboard)
| Bach's authorship uncertain
|-
| Anh.42
| —
| Fugue
| F major
| ?
| Fugues
| For organ
| Bach's authorship uncertain
|-
| Anh.43
| —
| Fugue
| B minor
| —
| Fugues
| For organ
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.233, H.776)
|-
| Anh.44
| —
| Fugue
| G major
| —
| Fugues
| For organ
| spurious; composed by {{LinkComp|Johann Peter|Kellner}} or {{LinkComp|Johann Christoph|Kellner}}
|-
| Anh.45
| —
| Fugue (on "B-A-C-H")
| B♭ major
| —
| Fugues
| For organ
| spurious; composed by {{LinkComp|Justin Heinrich|Knecht}}
|-
| Anh.46
| —
| Trio
| C minor
| —
| Trios
| For organ
| spurious; composed by {{LinkComp|Johann Tobias|Krebs}}
|-
| Anh.47
| —
| Ach Herr, mich armen Sünder
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Johann Peter|Kellner}}
|-
| Anh.48
| —
| Allein Gott in der Höh sei Ehr
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.49
| —
| Ein feste Burg ist unser Gott
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.50
| —
| Erhalt uns, Herr, bei deinem Wort (II)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.51
| —
| Erstanden ist der heil'ge Christ (II)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.52
| —
| Freu dich sehr, o meine Seele
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.53
| —
| Schlage doch, gewünschte Stunde
|
| ?
| Arias
| For voice, bells, strings, continuo
| Bach's authorship uncertain; possibly composed by {{LinkComp|Melchior|Hoffmann}}
|-
| Anh.54
| —
| Helft mir Gottes Güte preisen (II)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.55
| —
| Herr Christ, der einge Gottessohn (II)
|
| 1714–17
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.56
| —
| Herr Jesu Christ, dich zu uns wend
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Georg Philipp|Telemann}}
|-
| Anh.57
| —
| Jesu Leiden, Pein und Tod
|
| —
| Chorale preludes
| For organ
| spurious; composed by Johann Caspar Vogler
|-
| Anh.58
| —
| Jesu, meine Freude (IV)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.59
| —
| Jesu, meine Freude (V)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.60
| —
| Nun lob' meine Seele
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Johann Gottfried|Walther}}
|-
| Anh.61
| —
| O Mensch bewein dein' Sünde groß
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Johann|Pachelbel}}
|-
| Anh.62a
| —
| Sei Lob und Ehr (I)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.62b
| —
| Sei Lob und Ehr (II)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.63
| —
| Vom Himmel hoch, da komm ich her (VI)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.64
| —
| Vom Himmel hoch, da komm ich her (VII)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.66
| —
| Wachet auf, ruft uns die Stimme
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.67
| —
| Was Gott tut, das ist wohlgetan (II)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.68
| —
| Wer nur den lieben Gott lässt walten (VI)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.69
| —
| Wir glauben all an einen Gott (V)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.70
| —
| Wir glauben all an einen Gott (VI)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.71
| —
| see BWV 1128
|
|
|
|
|
|-
| Anh.72
| —
| Canon
| G minor
| ?
| Canons
| For organ
| Bach's authorship uncertain
|-
| Anh.73
| —
| Ich ruf zu dir, Herr Jesu Christ (III)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}}
|-
| Anh.74
| —
| Schmücke dich, o liebe Seele (III)
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Gottfried August|Homilius}}; see also BWV 759
|-
| Anh.75
| —
| Herr Christ, der einge Gottessohn (III)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.76
| —
| Jesu, meine Freude (VI)
|
| ?
| Chorale preludes
| For organ
| Bach's authorship uncertain
|-
| Anh.77
| —
| Herr Christ, der einge Gottessohn
|
| 1718?
| Chorales
Variations
| For organ
| Bach's authorship uncertain
|-
| Anh.78
| —
| Wenn wir in höchsten Nöten sein
|
| ?
| Chorales
Variations
| For organ
| Bach's authorship uncertain
|-
| Anh.79
| —
| Befiehl du deine Wege
|
| ?
| Chorales
Variations
| For organ
| Bach's authorship uncertain
|-
| Anh.80
| —
| Suite
| F major
| ?
| Suites
| For keyboard
| Bach's authorship uncertain
|-
| Anh.81
| —
| Gigue
|
| ?
| Gigues
| For keyboard
| incomplete; Bach's authorship uncertain
|-
| Anh.82
| —
| Chaconne
| B♭ major
| —
| Chaconnes
| For keyboard
| spurious; composed by {{LinkComp|Johann Bernhard|Bach}}
|-
| Anh.83
| —
| Chaconne
| A major
| —
| Chaconnes
| For keyboard
| spurious; composed by {{LinkComp|Johann Bernhard|Bach}}
|-
| Anh.84
| —
| Chaconne
| G major
| —
| Chaconnes
| For keyboard
| spurious; composed by {{LinkComp|Johann Bernhard|Bach}}
|-
| Anh.85
| —
| Toccata and Fugue
| F minor
| ?
| Toccatas
Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.86
| —
| Fantasia
| C minor
| ?
| Fantasias
| For keyboard
| Bach's authorship uncertain
|-
| Anh.87
| —
| Fantasia
| C major
| ?
| Fantasias
| For keyboard
| Bach's authorship uncertain
|-
| Anh.88
| —
| Fugue
| C major
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Christoph|Kellner}}
|-
| Anh.89
| —
| Fugue
| C major
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.90
| —
| Fugue
| C major
| ?
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.388)
|-
| Anh.91
| —
| Fugue
| G major
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.92
| —
| Fugue
| G major
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.93
| —
| Fugue
| E minor
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.94
| —
| Fugue
| E minor
| ?
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Philipp|Kirnberger}}
|-
| Anh.95
| —
| Fugue
| E minor
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.96
| —
| Fugue
| D major
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.97
| —
| Fugue
| F♯ major
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}
|-
| Anh.98
| —
| Fugue
| D minor
| ?
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.373.5)
|-
| Anh.99
| —
| Fugue
| D minor
| ?
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.373.5)
|-
| Anh.100
| —
| Fugue
| D minor
| ?
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.373.5)
|-
| Anh.101
| —
| Fugue
| G minor
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.102
| —
| Fugue
| G♭ major
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.103
| —
| Fugue
| A minor
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|George Frideric|Handel}}
|-
| Anh.104
| —
| Fugue
| C minor
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|George Frideric|Handel}}
|-
| Anh.105
| —
| Fugue
| B♭ major
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|George Frideric|Handel}}
|-
| Anh.106
| —
| Fugue
| G minor
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|George Frideric|Handel}}
|-
| Anh.107
| —
| Fugue (on the theme "B-A-C-H")
| C major
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Georg Andreas|Sorge}}
|-
| Anh.108
| —
| Fugue (on the theme "B-A-C-H")
| C major
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Georg Andreas|Sorge}} or {{LinkComp|Carl Philipp Emanuel|Bach}}
|-
| Anh.109
| —
| Fugue (on the theme "B-A-C-H")
| G minor
| ?
| Fugues
| For keyboard
| Bach's authorship uncertain
|-
| Anh.110
| —
| Fugue (on the theme "B-A-C-H")
| C minor
| —
| Fugues
| For keyboard
| spurious; probably composed by {{LinkComp|Georg Andreas|Sorge}}
|-
| Anh.111
| —
| Largo and Allegro
| G major
| ?
| Largos
Allegros
| For keyboard
| Bach's authorship uncertain
|-
| Anh.112
| —
| Prelude (Grave)
| E minor
| —
| Preludes
| For keyboard
| spurious; composed by {{LinkComp|Johann Philipp|Kirnberger}}
|-
|
| —
| Notebook II for Anna Magdalena Bach (20):
|
| 1725
| Pieces
| For keyboard
| 20 doubtful or spurious piees
|-
| Anh.113
| —
| Minuet
| F major
| 1725
| Minuets
| For keyboard
| Bach's authorship uncertain
|-
| Anh.114
| —
| Minuet
| G major
| —
| Minuets
| For keyboard
| spurious; composed by {{LinkComp|Christian|Pezold}}
|-
| Anh.115
| —
| Minuet
| G minor
| —
| Minuets
| For keyboard
| spurious; composed by {{LinkComp|Christian|Pezold}}
|-
| Anh.116
| —
| Minuet
| G major
| 1725
| Minuets
| For keyboard
| Bach's authorship uncertain
|-
| Anh.117
| —
| Polonaise
| F major
| 1725
| Polonaises
| For keyboard
| Bach's authorship uncertain; see also BWV Anh.117a
|-
| Anh.117a
| —
| Polonaise
| F major
| 1725
| Polonaises
| For keyboard
| alternate version of BWV Anh.117; Bach's authorship uncertain
|-
| Anh.118
| —
| Minuet
| B♭ major
| 1725
| Minuets
| For keyboard
| Bach's authorship uncertain
|-
| Anh.119
| —
| Polonaise
| G minor
| 1725
| Polonaises
| For keyboard
| Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}}
|-
| Anh.120
| —
| Minuet
| A minor
| 1725
| Minuets
| For keyboard
| Bach's authorship uncertain
|-
| Anh.121
| —
| Minuet
| C minor
| 1725
| Minuets
| For keyboard
| Bach's authorship uncertain
|-
| Anh.122
| —
| March
| D major
| —
| Marches
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/1)
|-
| Anh.123
| —
| Polonaise
| G minor
| —
| Polonaises
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/2)
|-
| Anh.124
| —
| March
| G major
| —
| Marches
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/3)
|-
| Anh.125
| —
| Polonaise
| G minor
| —
| Polonaises
| For keyboard
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/4)
|-
| Anh.126
| —
| Musette
| D major
| 1725
| Pieces
| For keyboard
| Bach's authorship uncertain
|-
| Anh.127
| —
| March
| E♭ major
| 1725
| Marches
| For keyboard
| spurious
|-
| Anh.128
| —
| Polonaise
| D minor
| 1725
| Polonaises
| For keyboard
| Bach's authorship uncertain
|-
| Anh.129
| —
| Harpsichord Sonata
| E♭ major
| —
| Sonatas
| For harpsichord
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.65/7, H.16)
|-
| Anh.130
| —
| Polonaise
| G major
| —
| Polonaises
| For keyboard
| spurious; composed by {{LinkComp|Johann Adolph|Hasse}}
|-
| Anh.131
| —
| March
| F major
| —
| Marches
| For keyboard
| spurious; composed by {{LinkComp|Johann Christian|Bach}} (W.A22); incomplete
|-
| Anh.132
| —
| Minuet
| D minor
| 1725
| Minuets
| For keyboard
| Bach's authorship uncertain
|-
| Anh.133–150
| —
| Pieces for a Musical Clock (18)
|
| —
| Pieces
| For mechanical organ
| spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.207)
|-
| Anh.151
| —
| Concerto
| C major
| ?
| Concertos
| For keyboard
| Bach's authorship uncertain
|-
| Anh.152
| —
| Concerto
| G major
| ?
| Concertos
| For keyboard
| Bach's authorship uncertain
|-
| Anh.153
| —
| Violin Sonata
| A major
| ?
| Sonatas
| For violin, continuo
| Bach's authorship uncertain
|-
| Anh.154
| —
| Violin Sonata
| E♭ major
| ?
| Sonatas
| For violin, keyboard
| Bach's authorship uncertain
|-
| Anh.155
| —
| Concerto
| A major
| ?
| Concertos
| For keyboard, strings, continuo
| Bach's authorship uncertain
|-
| Anh.156
| —
| Herr Christ, der einge Gottessohn
|
| —
| Sacred cantatas
| For mixed chorus, strings, continuo
| spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:732)
|-
| Anh.157
| —
| Ich habe Lust zu scheiden
|
| —
| Sacred cantatas
| For mixed chorus, orchestra
| spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:836)
|-
| Anh.158
| —
| Andrò dall' colle aI Prato
|
| —
| Arias
| For voice, flute, strings, continuo
| spurious; composed by {{LinkComp|Johann Christian|Bach}} (part of the operaOrione, ossia Diana vendicata, W.G4)
|-
| Anh.159
| C9
| {{LinkWorkN|Ich lasse dich nicht|BWV Anh.159|Bach|Johann Sebastian|0}}
|
| 1713?
| Motets
| For 2 mixed choruses
| formerly attributed to {{LinkComp|Johann Christoph|Bach}}
|-
| Anh.160
| C7
| Jauchzet dem Herrn, alle Welt
|
| —
| Motets
| For 2 mixed choruses
| spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 8:10)
|-
| Anh.161
| —
| Kündlich groß ist das gottselige Geheimnis
|
| —
| Motets
| For 2 mixed choruses (strings, continuo?)
| spurious; composed by {{LinkComp|Karl Heinrich|Graun}} (GraunWV 10)
|-
| Anh.162
| —
| Lob und Ehre und Weisheit und Dank
|
| —
| Motets
| For 2 mixed choruses
| spurious; composed by Georg Gottfried Wagner
|-
| Anh.163
| —
| Merk auf, mein Herz und sieh dorthin
|
| —
| Motets
| For 2 mixed choruses
| spurious; composed by {{LinkComp|Johann Christoph|Bach}}
|-
| Anh.164
| —
| Nun danket alle Gott
|
| —
| Motets
| For mixed chorus
| spurious; composed by {{LinkComp|Johann Christoph|Altnikol}}
|-
| Anh.165
| —
| Unser Wandel ist im Himmel
|
| —
| Motets
| For mixed chorus
| spurious; composed by {{LinkComp|Johann Ernst|Bach}}
|-
| Anh.166
| —
| Mass
| E minor
| —
| Masses
| For mixed chorus, strings, continuo
| spurious; composed by {{LinkComp|Johann Ludwig|Bach}}
|-
| Anh.167
| —
| Mass
| G major
| —
| Masses
| For 4 voices, mixed chorus, orchestra
| spurious; composed by {{LinkComp|Johann Ludwig|Bach}} or {{LinkComp|Antonio|Lotti}}
|-
| Anh.168
| —
| Kyrie
| G minor
| —
| Kyrie
| For 4 voices, strings
| spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.100)
|-
| Anh.169
| —
| Erbauliche Gedanken auf den Gruenen Donnerstag und Charfreitag ueber den Leidenden Jesum
|
| 1725?
| Sacred cantatas
| ?
| music lost; probably never composed
|-
| Anh.170
| A138
| Welt ade, ich bin dein müde
|
| —
| Chorales
| For mixed chorus
| spurious; composed by {{LinkComp|Johann|Rosenmüller}}
|-
| Anh.171
| —
| Christ lag in Todesbanden
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Johann|Pachelbel}}
|-
| Anh.172
| —
| Herr Jesu Christ, dich zu uns wend
|
| —
| Chorale preludes
| For organ
| spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}
|-
| Anh.173–176
| —
| Inventions (4)
|
| —
| Inventions
| For violin, continuo
| spurious; composed by {{LinkComp|Francesco Antonio|Bonporti}} (Nos.2, 5, 6, 7 from Op.10)
|-
| Anh.177
| —
| Prelude and Fugue
| E♭ major
| —
| Preludes
Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Christoph|Bach}}
|-
| Anh.178
| —
| Toccata quasi Fantasia con Fuge
| A major
| —
| Toccatas
Fantasias
Fugues
| For organ
| spurious; composer uncertain
|-
| Anh.179
| —
| Fantasia durch alle Tonarten gehend
|
| —
| Fantasias
| For keyboard
| spurious; composed by {{LinkComp|Johann David|Heinichen}}
|-
| Anh.180
| —
| Fugue
| D minor
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Peter|Kellner}}
|-
| Anh.181
| —
| Fugue
| A minor
| —
| Fugues
| For keyboard
| spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}
|-
| Anh.182
| —
| Passacaglia
| D minor
| —
| Passacaglias
| For keyboard
| spurious; composed by {{LinkComp|Christian Friedrich|Witt}}
|-
| Anh.183
| —
| Rondo
| B♭ major
| —
| Rondos
| For keyboard
| in Notebook II for Anna Magdalena Bach; spurious; composed by {{LinkComp|François|Couperin}}
|-
| Anh.184
| —
| Violin Sonata
| A minor
| —
| Sonatas
| For violin, continuo
| spurious; composed by {{LinkComp|Carlo|Zuccari}} (Op.1 No.10)
|-
| Anh.185
| —
| Sonata for 2 Violins
| D major
| —
| Sonatas
| For 2 violins, continuo
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.585)
|-
| Anh.186
| —
| Sonata for 2 Violins
| F major
| —
| Sonatas
| For 2 violins, continuo
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.154, H.576)
|-
| Anh.187
| —
| Trio
| F major
| —
| Sinfonias
| For flute, bassoon, violin
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.159, H.587)
|-
| Anh.188
| —
| Sonata (Concerto)
| F major
| —
| Sonatas
Concertos
| For 2 harpsichords
| spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.10)
|-
| Anh.189
| —
| Harpsichord Concerto
| A minor
| —
| Concertos
| For harpsichord, strings, continuo
| spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.1, H.403)
|-
| Anh.190
| —
| Ich bin ein Pilgrim auf der Welt
|
| 1729
| Sacred cantatas
| ?
| cantata for Easter Monday; fragment only
|-
| Anh.191
| —
| Leb ich oder leb ich icht
|
| 1715?
| Sacred cantatas
| ?
| lost
|-
| Anh.192
| B2
| Cantata
|
| 1709
| Secular cantatas
| ?
| cantata for the inauguration of Mühlhausen town council; lost
|-
| Anh.193
| B9
| Herrscher des Himmels, König der Ehren
|
| 1740
| Secular cantatas
| ?
| cantata for the inauguration of Leipzig town council; last chorus based on BWV 208, otherwise lost
|-
| Anh.194
| —
| Cantata
|
| 1722
| Secular cantatas
| ?
| cantata for the birthday of Johann August of Anhalt-Zerbst; lost
|-
| Anh.195
| —
| Murmelt nur, ihr heitern Bäche
|
| 1723
| Secular cantatas
| ?
| cantata for Johann Florens Rivinus; lost
|-
| Anh.196
| —
| Auf, süß entzückende Gewalt
|
| 1725
| Secular cantatas
| ?
| wedding cantata; lost
|-
| Anh.197
| —
| Ihr wallenden Wolken
|
| ?
| Secular cantatas
| ?
| cantata for New Year's Day; lost
|-
| Anh.198
| —
| Sinfonia
|
| ?
| Sacred cantatas
| For mixed chorus, orchestra
| cantata for the Feast of St. Michael; fragment only
|-
| Anh.199
| —
| Siehe, eine Jungfrau ist schwanger
|
| 1724
| Sacred cantatas
| ?
| cantata for the Feast of the Annunciation; lost
|-
| Anh.200
| K54
| O Trauerigkeit, o Herzeleid
|
| 1713–15
| Chorale prelude
| For organ
| incomplete
|-
| Anh.201–204
| —
| Chorales (4):
|
| ?
| Chorales
| For mixed chorus
| Bach's authorship uncertain
|-
| Anh.201
| —
|
- Du Friedefürst, Herr Jesu Christ
| G minor | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.202 | —
|
- Gott has das Evangelium
| F major | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.203 | —
|
- Och hebe meine Augen auf
| A minor | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.204 | —
|
- O Traurigkeit, o Herzeleid
| B minor | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.205 | — | see BWV 1121 | | | | | |- | Anh.206 | — | Ach bleib mit deiner Gnade | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.207 | — | Fugue | E minor | ? | Fugues | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Peter|Kellner}} |- | Anh.208 | — | Fugue | E♭ minor | — | Fugues | For keyboard | {{LinkComp|Johann Ernst|Eberlin}} |}