User:Chandrucm/Books/learning book1

This user book is a user-generated collection of Wikipedia articles that can be easily saved, rendered electronically, and ordered as a printed book. If you are the creator of this book and need help, see Help:Books (general tips) and WikiProject Wikipedia-Books (questions and assistance).

Edit this book: Book Creator · Wikitext

Order a printed copy from: PediaPress

[ About ] [ Advanced ] [ FAQ ] [ Feedback ] [ Help ] [ WikiProject ] [ Recent Changes ]

learning1[edit]

[edit]

Learning; Experiential learning; Educational psychology; Learning sciences; Learning theory (education); Living educational theory; Minimum message length; Minimum description length; Neuroscience; Occam's razor; Oswego Movement; Pedagogy; Solomonoff's theory of inductive inference; Subgoal labeling; Marcus Hutter; Cognitive grammar; Succinctness; Cognitive linguistics; Coercion (linguistics); Cognitive semantics; Conceptual blending; Conceptual metaphor; Construction grammar; Stefan Th. Gries; Hypocognition; Iconicity; Idealized cognitive model; Image schema; Internet metaphors; Linguistic competence; Linguistic frame of reference; Linguistic relativity and the color naming debate; Mentalist postulate; Motor theory of speech perception; Numerical cognition; Polish Cognitive Linguistics Association; Psychology of reasoning; Stratificational linguistics; Typoglycemia; Analogical models; Blue Brain Project; Cognitive model; Cognitive models of information retrieval; Color appearance model; Decision field theory; Dynamicism; Human Brain Project; Mental model; Mental representation; MindModeling@Home; Nervous system network models; Pandemonium architecture; Physical symbol system; Quantum cognition; Systems modeling; Cognitive architecture; 4CAPS; ACT-R; Biologically inspired cognitive architectures; CHREST; CLARION (cognitive architecture); Cognitive module; Comparison of cognitive architectures; Copycat (software); Cyc; DAYDREAMER; Dehaene–Changeux model; DUAL (cognitive architecture); EPAM; FORR; Language module; LIDA (cognitive architecture); MANIC (Cognitive Architecture); Mibe architecture; Modularity of mind; OpenCog; Parallel terraced scan; Procedural reasoning system; Psi-Theory; R-CAST; Reasoning system; SCOP formalism; SNePS; Soar (cognitive architecture); Source of activation confusion model; Subsumption architecture; TRACE (psycholinguistics); Absolute pitch; Background music; Jamshed Bharucha; Biomusicology; Bird vocalization; Cognitive Constraints on Compositional Systems; Cognitive musicology; Cognitive neuroscience of music; Evolutionary musicology; Generative grammar; Generative theory of tonal music; H. Christopher Longuet-Higgins; Music and artificial intelligence; Music-related memory; Music-specific disorders; Paul Newham; Pitch (music); Prehistoric music; Psychoacoustics; Relative pitch; Rhythm; Temporal dynamics of music and language; Vocal learning; Music and mathematics; Abacus Harmonicus; Formalized Music; Gareth Loy; Multiplication (music); Neo-Riemannian theory; Regular number; Serialism; Størmer's theorem; Swing (jazz performance style); Transformational theory; Behavioral observation audiometry; Binaural beats; Brainwave entrainment; Acoustic resonance; Acoustic radiation pressure; Acoustic radiation force; Acoustic shock; Acoustic space; Acoustic source localization; Acoustic theory; Acoustic wave; Acoustic wave equation; Attenuation; Atmospheric diffraction; Audio frequency; Auditory event; Auditory masking; Architectural acoustics; Background noise; Computational aeroacoustics; Critical distance; Acoustic cryptanalysis; Decibel; Diaphragm (acoustics); Diffusion (acoustics); Digital room correction; Directional sound; Direct-field acoustic testing; Environmental noise; Echo; Frequency; Fundamental frequency; Harmonic; Head-related transfer function; Head shadow; Helmholtz resonance; Acoustical Intelligence; Loudness; Loudspeaker acoustics; Medical ultrasound; Measurement microphone calibration; Noise barrier; Noise reduction coefficient; Piano acoustics; Precedence effect; Pre-echo; Presence (sound recording); Prefix (acoustics); Proximity effect (audio); Rarefaction; Rayleigh wave; Refraction (sound); Resonance chamber; Resonator; Reverberation; Reverberation room; Salford Acoustics; A duplex theory of pitch perception; Bark scale; Critical band; Equal-loudness contour; Fletcher–Munson curves; Mel scale; Missing fundamental; Perceptual-based 3D sound localization; Robinson–Dadson curves; Sound annoyance; Stevens' power law; Ernst Terhardt; Tinnitus masker; Acoustic trauma; American Tinnitus Association; Auditory processing disorder; Auditory scene analysis; Diplacusis; Duplex perception; Endaural phenomena; Hyperacusis; List of Mondegreens; Mondegreen; Multistable auditory perception; Onset (audio); Phonophobia; Speech perception; Speech science; Speech shadowing; Temporal theory (hearing); Timbral listening; Tinnitus; Virtual pitch; Wernicke–Geschwind model; Zwicker tone; 3D audio effect; Auditory illusion; Deutsch's scale illusion; Franssen effect; Glissando illusion; Illusory continuity of tones; Illusory discontinuity; Isochronic tones; Kappa effect; McGurk effect; Monaural beats; Musical hallucinations; Octave illusion; Pareidolia; Pitch circularity; Shepard tone; Strange loop; Tau effect; Tritone paradox; Alto; Ambitus (music); Baritenor; Baritone; Bass (voice type); Bass-baritone; Pitch of brass instruments; Concert pitch; Contralto; Countertenor; Descant; Falset (music); Flat (music); Helmholtz pitch notation; Intonation (music); Mezzo-soprano; Natural (music); Otonality and Utonality; Pitch class; Pure tone; Range (music); Register (music); Savart wheel; Scientific pitch notation; Seventh octave; Sharp (music); Sopranissimo; Soprano; Tenor; Tenore contraltino; Tessitura; Transposition (music); Treble (sound); Treble voice; Chordal space; Chromatic circle; Fokker periodicity block; Lattice (music); Modulatory space; Pitch class space; Pitch constellation; Pitch space; Spiral array model; Tonality diamond; Tonnetz; Circle of fifths; Ii–V–I progression; Fach; Basso profondo; Boy soprano; Castrato; Coloratura soprano; Convenienze; Dramatic soprano; Haute-contre; Heldenbaritone; Lyric soprano; Meane; Musico; Quintus (vocal music); Sopranino voice; Sopranist; Soprano sfogato; Soubrette; Spinto; Spinto soprano; Tenore di grazia; Voice classification in non-classical music; Voice type; Absolute threshold of hearing; Acoustics; Duct modes; 3D sound localization; Absorption (acoustics); Acoustic approximation; Acoustic attenuation; Acoustic board; Acoustic camera; Acoustic cleaning; Acoustic contrast factor; Acoustic dispersion; Acoustic droplet ejection; Acoustic emission; Acoustic enhancement; Acoustic foam; Acoustic harassment device; Acoustic holography; Acoustic impedance; Acoustic interferometer; Acoustic jar; Acoustic levitation; Acoustic lobing; Acoustic location; Acoustic lubrication; Acoustic membrane; Acoustic metamaterials; Acoustic metric; Acoustic mirror; Acoustic music; Acoustic network; Acoustic ohm; Acoustic plaster; Acoustic quieting; Acoustic radiation force impulse imaging; Acoustic shadow; Acoustic streaming; Acoustic suspension; Acoustic tweezers; Acoustical engineering; Acoustical measurements and instrumentation; Acoustical oceanography; Acousto-electric effect; Acousto-electronics; Acousto-optic deflector; Acousto-optics; Acoustoelastic effect; Adaptive feedback cancellation; Aeroacoustic analogy; Aeroacoustics; Akoustolith; Aliquot stringing; Ambience (sound recording); Ambient noise level; Anechoic chamber; Basic physics of the violin; Bass trap; Beat (acoustics); Beatmapping; Bioacoustics; Biophony; Bore (wind instruments); Bruitparif; Chronomètre of Loulié; Cocktail party effect; Combination tone; Conditioned play audiometry; Creeping wave; Denge; Dropped ceiling; Dummy head recording; Dynamic aperture; Echogenicity; End correction; Equivalent input; Equivalent rectangular bandwidth; Fessenden oscillator; First break picking; Formant; Fracture sonography; Geometrical acoustics; Geophysical MASINT; Gobo (recording); High-frequency impulse-measurement; Home ultrasound; Hot chocolate effect; Hypersonic effect; Icophone; Inharmonicity; Institute of Acoustics; Interdigital transducer; International Commission for Acoustics; ISO 31-7; Isolation booth; JASCO Applied Sciences; Jet noise; Kundt's tube; Lamb waves; Laser ultrasonics; Lighthill mechanism; Lumped element model; Mean opinion score; Mechanical index; Mechanical metamaterials; Metamaterial; Micro perforated plate; Microbarom; Minimum audibility curve; Musica universalis; Musical acoustics; Nonlinear acoustics; Octave (electronics); Octave band; Otoacoustic emission; Outdoor–indoor transmission class; Overtone; Parametric array; Particle acceleration; Particle displacement; Particle velocity; Phonautograph; Phonomotor; Photoacoustic effect; Physical acoustics; Plane wave tube; Poromechanics; Pythagorean hammers; QuietRock; Reverse echo; Rijke tube; Room acoustics; Room modes; Rubens' tube; Scanning acoustic microscope; Schlieren imaging; Seashell resonance; Seismic communication; Semantic audio; Shear waves; Singing candle; Smaart; Sonic soot blowers; Sonochemistry; Sonometer; Sonomètre of Loulié; Sound; Sound amplification by stimulated emission of radiation; Sound baffle; Sound energy; Sound energy density; Sound exposure; Sound from ultrasound; Sound generator; Sound intensity; Sound intensity probe; Sound localization; Sound masking; Sound particle; Sound power; Sound pressure; Sound ranger; Sound reduction index; Sound Retrieval System; Sound speed gradient; Sound speed profile; Sound transmission class; Sound trap; Sounding board; Soundproofing; Spectral splatter; Speed of sound; Standard day; Statistical energy analysis; Stokes' law of sound attenuation; Stretched tuning; Strike tone; String resonance; Structural acoustics; Subharmonic; Sustain; Sweet spot (acoustics); Sympathetic resonance; Target strength; Thermoacoustic heat engine; Thermoacoustics; Thin-film bulk acoustic resonator; Tone hole; Transient (acoustics); Transmission loss; Transmission loss (duct acoustics); Ultrasound attenuation spectroscopy; Ultrasound computer tomography; Undertone series; Underwater acoustic communication; Underwater acoustics; Underwater telephone; Variable-geometry acoustical dome; Virtual hammock; Visual reinforcement audiometry; Voiciano; Waterfall plot; Waveguide (acoustics); Whispering gallery; Whispering-gallery wave; Wildlife Acoustics; Xeno-canto; Zakharov–Schulman system; A440 (pitch standard); Archicembalo; Augmented tuning; Heinz Bohlen; Cross tuning; Diminished tuning; Enharmonic keyboard; Enharmonic scale; Euler–Fokker genus; Fifths tuning; Hand-stopping; Harmonic table note layout; Key (music); Master Piano Technicians of America; Mersenne's laws; Microtuner; MIDI Tuning Standard; Mikhail Mishaqa; Musical system of ancient Greece; Musical prefix; Scale (music); Musical tuning; Node (physics); Numerary nexus; Off-key; Pelog; Piano key frequencies; Piano Technicians Guild; Piano tuning; Pipe organ tuning; Quarter tone clarinet; Richter tuning; Scientific pitch; Scordatura; Slendro; Solo tuning; Split sharp; Standard tuning; Strähle construction; Stringed instrument tunings; Tonality flux; Tune Smithy; Tuning wrench; Twelfth root of two; Counting (music); Ear training; EarMaster; GNU Solfege; Interval recognition; Marina Karaseva; Numerical sight-singing; Solmization; Tonal memory; Tonic sol-fa; Audiometry; Auditory brainstem response; Auditory-verbal therapy; Barostriction; Bing test; Caloric reflex test; Cawthorne-Cooksey exercises; Dix–Hallpike test; Ear candling; Ear clearing; Electrocochleography; Electronystagmography; Epley maneuver; Galvanic vestibular stimulation; Hearing test; Ossicular replacement prosthesis; Otoscope; Pneumatic otoscopy; Pure tone audiometry; Real ear measurement; Rinne test; Semont maneuver; Tinnitus retraining therapy; Tone decay test; Tympanometry; Valsalva maneuver; Vestibular evoked myogenic potential; Videonystagmography; Weber test; 15 equal temperament; 17 equal temperament; 19 equal temperament; 22 equal temperament; 31 equal temperament; 34 equal temperament; 41 equal temperament; 53 equal temperament; 72 equal temperament; Beauty in the Beast; Generalized keyboard; Huygens-Fokker Foundation; Microtonal music; Mother (opera); Sixth tone; Sonido 13; Twelve Microtonal Etudes for Electronic Music Media; Xenharmonic music; Just intonation; Limit (music); Bohlen–Pierce scale; Đàn bầu; Ditone; Genesis of a Music; Hexany; List of compositions in just intonation; Minor diatonic semitone; Scale of harmonics; Unison; Chanting the Light of Foresight; Day of Niagara; Dream House 78' 17"; Sonata for Microtonal Piano (Ben Johnston); Stimmung; Suite for Microtonal Piano; The Well-Tuned Piano; Susan Alexjander; Alex Dea; Lou Harrison; Michael Harrison (musician); Ben Johnston (composer); Pauline Oliveros; Harry Partch; La Monte Young; Pythagorean tuning; Perfect fifth; Perfect fourth; Pythagorean comma; Pythagorean interval; Shí-èr-lǜ; List of intervals in 5-limit just intonation; Diaschisma; Five-limit tuning; Kleisma; Ptolemy's intense diatonic scale; Schisma; Semicomma; Syntonic comma; 7-limit tuning; Breedsma; Harmonic seventh; Magic chord; Orwell comma; Ragisma; Septimal chromatic semitone; Septimal comma; Septimal diatonic semitone; Septimal diesis; Septimal kleisma; Septimal major third; Septimal minor third; Septimal quarter tone; Septimal semicomma; Septimal third tone; Septimal tritone; Septimal whole tone; Harmonic series (music); Tritone; Harry Partch's 43-tone scale; Quarter tone; Minor sixth; Neutral sixth; Minor third; Neutral interval; Neutral third; Semitone; Harmonic Scale; A12 scale; Superparticular ratio; Octave; Major third
learning bk1 ch1: Major second; Comma (music)