User:RL0919/Woods
This is not an article or a draft. It's basically a list of possible articles to create.
Pre-1923[edit]
Title | Author | Theater | Opened | Closed |
---|---|---|---|---|
The Evil That Men Do | Theodore Kremer | American Theatre | August 29, 1903 | Not known |
The Errand Boy | George Totten Smith (book); Edward P. Moran (lyrics) |
Haverly's 14th Street Theatre | October 31, 1904 | November 5, 1904 |
Tom, Dick and Harry | Aaron Hoffman and Harry Williams | Multiple | September 25, 1905 | January 20, 1906 |
Chinatown Charlie | Owen Davis | American Theatre | March 5, 1906 | Not known |
The Gambler of the West | Owen Davis | American Theatre | July 28, 1906 | Not known |
A Marked Woman | Owen Davis | West End Theatre | December 10, 1906 | Not known |
The King and Queen of Gamblers | Owen Davis | American Theatre | July 27, 1907 | Not known |
A Race Across the Continent | John Oliver | Thalia Theatre | July 27, 1907 | August 3, 1907 |
A Chorus Girl's Luck in New York | Owen Davis | Haverly's 14th Street Theatre | August 3, 1907 | Not known |
Convict 999 | John Oliver | Thalia Theatre | August 5, 1907 | Not known |
The Great Express Robbery | Owen Davis | American Theatre | August 12, 1907 | Not known |
Edna, the Pretty Typewriter | John Oliver | American Theatre | August 26, 1907 | Not known |
Broadway After Dark | John Oliver | Thalia Theatre | September 9, 1907 | October 5, 1907 |
Since Nellie Went Away | Owen Davis | American Theatre | October 28, 1907 | Not known |
Deadwood Dick's Last Shot | Owen Davis | Haverly's 14th Street Theatre | December 23, 1907 | Not known |
New York | William J. Hurlbut | Bijou Theatre | October 17, 1910 | October 1910 |
The Girl in the Taxi | Stanislaus Stange | Astor Theatre | October 24, 1910 | December 3, 1910 |
Gypsy Love | Harry B. Smith and Robert B. Smith | Globe Theatre | October 17, 1911 | November 11, 1911 |
The Littlest Rebel | Edward Peple | Liberty Theatre | November 14, 1911 | January 1912 |
Tantalizing Tommy | Michael Morton and Paul Gavault (book); Adrian Ross (lyrics) |
Criterion Theatre | October 1, 1912 | October 26, 1912 |
The Woman Haters | George V. Hobart | Astor Theatre | October 7, 1912 | November 2, 1912 |
The High Cost of Loving | Frank Mandel | Theatre Republic (August); 39th Street Theatre (November) |
August 25, 1914 | Not known |
Innocent | George Broadhurst | Eltinge 42nd Street Theatre | September 9, 1914 | December 1914 |
He Comes Up Smiling | Byron Ongley and Emil Nyitray | Liberty Theatre | September 16, 1914 | November 1914 |
Kick In | Willard Mack | Longacre Theatre (October); Theatre Republic (November–March) |
October 15, 1914 | March 1915 |
Big Jim Garrity | Owen Davis | New York Theatre | October 16, 1914 | November 1914 |
Cousin Lucy | Charles Klein (book); Schuyler Greene (lyrics) |
George M. Cohan Theatre | August 27, 1915 | October 2, 1915 |
The Duke of Killicrankie (revivial) / Rosalind | Robert Marshall / James M. Barrie | Lyceum Theatre | September 2, 1915 | September 1915 |
See My Lawyer | Max Marcin | Eltinge 42nd Street Theatre | September 2, 1915 | September 1915 |
Abe and Mawruss | Roi Cooper Megrue and Montague Glass | Lyric Theatre | October 21, 1915 | April 1916 |
His Bridal Night | Lawrence Rising | Theatre Republic | August 16, 1916 | October 1916 |
The Guilty Man | Charles Klein and Ruth Helen Davis | Astor Theatre | August 17, 1916 | October 1916 |
Mary's Ankle | May Tully | Bijou Theatre (August); 39th Street Theatre (October) |
August 6, 1917 | Not known |
Business Before Pleasure | Montague Glass and Jules Eckert Goodman | Eltinge 42nd Street Theatre | August 15, 1917 | June 1918 |
Eyes of Youth | Charles Guernon and Max Marcin | Maxine Elliott Theatre (August 1917-July 1918); 39th Street Theatre (July–August 1918) |
August 22, 1917 | August 1918 |
The Scrap of Paper | Owen Davis and Arthur Somers Roche | Criterion Theatre | September 17, 1917 | November 1917 |
On With the Dance | Michael Morton | Theatre Republic | October 29, 1917 | December 1917 |
Parlor, Bedroom and Bath | Charles William Bell and Mark Swan | Theatre Republic | December 24, 1917 | July 1918 |
An American Ace | Lincoln J. Carter | Casino Theatre | April 2, 1918 | April 1918 |
Under Orders | Berte Thomas | Eltinge 42nd Street Theatre | August 20, 1918 | January 1919 |
Why Worry? | Montague Glass and Jules Eckert Goodman (book); Blanche Merrill (lyrics) |
Harris Theatre | August 23, 1918 | September 14, 1918 |
Where Poppies Bloom | Roi Cooper Megrue | Theatre Republic | August 26, 1918 | November 1918 |
The Big Chance | Grant Morris and Willard Mack | 48th Street Theatre | October 28, 1918 | February 1919 |
Roads of Destiny | Channing Pollock | Theatre Republic | November 27, 1918 | February 1919 |
The Woman in Room 13 | Samuel Shipman and Max Marcin | Booth Theatre | January 14, 1919 | June 1919 |
A Voice in the Dark | Ralph E. Dyar | Theatre Republic | July 28, 1919 | November 1919 |
Too Many Husbands | W. Somerset Maugham | Booth Theatre | October 8, 1919 | January 1920 |
His Honor: Abe Potash | Montague Glass and Jules Eckert Goodman | Bijou Theatre | October 14, 1919 | April 1920 |
The Unknown Woman | Marjorie Blaine and Willard Mack | Maxine Elliott Theatre | November 10, 1919 | January 1920 |
The Sign on the Door | Channing Pollock | Theatre Republic | December 19, 1919 | May 1920 |
No More Blondes | Otto Hauerbach | Maxine Elliott Theatre | January 7, 1920 | February 1920 |
Breakfast in Bed | Georges Feydeau; adapted by Willard Mack and Howard Booth | Eltinge 42nd Street Theatre | February 3, 1920 | April 1920 |
The Ouija Board | Crane Wilbur | Bijou Theatre | March 29, 1920 | May 1920 |
Crooked Gamblers | Samuel Shipman and Percival Wilde | Hudson Theatre | July 31, 1920 | October 1920 |
The Lady of the Lamp | Earl Carroll | Theatre Republic | August 17, 1920 | November 1920 |
Happy-Go-Lucky | Ian Hay | Booth Theatre | August 24, 1920 | November 1920 |
The Unwritten Chapter | Samuel Shipman and Victor Victor | Astor Theatre | October 11, 1920 | November 1920 |
The White Villa | Edith Ellis | Eltinge 42nd Street Theatre | February 14, 1921 | March 1921 |
Back Pay | Fannie Hurst | Eltinge 42nd Street Theatre | August 30, 1921 | November 1921 |
The Man's Name | Marjorie Chase and Eugene Walter | Theatre Republic | November 14, 1921 | December 1921 |
Lawful Larceny | Samuel Shipman | Theatre Republic | January 2, 1922 | June 1922 |
Partners Again | Montague Glass and Jules Eckert Goodman | Selwyn Theatre | May 1, 1922 | June 1922 |
East of Suez | W. Somerset Maugham | Eltinge 42nd Street Theatre | September 21, 1922 | December 1922 |
The Love Child | Henry Bataille; adapted by Martin Brown | George M. Cohan Theatre | November 14, 1922 | April 1923 |
The Masked Woman | Kate Jordan | Eltinge 42nd Street Theatre | December 22, 1922 | April 1923 |
1923 on[edit]
Title | Author | Theater | Opened | Closed |
---|---|---|---|---|
The Guilty One | Michael Morton and Peter Traill | Selwyn Theatre | March 20, 1923 | April 1923 |
The Good Old Days | Aaron Hoffman | Broadhurst Theatre | August 14, 1923 | October 1923 |
The Woman on the Jury | Bernard K. Burns | Eltinge 42nd Street Theatre | August 15, 1923 | October 1923 |
The Whole Town's Talking | Anita Loos and John Emerson | Bijou Theatre | August 29, 1923 | January 1924 |
Casanova | Lorenzo De Azertis; translated by Sidney Howard | Empire Theatre | September 26, 1923 | December 1923 |
The Lady | Martin Brown | Empire Theatre | December 4, 1923 | February 1924 |
The Shadow | Dario Niccodemi | 39th Street Theatre | December 18, 1923 | December 1923 |
The Alarm Clock | Avery Hopwood | 39th Street Theatre | December 24, 1923 | January 1924 |
The Road Together | George Middleton | Frazee Theatre | January 17, 1924 | January 17, 1924 |
No Other Girl | Aaron Hoffman (book); Harry Ruby (lyrics) |
Morosco Theatre | August 13, 1924 | September 27, 1924 |
High Stakes | Willard Mack | Hudson Theatre | September 9, 1924 | December 1924 |
Conscience | Don Mullally | Belmont Theatre | September 11, 1924 | January 1925 |
The Fake | Frederick Lonsdale | Hudson Theatre | October 6, 1924 | December 1924 |
The Desert Flower | Don Mullally | Longacre Theatre | November 18, 1924 | December 1924 |
The Piker | Leon Gordon | Eltinge 42nd Street Theatre | January 15, 1925 | February 1925 |
A Good Bad Woman (revival) | William J. McNally | Comedy Theatre (February); Playhouse Theatre (June–August) |
February 9, 1925 | August 1925 |
Spring Fever | Vincent Lawrence | Maxine Elliott Theatre | August 3, 1925 | September 1925 |
A Kiss in a Taxi | Clifford Grey | Ritz Theatre | August 25, 1925 | October 1925 |
All Dressed Up | Arthur Richman | Eltinge 42nd Street Theatre | September 9, 1925 | September 1925 |
The Green Hat | Michael Arlen | Broadhurst Theatre | September 15, 1925 | February 1926 |
The Pelican | F. Tennyson Jesse and H. M. Harwood | Times Square Theatre | September 21, 1925 | November 1925 |
These Charming People | Michael Arlen | Gaiety Theatre | October 6, 1925 | January 1926 |
Stolen Fruit | Dario Niccodemi; adapted by Gladys Unger | Eltinge 42nd Street Theatre | October 7, 1925 | December 1925 |
The Shanghai Gesture | John Colton | Martin Beck Theatre (February–July); Chanin's 46th Street Theatre (September) |
February 1, 1926 | September 1926 |
Fakir Rahman Bey | Rahman Bey | Selwyn Theatre | May 25, 1926 | June 1926 |
Potash and Perlmutter, Detectives | Montague Glass and Jules Eckert Goodman | Ritz Theatre | August 31, 1926 | October 1926 |
The Woman Disputed | Denison Clift | Forrest Theatre | September 28, 1926 | March 1927 |
Mozart | Sacha Guitry | 46th Street Theatre | December 27, 1926 | January 1927 |
Crime | Samuel Shipman and John B. Hymer | Eltinge 42nd Street Theatre | February 22, 1927 | August 1927 |
Her Cardboard Lover | Jacques Deval, adapted by Valerie Wyngate and P. G. Wodehouse | Empire Theatre | March 21, 1927 | August 1927 |
The Matrimonial Bed | Seymour Hicks | Ambassador Theatre | October 12, 1927 | October 1927 |
The Mulberry Bush | Edward Knoblauch | Theatre Republic | October 26, 1927 | November 1927 |
The Fanatics | Miles Malleson | 49th Street Theatre | November 7, 1927 | November 1927 |
Fast Life | Samuel Shipman and John B. Hymer | Ambassador Theatre | September 26, 1928 | October 1928 |
Jealousy | Eugene Walter | Maxine Elliott Theatre | October 22, 1928 | February 1929 |
Scarlet Pages | Samuel Shipman and John B. Hymer | Morosco Theatre | September 9, 1929 | November 1929 |
Scotland Yard | Denison Clift | Sam H. Harris Theatre | September 27, 1929 | October 1929 |
Love, Honor and Betray | Fanny Hatton and Frederic Hatton | Eltinge 42nd Street Theatre | March 12, 1930 | April 1930 |
The Ninth Guest | Owen Davis | Eltinge 42nd Street Theatre | August 25, 1930 | October 1930 |
A Farewell to Arms | Laurence Stallings | National Theatre | September 22, 1930 | October 1930 |
The Inside Story | George Bryant and Francis M. Verdi | National Theatre | February 22, 1932 | March 1932 |
The Stork is Dead | Hans Kottow | 48th Street Theatre | September 23, 1932 | October 1932 |
Move On, Sister | Daniel N. Rubin | Playhouse Theatre | October 24, 1933 | October 1933 |
The Red Cat | Rudolf Lothar and Hans Adler | Broadhurst Theatre | September 19, 1934 | September 1934 |
Abide With Me | Clare Boothe Brokaw | Ritz Theatre | November 21, 1935 | December 1935 |
The Ragged Edge | Mary Heathfield | Fulton Theatre | November 25, 1935 | December 1935 |