Talk:The Artist Life

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BIO UPDATE AS OF APRIL 2011[edit]

I've removed the following from the article. It's unsourced (added by 99.233.162.216) and I'm assuming a copyright violation. Argolin (talk) 05:43, 9 March 2012 (UTC) If the user wants to add it to the article according to wiki standards great:[reply]

BIO UPDATE AS OF APRIL 2011 The Artist Life

Ian Blackwood - Vocals/guitar Dean Richards - Guitar/vocals Jake Parsonson - Drums Justin Zoltek - Bass/vocals

If good things come to those who wait, The Artist Live is overdue for a windfall.

Such an adage may be a mild cliché elsewhere but when it comes to this four year-old pop-influenced punk rock quartet, the axiom has never rang so true. After two highly-acclaimed EP’s (2007's Living and 2008's Let's Start A Riot), the Toronto, Ontario-based outfit has endured a legacy of trials and tribulations in striving to complete their debut full-length Impossible (Underground Operations).

“It felt like this album was never gonna come out,” sighs Blackwood with a sense of relief. “I'm a patient person but I'm also stubborn as hell and this has been an adventure. We've been writing over two years, busting our asses to create this record. The hurdles in achieving it are unimportant, though. What matters is that it's ready.”

Maintaining the barbed glory and steely rhythms of its predecessors yet branching out to incorporate invigorating elements, Impossible is leaps and bounds beyond the already-stunning strength of Let's Start A Riot; easily the most accomplished, aggressive and comprehensive work from The Artist Life to date.

“We're still raw and anthemic but the choruses are even bigger,” Blackwood beams.

Listening to the raucous power, emotional intensity and fiery delivery on its entirety, one cannot deny that The Artist Life has gone over each aspect of the album with the best fine-toothed comb possible. Blackwood and Richards penned an impressive 30 full songs before paring down to the 11 that would eventually comprise Impossible.

While the heavy lifting is clearly on the shoulders of The Artist Life however, Blackwood asserts this feat is due in no small part to the determined assistance of producer Greig Nori (Hedley, Sum 41) and Jesse Colburn (Avril Lavigne). Tirelessly driving the band to attain their best, their input was crucial in ensuring Impossible was nothing but the finest moment The Artist Life could possibly render, hence its foreboding title.

“Even when we were recording, Nori was taunting us,” he continues. “I'd be doing vocal takes and he kept saying, 'Not quite, man. I need more from you.' I was so angry, I felt like punching something. That's when he'd say, 'Record that again now.' When I was done, he was like, 'That's it! That's the take!’ That anger and angst really helped because I think you can hear a sense of passionate frustration on the album. He knew exactly what he was doing.”

Applying that charged, aggressive approach to all aspects of the album, Blackwood also reveals that The Artist Life's lyrical drive has burgeoned on Impossible. Refined and matured, the quartet has more to offer than simple teenage angst.

“There are songs about relationships, politics and everything in between. Two years of writing and growing as a person can really change you. The lyrics are poignant and meaningful.”

Featuring tracks such as punk protests “Working Class Revolt” and “Steel City” with their call-to-arms for underdogs oppressed by dominating corporations, emotionally-charged “Find You,” “I'm Not The Same Anymore” and their playful reminiscence of youthful folly as well as a title track inspired by personal turmoil, Impossible not only features a more aware, pointed The Artist Live but compels listeners to action; to revolution and the support of the populace.

“We're still a three-chord, punk rock ballad band,” Blackwood declares. “but we've introduced a broad diversity into our style and approach now, even with songs that have acoustic twists. We're not afraid to strip away the electricity to bring in that raw, unassisted edge. Some of the best songs are written that way. It keeps things fresh and exciting.”

Garnering ravenous support while road-testing these songs on such diverse tours as with up-and-coming popsters Stereos, melodic hardcore gurus A Wilhelm Scream and even old school politi-punks Anti-Flag, Impossible is a testament to The Artist Life's abilities, expansion and duration, all of which culminates in the broad influence and dynamic vastness of Impossible.

Essentially, while The Artist Life paint with broad strokes and cover vast territory on Impossible, they haven't indelibly and unrecognizably altered the original canvas we have come to know, expect and adore from them. In fact, they've made it even stronger, prevalent and impossible—pun intended—to ignore.

“We're digging deeply with this album,” Blackwood beams. “It's about giving kids something to do, giving them a message and being a voice for them. We're not gonna settle, we're gonna challenge ourselves. There's depth; layers to Impossible. We're excited for fans to hear all of them and realize this is the best The Artist Life record. It's as honest as it can get from blue-collar guys like us.”