Talk:Marianna Simnett

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Quotations without context[edit]

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"Her recent work explores female subjectivity and bodily integrity as they relate to the power dynamics of the medical profession".[1] "employed the forensic and macabre to elicit a visceral reaction from viewers" [2] Simnett focuses on the dystopic consequences of technology through a psychosexual lens[2] Simnett's work elicits a physical response though its depiction of physiological processes and techniques such as dreamlike sequences contrasted with hyper-real scenarios[3] and the use of music.[4] Simnett induces the same emotions, such as fear, that she enacts in her work.[5] Her work has been said to combine mythic structures with the aesthetics of medical documentaries.[2] "Simnett composes fanciful narratives, employing leaps of logic while creating intentional slippages among her characters’ identities, genders, and physiognomies".[6] References Donna Haraway and Paul B. Preciado.[6] Simnett's consideration of self-preservation mobilizes feminist concerns without becoming prescriptive.[6]

"Transformation is much more my message than amputation—transformation is through and through my work. Everyone is always becoming something other than themselves.” [7]

--Mgp28 (talk) 18:31, 9 July 2023 (UTC)[reply]


References

  1. ^ "Hazmat: Charlie Fox and Marianna Simnett •". Mousse Magazine (in Italian). 2017-10-13. Retrieved 2020-02-14.
  2. ^ a b c "When Body Horror Meets Fairy Tale: The Films of Marianna Simnett |". Flash Art. 2019-10-25. Retrieved 2020-02-14.
  3. ^ "Marianna Simnett talks about her films". atractivoquenobello. 2015-08-20. Retrieved 2020-02-14.
  4. ^ Eastham, Ben. "In Focus: Marianna Simnett". Frieze. No. 176. ISSN 0962-0672. Retrieved 2020-02-14.
  5. ^ Cite error: The named reference :3 was invoked but never defined (see the help page).
  6. ^ a b c Cite error: The named reference :7 was invoked but never defined (see the help page).
  7. ^ Cite error: The named reference :8 was invoked but never defined (see the help page).