Talk:58th Venice Biennale

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News streams[edit]

czar 11:36, 11 May 2019 (UTC)[reply]

Pavilion highlights[edit]

Dumping counts of highly recommended pavilions, if useful to anyone in the future. I'll elaborate on the most recommended ones in the article.

  • Lithuania{{r|NYT-rec|Galerie-rec|ArchDaily-rec|Designboom-rec|Hyperallergic-rec}}
  • Ghana{{r|NYT-rec|Artsy-rec|FT-rec|TAN-rec|Galerie-rec|Frieze Arsenale|ArchDaily-rec|Designboom-rec|CNN-rec}}
  • France{{r|NYT-rec|Artsy-rec|Galerie-rec|Designboom-rec|CNN-rec}}
  • US{{r|Artsy-rec|FT-rec|Galerie-rec|Designboom-rec}}
  • Philippines{{r|Artsy-rec|FT-rec|TAN-rec}}
  • India{{r|Artsy-rec|FT-rec|TAN-rec}}
  • Brazil{{r|Artsy-rec|Galerie-rec|Designboom-rec|CNN-rec}}
  • Italy{{r|Frieze Arsenale|ArchDaily-rec|Designboom-rec}}
  • Poland{{r|Artsy-rec|Designboom-rec|Globe and Mail}}
  • Australia{{r|Artsy-rec|Designboom-rec}}
  • Georgia{{r|Frieze Arsenale|Designboom-rec}}
  • Switzerland{{r|Artsy-rec|Designboom-rec}}
  • Iceland{{r|ArchDaily-rec|Hyperallergic-rec}}
  • Mongolia{{r|Designboom-rec|Hyperallergic-rec}}
  • Kosovo{{r|Artsy-rec}}
  • Russia{{r|FT-rec}}
  • Slovenia, Turkey, UAE{{r|TAN-rec}}
  • Singapore{{r|Frieze Arsenale}}
  • Dutch, Taiwan, Pakistan{{r|ArchDaily-rec}}
  • Canada, China, Georgia, Japan{{r|Designboom-rec}}
  • Uruguay, Madagascar{{r|Globe and Mail}}

czar 12:16, 27 May 2019 (UTC)[reply]

Financial Times review[edit]

Note to self: Return to https://www.ft.com/content/2f303990-719d-11e9-bf5c-6eeb837566c5 after embargo is lifted in 30 days czar 19:30, 27 May 2019 (UTC)[reply]

http://archive.is/0pVDP czar 06:33, 26 January 2020 (UTC)[reply]

Unused sources[edit]

To pilfer later

Reception

  • Cumming, Laura (May 12, 2019). "Venice Biennale 2019 review – preaching to the converted". The Observer. ISSN 0029-7712.
  • Farago, Jason (May 21, 2019). "The Venice Biennale Plays It Safe, and Gets Lost in Fog". The New York Times. ISSN 0362-4331.
  • Reyburn, Scott (May 22, 2019). "At Venice Biennale, the Art's for Sale, if You Know the Right People". The New York Times. ISSN 0362-4331.


Further reading


czar 20:49, 27 May 2019 (UTC)[reply]

Afterwards

czar 06:53, 29 December 2019 (UTC)[reply]

Puffery[edit]

The event captures the art world zeitgiest and reflects its artistic and political conversations because it remains one of the few places where the art world convenes as a whole at the intersection of history, beauty, glamour, ego, and money.{{r|TAN: so important}}

[1] Hi @Julietdeltalima, what part of this do you contest? From my reading, this is a fairly tame and on-the-nose take. If anything, could drop after "at the intersection of" but I should be able to provide backup sources for the rest if you think the listed source is insufficient. czar 23:32, 2 September 2019 (UTC)[reply]