Sylvester Russell
Sylvester Russell | |
|---|---|
| Born | 1860s |
| Died | October 11, 1930 |
| Nationality | American |
| Occupation(s) | Entertainment writer and critic |
| Era | 1920s |
| Employer(s) | The Chicago Defender, Indianapolis Freeman |
| Known for | Reviews of Black film, music and theater |
Sylvester Russell (1860s–1930) was a performer who became a newspaper columnist. He was the "first Black arts critic to gain national recognition in the U.S.," in his turn-of-the-century column in the Indianapolis Freeman.[1][2][3] In a 30-year career that spanned three cities: his early days in Indianapolis, time at the Chicago Defender and, finally, New York City where he founded and published a newspaper called the Star, and famously developed a system of ranking Black performance qualitatively from "low comedy/minstrelsy” at the bottom to the "classics" at the top,[1] which reflected his:
... clear desire to establish African American music as a field worthy of study, with a history and progressive development. His examination of Black music for a Black audience was a direct challenge to a world where white people in blackface had been allowed to define the musical and performance qualities of what it meant to be Black.[1][4]
That kind of specificity begot nuanced discussions on the page about the transition from vaudeville to silent film, which led to him and fellow music critic Nora Douglas Holt attaining the status of pioneers.[5] Later in his career, Russell became known for a dispute with Bill "Bojangles" Robinson as efforts to establish an association to build a memorial home for "Race actors" in honor of Florence Mills progressed.[6]
He challenged segregation laws by sitting at a table in an upscale restaurant.[7]
See also[edit]
External links[edit]
- African American Film Critics Association (AAFCA)
- Schomburg Center for Research in Black Culture: Moving Image and Recorded Sound Division
- The Black Film Critics Circle
References[edit]
- ^ a b c "The World According to Sylvester Russell | Dorothy Berry". Lapham’s Quarterly. Retrieved 2022-02-26.
- ^ Abbott, Lynn; Seroff, Doug (February 27, 2017). The Original Blues: The Emergence of the Blues in African American Vaudeville. Univ. Press of Mississippi. ISBN 9781496810052 – via Google Books.
- ^ Abbott, Lynn; Seroff, Doug (September 17, 2009). Ragged but Right: Black Traveling Shows, "Coon Songs," and the Dark Pathway to Blues and Jazz. Univ. Press of Mississippi. ISBN 9781496800305 – via Google Books.
- ^ Everett, Anna (June 29, 2001). Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949. Duke University Press. ISBN 0822326140 – via Google Books.
- ^ McGuire, Phillip (1986). "Black Music Critics and the Classic Blues Singers". The Black Perspective in Music. 14 (2): 103–125. doi:10.2307/1214982. JSTOR 1214982 – via JSTOR.
- ^ Justice-Malloy, Rhona. "The Florence Mills Association vs. Bill "Bojangles" Robinson". continuumjournal.org.
- ^ https://www.thirdpersonproject.org/sylvester-russell-would-not-move [dead link]