Pioneers of African-American Cinema
| Pioneers of African-American Cinema | |
|---|---|
| Directed by | Pearl Bowser, Ebony Film Corporation, Zora Neale Hurston, Solomon Sir Jones, Richard C. Kahn, Lincoln Motion Picture Company, Richard Maurice, Oscar Micheaux, Richard Norman, Spencer Williams Jr. |
| Produced by | Library of Congress, with the cooperation of the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, National Museum of African American History and Culture, Southern Methodist University, and the UCLA Film & Television Archive |
| Music by | Alloy Orchestra, Makia Matsumura, Max Roach, Donald Sosin, DJ Spooky, Samuel Waymon |
| Distributed by | Kino Lorber |
Release date | 2015 |
Running time | 25hr 12min. |
| Country | United States |
| Language | English |
Pioneers of African-American Cinema (2015) is a digitally restored anthology collection of independent Black cinema from the first half of the 20th century.[1]
About[edit]
Known as "race films," this category of film was made outside of the Hollywood system, and is notable for its exploration of issues of "class, gender, and politics within the Black community."[1] The most important of these filmmakers was groundbreaking auteur Oscar Micheaux, whose films Within Our Gates (1920), with "its head-on confrontation of racism and lynching,"The Symbol of the Unconquered (1920), about black homesteaders struggling for survival against the Ku Klux Klan on the Midwestern plains," and Body and Soul (1925), featuring legendary performer Paul Robeson's debut as an escaped prisoner, are all included.[1] Directors Spencer Williams, Richard Maurice, writer and ethnographer Zora Neale Hurston, and film-making couple James and Eloyce Gist are all represented, too, however, as are a variety of selections from the Ebony Film Corporation, work by Solomon Sir Jones and more.[2][3]
The complete run time of the entire anthology is more than 25 hours, and the restoration will be of particular significance to scholars, historians, and film aficionados due to its inclusion of formerly inaccessible footage.[1][4] The restoration includes over 12 feature films, including: Hell-Bound Train, Within Our Gates, Birthright, and The Flying Ace. It also includes shorts, fragments, trailers, documentary footage, archival interviews and audio recordings.[5] For greater historical context, some films are presented in pairs, including Hot Biskits and The Blood of Jesus and Verdict Not Guilty and Heaven-Bound Travelers.[6] Musical accompaniment includes work by DJ Spooky, Max Roach, Alloy Orchestra, Samuel Waymon, Makia Matsumura, Donald Sosin and others.[5]
Funded in part by a Kickstarter campaign, the series was produced in association with the Library of Congress, with the cooperation of the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, National Museum of African American History and Culture, Southern Methodist University, and the UCLA Film & Television Archive.[5] Curated by scholars Charles Musser and Jacqueline Najuma, the anthology was distributed by Kino Lorber, which specializes in historic art house film.[5]
The box set is available streaming, on BLU-RAY and on DVD, the latter of which is accompanied by a 76-page booklet.[5] The New York Times praised the collection and recommended it for educational institutions.[7]
Anthology contents[edit]
| Film Title | Director | Year | Duration | Music | Notes |
|---|---|---|---|---|---|
| Two Knights of Vaudeville | Ebony Film Co. | 1915 | 11 min. | Donald Sosin | |
| Mercy the Mummy Mumbled | Ebony Film Co. | 1918 | 12 min. | Alloy Orchestra | (BLU-RAY ONLY) |
| A Reckless Rover | Ebony Film Co. | 1918 | 14 min. | Donald Sosin | |
| Within Our Gates | Oscar Micheaux | 1920 | 73 min. | Paul D. Miller (DJ Spooky) | |
| The Symbol of the Unconquered: A Story of the KKK | Oscar Micheaux | 1920 | 59 min. | Max Roach | |
| By Right of Birth | Lincoln Motion Picture Co. | 1921 | 4 min. | Donald Sosin | |
| Body and Soul | Oscar Micheaux | 1925 | 93 min. | Paul D. Miller (DJ Spooky) | |
| Screen Snapshots | Micheaux footage | 1920 | 1 minute | Bonus: An Introduction (7 min.); Bonus: The Films of Oscar Micheaux (8 min.) | |
| Regeneration | Richard E. Norman | 1923 | 11 min. | Donald Sosin | |
| The Flying Ace | Richard E. Norman | 1928 | 65 min. | Mont Alto Motion Picture Orchestra | |
| Ten Nights in a Bar Room | CPFC | 1926 | 64 min.. | Donald Sosin | |
| Rev. S.S. Jones Home Movies | Rev. Solomon Sir Jones | 1924-26 | 16 min. | Andrew Simpson | |
| The Scar of Shame | Frank Peregini | 1929 | 86 min. | Makia Matsumura | Bonus: The Color Line (5 min.) Bonus: Ten Nights in a Bar Room – An Introduction (4 min.) Bonus: About the Restoration (8 min.) |
| Eleven P.M. | Richard Maurice | 1928 | 60 min. | Rob Gal | |
| Hell-Bound Train | James and Eloyce Gist | 1930 | 50 min. | Samuel D. Waymon | Restored by S. Torriano Berry. |
| Verdict Not Guilty | James and Eloyce Gist | 1934 | 8 min. | Samuel D. Waymon | Restored by S. Torriano Berry. |
| Heaven-Bound Travelers | James and Eloyce Gist | 1935 | 15 min. | Samuel D. Waymon | Restored by S. Torriano Berry. (BLU-RAY ONLY) |
| The Darktown Revue | Oscar Micheaux | 1931 | 18 min. | ||
| The Exile | Oscar Micheaux | 1931 | 78 min. | ||
| Hot Biskits | Spencer Williams | 1931 | 10 min. | ||
| The Girl from Chicago | Oscar Micheaux | 1932 | 70 min. | ||
| Ten min. to Live | Oscar Micheaux | 1932 | 58 min. | ||
| Veiled Aristocrats | Oscar Micheaux | 1932 | 48 min. | ||
| Birthright | Oscar Micheaux | 1938 | 73 min. | Bonus: Veiled Aristocrats Trailer (4 min.) Bonus: Birthright Trailer (4 min.) Bonus: We Work Again (BLU-RAY ONLY) – WPA Documentary (1937, 15 min.) | |
| The Bronze Buckaroo | Richard Kahn | 1939 | 58 min. | ||
| Zora Neale Hurston Fieldwork Footage (excerpt) | Zora Neale Hurston | 1928 | 3 min. | ||
| Commandment Keeper Church, Beaufort South Carolina, May 1940 (excerpt) | Zora Neale Hurston | 1940 | 15 min. | ||
| The Blood of Jesus | Spencer Williams | 1941 | 56 min. | ||
| Dirty Gertie from Harlem U.S.A. | Spencer Williams | 1946 | 60 min. | ||
| Moses Sisters Interview | Pearl Bowser | 1978 | 32 min. | Bonus: Texas Tyler Promo Film with Ossie Davis (1985, 6 min.) Bonus: The Films of Zora Neale Hurston (2 min.) Bonus: The Films of Spencer Williams (7 min.) Bonus: The End of an Era (4 min.) | |
See also[edit]
- African American cinema
- Black women film pioneers
- Black women filmmakers
- Race film
References[edit]
- ^ a b c d "National Film Preservation FoundationPioneers of African American Cinema". www.filmpreservation.org. Retrieved 2022-05-05.
- ^ Gates, Racquel (2016). "Pioneers of African-American Cinema and Its Contemporary Relevance". Film Quarterly. 70 (2): 88–93. doi:10.1525/fq.2016.70.2.88. JSTOR 26413771 – via JSTOR.
- ^ Calvario, Liz (February 8, 2017). "Kino Lorber's 'Pioneers of African-American Cinema' Collection Is Available to Stream on Netflix".
- ^ Mims, Sergio. "Blu-ray Review: Kino Lorber's "Pioneers of African-American Cinema" | TV/Streaming | Roger Ebert". rogerebert.com. Retrieved 2022-05-05.
- ^ a b c d e Pioneers of African-American Cinema, retrieved 2022-05-05
- ^ Calvario, Liz (2017-02-08). "Kino Lorber's 'Pioneers of African-American Cinema' Collection Is Available to Stream on Netflix". IndieWire. Retrieved 2022-05-05.
- ^ Hoberman, J. (August 10, 2016). "'Pioneers of African-American Cinema': Black Filmmaking Aborning". The New York Times – via NYTimes.com.