Michael Antonyuk

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Michael Yakovlevich Antonyuk
Michael Yakovlevich Antonyuk, 1988
Born12 March 1935
Tulychiv, Volyn, Ukraine.
Died14 April 1993
Resting placeCity Cemetery, Saryarka District, Astana, Kazakhstan
Education1954–1961 – The Lviv National Academy of Arts (former Lviv State Institute of Applied and Decorative Arts)
Known formonumental frescoes, mosaics, molten-cast-stained glass, easel painting, graphics, ceramics, photography
StyleMonumental, Cubism, Soviet avant-garde
MovementSoviet Modernism, Epoch of Socialist Realism

Michael Yakovlevich Antonyuk (Russian: Михаил Яковлевич Антонюк; (12 March 1935 – 14 April 1993) was a prominent honorary artist of the Republic of Kazakhstan,[1] a monumentalist, and a member of the Union of Artists of the USSR. Regarded as an influential Avant-garde artist during the Socialist realism era, Michael Antonyuk combined elements of Cubism, Soviet avant-garde and Modernism.

Antonyuk was a gifted painter known for oil on canvas. His artistic skill managed to express his own style, although early work shows the influence of Post-Impressionism and Cézanneism, for example, "Portrait of the Artist's Wife". His artistic repertoire was influenced by Taras Shevchenko's Academic Art, the Impressionism of Henri Matisse and Vincent van Gogh, the Cubism of Fernand Léger and Pablo Picasso, and the geometric abstractionism of Kazimir Malevich. Antonyuk's wide-ranging artistic catalogue encompassed stained glass, mosaic, encaustic accretion technique, lithography, mixed media, and photography in addition to collaborative works with various Soviet artists.[2]

According to Valentin Pak, art historian and former Director of the Museum of Modern Art, Kazakhstan, Astana (former Tselinograd) "...Michael Yakovlevich worked as an artist on an expansive theme of an all-encompassing palette. The vast expression in his paintings harmonize with today's movement, so we can say that his art is true modernism".[3]

Early childhood[edit]

Michael Yakovlevich Antonyuk was born on 12 March 1935 in Tulychiv, Volyn Oblast, Ukraine.[4] He was the oldest child of simple villagers Marusya Antonyuk and Yakov Karpovich Antonyuk.[5] A talented composer who played several instruments, his father instilled in Michael an artistic appreciation and the love of native nature. He developed an attentive awareness to his surroundings, embracing vivid Ukrainian culture. Michael Antonyuk saw vibrant colors, and his paintings would later illuminate all the hues of the rainbow. The significance of Antonyuk's color harmonic expression derived from traditional Ukrainian folklore.

WWII[edit]

At the age of 6, Michael Antonyuk fled with his three little sisters and mother into the forest to escape the burning of his village Tulychiv. During World War II, he began to draw with vine charcoal, made from burned sticks due to the scarcity of pencils.[6]

***add artwork "burnt village" and "cry".[7] Citation needed of childhood reflection

Education[edit]

After high school, Michael Yakovlevich Antonyuk joined the Monumental Painting Department at The Lviv National Academy of Arts, Ukraine (former Lviv Institute of Decorative and Applied Art).[8] He trained under world renowned artists such as Roman Yulianovich Selsky (1903 - 1990),[9] Ukrainian and Soviet painter, educator, professor, and Honorary People's Artist of Ukraine (1989).[10] Selskiy was a beloved Professor of Antonyuk, and colleagues.[11] Roman Selsky instilled comprehensive artistic knowledge in his students, teaching the technical disciplines of the great masters: Paul Cézanne, Vincent van Gogh, Henri Matisse, and Pablo Picasso.[12] Selsky is known for teaching Color theory, revealing harmony in picturesque canvases of Diego Velázquez, Peter Paul Rubens, Claude Monet, Édouard Manet, and Eugène Delacroix. Learning the fundamental methodology of the great European Colorists laid the foundation for Antonyuk's creative principles.

Art dissertation[edit]

USSR[edit]

Ukraine[edit]

Michael Antonyuk graduated from the Lviv State Institute of Applied and Decorative Arts in 1961 with government clearance and credentials. He was given various monumental art projects in the capital of Ukraine, Kyiv. In addition, Khrushchev's Thaw created an allure for exploration and development of the vast wild Tselina steppes and virgin land. The greatest migration in Soviet history attracted research teams, scientists, and graduates from Moscow, Leningrad, and the Ukraine. The Virgin Lands Campaign led to the great migration of the early 1960s,[14] representing the 15 different republics of the Soviet Union, including diverse nationalities.[citation needed]

Kazakhstan[edit]

In 1961, in the town of Akmolinsk, Kazakhstan, young intellectuals from the institutes of Moscow, Leningrad, and Ukraine began to arrive by train. Michael Antonyuk settled among the spacious land in Kazakh Steppe (Republic of Kazakhstan, former Soviet Union). Michael fell in love with the fertile land full of wild tulips and clover steppes. In 1962, he decided to stay and work, committing himself to this new world.

Antonyuk began a series of paintings depicting the traditional and nomadic lifestyle, featuring "Holiday Yurt", "Aqsaqal", "Mother", "Festival at Lake Tengiz", and "Still Life With Fish".

"Michael Antonyuk arrived in Tselinograd in 1961, the same year the Kazakh space exploration launched the first manned spacecraft. Among the two main themes - virgin and space - were inextricably merged into the artist's work: "Tselina lives", "Resort Borovoe", "Tselinnaya LEP", "Mangyshlak", "Tselinny bread", "Tselinnoe Priishimya", "Earth and Space", " The man and the Earth "," Intercosmos" and others. One of the works called "Celina over the planet." For the artist, it is not just a metaphor: expanses of virgin land and space open spaces are equally close to his worldview. I asked his son: "Native land for Michael Antonyuk - is it Ukraine or Kazakhstan?". - "It seems to me, more than all the same Kazakhstan", - said Yaroslav. The artist studied the national culture of Kazakhstan and loved the land. Without love and deep understanding, one can not create works that his colleague Ivan Svitich said, "Antoniuk painted his masterpieces with a different colorful richness. The joy of color, clarity of rhythm, the solemnity of the composition, woven from the Kazakh ornament, spikes, cars, rockets, yurts, national costumes." ("Yurt", "Dastarkhan," "The holiday," "The People's mistress from Aji village").[15] -Natalya Kurpyakova, Kazakhskaya Pravda

Growth and construction of the city prompted development in Akmola (former name of Astana) monumental decorative art.[16] The transformation of Akmolinsk into Tselinograd was successful due to the commitment of project managers, city planners and construction administrators.[17] The creativity of Michael Antonyuk became of service to the aesthetic decorative land development of Tselinograd districts and neighboring towns.[18] In 1963, Michael Antonyuk cofounded the Tselinograd regional branch of the Union of Artists of Kazakhstan and served as the first chairman on the Board of the Union of artists of USSR.[2]

1969[edit]

  • Finalist in the International Photography 7th Exhibition in Romania. "Old man from Uzbekistan", 100x200 cm black and white photo. (Awarded 2nd place) [wikicommons artwork & citation]
  • Participation in the all Union exhibition in Moscow.
  • "Still life with Cactus", 120x90, 1969, oil on canvas; + Fragments
  • "Mother", 85x85, oil on canvas, 1969.

1972[edit]

  • Completed Relief with Mosaic "Print and Kosmos" on printing press & typography building (Бейбитшилик) in Tselinograd.[19] 8-month project in collaboration with Vasily Ivanovich Tovtin. Commissioned from Kazakh government as an aesthetic monument to beautify the city.
  • Exhibition of fine arts of Kazakhstan, Alma-Ata.
  • "Mangyshlak", 150x140, 1972, Tempera on canvas.
  • "Recolection", 200x100, 1972 Tempera on canvas.
  • Sabbatical leave to Morocco, France and Cuba.

1982[edit]

  • "Signs of the Zodiac", Palace of Wedding Ceremonies in the city of Tselinograd. Дворец бракосочетаний. Уже снесли.[20] Stained glass windows in the Palace of Ceremonies.[21] Completed in 1982, each module was manually made. Featuring imported glass from Neman Belarus with a thickness of 25–30 mm.[22] This series was framed on the surface texture of the building, which deflected sunlight to enhance the expressiveness. Technique: Fastened panes with mortar and metal armature. Demolished in 1990[23]
  • "Landscape and Still Life". Республиканская выставка, Almaty Kazakhstan

1984[edit]

  • "Flora of Kazakhstan" and "Industry", 4x6 meters, Collaborative work between Michael Antonyuk and Vasily Ivanovich Tovtin. Completed in 1984 in the hotel "Abay", Astana (formerly known as "Tourist" in the city of Tselinograd)[24]
"Montmartre", from the series "Paris", 100x70, 1973, Mixed media, Lithography.

Final years[edit]

On the 40th anniversary of victory in the Great Patriotic War, Michael Antonyuk painted "The Tragedy of Volyn Village Kortelisy" (Ukraine). In 1986, Michael Antonyuk was honored in a 50-year birthday biography publication by Ivan Svitich. In 1992, Michael Antonyuk was awarded the title of Honored Artist of the Republic of Kazakhstan.

Antonyuk fell ill in 1993, and was subsequently diagnosed with Parkinson's disease. Antonyuk suffered a stroke, and died at the age of 58 on 14 April 1993. He is interred in City Cemetery, Saryarka District, in Astana, Kazakhstan. He is survived by his children, Oksana Antonyuk (Master of Architecture, NYC) and Yaroslav Antonyuk (Artist, Architect & Interior Designer, Astana).[3][25]

Legacy[edit]

Antonyuk dedicated his career of monumental artwork to his nationalist admiration for Kazakhstan. Art historians focus on the fact that his art reflects the inner world of Antonyuk and his thoughts. According to Natalya Kurpyakova, deputy editor-in-chief of Niva Magazine, "Michael's artistic work has appeared in the public service of social needs in construction, district towns, state and collective farms. He was elected a member of the USSR and the Kazakh SSR, under the Central Auditing Commission of the Union of Artists. Fourteen years he served as chairman of the Tselinograd Union of Artists of Kazakhstan. He was conferred the title of Honored Artist of the Republic of Kazakhstan, Muralist, avant-garde Soviet realism and the Union of Artists since 1963."[15] His art studio walls are densely covered with canvas. The paintings of Michael Antonyuk are found in the Museum of Modern Art, Astana, Kazakhstan in addition to private collections.[26]

Works[edit]

"Dastarkhān", 170x115, 1976, tempera on canvas.

1967[edit]

  • Цветное фото Дворца Целинников. Автор: Антонюк М. Я., 1967 г.[27]

1970[edit]

  • "Aggression", 163x103, 1970, oil on canvas.

1971[edit]

  • Exhibition of fine arts of Kazakhstan, Tselinograd.

1973[edit]

  • Montmartre, from the series "Paris", 100x70, 1973, Mixed media, Lithography.
  • "Paris", 100x70, 1973, Mixed media, Lithography.
  • [fragment]
  • "The Tragedy of Volyn Village Kortelisy in Ukraine", 200x100, 1985, tempera on canvas. Kortelisy is a village in Ukraine which was destroyed on September 23, 1942 by Germany during the Nazi invasion of the Soviet Union during World War II. Almost the entire population of 2,892 people were killed. A total of 107 villages were burned, including Tulychiv, the native village of Michael Yakovlevich Antonyuk.
  • "Festival at Lake Tengiz", 160x150, 1973, tempera, canvas.

1974[edit]

  • Otium tour of Hungary and Czechoslovakia.
  • Union of Artists of the USSR traveling exhibition in Kazakhstan.
  • "Sugar Cane", 90x90, 1974, oil on canvas.

1975[edit]

  • Ivan Fomich Svitich joined the Union of Artists,[28] as Michael Antonyuk was Organizer and Chairman of the Union of Artists in former Soviet Union republic of Kazakhstan.[2]
  • Creative journey in Crimea.

1976[edit]

1977[edit]

  • "Old Aqsaqal", 50x70, 1977, felt pen.

1980[edit]

  • "Golden Steppe", 1980, 7x9 meters, ceramic mosaic. Commissioned for the House of Culture located in Vozdvyzhensky, Kazakhstan. A tribute to classical and folklore composer Kurmangazy Sagyrbaev.

1981[edit]

1985[edit]

  • "The Tragedy of Volyn Village Kortelisy in Ukraine", 200x100, 1985, tempera on canvas.

Notes[edit]

References[edit]

  1. ^ "Web ИРБИС". irbis.psu.kz. Retrieved 2016-05-18.
  2. ^ a b c R@d2D@45. "Съезды Союза художников Казахской ССР. 1940-1991". shrk.kz. Retrieved 2016-05-18.{{cite web}}: CS1 maint: numeric names: authors list (link)
  3. ^ a b Білім және Мәдениет арнасы (2015-01-29), "Семь Муз" 29.01.15, retrieved 2016-05-18
  4. ^ "Google Maps". Google Maps. Retrieved 2016-05-26.
  5. ^ Marchuk, Volodymyr. "Антонюк Михайло". Volart. Archived from the original on 15 February 2016. Retrieved 25 May 2016.
  6. ^ Ольховський І. Кривава Волинь. — Київ, 2011. — Кн. 2. — С. 319
  7. ^ "TULCHIN [TUL'CHYN , TULTCHIN TULCIN , TULCZYN , , TULCIÎN, TULTSCHIN, TULTSCHYN, TOULTCHYN, TUŁČYN: Vinnitskaya oblast | ukraine - International Jewish Cemetery Project". www.iajgsjewishcemeteryproject.org. Retrieved 2016-05-26.
  8. ^ Hordynsky, Sviatoslav; Pavlovsky, Vadym (1984). "Art History". Internet Encyclopedia of Ukraine (Vol 1 ed.). Encyclopedia of Ukraine. Retrieved 25 May 2016.
  9. ^ Zelska-Darewych, Daria (1993). "Selsky, Roman". Internet Encyclopedia of Ukraine (Vol. 4 ed.). Encyclopedia of Ukraine. Retrieved 25 May 2016.
  10. ^ "РОМАН И МАРГИТ СЕЛЬСКИЕ: ХУДОЖНИКИ ЛЬВОВСКОЙ СЛАВЫ". Зеркало недели | Дзеркало тижня | Mirror Weekly. Retrieved 2016-05-26.
  11. ^ ГАРТЕН, Марта; КОСМОЛІНСЬКА, Наталка (14 June 2003). "Роман та Маргіт Сельські". Brama. досье. Retrieved 25 May 2016.
  12. ^ "Галицький художник Роман Сельський | Національний музей народного мистецтва Гуцульщини та Покуття | Коломия Івано-Франківська область Україна". hutsul.museum. Retrieved 2016-05-26.
  13. ^ Vesthelm. "TOVTIN Vasily Ivanovich 10.01.1935- | ТОВТИН Василий Иванович | TOVTIN Vasily Ivanovitch | TOVTIN Vasily Ivanovickh :: The Russia Database, encyclopedia of Russian artists". www.russiadb.com. Retrieved 2016-05-26.
  14. ^ "INTI - International New Town Institute". www.newtowninstitute.org. Retrieved 2016-06-04.
  15. ^ a b Kurpyakova, Natalya (2002). "Renaissance Artist". Fine Arts. Kazakhstan Literary and Socio-Educational Magazine. 6 (75775). NIVA: 121–131.
  16. ^ nomad 4x4 (2014-11-24), Целиноград, город которого нет., retrieved 2016-06-17{{citation}}: CS1 maint: numeric names: authors list (link)
  17. ^ Kozlov, Denis; Gilburd, Eleonory (2014). The Thaw: Soviet Society and Culture during the 1950s and 1960s. Toronto: University of Toronto Press, Scholarly Publishing Division; Reprint edition (September 25, 2014). pp. 481–485. ISBN 1442628642.
  18. ^ oldbazar.kz (2011-12-15), Целиноград, retrieved 2016-06-04
  19. ^ "Презентация на тему: "Памятники истории и культуры местного значения г. Астаны.". Скачать бесплатно и без регистрации". www.myshared.ru. Retrieved 2016-06-17.
  20. ^ "Старинные здания Астаны". YourVision. Retrieved 2016-06-15.
  21. ^ "Целиноград". www.drive2.ru. Retrieved 2016-06-15.
  22. ^ "Станислав Медведев. Мой след в искусстве. Живопись, графика, литой витраж. 2015". tehne.com. Retrieved 2016-07-08.
  23. ^ "Прогулка по старому Целинограду". YourVision. Retrieved 2016-06-15.
  24. ^ ""Гостиница Абай (бывшая гостиница Турист)" в категории "Гостиницы" на Mubarak.kz". mubarak.kz. Archived from the original on 2016-08-11. Retrieved 2016-06-15.
  25. ^ "ARTIDEA". firms.sbn.kz. Retrieved 2016-06-17.
  26. ^ ГЛУШКОВА, Светлана (11 August 2014). "Последние дни старейшего музея". КУЛЬТУРА. Радио Азаттык.
  27. ^ "Album: The exhibition, timed to the birthday "Tselinniks Palace"". ARTIDEA.[permanent dead link]
  28. ^ "Свитич Иван Фомич". АртРу.инфо - Художники.
  29. ^ "В картинной галерее "Астана"". открылся зал графики и скульптуры. История Казахстана.
  30. ^ "В галерее "Астана" состоится открытие зала графики и скульптуры · Публикации · Портал "История Казахстана"". e-history.kz.

External links[edit]

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