Draft:Classical Fury
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'''Classical Fury''' (pronounced: /ˈklæsɪkəl ˈfjʊəri/) is a genre of art that encompasses various forms of expression rooted in the portrayal of intense anger and passion within classical music, visual arts, literature, and other artistic mediums. It's prevalence in modern media has mainly stemmed from the use of overlaying intense classical music over emotionally provocative media such as paintings of battle scenes, lovers or other emotional events, or visual depictions of emotions such as horror, fear, rage or other such representations of an internal feeling. Originating from the Latin word "furor," meaning "fury" or "rage," Classical Fury emerged as a distinct subgenre within the broader realm of classical arts, characterized by its exploration and depiction of powerful emotions, particularly those associated with anger, tumult, and agitation.
In music, Classical Fury is often expressed through compositions that feature dynamic contrasts, dissonance, and dramatic shifts in tempo and intensity. Composers such as Antonín Dvořák, Ludwig van Beethoven, and Dmitri Shostakovich are known for their works that exemplify the themes of Classical Fury. True examples of these is in Symphony No. 9 (Dvořák) in E Minor, in the 4th movement (Allegro Con Fuoco) which conveys a sense of urgency and emotional turbulence. Similarly, in Beethoven's Symphony No. 9 in D Minor, in the 2nd Movement (Molto Vivace), the music bursts forth with frenetic energy, conveying a sense of raw passion and tumultuous emotion. In relation to this, Dimitri Shostakovich's String Quartet No. 8, alongside the DSCH motif, the dissonant harmonies along with the frenetic bowing give the listeners a feeling of a descent into madness or rage.
Beyond music, Classical Fury finds expression in visual arts, literature, and other artistic forms, where artists and creators explore themes of rage, rebellion, and defiance through their work. This genre serves as a platform for artists to confront societal injustices, personal struggles, and existential angst, channeling their emotions into powerful and evocative artistic expressions.
As a subgenre of classical arts, Classical Fury continues to evolve and adapt, reflecting the ever-changing landscape of human emotions and experiences. It remains a potent and compelling form of artistic expression, inviting audiences to delve into the depths of human passion and explore the complexities of anger and fury in all its manifestations.
Other Examples of Such in Music:
-Symphony No. 8 in F Major, Op: I. Allegro Vivace (Ludwig van Beethoven)
-Ride of the Valkyries (Die Walküre) (Richard Wagner)
-Symphony No. 3 in E-flat major, Op. 55, "Eroica" (Ludwig van Beethoven)
-Carmina Burana (Carl Orff)
-Dies Irae (Giuseppe Verdi)
-"Montagues and Capulets", Romeo and Juliet Suite, "Dance of the Knights" (Sergei Prokofiev)-"1812 Overture", Op. 49 (Pyotr Ilyich Tchaikovsky)