Diminished major seventh chord

diminished major seventh
Component intervals from root
	major seventh
	diminished fifth (tritone)
	minor third
	root
Tuning
	200:240:288:375
Forte no. / Complement
	4-18 / 8-18

In music theory, a diminished major seventh chord is a seventh chord composed of a diminished triad and a major seventh.^[1] Thus, it is composed of a root note, together with a minor third, a diminished fifth, and a major seventh above the root: (1, ♭3, ♭5, 7). For example, the diminished major seventh chord built on C, commonly written as C^oM7, has pitches C–E♭–G♭–B:

${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 \key c \major <c es ges b>1 } }$

Diminished major seventh chords are very dissonant, containing the dissonant intervals of the tritone and the major seventh. They are frequently encountered, especially in jazz, as a diminished seventh chord with an appoggiatura^{[citation needed]}, especially when the melody has the leading note of the given chord: the ability to resolve this dissonance smoothly to a diatonic triad with the same root allows it to be used as a temporary tension before tonic resolution. It is nevertheless infrequently used as a chord in itself.

The chord can be represented by the integer notation {0, 3, 6, 11}.

Diminished major seventh chord table[edit]

Chord	Root	Minor third	Diminished fifth	Major seventh
C^o^M7	C	E♭	G♭	B
C♯^o^M7	C♯	E	G	B♯ (C)
D♭^o^M7	D♭	F♭ (E)	A (G)	C
D^o^M7	D	F	A♭	C♯
D♯^o^M7	D♯	F♯	A	C (D)
E♭^o^M7	E♭	G♭	B (A)	D
E^o^M7	E	G	B♭	D♯
F^o^M7	F	A♭	C♭ (B)	E
F♯^o^M7	F♯	A	C	E♯ (F)
G♭^o^M7	G♭	B (A)	D (C)	F
G^o^M7	G	B♭	D♭	F♯
G♯^o^M7	G♯	B	D	F (G)
A♭^o^M7	A♭	C♭ (B)	E (D)	G
A^o^M7	A	C	E♭	G♯
A♯^o^M7	A♯	C♯	E	G (A)
B♭^o^M7	B♭	D♭	F♭ (E)	A
B^o^M7	B	D	F	A♯