Claude Méloni

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Claude Méloni

Claude Méloni (born 6 August 1940 in Marseille) is a French baritone of the Paris Opera.[1][2]

Life[edit]

Méloni began very early, at the Conservatoire à rayonnement régional de Marseille [de], to study music: piano, solfège, history of music and harmony. Later, he studied singing and opera.

After obtaining awards and fulfilling his military obligations, Méloni, on the advice of Pierre Barbizet, took the entrance exam to the Conservatoire de Paris in 1964 and was admitted to the singing class of Janine Micheau. In 1965 he was unanimously awarded a First Prize in singing and the following year a first prize in opera and comic opera. Following his results, Méloni was engaged in the opera of Lyon in the sedentary troupe and for three seasons he performed the roles of his repertoire: Marcello (La bohème), Figaro (The Barber of Seville), Ourias (Mireille), The Vicar (Albert Herring), Albert (Werther), Valentine (Faust), Brissac (Les Mousquetaires au couvent), Silvio (Pagliacci), Scharpless (Madama Butterfly), Niklausse (The Tales of Hoffmann), etc.

In October 1962, he participated in the world premiere of Jacques Emmanuel's L'Opéra d'Aran [fr] (lyrical drama), with Pierre Delanoë and Louis Amade, to music by Gilbert Bécaud at the Théâtre des Champs-Élysées.

In 1969, on the proposal of Jean Giraudeau, then director of the Réunion des théâtres lyriques nationaux [fr] and after two auditions at opera and comedy opera, Méloni was engaged in the Réunion des théâtres lyriques nationaux in the sedentary troupe. He made his debut in comic opera, in Die Fledermaus by Johann Strauss II and in opera in Puccini's Gianni Schicchi.

In comic opera, Méloni participated in the productions of the plays The Tales of Hoffmann, Mireille, Pagliacci, La Bohème, Madame Butterfly, Lakmé, The Marriage of Figaro, Platée, etc.

In opera, he participated in the productions of Les Troyens, Benvenuto Cellini, Carmen, Dialogues des Carmélites.

In 1970, the RTLN troupe was disbanded. When Rolf Liebermann became head of the Paris Opera, Méloni was hired by the administrator as part of a mini troupe of 12 solo singers. There, he had the opportunity to work with conductors such as G. Solti, C. Platane, N. Santi, S. Baudo, G. Markerras, G. Pretre, P. Boulez, A. Lombard, M. Plasson, J.C. Casadessus, P. Derveaux, R. Benzi and directors such as G. Strehler, P. Chereau, G. Lavelli, J.L. Thamin, R. Gerome, P.E. Deiber and J.C. Menotti.

Since 1969, Méloni has regularly participated in the activities of Radio France: sacred music, oratorios, lyrical seasons, contemporary music. He participated in Iphigenia in Taurida, La forza del destino, Die Soldaten, Les Mamelles de Tiresias, La Vestale, the Oresteia.

Méloni is invited by the main French opera houses: opera houses in Lyon, Bordeaux, Nice, Strasbourg, Mulhouse, Marseille (where he participated in the French stage creation of Christophe Colomb), opera houses in Nantes, Capitole de Toulouse, Avignon, Montpellier, Metz, Nancy, Albi festival, Vaison-la-Romaine.

He has also performed abroad. In London for the BBC, in Belgium in Brussels, at the Théâtre de la Monnaie and the Opéra de Wallonie, in Switzerland in Lausanne, in Italy, at La Scala in Milan for the production of Alban Berg's Lulu and in Palermo, in the Netherlands at Radio Hilversum for Padmâvatî by Albert Roussel, in Spain at the Licco in Barcelona, in Germany at Karlsruhe (Roméo et Juliette by Gounod), in Portugal at Lisbon for Iphigenie en Tauride by Gluck, and toured with the Paris Opera in the United States, New York and Washington, for Faust and The Tales of Hoffmann.

His operatic activity has also focused on contemporary composers by creating operas.

In 1978, Méloni was awarded the certificate of aptitude for the position of singing teacher in the national competition. Following which Bernard Lefort, then director of the Paris Opera's singing school, hired him. For four years he taught vocal technique in this school. In 1980, Pierre Barbizet offered Méloni the singing and opera class of the Conservatoire national de région de Marseille, where he taught until June 2009.

Discography[edit]

References[edit]

  1. ^ Claude Méloni on MèmOpéra
  2. ^ Méloni, Claude on BnF
  3. ^ Gramophone Company (1997). Opera 75: the 75 greatest opera recordings of all time. Gramophone Publications. p. 8. ISBN 9780902470880. Retrieved 30 June 2019.

External links[edit]

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