Betty Kuntiwa Pumani
Betty Kuntiwa Pumani | |
|---|---|
| Born | 1963 Near Perentie Bore, South Australia |
| Nationality | Australian |
| Awards | NATSIAA 2015 Antara (Maku Dreaming) 2016 Antara 2017 Ngangkari Ngura (Healing Country) Wynne Prize 2017 Antara |
Betty Kuntiwa Pumani is an Aboriginal Australian artist from Anangu Pitjantjatjara Yankunytjatjara in South Australia. Her paintings have won several awards, including the National Aboriginal & Torres Strait Islander Art Award and the 2017 Wynne Prize for landscape art.[1]
Pumani is one of the traditional owners of the Indigenous Protected Area of Antara, which is located south of the Everard Ranges.[2] She is one of several Antara artists who live and show their work in Mimili, South Australia, including her mother Kunmanara (Milatjari) Pumani and her daughter Josina Nyarpingku Pumani.[2]
Biography[edit]
Pumani was born in 1963 near Perentie Bore, South Australia, about 30 km from Mimili Community. At Mimili she worked at the store, then at the clinic as a traditional healer. She later became a teacher at the local school.[3]
In 2007 she began painting at the Mimili Maku Art Centre.[3]
Works[edit]
Pumani paints Antara, her mother's country. The paintings map its significance and tell its stories. Using a restricted palette she represents the strength of Anangu connection to country.[3] She is being increasingly recognised for her use of vibrant reds and contrasting whites and her large scale compositions.[4]
Awards[edit]
In 2016, Pumani won the National Aboriginal & Torres Strait Islander Art Award (NATSIAA) $5,000 general painting prize with a depiction of Antara.[1]
In 2017, a different painting of Antara won the $50,000 Wynne Prize for landscape art.[1] This win prompted criticism from John Olsen, a former winner of the Wynne prize and former judge for the related Archibald Prize in portraiture, who objected to the quality of that year's winners and questioned whether Pumani's Antara qualified as a landscape painting.[5] Olsen's comments "caused a storm of justified outrage", and art critic Susan McCulloch responded to by publishing a brief history of Antara and Aboriginal Dreaming.[2]
In 2020, a diptych by Pumani and her daughter Marina Pumani Brown was a NATSIAA finalist.[6]
References[edit]
- ^ a b c "APY Lands artist wins Wynne Prize for landscape". www.adelaidenow.com.au. 28 July 2017. Retrieved 26 July 2020.
- ^ a b c "Attention John Olsen: Antara is no cloud cuckoo land". Daily Review: Film, stage and music reviews, interviews and more. 4 August 2017. Retrieved 26 July 2020.
- ^ a b c "NGANAMPA KILILPIL: OUR STARS". NGANAMPA KILILPIL: OUR STARS. Retrieved 26 August 2020.
- ^ Graves, Harmon S. (June 1973). "The Art Collector and the Tax Collector". Art Journal. 32 (4): 426–427. doi:10.1080/00043249.1973.10793154. ISSN 0004-3249.
- ^ Maddox, Garry (28 July 2017). "John Olsen says Archibald Prize win is 'the worst decision I've ever seen'". The Sydney Morning Herald. Retrieved 26 July 2020.
- ^ "Australia's Longest-Running Indigenous Art Awards Announce Finalists for 2020, with a Rush of Emerging Artists". Broadsheet. Retrieved 26 July 2020.
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