Amy Scholder

Add links
From Wikipedia, the free encyclopedia
Amy Scholder
Amy Scholder on location with the documentary Disclosure, Los Angeles, California, 2019
Amy Scholder on location with the documentary Disclosure, Los Angeles, California, 2019
Born (1963-09-24) 24 September 1963 (age 60)
San Francisco
OccupationLiterary Editor and documentary filmmaker
Alma materUniversity of California, Berkeley
Years active1985–present
Notable awardsGLAAD Media Award

Amy Scholder is an American literary editor and documentary filmmaker known for amplifying the stories of marginalized writers, artists, musicians, and activists.

Biography[edit]

Early years[edit]

Born in San Francisco, Scholder grew up in the San Fernando Valley in Los Angeles, California.[1] She attended Tufts University for two years, then graduated with a Bachelor of Arts degree in English literature from University of California, Berkeley.[2]

Career[edit]

Scholder began her career as an editor at City Lights Books in San Francisco in 1985.[3] She added to its list by publishing books by Karen Finley, Gil Cuadros, Rebecca Brown, Leslie Dick, Carla Harryman, Marguerite Duras, George Bataille, and Laure (Colette Peignot). While at City Lights, she also created an imprint of books for the nonprofit ArtSpace in San Francisco. Authors/artists include David Wojnarowicz , Dennis Cooper, and Nayland Blake.

In 1991 she edited with Ira Silverberg the anthology High Risk: Writing on Sex, Death, and Subversion (Dutton and Plume).[4] Another volume followed in 1994.[5] Among the writers included in High Risk are Karen Finley, Essex Hemphill, Kathy Acker, David Wojnarowicz, Mary Gaitskill, William S. Burroughs, Dorothy Allison, Dennis Cooper, Ana Maria Simo, Darryl Pinckney, Akilah Nayo Oliver, Darius James, Lynne Tillman, Craig G. Harris, Rikki Ducornet, John Giorno, John Preston, Diamanda Galas, Cookie Mueller, Gil Cuadros, Kate Bornstein, Wanda Coleman, and Manuel Ramos Otero.

Scholder moved to New York City in 1995 when Serpent’s Tail, an independent literary imprint in the UK, offered Scholder and Silverberg a US imprint.[6] They published a list of mostly paperback originals designed by Rex Ray. Authors include Sapphire, Cookie Mueller, Gary Indiana, John Giorno, Heather Lewis, Lynne Tillman, Kate Bornstein, Diamanda Galas, Hervé Guibert, Ann Rower, Mary Woronov, and June Jordan. Scholder edited books for High Risk and Serpent’s Tail until 2004[7]

As an independent editor, she also edited the diaries (In the Shadow of the American Dream) and short fiction (The Waterfront Journals) of David Wojnarowicz for Grove Press; selected writings (Essential Acker)[8] and short fiction (Rip-Off Red, Girl Detective) by Kathy Acker for Grove Press; and a book of poetry by Joni Mitchell for Crown.

Scholder began editing books for Verso in 1999, and became their US publisher in 2005,[9] where she acquired books by Laura Flanders, Judith Butler, Kate Millett, and Valerie Solanas, whose SCUM Manifesto was reprinted with an essay by Avital Ronell.[10] She left to join Seven Stories Press as editor-in-chief in 2006, and acquired books by Coco Fusco, Ulrike Meinhof, Elfriede Jelinek, Annie Ernaux, Savannah Knoop,[11] Douglas Martin, and hattie gossett.

In 2008, Scholder left Seven Stories to become the executive editor of the Feminist Press at the City University of New York.[12] There she rebranded the organization to address contemporary feminist issues and sensibility, such as Pussy Riot! A Punk Prayer for Freedom, "a collection of letters, songs, poems, courtroom statements, and tributes[13]" pertaining to the jailed members of Russian performance art group, Pussy Riot.[14] During Scholder's tenure at Feminist Press, Rahna Reiko Rizzuto’s Hiroshima in the Morning was a finalist for the National Book Critics Circle Award; Virginie Despentes′ King Kong Theory, Justin Vivian Bond′s Tango: My Life Backwards and in High Heels, Barbara Hammer′s Hammer: Making Movies Out of Sex and Love, and Ana Castillo′s Give It to Me all won Lambda Literary Awards. Other authors published include Paul B. Preciado, June Jordan, Karen Finley, Muriel Rukeyser, and Laurie Weeks.

In 2015, Scholder left the Feminist Press and returned to Los Angeles. She produced[15] with Sam Feder the documentary feature film Disclosure, which premiered at the 2020 Sundance FilmFestival and was released as a Netflix Original in June 2020. Disclosure was nominated for a Peabody Award[16] and earned a GLAAD Media Award for Outstanding Documentary;[17] Pink News award;[18] a Global Mental Health Programs/Columbia University award; and a Women’s ENews award for Groundbreaking Film of the Year.

After she co-edited Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin (Semiotexte, 2019) with Johanna Fatemen, Scholder was approached by director Pratibha Parmar and producer Shaheen Haq to help them finish their hybrid documentary feature film My Name Is Andrea, about Dworkin. She became an executive producer of the film, which premiered at the 2022 Tribeca Film Festival.[19]

After rejoining City Lights Publisher as an editor-at-large in 2016,[20] Scholder edited Pamela Sneed’s Funeral Diva, Steven Reigns′ A Quilt for David, Kate Braverman’s A Good Day for Seppuku, Jewelle Gomez′s The Gilda Stories, and the 25th anniversary edition of Karen Finley′s Shock Treatment.

She joined the Board of Directors of the City Lights Foundation in 2020[21] and served on the Board of Directors of Lambda Literary (2014-2020).[22]

Selected bibliography as editor[edit]

External links[edit]

References[edit]

  1. ^ Lewandowski, Taylor. "On Finding Your Path And Your Community". The Creative Independent. Retrieved 6 June 2023.
  2. ^ Wilson, Karina. "Standing on the Threshold: An Interview with Amy Scholder". LitReactor. Retrieved 9 March 2023.
  3. ^ Ulin, David L. (22 January 1996). "The Beat Goes On". Los Angeles Times. Retrieved 1 January 2023.
  4. ^ Colosi, David. "Amy Scholder High Risk". Clocktower Radio. Retrieved 1 January 2023.
  5. ^ "High Risk 2: Writings on Sex, Death, and Subversion". Publishers Weekly. Retrieved 1 January 2023.
  6. ^ "Guide to the Serpent's Tail/High Risk archive". New York University. Retrieved 1 January 2023.
  7. ^ Wilson, Karina. "Standing on the Threshold: An Interview with Amy Scholder". LitReactor. Retrieved 9 March 2023.
  8. ^ "Essential Acker". Grove Atlantic. Retrieved 1 January 2023.
  9. ^ "BookExpo America Interview". C-SPAN. Retrieved 1 January 2023.
  10. ^ "SCUM Manifesto by Valerie Solanas". Verso. Verso. Retrieved 9 March 2023.
  11. ^ Scholder, Amy (16 April 2020). "Just Because You Played A Writer Doesn't Mean You Are One". Los Angeles Review of Books. Retrieved 1 January 2023.
  12. ^ Rosen, Judith. "Feminist Press at 40: Changing Definitions". Publishers Weekly. Retrieved 1 January 2023.
  13. ^ Don, Gabriel (6 November 2012). "ELIZABETH KOKE and AMY SCHOLDER of the Feminist Press". The Brooklyn Rail. Retrieved 1 January 2023.
  14. ^ Fitzpatrick, Jameson (14 November 2012). "Amy Scholder: There's A Riot Going On". Lamda Literary.
  15. ^ "Laverne Cox, Sam Feder & Amy Scholder | Episode 10 | The OutCast". Outfest. YouTube. Retrieved 6 June 2023.
  16. ^ "Peabody Awards Profile: Disclosure". Peabody Awards. Retrieved 1 January 2023.
  17. ^ "32nd Annual GLAAD Media Awards recipients". GLAAD Media Awards. 8 April 2021. Retrieved 31 December 2022.
  18. ^ "Disclosure the Movie". Disclosure the movie. Retrieved 31 December 2022.
  19. ^ Linden, Sheri (11 June 2022). "My Name is Andrea review". The Hollywood Reporter. Retrieved 1 January 2023.
  20. ^ "A Women's History of City Lights: Interview With Nancy J. Peters". City Lights Books.
  21. ^ "City Lights Foundation". City Lights. Retrieved 14 March 2023.
  22. ^ "Amy Scholder". Los Angeles Review of Books. Retrieved 14 March 2023.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Amy_Scholder&oldid=1180800843"