Alison Alder

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Alison Alder
Born1958
Websitealisonalder.com

Alison Alder (born 1958) is an artist working predominantly within screen-printing media, technology-based works and "constructed environments"[1] to explore social issues in Australia, including Indigenous Australian communities,[2] and other organisations.[2] She co-founded the Megalo International Silkscreen Collective with a collective of activists including Colin Little, the founder of Earthworks Poster Collective, in 1980.[3]

Career and practices[edit]

Born in 1958,[4] Alison Alder works within multiple disciplines for her works including screen-printing, animation and installations.[1] Her works have been exhibited throughout Australia, the United States and Asia since 1982.[5] Her work is in the possession of many public and private holdings throughout the world[5] including the Cruthers Collection of Women's Art which holds 13 works.[6]

She received a Diploma of Arts from the Australian National University: School of Art and Design in Canberra in 1980. After graduating from ANU she completed a Graduate Diploma of Arts at Monash University, Victoria in 2002; she graduated from Monash University: Monash Art Design & Architecture, with a Masters of Fine Art in 2007.[7][8]

Alder is currently an associate professor at Australian National University in Canberra and the Head of Printmedia and Drawing.[2]

Alder's works centre around "empowering communities through the visualisation of common social aims."[2] Her works focus on research of these communities which include institutions like the Museum of Australian Democracy and Indigenous communities.[2] In a 1982 interview conducted by Anne Morris in Alder's book with Julia Church – True Bird Grit – Alder mentions that she created political posters because she is a printmaker, who could produce works that were inexpensive to make and circulate, which were more accessible than television to a wide population of people during that time.[3]

Works[edit]

Alder has been exhibiting works in group exhibitions since 1982 and has held 16 solo exhibitions.[9] Her works are held in collections throughout the world including the Cruthers Collection of Women's Art, the National Gallery of Australia and the New York Public Library Print Collection.[5]

  • Alder’s When they close a pit they kill a community (1984) is one of the first works created for the KCC Women’s Auxiliary at Redback Graphix.[10] She created a bright coloured poster that uses collage, including a woman figure wearing a yellow apron who holds a sign that states the title as well as “Support the K.C.C Women’s Auxiliary Community Action will Save our Jobs”. Many inspiring activists, feminist, and writers used Alder’s posters (including this one) in protests and newspaper publications against the issue of unemployed women in the 80s.[11]
  • Alder created Intervention (2008) in direct response to the Howard Government interventions[12] in Indigenous Australian communities, especially in Tennant Creek. Intervention reflects the consequences of these interventions. One direct effect of these Government actions was "Income Management," where over half of a welfare recipient’s payments were withheld, and payments could only be spent at registered outlets. This was one of the pieces of legislation that was enforced in the Tennant Creek community. Intervention documents Alder’s direct response and perspective of these Government actions. It is a series of nine screen prints, currently held in the Cruthers Collection of Women's Art.[8]
  • Alder's Carcass (2009) consists of a series of screen prints of distorted and exaggerated carcasses, which draw from her experience of living in outback Australia. In 2010, Carcass won the Alice Prize.[13] Drawing from Sidney Nolan’s 1953 work about Western Queensland droughts,[14] Alder created works that in her mind commented on governmental policies that were put into place throughout Australia's history since being colonised and the inability to move "past a use and destroy mentality".[15]
  • Alder's work was exhibited in Making it New: Focus on Contemporary Australian Art[16] in September 2009 at the Museum of Contemporary Art Australia. The exhibition focused on artists with a career spanning over 10 years, and highlighted works containing themes of tradition, regional history, politics and historical references. Spanning multiple mediums, the exhibit explored notions of studio-based artistic labour, especially within craft-based mediums. At the time of this exhibition, Alder had been creating works for over two decades.

Solo exhibitions[edit]

1991

  • A Country Show. aGOG, Australian Capital Territory.[9]

1995

  • Florals. aGOG, Australian Capital Territory.[9]

1997

  • Kujurra Mampaly Nyirrila. with Peggy Jones, aGOG and Telegraph Stn, Tennant Creek Northern Territory.[9]

1998

  • Kujurra Mampaly Nyirrila. with Peggy Jones, Araluen Centre, Northern Territory.[9]

2000

  • Road to Somewhere. Helen Maxwell Gallery, Australian Capital Territory.[9]

2004

  • Drink. Helen Maxwell Gallery, Australian Capital Territory.[9]

2007

  • Outback. Helen Maxwell Gallery, Australian Capital.[9]

2009

  • Carcass. Helen Maxwell Gallery, Australian Capital Territory.[9]
  • Cutting History. Helen Maxwell Gallery, Australian Capital Territory.[9]

2010

2011/12

  • Dirty Water. Canberra Contemporary Art Space, Australian Capital Territory.[17]

2013

2014

2015

  • Death of a Broadsheet. Megalo Gallery, Australian Capital Territory.[9]

2017

2018/19

  • Newscrap. Canberra Contemporary Art Space, ACT.[19]

Further reading[edit]

  • Alder, Alison and Julia Church, True Bird Grit: a book about Canberra women in the arts 1982-83, Canberra: ACME INK, 1982.[20]
  • Alder, Alison, Bush TVs: pilyi-good one, Adelaide: Artlink Australia, 2005.[21]
  • Alder, Alison and Karilyn Brown, Alternative visual arts activities: Canberra, 1983, Manuka: Alison Alder and Karilyn Brown, 1983.[22]
  • Alder, Alison et al., Kujjura Mampaly Nyirrila (two together): hand painted silk scarves, Julalikari: Australian Council for Arts, 1999.[23]
  • Alder, Alison and Kutjara Consultants, Wali nganampa : an activity book for healthy living, Alice Springs: Kutjara Consultants, 1999.[24]

References[edit]

  1. ^ a b Alder, Alison (2015). "Biography". Design and Art Australia Online. Retrieved 19 September 2019.
  2. ^ a b c d e Director (Research Services Division). "Ms Alison Alder". researchers.anu.edu.au. Retrieved 29 September 2019.
  3. ^ a b Alder, Alison; Church, Julia (1982). True Bird Grit. Canberra: ACME INK. p. 14.
  4. ^ Alder, Alison Redback Graphix Alder. "KCC women's auxiliary and Jobs for women". Item held by National Gallery of Australia. Retrieved 27 September 2019.
  5. ^ a b c "Alison Alder - About the artist". www.alisonalder.com. Retrieved 18 September 2019.
  6. ^ "Cruthers Collection of Women's Art" (PDF). University of Western Australia. Retrieved 18 September 2019.
  7. ^ School, Head of; [email protected] (12 June 2014). "Alison Alder". School of Art & Design.
  8. ^ a b "artroom5:south australia". www.artroom5.com.au. Retrieved 27 September 2019.
  9. ^ a b c d e f g h i j k l m n "Alison Alder - Resumé". www.alisonalder.com. Retrieved 10 January 2019.
  10. ^ Says, Longwhitekid (18 August 2015). "Alison Alder at Future Feminist Archive in Wollongong". Contemporary Art and Feminism.
  11. ^ Alder, Alison Redback Graphix Alder. "When they close a pit. KCC Women's Auxiliary". Item held by National Gallery of Australia. Retrieved 1 October 2019.
  12. ^ "Social Justice Report 2007 - Chapter 3: The Northern Territory 'Emergency Response' intervention | Australian Human Rights Commission". humanrights.gov.au.
  13. ^ "The Alice Prize - a national contemporary art prize". The Alice Prize. Retrieved 23 September 2019.
  14. ^ "Drought skeleton (1953) by Sidney Nolan". www.artgallery.nsw.gov.au. Retrieved 8 October 2019.
  15. ^ "Alison Alder - Current - Carcass". www.alisonalder.com. Retrieved 23 September 2019.
  16. ^ "Making it New: Focus on Contemporary Australian Art | Exhibitions | MCA Australia". www.mca.com.au.
  17. ^ "Dirty Water | Canberra Contemporary Art Space". www.ccas.com.au. Retrieved 1 October 2019.
  18. ^ "onetoeight: Australia's first prime ministers". Museum of Australian Democracy at Old Parliament House. Retrieved 1 October 2019.
  19. ^ "Alison Alder - 'NEWSCRAP' | Canberra Contemporary Art Space". www.ccas.com.au. Retrieved 1 October 2019.
  20. ^ Church, Julia; Alder, Alison (1982). True bird grit : a book about Canberra women in the arts 1982-83. [Australia : s.n.]
  21. ^ Alder, Alison (2005). Bush TVs : pilyi-good one. 2005.
  22. ^ Alder, Alison; Brown, Karilyn (1983). Alternative visual arts activities : Canberra, 1983. Manuka, A.C.T. : A. Alder and K. Brown.
  23. ^ Alder, Alison; Jones, Peggy Ngapanardi; Tregenza, Liz; Arts, Northern Territory Government; Affairs, Cultural; Arts, Australian Council for the (1999). Kujjura Mampaly Nyirrila (two together) : hand painted silk scarves by Alison Alder and Peggy Ngapanardi Jones. Julalikari (N.T.) : Australia Council for Arts.
  24. ^ Consultants, Kutjara; Alder, illustrator.), Alison; body.), AP Services (1999). Wali nganampa : an activity book for healthy living. Alice Springs, Northern Territory : Kutjara Consultants for AP Services.{{cite book}}: CS1 maint: multiple names: authors list (link)

External links[edit]

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