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The United Kingdom in Europe
The United Kingdom in Europe

The United Kingdom of Great Britain and Northern Ireland (usually shortened to the United Kingdom, the UK or - informally - Britain) is a country and sovereign state lying north-west of the continent of Europe. It occupies all of the island of Great Britain and the north-east of the island of Ireland, sharing a border with the Republic of Ireland. The United Kingdom is bounded by the Atlantic Ocean, and its ancillary bodies of water, including the North Sea, the English Channel, the Celtic Sea, St George's Channel, and the Irish Sea. It is linked to France and Continental Europe by the Channel Tunnel.

The United Kingdom is a constitutional monarchy composed of four constituent countries: England, Scotland, Wales and Northern Ireland. The current monarch is Queen Elizabeth II, who is also the Queen and Head of State of fifteen other Commonwealth Realms, including Canada, Australia and New Zealand. The Crown Dependencies of the Channel Islands and the Isle of Man form a federacy with the United Kingdom collectively known as the British Islands. The UK also has fourteen overseas territories, remnants of the British Empire which at its height encompassed a quarter of the world's surface and population.

Although Britain was the foremost great power during the 19th century, and a superpower in the early 20th, the economic cost of two world wars and the decline of its empire in the latter half of the 20th century diminished its status in global affairs. However, as a permanent member of the United Nations Security Council, a nuclear power, a member of the G8, the world's fifth largest economy, and having the third highest defence spending, the UK remains an important political, economic and military world power. It is a member of the European Union and the Commonwealth of Nations.


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The paintings of Four Times of the Day

Four Times of the Day is a series of four paintings by William Hogarth from 1736, reproduced as a series of four engravings published in 1738. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor of the capital. Unlike many of Hogarth's other series, such as A Harlot's Progress, A Rake's Progress, Industry and Idleness and The Four Stages of Cruelty, it does not depict the story of an individual, but instead focuses on the society of the city. Hogarth intended the series to be humorous rather than instructional; the pictures do not offer a judgement on whether the rich or poor are more deserving of our sympathies: while the upper and middle classes tend to provide the focus for each scene there are fewer of the moral comparisons seen in some other of his works. The four pictures depict scenes of daily life in various locations in London as the day progresses. Morning shows a prudish spinster making her way to church in Covent Garden past the revellers of the night before; Noon shows two cultures on opposite sides of the street in St Giles; Evening depicts a dyer's family returning hot and bothered from a trip to Sadler's Wells; and Night shows a drunken Freemason staggering home from a night of celebration . (Full article...)

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Elias Ashmole by an unknown hand
Elias Ashmole by an unknown hand

Elias Ashmole was an antiquarian, collector, politician, and student of astrology and alchemy. He supported the royalist side during the English Civil War, and at the restoration of Charles II he was rewarded with several lucrative offices. Throughout his life he was an avid collector of curiosities and other artifacts. Many of these he acquired from the traveller, botanist, and collector John Tradescant the elder and his son, and most he donated to Oxford University to create the Ashmolean Museum. He also donated his library and priceless manuscript collection to Oxford. Apart from his collecting activities, Ashmole illustrates the passing of the pre-scientific world view in the seventeenth century: while he immersed himself in alchemical, magical and astrological studies and was consulted on astrological questions by Charles II and his court, these studies were essentially backward-looking. Although he was one of the founding members of the Royal Society, a key institution in the development of experimental science, he never participated actively. (Full article...)

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Image credit: Entr'acte

The Entr'acte expresses its pleasure that Gilbert and Sullivan are reunited.