Photographic portrait of Sigmund Freud, signed by the sitter ("Prof. Sigmund Freud")
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This article is an exploration of identification from the angle of the screenplay writer. [1] It outlines various manifestations and sub-types of identification, as well as delving into the history of the concept and Freud’s initial theory. [2] This source uses psychanalytic techniques to analyse various literary texts. It delves deeply into identification as a literary technique, specifically as identifying with the hero character as a means to propel the tragedy. [3]
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