User:Marissalexa
 | This user page or section is in a state of significant expansion or restructuring. You are welcome to assist in its construction by editing it as well. If this user page has not been edited in several days, please remove this template. If you are the editor who added this template and you are actively editing, please be sure to replace this template with {{in use}} during the active editing session. Click on the link for template parameters to use.
This page was last edited by Marissalexa (talk | contribs) 12 years ago. (Update timer) |
Concert of Nations[edit]
The Concert of Nations is a set of political beliefs that emerged in the nineteenth century at the Congress of Vienna but continue to be influential for international relations even through the present day. The ideas behind the Concert of Nations are rooted in seventeenth century political philosophy of harmonism, which included music, politics, religion, science, and the entire universe (physical and metaphysical). The Congress of Vienna enacted the principles of the Concert in both musical entertainment and political relations. The stability of Europe during the decades following the Congress of Vienna has led to widespread popularity of the idea of a Concert of Nations, though its (largely theoretical) application vary widely in their interpretations of what a Concert of Nations means for present-day international relations.
Philosophical Foundations[edit]
• Definitions of concert • Musical symbolism in art • Great chain of being
Concert of Europe[edit]
• Congress of Vienna • Art and Music at the Congress[1] [2] • Critiques of the Concert
Historical Uses[edit]
• Post-World War I[3] • Cold War[4]
Contemporary Politics[edit]
Post-Cold War[5] Concert of Democracies[6] • Harmonious Society[7]
Developing nations[edit]
• ASEAN[8] • African nations[9] [10]
Musical Groups[edit]
• West-Eastern Divan • Le Concert des Nations
References[edit]
- ^ Biba, Otto. "The Congress of Vienna and Music." In Denmark and the Dancing Congress of Vienna: Playing for Denmark's Future, (Copenhagen: Den Kongelige Udstillingsfond, 2002), 200-214.
- ^ Kraehe, Enno. "The Congress of Vienna." In Schubert's Vienna, ed. Raymond Erickson, (New Haven: Yale University Press, 1997), 55-76.
- ^ France, Joseph Irwin. “The Concert of Nations.” Annals of the American Academy of Political and Social Science 96, no. 4 (1921): 141-146, [1]
- ^ Fulbright, J.W. “For a Concert of Free Nations.” Foreign Affairs 40, no. 1 (1961): 1-18, [2]
- ^ Chase, James, and Nicholas X. Rizopoulos. “Toward a New Concert of Nations: An American Perspective.” World Policy Journal 16, no. 3 (1999). [3]
- ^ Economist. “Concert of Democracies: A seductive sound.” July 7, 2007. [4]
- ^ Zheng, yongnian, and Sow Keat Tok. “‘Harmonious society’ and ‘Harmonious World’: China’s Policy Discourse under Hu Jintao,” in Briefing Series 26, (Nottingham: China Policy Institute, October 2007). [5]
- ^ Association of Southeast Asian Nations. "ASEAN Vision 2020". [6]
- ^ Kendemeh, Emmanuel. “Cameroon’s Voice Prominent in Concert of Nations.” Cameroon Tribune, August 25, 2010, [7].
- ^ Embassy of the Republic of Angola Japan. “Speech Delivered By His Excellency Jose Eduardo Dos Santos, President Of The Republic Of Angola, At The Opening Ceremony Of The National Assembly.” October 27, 2010, [8].
 | This article about an international organization is a stub. You can help Wikipedia by expanding it. |
 | This philosophy-related article is a stub. You can help Wikipedia by expanding it. |