User:Kleinzach/Next

From Wikipedia, the free encyclopedia

Liu Yuxi[edit]

Internet slang[edit]

  • "impudent in play, respectful in love" (放肆，克制 fangsi, kezhi): Contraction of 喜欢就会放肆, 但爱就是克制 from the film by Han Han 韩寒Han Han《后会无期》
  • "Rich people do as they please" (有钱，任性 youqian, renxing): Contraction
  • "Dear" (亲 qin): Contraction, short for qinaide, friendly term of respect for BF/GF
  • "Go for it!" (走你 zou ni): Go for it! Good luck
  • "Show your are underage" (秀下限 xiu xiaxian): xiu=show. Show your ignorance. Let yourself down, make a fool of yourself etc.
  • "Like!" (点赞 dianzan): 'Like!" as in Facebook, but also used in everyday conversations "Thanks a hundred!" (点一百个赞！Dian yibaige zan！）

Mu River (Hokkaido)[edit]

GA[edit]


Liste[edit]

Date Title Instrumentation Movements / Indications Premiere
Works for piano
1885 Elvira: mazurka
Piano
1888 Dans le bois
Piano
1888 ca. Álbum París 1888 /Álbum de melodias
Piano
Comprend 22 pièces brèves
1888 En la aldea
Ensemble de pianos
Salida del sol - Maitines - El cortejo (marcha nupcial) - La oración - Regreso (marcha nupcial) - Canto recitado - La siesta - Danza pastoril - Final - La puesta de sol Barcelone, Conservatorio Superior de Música de Barcelone, 3 April 1984
1885-90 ca. Danza característica
Piano
1890 ca. Canción árabe
Piano
1890 ca. Moresca
Piano
1890 ca. Capricho español
Piano
1890 ca. Valses sentimentales
Piano
Vivo - Andante - Vivo - Dolente - Allegro appasionato - Andantino amoroso - Allegro pastoral en forma de vals - Sentimentale - Dolente - Allegro final
ca. 1890; pub. 1892-1900 Danzas españolas
Piano
no 1, Galante - no 2, Oriental - no 3, Fandango - no 4, Villanesca - no 5, Andaluza - no 6, Jota - no 7, Valenciana - no 8, Sardana - no 9, Romántica - no 10, Melancólica - no 11, Arabesca - no 12, Bolero. Une première version orchestrale de trois de ces danses de Joan Lamote de Grignon eut lieu le 10. Barcelone, Teatre Líric (Barcelona), 20 April 1890. E. Granados, piano
1890 ca. Arabesca
Piano
Barcelone, Teatre Líric, 20 April 1890
-- Serenata española
Piano
(perdue) Barcelone, Teatre Líric, 20 April 1890
1890-95 ca. Dolora en La mineur
Piano
Madrid, 27 November 1984
1890-95 ca. Carezza - Clotilde - La sirena - Marcha real - Soldados de cartón
Piano
1891-93 Apariciones: valses románticos
Piano
Introducció: presto - Cadenciós - Vals alemany - Fantasmes - Pastoral - Sensible - Ves-te'n, tristor! - Andantino quasi allegretto - Vals vienès - ?... - Ecos
1892 Paisaje
Piano
1892 Cartas de amor
Piano
Cadencioso - Suspirante - Doliente - Apassionato
1893 Serenata
Piano
1895 ca. Valses poéticos
Piano
Introducció: Vivace molto - Vals melòdic - Vals apassionat - Vals lent - Vals humorístic - Vals brillant - Vals sentimental - Vals papallona - Vals ideal Madrid, 15; Barcelone, Teatre Líric, 21
1895 Piezas sobre cantos populares españoles
Piano
1. Preludio - 2. Añoranza - 3. Ecos de la parranda - 4. Vascongada - 5. Marcha oriental - 6. Zambra - 7. Zapateado
1895-96 Parranda-Murcia
Piano
1897 L'himne dels morts
Piano
1898 ca. A la cubana, op. 36
Piano
1. Allegretto - 2. Un poco vivo
1898 ca. A la antigua (bourrée)
Piano
1898 ca. La góndola: escena poética
Piano
1900 ca. Exquise: vals-tzigane
Piano
1900 ca. A la pradera, op. 35
Piano
1900-01 Oriental
Piano
1901 Rapsodia aragonesa
Piano
1903 Allegro de concierto
Piano
Madrid?, 1903?
1904 Escenas románticas
Piano
Mazurka - Berceuse - *** (Lento con estasi) - Allegretto - Allegro apasionato - Epílogo Madrid, Unión Musical, 20
1909-10 Valse de concert
Piano
1909-10 Azulejos
Piano
Œuvre commencée par Isaac Albéniz et terminée par Granados Barcelone, Palais de la musique catalane, 11. E. Granados, piano
1910-12 ca. Jácara (danza para cantar y bailar), op. 14
Piano
1911 Goyescas
Piano
Llibre 1: no 1, Los requiebros - no 2, Coloquio en la reja - no 3, El fandango de Candil - no 4, Quejas o la maja y el ruiseñor


Llibre 2 : no 5, El amor y la muerte - no. 6 La serenata del espectro

El pelele (œuvre indépendante, souvent interprétée comme la pièce no 7 de la suite)

Barcelone, Palais de la musique catalane, 11 (Llibre 1); Teatro Principal (Tarrasa), 29 (improvisation sur le thème de '"El pelele"); Barcelone, Palais de la musique catalane, 5 ("El pelele"); Paris, Salle Pleyel, 2 (Llibre 2). E. Granados, piano
publicat 1912 Dos impromptus
Piano
1. Vivo e appasionato - Impromptu de la codorniz
pub. 1912 Escenas poéticas
Piano
1a sèrie: 1. Berceuse - 2. Eva y Walter - 3. Danza de la rosa—2a sèrie: 1. Recuerdo de países lejanos - 2. El ángel de los claustros - 3. Canción de Margarita - 4. Sueños del poeta
1912 Fantasía (Cheherezada), op. 34
Piano
Datée du 28
1912-13 Libro de horas
Piano
1. En el jardín - 2. En invierno (La muerte del ruiseñor) - 3. Al suplicio Barcelone, 23
-- Danza lenta, op. 37
Piano
Barcelone, 8
-- Escenas infantiles: miniaturas, op. 38
Piano
1. Recitando - 2. Pidiendo perdón - 3. El niño duerme - 4. Niño que llora - 5. Séptima melodía
-- Cuentos de la juventud
Piano
-- Marche militaire
Piano
Barcelone, 31
publ. 1914 Impromptu (allegro assai), op. 39
Piano
-- 2 Marxes militars
Piano à 4 mains

Boxes[edit]

Reverts:[2]

  • Montanabw

[3] [4]

External links[edit]

Comps[edit]

GA (25 boxes)

Riana 4

Mainsteam[edit]

Obi[edit]

  • Obihiro
  • [[File:Tinned bear meat.png|thumb|Tinned wild bear meat, sold in Tokachi Mura, a shop in Obihiro, Hokkaido, Japan, May 2013]]
  • [[File:Icelandic fin whale meat on sale in Japan.png|thumb|Icelandic fin whale meat on sale in Japan]]

[34]

Wikipedia:MUSORG

Dips[edit]

Afd, currently Brendon Browne and Barbara Richardson, and previously Roy William Blake, Jostein Helge Bernhardsen, Olav Berstad, Miyoko Akashi, Khalnazar Agakhanov. (Users Pburka and Necrothesp)
copying or close paraphrasing of government sources e.g. Marilyn P. Johnson.

For example we have these categories:

Total: 1813 (2 May)

Afd:

2 Category:Norwegian diplomat stubs sent to Afd (Jostein Helge Bernhardsen, Olav Berstad), 2 Category:Asian diplomat stubs (Miyoko Akashi, Khalnazar Agakhanov)

Comment[edit]

  • Comment The diplomatic community is a large one. There are over 200 countries in the world — we are talking about thousands of individuals. Should they all have an automatic right to a Wikipedia article in English? Ambassadors of major countries, in major countries, will normally be well-covered by sources, but ambassadors of minor countries in minor countries — basically running visa and commercial support offices — will only be mentioned by their own official media, or in many cases, just in lists. Having looked through a largish number of these articles, I’ve found found most of the minimal, unreferenced stubs in articles about ambassadors of middle and small-sized countries, usually created by an editor going through a government list (such as Foreign Affairs International Trade Canada [35]). The problem with declaring all ambassadors notable, if that we will then have to automatically list all other unelected officials of equivalent rank. This will gradually turn Wikipedia into something like LinkedIn. Is that really the way we want to go?

Orcs[edit]

  • 285 articles

Classical music[edit]

Articles about theatres in Paris[edit]

1. Article should be either about entertainment venues (i.e. physical locations) or theatrical companies (people) but not both at the same time.

2. Articles about venues should normally use the official present-day name (or the last major name if it no longer exists). Former names of the same building (or earlier buildings on the same site) should be given in the article, and used where appropriate for redirects.

3. Articles should not be compendia of information about multiple locations that had identical (or similar) venue names. This is confusing for the reader and makes information hard to find, as the names of theatres changed frequently in Paris and were not otherwise related.

4. Articles about venues should normally have a (single) theatre (or building) infobox and geographical coordinates.

5. References to a particular théâtre (or salle or cirque) should normally be capitalized in body text (e.g. The Théâtre National Lyrique was demolished in 1886. (or) The Cirque d'été was an attraction on the Champs-Élysées. (or) The Opéra-Comique first performed at the Salle Ventadour in 1829.)

6. Articles about theatrical companies should concentrate on the company. (They may well mention multiple physical locations).

7. Articles may be short, but the information should be readily accessible and searchable.


Paris theatres[edit]

Not in French wiki:

Rant[edit]

"Re WP:ENC"?! WP:ENC is not a reason, it is a rant. --SmokeyJoe (talk) 09:43, 9 March 2011 (UTC)[38]

Rftrs[edit]

Earlier:

12 July [44] 12 July deletion [45]

BTB[edit]

During the Biedermeier period (1815-1848), burlesque, (together with vaudeville, farce and parody), flourished in the German-speaking countries of central Europe. The great popularity of informal theatre developed inspite of, as well as because of, the challenge of the strict political censorship of the time.

Karl Eduard von Holtei introduced the vaudeville to Berlin with Die Wiener in Berlin (1824), and Die Berliner in Wien (1825). Both of which enjoyed great popular success. Louis Angely (active 1824-35)

David Kalisch (active 1847-67)

burlesque comedy in Vienna (Johann Nestroy 1827 to 1862),

Category:Aspects of music[edit]

Anomalous.

Shortcut[edit]

Wikipedia:CAPM

Shortcut

#REDIRECT [[Wikipedia:WikiProject Classical music/Style guidelines#Capitalization:_original_language_titles]] {{R from shortcut}}

Large-scale cat changes script: are there any remedies?[edit]

If we want to reverse several hundred changes to categories, recently done by a semi-automated process (script)

User_talk:TheDJ#HotCat_status

Recordings[edit]

Merry Christmas from Hokkaido, where the snow lasts from November to April, the traffic doesn't stop for a snowfall of less than a metre, and the main sport is digging! --Kleinzach 03:44, 25 December 2009 (UTC)

No ratings code[edit]

  • |small=
  • |category=¬
  • |listas=
  • |class=¬

Biography Project: Reform summary[edit]

Wikipedia:WikiProject Biography is an umbrella project like this one, but unlike Music it place a banner on each page: At the last count their banner was on

The following is a summary of the views of those editors would like to see this project reformed. These views have been expressed above ( ) but are difficult to access given the amount of verbiage so I am summarizing them here for better access.

1. Biography project should be an umbrella organization. It's agreed that the project could have a role an an umbrella project, as a place to refer questions and issues about biographical articles, looking at cross-project matters that are not handled by the medium and small sized projects. MoS Similar to Music, Arts

2. BLP to be looked after by a special task force or project.

3. Biography project should abandon and remove assessments

4. Statistical work. Tracking OK. Female bios. Chinese bios.

Genres[edit]

94 genres and alts listed 13 May 2009.

Johann Strauß-Theater[edit]

The Johann Strauss-Theater in Vienna - Wieden was 1908 at the height of the economic success of the Viennese operetta than opera theater built. The architect Eduard Prandl versah the building with strict barockisierenden forms. His audience summed up 1200 people.

The favorites in the Street 8 theater was located on 31 October 1908 with a processing of the operetta Indigo and the 40 robbers by Johann Strauss (son) opened.

It found, inter alia, the world premiere, and over 500 performances of Emmerich Kálmán The Csárdásfürstin (1915) instead. Alexander Girardi was a regular guest in Kálmán Gypsy The Primate (1912). After the First World War came here Josephine Baker on. 1925 saw the premiere of Franz Lehár's Paganini.

As a result of the global economic crisis of 1929 and penetration of the sound film, the theater fell into financial difficulties. In 1931, therefore, the district center in the Wieden house by the architect Carl Witzmann in a cinema with the name Scala converted, also used for vaudeville performances was used.

1948 to 1956 was under the patronage of the Soviet occupying power of theater played. The New Theater in der Scala offered artistically ambitious pieces in high-class cast (some with Karl Paryla and Therese Giehse), however, by the Viennese criticism from mainstream political reasons (Vienna Brecht boycott) were not properly appreciated. Some came here but also pure propaganda pieces for performance, such as Ernst Fischer against Josip Broz Tito directed drama The Great Betrayal.

After the withdrawal of Soviet occupying power, the theater still existed a short time, the final presentation was held on 30 June 1956 instead. 1959-60 was the theater was demolished and thus first victim of a theater death, which the Viennese citizens Theater and Vienna Stadttheater to victims. Decades later, the gap site by a residential community of Vienna closed. Meantime, unsuccessful demands for design of a park has been raised.

Premieres[edit]

  • Bub oder Mädel?, operetta by Bruno Granichstaedten, 13 November 1908
  • Das Fürstenkind, operetta by Franz Lehár, 7 October 1909
  • Der Zigeunerprimas, operetta by Emmerich Kálmán, 11 October 1912
  • Der Nachtschnellzug, Operettenschwank von Leo Fall, 20 December 1913
  • Das dumme Herz, operetta by Karl Michael Ziehrer, 27 February 1914
  • Rund um die Liebe, operetta by Oscar Straus, 9 November 1914
  • Die Csárdásfürstin, operetta by Emmerich Kálmán, 17 November 1915
  • Die Faschingsfee, operetta by Emmerich Kálmán, 21 September 1917
  • Das Hollandweibchen, operetta by Emmerich Kálmán, 30 January 1920
  • Eine Sommernacht, operetta by Robert Stolz, 23 December 1921
  • Ein Märchen aus Florenz, operetta by Ralph Benatzky, 14 September 1923
  • Paganini, operetta by Franz Lehár, 30 October 1925
  • Das Veilchen von Montmartre, operetta by Emmerich Kálmán, 21 March 1930
  • Der süßeste Schwindel der Welt, operetta by Robert Stolz, 21 December 1937

Classical Music coverage[edit]

Music coverage on WP is still limited. To give you a rough idea of the scale of the task ahead. This project has about 10,000 articles covered by Grove Music in 29 volumes. On the other hand the more developed Opera Project has 5,000 articles on a subject represented by only 4 Grove volumes.

Opera terms[edit]

cantilena - a lyrical melody line, obviously meant to be sung or played "cantabile."

hauptstimme - this refers to the principal musical material of a work. In the operas of Schoenberg or Berg, early 20th century German composers, the main melodies are marked with an "H" to indicate that the composers considered those the principal tunes.

Legato

maestro - a title of courtesy, given, especially in Italy, to conductors, composers and directors; translation (from the Italian), "Master."

marking - the practice used by many singers to save their voices in rehearsals; singers will sing in what seems to be a mere whisper, or transpose the vocal lines so that they don't have to sing extremely high or low notes. This is done as a vocal protection--singing too strenuously, or without getting the voice properly warmed up can lead to vocal strain and severe throat problems.

PATTER SONG - A song or aria in which the character sings as many words as possible in the shortest time.

parlando - literally, "speaking"; this Italian term directs the singer to imitate speech in singing. The "patter songs" of Gilbert and Sullivan operettas frequently employ a great deal of parlando singing.

PIT - A sunken area in front of the stage where the members of the orchestra sit.

prova - rehearsal, from the Italian word for "test"; often in Italy, one hears of a "prova generale,"which means the final dress rehearsal. In Germany, a rehearsal is called "probe" (PROE beh); in German houses, one frequently hears of a sitzprobe (a rehearsal with orchestra where the singers sing seated on chairs at the front of the stage instead of moving about) or wandelprobe (where the singers actually go through the motions of their acting while the orchestra plays the music) or generalprobe (which is, in essence, the last dress rehearsal).

recitativo accompagnato - is accompanied by the full orchestra. The introduction to Donna Anna's "Or sai chi l'onore" in Don Giovanni is an example of the"accompagnato" style, where the orchestral sonorities are capable of varying the mood of the narration more than the simple harpsichord accompaniment could.

recitativo secco - is accompanied by the continuo instruments. Numerous passages abound in the operas of Mozart and Rossini of the "secco" style.

ritornello

SCENA (SCHAY-nah) (Italian) - Literally a scene. A dramatic episode which consists of a variety of number types with a common themes. A typical scena might consist of a recitative, a cavatina and a cabaletta.

sotto voce - a musical direction which asks the performer to sing, or play "under the voice," or in a subdued manner. Singing sotto voce can be compared to declaiming in a stage whisper and can be very effective in a large theatre.

trill Tremolo

Grace Hoffman[edit]

Grace Hoffman (14 January 1921 - 26 July 2008 ) was an American operatic mezzo-soprano of Hungarian origins.

Born Goldie Hoffman in Cleveland, Ohio, she studied literature and music, science and received her first vocal training with Lila Robeson. Your other teachers were Friedrich Schorr, Giuseppe Gentile, and Mario Basiola in Rome.

In 1951 she won a song competition in Lausanne, and then debuted as Mamma Lucia in Mascagni's Cavalleria rusticana. It debuted at the 1951 U.S. Touring Company (Wagner Opera) . In the same year she sang at the Maggio Musicale Fiorentino in Florence, the Priestess in Aida. 1952, she joined the Zurich Stadttheater as Azucena in Verdi's Il Trovatore on.

In 1955, Hoffman at the Staatsoper Stuttgart committed, where until 1992 she belonged to the ensemble. Successful tours, some with the Stuttgart ensemble, led them to the La Scala 1955 as Fricka in Die Walküre, as well as at the Royal Opera House London (1955, 1959-61, 1964-66).

Appearances, she had even at the Munich State Opera, the San Francisco Opera, the New York City Opera, the Teatro Colón in Buenos Aires, at the Paris Grand Opera, the Deutsche Oper Berlin, the Deutsche Oper in Düsseldorf-Duisburg, Opera of Bordeaux, the State Operas of Hamburg and Dresden, the Teatro Comunale of Bologna, the Teatro La Fenice in Venice, at the Teatro San Carlo Naples, the Théâtre de la Monnaie Brussels, the Stadsschouwburg in Amsterdam, the Royal Opera in Copenhagen, the Philadelphia Opera, at the Gran Teatro del Liceo in Barcelona and Vienna State Opera, in which it from 1961 to 1990 sang. 1958, a unique commitment to the Metropolitan Opera in New York as Brangäne in Tristan und Isolde. 1964 she sang in New York's Carnegie Hall, the Elisabetta in Donizetti's Maria Stuarda.

From 1957 to 1970, she joined them at the Bayreuth Festival, and in its role as a gloss Brangäne in Tristan und Isolde (1957-59, 1966, 1968-70), and the Ring of the Nibelungs as Siegrun (1958, 1960-64 ), as Waltraute (1960-61, 1964, 1968-69), as Second Norn (1961-64) and as Fricka (1962-64), 1967-68 as Ortrud in Lohengrin.

In 1978, Professor Hoffman at the Stuttgart Academy of Music, retired but will continue on as a singer. So sang in 1988 at the Opéra du Rhin Strasbourg mother Wesener in Bernd Alois Zimmermann's Die Soldaten, a role that also in 1990 at the Wiener Staatsoper embodied, 1989 in Stuttgart, she was as Mary in the Flying Dutchman on the stage.

In retirement she lived alone near Nürtingen near Stuttgart, she died of pancreatic cancer in Stuttgart Marienhospital. Her grave is located in Cleveland.

Awards[edit]

  • Honorary member of the Stuttgart Opera
  • Medal of Honor, Baden-Württemberg (1978)

References[edit]

  • Karl Josef Kutsch and Leo Riemens: Great singer lexicon. 3. Auflage. KG Saur Verlag, Munich 1999, Volume 3, p. 1617f.

External links[edit]

Grace Hoffman entries in the catalog of the German Music Archive Biography with numerous portraits and pictures of their stage roles Information from the Internet Movie Database to Grace Hoffman (English) or (German) "Soprano Grace Hoffman died", Spiegel online, 28 July 2008 "Mezzo-soprano Grace Hoffmann died", ORF, 28 July 2008

Category:Opera singers Category:Operatic mezzo-sopranos Category:1921 births Category:2008 deaths

De:Grace Hoffman

Templates for WikiProjects' advice pages[edit]

Announced here Wikipedia_talk:WikiProject_Council/Archive_15#Templates_for_WikiProjects.27_advice_pages

I note these tags:

are requested [the advice pages here]. However all these tags label projects pages as essays, even when the content is obviously technical, non-essay material.

This section of the advice was added by User: WhatamIdoing on 1 January 2011 [46]

On the other hand the recommended Wikipedia:WikiProject_Guitarists#Guidelines is not tagged as an essay (see [[47]])

Important individual operas yet to receive adequate coverage[edit]

Classical era[edit]

1900-1950[edit]

Infobox debates[edit]

Administrators' noticeboard/Incidents (ANI)

Classical Music Project

Composition articles

Composer articles

MOS

Templates for deletion (TFD)


  • A not Arendt
  • B not Mabbett

Paris lists that need more work[edit]

Verdi: for possible translation[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=User:Kleinzach/Next&oldid=677256779"