User:Georgiahilton/Books/FILM MAKING 300

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Making and Managing a Feature FIlm[edit]

Development,Pre-production,Production,Post-Production,Delivery,Distribution[edit]

Introduction: Hollywood; Film school
Making a Movie: Film; Spec script; Screenplay; Feature film; Filmmaking; Feature length; Location shooting; List of motion picture terminology; Movie projector
Financing and getting off the ground: Scenario; Scriptment; Screen direction; Outline (summary); Outline of film; Pitch (filmmaking); Independent film; Documentary film techniques; International co-production; Movie studio
Project Development: Above the line (filmmaking); Below the line (filmmaking); Act structure; Beat (filmmaking); Beatscript; Hook (filmmaking); Homage; Distancing effect; Film treatment; Narrativity
Pre-Production: Pre-production; Step outline; Shooting script; Storyboard; Film crew; Film producer; Creative director; Film director; Technical director; Production assistant; Production budget
Production: Cinematography; Cinematic techniques; Improvisation; Setpiece; Camera angle; Single-camera setup; Multiple-camera setup; POV Videography and VholdR; Establishing shot; Master shot; Close-up; Medium shot; Point of view shot; American shot; Dolly zoom; Shaky camera; Low-angle shot; Dutch angle; Reaction shot; Over the shoulder shot; Tracking shot; Follow shot; Money shot; Trunk shot; Shot reverse shot; Crane shot; High-angle shot; Bird's-eye shot; Aerial shot; Shooting in the round; Stunt; 30 degree rule; 180 degree rule; Long shot; Audio engineering; Found footage; Sugar glass
Post-Production: Post-production; Film editing; Image editing; Cut (filmmaking); Creative geography; Cutaway (filmmaking); Cutting on action; Film transition; L cut; Slow cutting; Fast cutting; Match cut; Jump cut; Dissolve (filmmaking); Fade (filmmaking); Pace (speed); Cross-cutting; Long take; Montage (filmmaking); Freeze frame shot; Insert (filmmaking); Hardcore insert; Ken Burns effect; Screenwriter; Eyeline match; Axial cut; Smash cut; Kuleshov Effect; Soviet montage theory; Visual effects; Wipe (transition); Day for night; Dry for wet; Stop trick; Miniature effect; Time-lapse; Slow motion; Split screen (filmmaking); Stock footage; Compositing; Digital video effect; Digital compositing; Fxguide; Go motion; Photoanimation; Editor's cut; Audiography; Director of audiography; Sound effect; Sound editor; Sound design; Walla; Acousmatic sound
Delivery: Telecine; Television; Direct-to-video; High-definition video; DVD; Blu-ray Disc; Movie packaging
Distribution: Film distribution; Film distributor; List of film distributors by country; Action International Pictures; IFC Films; Cinema International Corporation; First Independent Pictures; Celluloid Dreams; Ayngaran International; Anchor Bay Entertainment; Film Ventures International; Filmverlag der Autoren; Eternal Pictures; Eagle-Lion Films; Icon Productions; Diffusion Pictures; Compass International Pictures; KDK Factory; Hannover House; Janus Films; HanWay Films; Howco; IM Global; Lions Gate Entertainment; Lucasfilm; Magnolia Pictures; Maple Pictures; Metro-Goldwyn-Mayer; Nordisk Film; Pan-Européenne; Pathé; Rogue (company); PIAS Entertainment Group; Polybona Films; PolyGram Filmed Entertainment; Selznick International Pictures; Solar Entertainment Corporation; Walt Disney Studios Motion Pictures; Sony Pictures Entertainment; StudioCanal; The Weinstein Company; United Artists; Warner Bros.; Abstract film; All-star; Alternate ending; Alternative title; Animated cartoon; Art department; Atmospheric theatre; B movie; Billing (filmmaking); Black hat; Black hat (film); Blackout gag; Blockbuster (entertainment); Blooper; Bouncing ball; Box office; Breakthrough role; Breathing (lens); Butterfly (lighting); Cameo appearance; Cameo lighting; Camera coverage; Car chase; Cartoon; Casting couch; Cine film; Cinéma pur; Closing credits; Cold open; Composite film; Credit (creative arts); Daybill; Deleted scene; Desktop video; Digital copy; Director's cut; Directorial debut; Dogme 95; Double feature; Dub localization; Ensemble cast; Event movie; Experimental film; Extreme cinema; Fake Shemp; False ending; Fan edit; Fernseh; Fig Rig; Film adaptation; Film canon; Film grammar; Film modification; Film poster; Film promotion; Film rights; Film title design; Trailer (film); Film-out; Filmography; Final cut privilege; First run (film); Footage; Four wall distribution; Frame line; Full frame; Gamine; Goof; Graphic violence; Guerrilla filmmaking; Guest appearance; High concept; Horse opera; Hyperlink cinema; Intertitle; Iris shot; Key light; Keykode; Kill off; List of anamorphic format trade names; List of biggest box office bombs; Live action; Low-budget film; MacGuffin; Making-of; Marriage plot; Matinee idol; Message picture; Midnight movie; Mobile cinema; Monologue; Motion graphics; Motion picture credits; Movie star; Movieoke; Multimedia; Negative cost; Nichebuster; Night-for-night; No budget film; Non-diegetic insert; Official film and television co-production in Australia; Oneiric (film theory); Open matte; Outtake; Physical effects; Pick-up (filmmaking); Picture lock; Post-credits scene; Poverty Row; Pre-credit; Prelap; Premiere; Prequel; Private screening; Product displacement; Product placement; Production sets; Projectionist; Prop replica; Re-edited film; Reboot (fiction); Redux (literary term); Reframing (filmmaking); Reissue; Release print; Remake; Reverse chronology; Runaway production; Scream queen; Screen quotas; Screenplay slug line; Screenwriting; Sequel; Sequence (filmmaking); Shooting ratio; Shooting sequences; Shot-for-shot; Skypan; Sleeper hit; Slug name; Snipe (theatrical); Soundtrack; Spinning newspaper; Spiritual successor; Spit-take; Start date; Film still; Stock sound effect; Story canon; Script breakdown; Titular line; Theatrical property; Box Office Mojo; Structural film; Stunt casting; Superstar; Tally light; Tent-pole programming; Videodance; Web film; Z movie; CinemaScope; Film industry; The Walt Disney Company; Academy Award; Film finance; Hollywood accounting; WGA screenwriting credit system; Film budgeting; Production board; Delayed release; Breaking down the script; Special effect; Optical printer; Matte (filmmaking); Computer-generated imagery; Aerial image; Audio-Animatronics; Chroma key; AFI Conservatory; Closet screenplay; Photographic processing; Green-light; Daily production report; Production report; Shooting schedule; Daily editor log; Sync sound; Film score; Re-recording (filmmaking); Videography; Production strip; Day Out of Days; Production schedule; One liner schedule; Roadshow theatrical release; First look deal; Legal release; Boom shot; Copyright; Dramatic convention; Trademark; Film debut; Process trailer; 1080p; Production diary; Pan and scan; Artistic control; Principal photography; Daily call sheet; Intellectual property; Camera dolly; Basso block; Synchronization; Apple box; Anamorphic format; DTS; Backlot; Bailin bracket; C-Stand; 3D LUT; Adventures in the Screen Trade; Answer print; Letterbox; Screenwriting software; 2-pop; B-roll; 16:9; Dolby Laboratories; In-camera editing; Bar clamp adapter pin
The Financial Good, Bad, and Ugly: List of biggest opening weekends; Lists of box office number-one films; List of highest-grossing films; Lists of highest-grossing films; List of highest-grossing films in Canada and the United States; List of highest-grossing animated films; List of films that received the Golden Film; List of films that received the Platinum Film; List of film sequels by box-office improvement; Box office bomb
Actors and Acting: Actor; Acting; Baby plate; On Acting; An Actor Prepares; Leading actor; Title role; Leading lady; Leading man; Cast member; Supporting actor; Cross-gender acting; Dual role; Child actor; Character actor; Bit part; Supernumerary actor; Extra (actor); Screen test; Acting and accents; Presentational acting and Representational acting; True and False: Heresy and Common Sense for the Actor; Off-book; Voice acting; Voice Foley; Mummerset; Typecasting (acting); Acting instructor; Stage name; Stand-in; Understudy; Dance Double; Stunt double; Acting age; Overacting; Strolling players; Equity Card; Blocking (improv); Blocking (stage); Scene study; Esau Wood; Scenic bios; Speak the speech