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Skippy Adelman (né Julius Edelman; 29 March 1924 Manhattan, New York – 1 May 2004 Long Island City, New York) was, among other things, an acclaimed American photographer – notably for his black-and-white photos of jazz musicians exemplified in the 1946 book, Jazzways, and for his contributions to the bygone New York City daily, PM, as a staff photojournalist from 1943 to 1945. He also contributed photos to New York Age around 1950. Adelman stopped photographing jazz musicians in late 1940s, as did Bill Gottlieb, who – according to Nels Nelson of the Philadelphia Daily News – said that he [Gottlieb] stopped it "on a dime" after 1948. Adelman seemlying dissappeared, perhaps because, in 1953, he began using his real name, Julius Edelman. In 1972, Popular Photography columnist Simon Nathan asserted that if he were given one hundred mythical dollars, the 2nd of 26 things he'd do is, "have 1,666 six-cent postcards printed and write the whole world to try to find out whatever became of Skippy Adelman, the great photographer from newspaper PM."

Edelman's post photojournalism career

Adelman, as Skippy Adelman, from 1948 through 1952, wrote at least 24 short pulp magazine works published by the Chicago-based Popular Publications, Inc. He also, from 1952 through 1953, wrote the music and lyrics for six songs and co-composed five more, all under the pseudonym, Jack Smiles. Adelman had a one-time acting role as a mannequin factory owner in Stanley Kubrick's 1955 film, Killer's Kiss.

In the mid to late 1950s, Adelman (as Julius Edelman), went on to become an executive in various film production and advertising agencies, including,

1. Executive Vice-President in Charge of Production (promoted from Assistant Film Editor in 1953) of Peter Elgar Productions, Inc. (1953–1960),
2. Production Group Supervisor for Ted Bates & Co. (until about June 1963),
3. Cowriter with Paul Mazursky of a teleplay episode for the The Rifleman (aired March 12, 1962) – "Tinhorn" (Season 4, Episode 24; Overall Episode No. 134), directed by Lawrence Dobkin.
4. Vice-President, Producer, and Director for Mickey Schwartz Productions, Inc., which produced film for TV (beginning around June 1963), and
5. Vice President & Executive Producer for Allegro Film Productions, Inc. (from as early as 1965 to at least 1986), producer of TV commercials, but also known for its short scholastic-oriented science films, the Science Screen Report (trademarked filed October 20, 1971). Allegro Film was a subsidiary of Sterling Communications., a forerunner to HBO.

Growing up

Julius Edelman's mother, Bessie Cohen (maiden; 1896–1924), died 3 months, 1 week, and 1 day after he was born. His father, Harry Edelman (1892–1992), a Romanian-born furrier in Manhattan, remarried June 29, 1929, in Manhattan, to Mary (née Mera Weinberg; 1900–1993), who was born in Riga, Latvia, immigrated to the United States July 3, 1923, and became a naturalized U.S. citizen November 18, 1935.

Career

Edelman graduated from Stuyvesant High School (age 17) in June 1941. Stuyvesant (Old Stuyvesant High School at 345 East 15th Street) was about 1.7 miles his family's apartment at 488 East Houston. His family, in 1930 (up until at least 1934, according to Mary Edelman's citizenship application), lived at 152 Goerck Street, Manhattan, which was renamed in 1933 as Baruch Drive.

One might wrongly infer that Adelman was from Pottsville, Pennsylvania do to the mention of his name in a newspaper column of the Pottsville-Republican that was discussing local people.

United States Armed Forces

Enlist date: 2 Jan 1942

Discharge Date: 2 Jan 1944

"Julius Edelman" → "Beneficiary Identification Records Locator Subsystem (BIRLS) Death File, 1850–2010" (database on-line). Department of Veterans Affairs. 2011 – via Ancestry.com.

• "United States World War II Army Enlistment Records, 1938–1946" – "Julius Edelman, enlisted December 1, 1942, New York City". (5 December 2014) "Electronic Army Serial Number Merged File, ca. 1938–1946" (database). The National Archives: Access to Archival Databases (AAD) National Archives and Records Administration, 2002; NARA NAID 1263923, National Archives at College Park – via FamilySearch.

---

During World War II, Edelman served in the United States Armed Forces with the 466th Bombardment Group of the Eighth Air Force. He was stationed in Attlebridge, and, as Navigator, flew gas hauls from France to England. He attained the rank of 1st Lieutenant.

• "Officers of Crew #554 Outside Their Barracks at Attlebridge". Earl Wassom Collection. Object No. UPL 7443. American Air Museum in Britain. Retrieved May 25, 2022 – via Imperial War Museums online.

1. Back Row: 1st Lt. Earl Eugene Wassom (born 1923) (pilot), 1st Lt. John T. Bohan (Bombardier)
2. Front Row: 1st Lt. Lawrence Dennis Ross (died June 22, 1944) (Copilot), 1st Lt. Julius Edelman (Navigator)

• "Crew #554 – Earl Wassom Crew" (in front of a B-24 Liberator). Earl Wassom Collection. Object No. UPL 6436. American Air Museum in Britain. Retrieved May 25, 2022 – via Imperial War Museums online.

1. Standing Left to Right: T. Sgt./2G Lewis Joel Venegas, Sr. (1923–2004) (Flight Engineer), Staff Sgt. Francis J. Miller (Tail Gunner), Staff Sgt. Benny Olson (Top Turret Gunner), Stanley Seveay (Waist Gunner), Staff Sgt. Harry Hamilton (Waist Gunner), T. Sgt./2G Billy Wolfe (Radio Operator)
2. Kneeling Left to Right: 1st Lt. John T. Bohan (Bombardier), 1st Lt. Earl Wassom (Pilot), 1st Lt. Lawrence Ross (Copilot), 1st Lt. Julius Edelman (Navigator)

This Crew completed a 35 mission tour, flying a Consolidated Aircraft B-24 Liberator – theirs nicknamed "Bottle Butt's Buggy" – during the last year of World War II (tail insignia, 2U–B)

• Tail Insignia of "Bottle Butt's Buggy". Chris Brassfield Collection. Object No. UPL 15989. American Air Museum in Britain. Retrieved May 25, 2022 – via Imperial War Museums online.

• Charles Saxon (artist). "Bottle Butt's Buggy" (Nose art illustration for Crew #554's B-24 Liberator, which was never installed). Earl Wassom Collection. Object No. UPL 17821. American Air Museum in Britain. Retrieved May 25, 2022 – via Imperial War Museums online.

10/20/1944

AM

Air Medal (AM)

2LT

GO: 271

New York NY

12/07/1944

AM/OLC

Air Medal (AM) Oak Leaf Cluster (OLC)

2LT

GO: 334

New York NY

Not the same Julius Edelman ?

• Register of Commissioned Warrant Officers of the United States Navel Reserve (NAVPERS 15,009). . U.S. Government Printing Office. April 1, 1951. p. 284 (column 2). Retrieved May 26, 2022 – via Internet Archive (University of Florida Libraries).

• Register of Commissioned Warrant Officers of the United States Navel Reserve (NAVPERS 15,009). . U.S. Government Printing Office. April 1, 1953. p. 284 (column 2). Retrieved May 26, 2022 – via Internet Archive (University of Florida Libraries).

Death

Julius Edelman, who was married to Dorothy R. Langer (maiden; 1925–2021) for 57 years, 10 months, 3 weeks, and 2 days, is buried next to her in the New Montefiore Cemetery, West Babylon, Long Island, New York.

Career (continued)

One article, entitled "The Hard Boiled School of Photography," narrates the "Legend of Skippy Adelman, PM's Picture Ace." Described as having a "tough wiry figure" and the “hands of a boxer," Adelman embodies all the ideal traits of the street-smart protagonist. Much is made, for example, of Adelman’s childhood poverty and ironfisted upbringing: "The early years of Skippy Adelman’s life made him sick and unhappy, then coldly, bitterly furious. He started taking pictures simply as a means of earning a living, and then suddenly discovered his camera was a graphic instrument."

Career

In 1916, according to a New York City directory (Ancestry.com), Bessie is listed as being with Weinberg & Adelman; h. 506 West 150th Street

• → "Adelmann, Bessie". Trow General Directory of New York City Embracing the Boroughs of Manhattan and The Bronx. Vol. 129. R.L. Polk & Co. (publisher). 1916. p. 161. Retrieved May 12, 2022 – via Google Books.

In 1943, according to the draft registration, Harry Edelman was a part owner of Fox, Wolf & Edelman on Delancey Street.

In 1943, according to Frank Edelman's draft registration, Frank worked at F.S. Fur Co., at 307 Seventh Avenue

• Worked for Black Star
• Worked at PM
• Peggy Corday photos

• Worked for Culver Pictures

• Collier, James Lincoln (born 1928) (1979). The Making of Jazz: A Comprehensive History. New York: Dell Publishing. p. 213. Retrieved May 2, 2022 – via Internet Archive.{{cite book}}: CS1 maint: numeric names: authors list (link) LCCN 77-25030; ISBN 0-3952-6286-0; OCLC 468027621 (all editions).

Edelman's addresses

1941: New York → Adelman, Julius (September 1941). "Throat Light Handy For 'Flashing-In' Portions of Photo". Popular Mechanics. . 76 (3): 133. Retrieved May 10, 2022 – via Internet Archive.

1942: 331 East 12th Street, New York, New York → New York Post (November 28, 1942). "'Fifth Avenue,' Winner ... " (PDF). Adelman's address: 331 East 12 Street. Vol. 142, no. 11 (Week-End ed.). p. 4. Retrieved June 3, 2022 – via Fultonhistory.com.

1945-1949: 205 West 10th, New York, New York, in the Chelsea neighborhood of Manhattan (phone: CHelsa 2-0896)

Condon's addressses

1942: 10 West 15th Street, Manhattan, New York (per WWII Draft registration)

Ad agencies and film production firms

Peter Elgar Productions, Inc.

Peter Elgar Productions, Inc.

75 West 45th Street, New York 36. N.Y.

Phone: JUdson 6-1870

Date of Organization: January 1, 1951

Branch: c/o Paramount Sunset Corp., 5842

Sunset Blvd., Hollywood, Cal. Phone:

HOllywood 9-8111.

Peter Fitzgerald Elgar (1905–1968), President

Julius Edelman, Executive Vice-President

Philip Frank, Vice-President

Jessie B. Adamson, Secretary-Treasurer

Services: Industrial, public relations, religious

films: television commercials, television films:

33mm, 16mm, black & white or color.

Facilities: Complete editing and projection facilities

16mm and 35mm. 100 x 75 x 22' sound stage.

"National Survey of Film Production Resources in the U.S. and Canada – Metropolitan New York – Peter Elgar Productions, Inc". Business Screen Magazine – Production Review. 18 (1) (7th Annual ed.): 105. 1957. Retrieved May 10, 2022 – via Internet Archive. OCLC 1302745782 (all editions).

Ted Bates & Co., up until about June 1963

Julius Edelman was Production Group Supervisor at Ted Bates & Co.. Ted Bates & Co. was founded in 1940 by Theodore Lewis Bates (1901–1972) and is now part of WPP plc.

Selected projects

Mobil Oil Co. (gas), one 60 for TV. Agency: Ted Bates. Julius Edelman, agency producer

Mickey Schwarz, beginning around June 1963

"Radio & TV Commercial Producers". Radio Television Daily – Year Book of Radio and Television (27th Annual ed.). New York, New York: Radio Daily Corp.: 759 1964. Retrieved May 10, 2022 – via Internet Archive. OCLC 7469377 (all editions).

Schwartz, Mickey, Productions, Inc.

419 E. 54th St., New York, N.Y.

Phone: PL 5-5610

President Mickey Schwarz, President and Producer

Julius Edelman, Executive Vice-President, Producer, and Director

(Additional office in Toronto)

Services Offered – Film commercials.

Schwarz directed the 1934 short film, Broadway Varieties, produced by Trinity Productions, Inc.

Schwarz, among other things, was Associate Producer of the 1950 French documentary film, Savage Africa – directed by Jacques Dupont (director); Edmond Séchan (cinematographer)

Allegro Film Productions, Inc. (1968)

201 West 52nd St., New York, New York 10019

Phone: (212) JUdson 6-3057

Date of Organization; 1958

Date of Incorporation; 1961

Jerome G. Forman (né Jerome George Forman; 1927–2009), President

Julius Edelman, Vice President & Executive Producer

Hugh King, Producer–Writer

Daniel Ruffini, Production Assistant

Judy Rabitcheff, Production Coordinator, who, later, became staff writer for All My Children

David Sawyer, Writer

Erford Hubert Bedient (1921–1983), Writer

Joseph Butler, Production Supervisor

Hal Persons (née Harold David Schwartz; 1918–19997), Producer

Marie Beynon Ray (née Marie Beynon Lyons; 1886–1969), Treasurer

Services: Motion picture and slide film producers; commercials, public relations, industrial and sponsored films; specialist in news and sports films; special department for foreign language versions and post-production finishing.

Facilities: Recording, screening, editorial rooms and studio. 35mm and 16mm camera and editorial equipment; script and art departments, special print procurement and services department.

Recent Productions and Sponsors

Motion Pictures; Return to LeMans; 1968; New Cars (Ford Motor Co.); Today Series; Expo 67 (U.S. Information Agency); Sun Never Sets (Muscular Dystrophy Association); The Paper War (Oxford Filing Co.); She Shell (Fairfield-Nobel). News Film: for Ford Motor Co., BOAC, GE, Allis-Chalmers, Celanese Corp. of America, Selvase & Lee. TV Commercial: for Doyle Dane-Bernbach, Grey Adv., Ted Bates, Handman & Sklar, Don Greene Associates, Sweet & Co., and Venet Advertising.

Selected credits

• Julius Edelman (editor); Phil Tonken (narrator) (1988). Science Screen Report (1 videocassette – VHS – sound, color ; 1/2 in. plus teacher's guide). Vol. 16. Delray Beach, Florida: Produced by the International Oceanographic Foundation production for Science Screen Report; produced in cooperation with National Science Teachers Association and Accreditation Board for Engineering and Technology, Inc.; writer, F.G. Walton Smith; editorial director/producer, Norman Kagan (fr).

No. 1: "Space Science: A Journey Through Our Solar System" (13 min., 47 seconds). OCLC 18500343 & OCLC 15470751.

• Julius Edelman (editor) (1988). Science Screen Report (1 videocassette – VHS – sound, color ; 1/2 in. plus teacher's guide). Vol. 17. Boca Raton, Florida: Produced by Allegro Film Productions in cooperation with the National Science Teachers Association; producer/writer, Kyle L. Campbell. Presented as a public service by Standard Oil Company.

No. 1: "Ecology: The Greenhouse Effect" (12 min.). OCLC 42491512 (all editions).

• Julius Edelman (editor) (1988). Science Screen Report (1 videocassette – VHS – sound, color ; 1/2 in. plus teacher's guide). Vol. 18. Boca Raton, Florida: Produced by Allegro Film Productions in cooperation with the National Science Teachers Association, the Accreditation Board for Engineering and Technology, Junior Engineering Technical Society, a division of the National Engineering Council for Guidance. OCLC 25245051.

No. 1: "Biology: The Biology of Water" (16 min.). OCLC 18596433.

No. 2: "Geology: Energy From the Sun" (18 min.). OCLC 18827950 (all editions).

No. 3: "Entomology: Insects and Biology" (16 min.). OCLC 18898394.

No. 4: "Entomology: Insects and Chemistry" (16 min.). OCLC 18997996.

No. 5: "Engineering: The Science of Robotics" (15 min.). OCLC 19380929 & OCLC 42490425.

No. 6: "Energy: Nuclear Waste Management" (16 min.). OCLC 19585058.

No. 7/8: "Ecology: Saving America's Wildlife" (26 min.). OCLC 19585063.

Editorial bent

Stephen W Smith, editor of the Hot Record Society Rag, leaned towards what then was progressive jazz. Eugene Williams (1918–1948), through Jazz Information, leaned towards a New Orleans revivalists bent.

Everlast Process Printing (1942)

Everlast Process Printing Company, Nat Linzer (1907–1966) and Saul Linzer (1914–2012), co-partners, proprietors, brothers

27 West 24th Street, New York, New York (per WWII draft registration)

Home: 488 East Houston, New York City

Picture News (PM) personnel

Picture News, Sunday Magazine Section of PM

EDITOR: WilKam T. McClecry.

Managing Editor: Herbert Yahrae*.

Associate Editors:: Lorimer D. Heywood; Kenneth Stewart; David R. Lindsay*; Peggy Wright; Gertrude Saunas

Staff: Raymond Abrashkin**; Skippy Adelman; Holly Beye; W. Russell Bowie. Jr.»; Jean Evans; Robert A. Fuller*; Mary Morris; Charles Norman*; Roger Pippett; Robert Rice*; Selma Robinson; Dale Rooks* Lillian K. Ross.

Art Director: Russell Countryman.

* In the U. S. Armed Forces

** In the U. S. Merchant Marine

Send Local Item contributions to Peggy Wright, 164 Duane Street, New York, 13, N. Y. We will pay a minimum of $2 for each contribution we use.

Adelman's pulp magazine works

Popular Publications, Inc. and Fictioneers, Inc., a subsidiary of Popular Publications, Inc.

1948

1. "With Books and Bullets". Fifteen Western Tales (ar). 17 (3). Chicago: Fictioneers: 67. December 1948. OCLC 33032404 (all editions).

1949

2. "Jeffries, The Mighty". New Sports Magazine (ar → James J. Jeffries). 5 (4). Chicago: Popular Publications, Inc.: 27 February 1949. OCLC 173768826 (all editions).
3. "Last Drop". Fifteen Western Tales (ar). 18 (2). Chicago: Fictioneers: 31. March 1949. OCLC 33032404 (all editions).
4. "Boothill Backtrail". Fifteen Western Tales (ms). 18 (3). Chicago: Fictioneers. April 1949. OCLC 33032404 (all editions).
5. "Fego Baca's Java Jinx". Star Western (ar). 47 (3). Chicago: Popular Publications, Inc.: 6 May 1949. OCLC 236104893 (all editions).
6. "Operation .45". Fifteen Western Tales (ar). 19 (1). Chicago: Fictioneers: 38. June 1949. OCLC 33032404 (all editions).
7. "Dead Man's Strike: Corpse in a Hurry". Fifteen Western Tales (ar). 19 (2). Chicago: Fictioneers: 129. July 1949.; OCLC 264703512.
8. "Homicidal Hook-Up". Detective Tales (ts). 42 (4). Chicago: Popular Publications, Inc.: 49 July 1949. OCLC 33032404 (all editions).
9. "A Friend of the Grim Reaper". Dime Mystery Magazine (short feature). 38 (4). Chicago: Popular Publications, Inc.: 79 August 1949. Retrieved May 11, 2022 – via Internet Archive. OCLC 33157294 (all editions).
10. "The Crimson Pool". Dime Mystery Magazine (ms). 39 (1). Chicago: Popular Publications, Inc.: 90 October 1949. OCLC 33157294 (all editions).
11. "She Loved Him to Death!". Detective Tales (ts). 43 (4). Chicago: Popular Publications, Inc.: 60 November 1949. OCLC 33032404 (all editions).
12. "Sure Thing". Detective Tales (ar). 44 (1). Chicago: Popular Publications, Inc. December 1949. OCLC 33032404 (all editions).

1950

13. "Bloody Count Ivan". Detective Tales (ts). 42 (2). Chicago: Popular Publications, Inc. January 1950. OCLC 33032404 (all editions) & OCLC 1182549393.
14. "Bloody 'Robin Hood'". Detective Tales (ar). 44 (3). Chicago: Popular Publications, Inc. February 1950. OCLC 33032404 (all editions).
15. "Blood in His Own Back Yard". Detective Tales (ts). 45 (1). Chicago: Popular Publications, Inc. April 1950. OCLC 33032404 (all editions).
16. "Clamor Guy". New Sports Magazine (ar). 8 (3). Chicago: Popular Publications, Inc.: 12 December 1950. OCLC 173768826 (all editions).

1951

17. "Love Killer". 15 Story Detective (ts). 4 (1). Chicago: Popular Publications, Inc.: 8 February 1951. OCLC 928959191 (all editions).
18. "Cure-All". Dime Detective Magazine (vi). 65 (3): 113. April 1951. Retrieved May 25, 2022 – via Internet Archive. OCLC 32990168 (all editions).
19. "Peter the Confessor". Detective Fiction (ar). 156 (2). Chicago: Popular Publications, Inc.: 86 May 1951. OCLC 50563578 (all editions).
20. "Saved by the Noose". Detective Fiction (ts). Chicago: Popular Publications, Inc. July 1951. OCLC 50563578 (all editions).

    British edition → "Saved by the Noose". Black Mask Detective. 9 (11): 63–64. October 1952. Retrieved May 11, 2022 – via Internet Archive.

21. "A Dash of Pepper". Dime Detective Magazine (vi). 66 (1): 6. August 1951. Retrieved May 11, 2022 – via Internet Archive. OCLC 32990168 (all editions).
22. "Behind the Iron Mask". Fifteen Sports Stories (ar). 7 (4). Chicago: Popular Publications, Inc.: 6 December 1951. OCLC 33167363 (all editions).

1952

23. "Winner Take Nothing". Fifteen Sports Stories (ar). 8 (2). Chicago: Popular Publications, Inc.: 8 April 1952. OCLC 33167363 (all editions).
24. "Pity the Poor Penman!". Detective Tales (ar). 50 (2). Chicago: Popular Publications, Inc. December 1952. OCLC 33032404 (all editions).

––––––––––––––––––––

ms = miscellaneous

ar   = article

ts   = true story

vi    = vignette

Edelman's songwriting

Jack Smiles, pseudonym for Julius Edelman

As sole writer, composer

1. "Will It Ever Stop Rainin'" ("Teardrops in My Heart")
   w&m & © Jack Smiles, pseudonym of Julius Edelman
   26 November 1952: EU295448
   Marlong Music Corp.; 23 November 1953: EU338808
   Library of Congress copyright card
   Renewed January 4, 1980: RE42907
   Copyright claimant: Julius Edelman (A)
2. "Cherry Pie"
   w&m © Jack Smiles
   29 February 1952: EU266197
   Library of Congress copyright card
   © Cambridge Music Corp.
   2 May 1952: EU273376
   Renewed January 4, 1980: RE42905
   Copyright claimant: Julius Edelman aka Jack Smiles (A)
   

   Recorded by "Texas" Bill Strength (né William Thomas Strength; 1928–1973) on Coral Records (1952) (Coral – 64117) (matrix 81934)★
   

   OCLC 732379155 (all editions).

3. "Heartaches and Heartbreaks"
   w&m Jack Smiles, pseudonym of Julius Edelman
   8 March 1976: EU658420
   
4. "Let's Break It Down" ("Before We Break It Up")
   w&m Jack Smiles, pseudonym of Julius Edelman
   26 July 1976: EU98857
   
5. "On the Gulf of Mexico"
   w&m Jack Smiles; © Jack Smiles
   11 August 1977: EU812061
6. "Missing"
   w&m Jack Smiles
   11 August 1977: EU802062

As co-writer, co-composer

7. "Lost in the Forest of Your Heart"
   w&m Jack Smiles, pseudonym of Dick Young Sanford (né Richard Young Sandford; 1896–1981) and Julius Edelman
   May 25, 1953: EU317655
   Library of Congress copyright card
   Renewed January 5, 1981: RE78526
   Copyright claimant: Dick Sanford, & Julius Edelman aka Jack Smiles (A)
8. (My) "Sleepless Heart"
   w&m & © James Smiles, pseudonym of Julius Edelman; and Dick Sanford
   December 8, 1952: EU296642
   Library of Congress copyright card
   Renewed January 4, 1980: RE43954
   Copyright claimants: Jack Smiles aka Julius Edelman and Dick Sanford (A)
9. "Don't Waste Your Tears"
   w&m & © Julius Edelman, pseudonym of Julius Edelman, Norbert Ludwig (1902–1960), and Ted Eddy (né Ted Eddy Simonetti; 1902–1985)
   Goday Music;[b] 10 March 1952: EU267223
   Library of Congress copyright card
   24 March 1952: EU268851
   Library of Congress copyright card
   Renewed January 4, 1980: RE42906
10. "Meant for Each Other"
    w&m Julius Edelman & Anne Bender
    15 January 1953: EU301734
    Library of Congress copyright card
11. "Mountain Gold"
    w&m Elaine Rivers, Jack Smiles, and Eve Cohen
    © Goday Music
    4 November 1955: EU415800

→ Cambridge Music Corp.

1962: 565 Fifth Avenue, New York, New York

1966: Camalus Productions, a Joint venture between Cambridge Music Corp., Ltd. & Daedalus Productions, Inc., employer for hire

––––––––––––––––––––

Copyrights

Catalog of Copyright Entries, Third Series, Volume 6, Part 5B, Number 1, "Unpublished Music" (January–June 1952). Library of Congress, Copyright Office

1. © Edelman, Julius, w&m (29 February 1952). "Cherry Pie" (EU266197). p. 25. Retrieved May 10, 2022 – via Internet Archive.{{cite book}}: CS1 maint: multiple names: authors list (link)
2. Smiles, Jack (pseudonym of Julius Edelman), w&m (2 May 1952). "Cherry Pie" (EU273376). © Cambridge Music Corp. p. 25. Retrieved May 10, 2022 – via Internet Archive.{{cite book}}: CS1 maint: multiple names: authors list (link)

Catalog of Copyright Entries, Third Series, Volume 31, Part 5, Number 2, Section 2, "Music – Current and Renewal Registrations" (July–December 1977). Library of Congress, Copyright Office

3. Smiles, Jack (pseudonym of Julius Edelman), w&m (11 August 1977). "On the Gulf of Mexico" (EU812061). © Jack Smiles. p. 2134. Retrieved May 10, 2022.{{cite book}}: CS1 maint: multiple names: authors list (link)
4. Smiles, Jack (pseudonym of Julius Edelman), w&m (11 August 1977). "Missing" (EU802062). © Jack Smiles. p. 2134. Retrieved May 10, 2022.{{cite book}}: CS1 maint: multiple names: authors list (link)

• Catalog of Copyright Entries. Third Series, Volume 6, Part 5A, Number 1, "Published Music" (January–June 1952). Library of Congress, Copyright Office.

1. Strother, Cynthia (w&m) (12 December 1951). "Bermuda" (EP59328). © Goday Music, Inc. p. 222. Retrieved May 27, 2022 – via Google Books (Stanford Libraries).

Selected photos

• Adelman, Skippy (1950). "Generation Gap" (photo). Retrieved May 17, 2022. photos.com by Getty Images (website).

• Weegee (1945) [1945]. Naked City (abridged edition of work originally published by Essential Books). Cincinatti: Zebra Picture Books. → Inside cover of the abridged paperback of Naked City, photo by Skippy Adelman

About Naked City → Lee, Anthony Wallace, PhD; Meyer, Richard Evan, PhD. Weegee and Naked City. University of California Press. Retrieved May 17, 2022 – via Google Books.{{cite book}}: CS1 maint: multiple names: authors list (link) LCCN 2007-33314; ISBN 978-0-5202-5590-6; OCLC 804320886 (all editions).

• Two photos that captured Bill Keating (né William Emmet Keating; 1886–1964) singing, Arthur Semmig operating the record equipment in the foreground, and George Korson looking on or taking notes in the background, at the Pottsville Public Library, January & February 1946

• Anderson, Ernest (né Ernest David Anderson, Jr.; 1910–1995), ed. (1946). Esquire's 1947 Jazz Book – A Yearbook of the Jazz Scene. New York: Smith & Durrell, Inc.; A.S. Barnes & Company (1947).{{cite book}}: CS1 maint: multiple names: editors list (link) CS1 maint: numeric names: editors list (link) LCCN 44-9505; ISSN 2767-0570; OCLC 473896644, OCLC 839357723 (all editions), OCLC 30986678 (all editions).

8-page photo-spread by Adelman on Eddie Condon's Sky Riders. Anderson, Condon's publicist, and Esquire, were roundly criticized for releasing what seemed like a publicity piece for Condon. The fallout was so severe that this was Esquire's last annual poll on jazz.

• "Ewell Blackwell" (photo by Skippy Adelman), The Reds Official Souvenir Book, George Sigmund Rosenthal (1922–1967), editor and publisher (1947); OCLC 38279911, 35240652

• Jewish Welfare Fund (illustrated brochure), George Sigmund Rosenthal (1922–1967), Chairman, David Ransohoff, Vice Chairman, Julius Adelman and Ben Rothenberg, photography, Noel Martin (1922–2009), design, Jewish Welfare Fund of Cincinnati (1954) (archived at Jewish Federation of Cincinnati records)

• "Dmitri Mitropoulos Standing With an Ensemble During a Recording Session of Schoenberg's Serenade, Op. 24 in New York City".

ISCM Concert Group

1. Louis Krasner (violin)
2. Ralph Hersh (1910–1985) (viola)
3. Seymour Barab (cello)
4. Salvatore Picardi (1906–1988) (mandolin)
5. John Smith (guitar)
6. Eric Jacob Simon (1907–1994) (bass clarinet)
7. Clark Louis Brody, Jr. (1914–2012) (clarinet)
8. Warren Joseph Galjour (1917–2009) (baritone)

During a recording session of Schoenberg's Serenade for Septet and Baritone, op. 24, Esoteric Records, Inc., 75 Greenwich Avenue, New York City. OCLC 81150268.

→ The recording: ES-501A & ES-501B. Released July 6, 1949. OCLC 610623467 (all editions).

• Vacher, Peter (2015). Swingin' on Central Avenue: African American Jazz in Los Angeles. Photo: "The Legends of Jazz" (photo by Julius Adelman); location unknown, c. 1974, Los Angeles: Ed Garland, Joe Darensbourg, Andy Blakeney, Louis Nelson, Barry Martyn (photo courtesy of Andy Blakeney). Rowman & Littlefield. LCCN 2015-17034. OCLC 1004734085 (all editions).

Discography photos

Skippy Adelman – New Orleans Jazz – Bunk Johnson (album includes photos by Adelman, Bill Russell, and others – and notes by Ralph J. Gleason) – Victor (4 shellac 10" discs, 78 rpm) HJ-7. Recorded in New York, December 19, 1945. OCLC 50115851, 1225785538.

Disc 1: Victor 40-0126
1. D5VB996-2: "When the Saints Go Marching In"
2. D5VB888-2: "Snag It."

Disc 2: Victor 40-0127

3. D5VB997-1: "High Society."
4. D5VB887-2: "Just a Closer Walk With Thee."

Disc 3: Victor 40-0128

5. D5VB998-2: "At the Darktown Strutters' Ball."
6. D5VB886-2: "I Wish I Could Shimmy Like My Sister Kate."

Disc 4: Victor 40-0129

7. D5VB999-2: "Franklin Street Blues."
8. D5VB889-2: "One Sweet Letter From You."

Skippy Adelman - Pee Wee Russell Jazz Ensemble - Pee Wee Russell ‎(3 shellac 10" discs, 78 rpm) Disc Records 632B. Recorded in New York, September 9, 1946. OCLC 47099086.

Disc 1
1. CD415: "Since My Best Gal Turned Me Down"
2. CD416: "Muskogee Blue"

Disc 2

3. CD417: "Rosie" ("Make It Rosy For Me")
4. CD418: "Take Me to the Land of Jazz"

Disc 3

5. CD419: "I'd Climb the Highest Mountain"
6. CD420 "Red Hot Mama Wells"

Skippy Adelman - The Ragtime Band (album art), Tony Parenti's Ragtimers - The Ragtime Band ‎(3xShellac, 10", album) Circle S-8 (1947)

Skippy Adelman - Jazz A La Creole (album art), Nick and his Creole Serenaders (2xShellac, 10", album) Circle S-13 (1947)

Skippy Adelman - (Vol. 2) (album art) Billie Holiday (10", compilation, mono) Commodore FL 20,006 (1954)

Skippy Adelman - Strange Fruit (album art) Billie Holiday, Atlantic (1972)

Skippy Adelman - The Greatest Interpretations of Billie Holiday - Complete Edition (album art) (2xLP, Comp, Mono) London GSW 3003 (1974)

Skippy Adelman - The Greatest Interpretations of Billie Holiday - Alternate Choices - complete edition (album art) Commodore (1979)

Skippy Adelman - The Greatest Interpretations of Billie Holiday - Complete Edition (album art) Commodore, King (1986)

Skippy Adelman – Original Zenith Brass Band – Eclipse Alley Five & Avery-Tillman Band – New Orleans 1946. American Music Records (back cover photo) – AMCD-75 (CD) Released: 1994 (Discogs release code 16015073); OCLC 48527588.

Selected articles

• Rosenthal, George Sigmund (1922–1967); Zachary, Frank (né Frank Zaharija; 1914–2015) (eds.). Jazzways (snippet view only). Cincinnati: © 21 January 1946; Jazzways, Cincinnati.{{cite book}}: CS1 maint: multiple names: editors list (link) CS1 maint: numeric names: editors list (link) Cover design by Paul Rand. More than 100 photos by Skippy Adelman, Bernice Abbott, and Sargent John Marsh; 1916–2003)

Cincinnati: Jazzways (1946); OCLC 10396118, 367353290, 839356128, 979896906

New York: Greenberg (1946, 1947); OCLC 3501413, 21397381, 611017552

London: Musicians Press Ltd. (1947); OCLC 654341520, 28753218, 795465371, 774482619

(Greenberg, Publisher, founded in 1924 by Jacob Walter Greenberg; 1894–1974; & David Benjamin Greenberg; 1892–1968; sold to Chilton Book Company in 1958)

Contributors

Vol. 1

Report From Abroad," by Albert McCarthy

"Jazz begins," by Rudi Blesh

"Three Horns, Four Rhythm," by Dale Curran

"Going Down State Street," by Frederic Ramsey, Jr.

"Portrait of a Jazzman," Art Hodes

"Benny Goodman," by Alexander King

"Swing," by Frank Stacy, p. 49

"Lionel Hampton, by Peter Fischer

"New Orleans Today," by Eugene Williams & Julius "Skippy" Adelman (photographer) (note: Adelman, who later gave up photography, is still considered among the finest jazz photographers)

"Discollecting," by Frederic Ramsey, Jr.

Vol. 2

"Jazz begins," by Rudi Blesh

"Old Photographs"

"Going Down State Street," by Frederic Ramsey, Jr.

"Condon Mob"

"Hot Royalty"

"Benny Goodman," by Alexander King

"Lionel Hampton, by Peter Fischer

"Swing," by Frank Stacy (Stacy was, in the early 1940s, the New York editor for Down Beat)

"New Orleans Today," by Eugene Williams & Julius "Skippy" Adelman (born around 1924) (photographer) (note: Adelman, who later gave up photography, is still considered among the finest jazz photographers) Philadelphia jazz journalist Nels Nelson wrote in 1985 that Adelman was among the greatest jazz photographers in the world. In 1990, Nelson wrote that renowned jazz photographer "[Bill] Gottlieb ranks second only to the elusive Skippy Adelman in his capacity for capturing the moment."

"Discollecting," by Frederic Ramsey, Jr.

"Collector's Items"

"One for the Money"

"Two for the Show"

"Concerto for Woody"

"Portrait of a Jazzman," by Art Hodes (Hodes launched The Jazz Record in February 1943, which ran for 60 issues that ended November 1947)

"Three Brass, Four Rhythm," by Dale Curran, p. 24

• Berendt, Joachim-Ernst (1956). Jazz-Optisch. Munich: Nymphenburger Verlagshandlung (de). OCLC 666432808 (all editions)
  The book includes 78 photos of jazz musicians. The photographers include Skippy Adelman, William Claxton, Bill Gottlieb, Otto F. Hess, Herman Leonard, and Francis Wolff.

Selected discography

Artists re-issued by Jazz Information

• Freddie Keppard (Paramount)
• Ollie Powers (Claxtonola)
• Leola B. Wilson (Paramount)
• Trixie Smith (Paramount)
• Red Onion Jazz Babies (Gennett)
• Bunk Johnson (Purist)
• Duke Ellington (unissued, Brunswick, Columbia, Lucky (Tokyo))
• Bunny Berigan (unissued, Vocalion, Columbia)
• Frank Froeba (unissued, Vocalion)
• Don Albert (Vocalion)
• Boots and His Buddies (Bluebird)
• Carolina Cotton Pickers (Vocalion)
• Ernie Fields (Vocalion)
• Louis Armstrong (Storyville)
• Joe Newman (Metronome)
• Gerry Mulligan (Ingo)

Artists produced by Jazz Information

• Bunk Johnson

• Adelman, Julius (September 1949). "Young Man With a Camera". Modern Photography. 13 (1). Automobile Digest Publishing Company: 34. LCCN 44-49458; ISSN 0026-8240; OCLC 559505944 (all editions).
  Note: This is the inaugural issue of Modern Photography, when Minicam became Modern Photography.

Film

• Film (16mm) → Victor Vicas, director (1951). "Working Together: A Case History in Labor and Management Cooperation". Produced by Eddie Albert Productions, Los Angeles, for the Twentieth Century Fund, New York City, and the Mutual Security Agency (MSA) Film Section, Washington, D.C., and Paris. Retrieved May 12, 2022 – via Hoboken Historical Museum – Hoboken Moving Images Collection (Edelman was an assistant editor).{{cite web}}: CS1 maint: postscript (link) OCLC 9859090.

Selected critical acclaim

• In 2021, Alan John Ainsworth wrote, "Few photographers were closer to the world of the 1930s and 1940s jazz than Charles Peterson and Skippy Adelman." "Adelman, a Greenwich Village resident and one of a new generation of hard-bitten photojournalists, was as close as Peterson had been in midtown Manhattan to the swirl of activities around Condon." " ... Adelman belonged chronologically to the new generation cohort but his life and work cautions against pigeonholing all these photographers as young, collegeeducated members of the middle class."

• According to newspapers jazz columnist Nels Nelson, Skippy Adelman begat Otto Hess, who begat Charles Peterson, who begat Popsy Randolph, who begat Herman Leonard, who begat Chuck Stewart, who begat Robert Parent, who begat Burt Goldblatt, who begat Robert Polillo."

• "Skippy Adelman's pictures have the spontaneity that is the very soul of jazz."

Cameras

Super Panchro Press, Type B

For the Jazzways photographs, Adelman used:

• Rolleiflex loaded with Super-XX film and Speed Graphic with Super Panchro Press, Type B. The Rollei used Wabash Press 25 bulbs, stops down to f 22 and shoots 1/200 second, and with the Speed Graphic, Wabash Press 40s were used with the diaphragm set at f 32.

Other references

• See this: "Skippy Adelman and George Rosenthal, Jr., who teamed up to cover the spring training of the Cincinnati Reds (Minicam, Sept. 1948), found the telephoto lens invaluable for the job. 'We used the telephoto for action shots'.

Minicam Photography (1948). "n.a." 12. Automobile Digest Publishing Company. Retrieved May 13, 2022 – via Google Books. {{cite journal}}: Cite journal requires |journal= (help) ISSN 0096-5863; OCLC 1757544 (all editions).

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On the subject of Jim Crow, Adelman shot a photo of a "Colored [sic] Crew Only" painted on the lavatory of the Francis Scott Key, a ferryboat to the Statue of Liberty. The Chicago Defender ran a series following that photo.

• see this

• Skippy Adelman photos at the International Center of Photography, 250 Bowery, New York, gift of Michael W. Sonnenfeldt, 2013

• photo: [Melio Annello, Foster, and Louis Muraca]
• photo: Gene Saks playing a street-corner huckster in the E. E. Cummings revival, HIM, Provincetown Playhouse, New York
• photo: Jacques Abram playing piano
• photo: Dr. Alvin Johnson
• photo: Evelyn Winnike taking popcorn from Bob Preston (né Robert Preston; class of 1947), Roslyn High School
• photo: Frank Gilmore Kingdon, D.D. (1894–1972)
• photo: Edward G. Robinson
• photo: Kenneth W. Payne (né Kenneth Wilcox Payne; 1890–1962), Charles Ferguson (né Charles Wright Ferguson; 1901–1987), and Ralph Ernest Henderson (1899–1989), Reader's Digest editors
• photo: Adam Clayton Powell, Jr. and another man sm...
• photo: José Iturbi playing piano
• photo: [Two women in a yard]
• photo: Joe Bonomo
• photo: [Frank V. Kelly]
• photo: Captain John Patrick, author of The Hasty Heart
• photo: Eddie Rickenbacker
• photo: Zero Mostel
• photo: Zero Mostel
• photo: Zero Mostel

• photo: Mrs. George Washington Kavanaugh (née Marie Miller, 1866–1958), PM, November 28, 1943 (Photo by Skippy Adelman)
• Philippa Schuyler portrait collection; OCLC 82986381

Disambiguation

Not to be confused with Bob Adelman (1930–2016), known for his photos relating to civil rights.

Harvard

Books, journals, magazines, and papers

• Antman, Fred. A Tale of Three Cities: Berlin, Shanghai, Melbourne. Caulfield South, Victoria: Makor Jewish Community Library (publisher). ISBN 978-0-9807-0275-0, ISBN 0-9807-0275-5; OCLC 710811492 (all editions).

• Frazier, George (February 1950). "The All-Star Jazz Band". Pagaent. 5 (8). Retrieved May 25, 2022 – via Internet Archive. → Photography credits on p. 50.

Adelman credits:
1. Page 94: Jack Lesberg
2. Page 95: Bud Freeman
3. Page 96: Dizz' (lower right)
4. Page 97: Sarah Vaughan
5. Page 99: (upper left)
6. Page 100: Peanuts Hucko
7. Page 101: Mary Lou Williams

• Abel, Elizabeth, PhD (2010). Signs of the Times: The Visual Politics of Jim Crow. University of California Press.{{cite book}}: CS1 maint: multiple names: authors list (link) LCCN 2009-20570; ISBN 978-0-5202-6117-4 (cloth), ISBN 978-0-5202-6183-9 (paperback); OCLC 354895032 (all editions).

• Abrams, Nathan David, PhD (2018). Chapter 1: "Looking to Killing" – "Developing Into Movies" – "Killer's Kiss". Stanley Kubrick: New York Jewish Intellectual. Rutgers University Press. p. 51. Retrieved May 13, 2022 – via Google Books (limited preview).{{cite book}}: CS1 maint: multiple names: authors list (link) LCCN 2017-32568; ISBN 978-0-8135-8710-3 (cloth); ISBN 978-0-8135-8711-0 (paperback); OCLC 1038707051 (all editions).

• Ainsworth, Alan John, PhD (2021). Sight Readings: Photographers and American Jazz, 1900–1960. Bristol & Chicago: Intellect Books. Retrieved May 9, 2022 – via Google Books.{{cite book}}: CS1 maint: multiple names: authors list (link) ISBN 1-7893-8423-0, 978-1-7893-8423-9; OCLC 1243352255 (all editions).

• "Interviews With ASMP Founders" (series) "Arthur Leipzig" (interview and transcript, 1990). American Society of Media Photographers. Archived from the original on June 17, 2019 – via Wayback Machine.
  Re: Arthur Leipzig: Interview and transcript by Kay Reese & Mimi Leipzig (née Mildred Levin; 1923–2022; Arthur's wife). In 1996, the ASMP staff edited the transcript for online presentation and added supplemental biographic information.

• "Ludwig, Norbert". ASCAP Biographical Dictionary (4th ed.). Compiled for the American Society of Composers, Authors, and Publishers by Jaques Cattell Press – R.R. Bowker Company. p. 312. Retrieved May 11, 2022 – via Internet Archive. LCCN 80-65351; OCLC 993352172 (all editions).

• Boxoffice (March 20, 1972). "Broadway – Sterling Communications Names 2 Vice-Presidents". . 101 (23) (National Executive ed.): E3 (column 3). Retrieved May 24, 2022 – via yumpu.com, an imprint of i-magazine AG, Diepoldsau, Switzerland. {{cite journal}}: Cite journal requires |journal= (help)

• Broadcasting (August 1, 1960). "Program Notes" – "New Film Firm". . 59 (5): 58 (column 3; bottom) – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help) ISSN 0007-2028; OCLC 685240087 (all editions).

• Broadcasting (July 1, 1963). "Fates & Fortunes: Programing" (sic) – "Julius Edelman ... " (weekly). 65 (1). Broadcasting Publications, Inc.: 71. Retrieved May 10, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help) ISSN 0007-2028; OCLC 685240087 (all editions).

Broadcasting (August 19, 1963). "Commercials in Production ... " (weekly). 65 (8). Broadcasting Publications, Inc.: 50. Retrieved May 10, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help) OCLC 685240087 (all editions).

• Burke, Patrick Lawrence, PhD (2008). Come In and Hear the Truth: Jazz and Race on 52nd Street (limited preview). University of Chicago Press. Retrieved May 16, 2022 – via Google Books.{{cite book}}: CS1 maint: multiple names: authors list (link) OCLC 845157228 (all editions).

• Business Screen (March 1968). "18th Production Review" – "1968 Annual Listings of Specializing Producers" – "Allegro Film Productions, Inc.". Vol. 29. Brookhill Publishing Company. p. 139. Retrieved May 18, 2022 – via Internet Archive. {{cite book}}: |last1= has generic name (help) OCLC 1302745782 (all editions).

• Cascone, Sarah (March 22, 2016). "Bob Adelman, Who Photographed Martin Luther King Jr. And Andy Warhol, Dies at 85 – He Put His Life on the Line to Document the Civil Rights Movement". ArtNet. Retrieved May 12, 2022.

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• Orphan → Charters, Samuel Barclay, IV (February 1958). Jazz: New Orleans, 1885–1957. Belleville, New Jersey: Walter C. Allen. pp. 35, 140–141.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link)

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• Eatherton, Fred (compiler); Hazeldine, Mike (assistant compiler) (December 2006). Bunk Johnson – A Discogrpahy (PDF). . Bunk Johnson Information. p. 40. Retrieved May 19, 2022 – via Swedish Bunk Johnson Society. OCLC 938016697 (all editions).

• Hillman, Christopher (1988). Bunk Johnson: His Life and Times. Universe Books. p. 80. Retrieved May 13, 2022 – via Internet Archive. LCCN 87-35765; ISBN 0-8766-3685-7; ISBN 0-8766-3745-4 (paperback); OCLC 17300604 (all editions), 652332358 (all editions).

• Indicator (The) → "Julius Edelman" (Year Book). Manhattan: Stuyvesant High School. June 1941. p. 28 – via Ancestry.com. OCLC 50546336 (all editions).

• Journal of the SMPTE (June 1966). "Sustaining Members – Of the of the Society of Motion Pictures and Television Engineers" – "Allegro Film Productions, Inc". 75 (6): 83. Retrieved May 26, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help)

• Korson, John (1966). "'My Sweetheart's the Mule in the Mines' – Memories of Tom and Maggie Hill". In Goldstein, Kenneth; Byington, Robert H. (eds.). Two Penny Ballads and Four Dollar Whiskey. . Hatboro: published for the Pennsylvania Folklore Society by Folklore Associates. p. 10. Retrieved May 13, 2022 – via Internet Archive. LCCN 64-24802; OCLC 492742 (all editions).

• Ulanov, Barry (March 1947). "Esquire Passes Out of the Jazz Picture". Metronome. 63 (3): 22, 36–38. LCCN sf89-91100; OCLC 19301720 (all editions), OCLC 761405288 (all editions).

• Mathieu, Aaron Maximillion (1907–1996) (April 1945). "The Hard-Boiled School of Photography: The Legend of Skip Adelman, PM's Picture Ace". Minicam Photography. 8. Cincinnati, Ohio: Automobile Digest Publishing Company: 30, 33, 80, 82.{{cite journal}}: CS1 maint: numeric names: authors list (link) LCCN 88-646036, LCCN 88-646041; ISSN 0096-5863; OCLC 1757544 (all editions), OCLC 701741784 (all editions) (online version).
  Note: Mathieu was the founder of Minicam Photography

1. Index. Volume 1 (September 1937 – August 1938) – via Internet Archive.
2. Index. Volume 2 (September 1938 – August 1939) – via Internet Archive.
3. Index. Volume 3 (September 1939 – August 1940) – via Internet Archive.
4. Index. Volume 4 (September 1940 – August 1941) – via Internet Archive.
5. Index. Volume 5 (September 1941 – August 1942) – via Internet Archive.

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1. 1940. Vol. 4 – via Google Books (University of California) (snippet view).
2. 1941. Vols. 4, Nos. 7–12 – via Google Books (University of Minnesota) (snippet view).
3. 1941. Vols. 5 – via Google Books (University of California) (snippet view).
4. 1941. Vols. 5, Vols. 1–6 – via Google Books (University of Minnesota) (snippet view).
5. 1942. Vols. 6, Nos. 1–6 – via Google Books (University of Minnesota) (snippet view).
6. 1942. Vol. 6 – via Google Books (University of California) (snippet view).
7. 1943. Vol. 7 – via Google Books (University of California) (snippet view).
8. 1946. Vol. 9, Nos. 7–12 – via Google Books (University of Minnesota) (snippet view).
9. 1947 – via Google Books (University of Minnesota) (snippet view).
10. 1948. Vol. 12 – via Google Books (University of Minnesota) (snippet view).
11. 1948 – via Google Books (University of Minnesota) (snippet view).

• Motion Picture Daily (January 21, 1953). "Edelman Joins Elgar". . 73 (1): 6. Retrieved May 25, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help)

• Nystrom, Eric Charles, PhD (January 2007). "Miner, Minstrel, Memory: Or, Why the Smithsonian Has Bill Keating's Pants". The Pennsylvania Magazine of History and Biography. 131 (1): 81–101 (footnote 33).{{cite journal}}: CS1 maint: multiple names: authors list (link) Retrieved May 17, 2022. ISSN 0031-4587 (publication); OCLC 16878219 (all editions) (publication); OCLC 204883681, 703635340 (article).

1. Via Penn State. (link). .
2. JSTOR. 20093917.

• Pelizzon, V. Penelope; West, Nancy Martha (born 1963) (2010). Tabloid, Inc.: Crimes, Newspapers, Narratives (Chapter 5) (PDF). Ohio State University Press. Retrieved May 13, 2022 – via Theory and Interpretation of Narrative (journal), Ohio State University Press.{{cite book}}: CS1 maint: numeric names: authors list (link) LCCN 2009-32132; ISBN 978-0-8142-1117-5, ISBN 0-8142-1117-8; OCLC 759724208 (all editions).

• Pelizzon, V. Penelope; West, Nancy Martha (born 1963) (Spring 2004). "'Good Stories' From the Mean Streets: Weegee and Hard-Boiled Autobiography". The Yale Journal of Criticism. 17 (1): 20–50. Retrieved May 23, 2022.{{cite journal}}: CS1 maint: numeric names: authors list (link) Project MUSE 54774.
  Alternate link. Retrieved May 25, 2022 – via Internet Archive.

• Popular Photography (June 1946). "Jazz Pix". . 18 (6). Chicago: Ziff-Davis Publishing Company: 54–55. Retrieved May 9, 2022 – via Google Books. {{cite journal}}: Cite journal requires |journal= (help) OCLC 5517354 (all editions).

• Popular Photography; Nathan, Simon Morris (1921–2004) (July 1972). "Simon Says". 71 (1): 64. Retrieved May 25, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help)CS1 maint: numeric names: authors list (link)

• Price, Jack (December 30, 1944). "Photography: New PM Studio Plant Shows Good Planning – Housing and Equipment of New York Daily Help Efficient Operation". Editor & Publisher. . 77 (53): 50. Retrieved May 25, 2022 – via Internet Archive.

• Record Changer (The) [in German]; by Allergy Condom [sic] (March 1947). "Record Changer's Book Review – Esquire's 1947 Jazz Book, Esquire, Inc., Chicago, 1947". . 6 (1): 8–9 & 15. Retrieved May 17, 2022 – via Internet Archive. {{cite journal}}: Cite journal requires |journal= (help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) LCCN 2003-223732 & LCCN 48-28187; OCLC 01774075 (all editions).

• "Record Changer (The)". . 8 (3). March 1949. {{cite journal}}: Cite journal requires |journal= (help) Retrieved May 17, 2022 – via Internet Archive LCCN 2003-223732; OCLC 01774075 (all editions).

1. Delaunay, Charles. "An Attack on Critical Jabberwalky": 13–14. {{cite journal}}: Cite journal requires |journal= (help)
2. Finkelstein, Sidney (1909–1974). "Peace in the Ranks": 11–12. {{cite journal}}: Cite journal requires |journal= (help)CS1 maint: numeric names: authors list (link)

• Parenti, Tony (interviewee); Gillis, Frank (interviewor); Morser, Roy Christian, Jr. (1926–1990) (interviewor) (May–June 1960). "Tony Parenti's Story – The Years in New York; 1928/1950". Record Research. . Issue 28. Brooklyn: 2–4, 7–8, 9–10. Retrieved June 6, 2022 – via Internet Archive. {{cite journal}}: |volume= has extra text (help)CS1 maint: date format (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) LCCN sf79-10512, LCCN sv89-13740; ISSN 0034-1592; OCLC 04554179 (all editions).

• Toledano, Ralph de (1994) [1947]. Frontiers of Jazz (limited preview) (3rd revised ed.). Pelican Publishing Company. p. 89. Retrieved May 16, 2022 – via Google Books. LCCN 93-42542; ISBN 1-5655-4043-3; OCLC 461364170 (all editions).</ref>

Variety (January 21, 1953). "Television Chatter" – "New York" – "Julius Edelman ... ". . 189 (7): 36. {{cite journal}}: Cite journal requires |journal= (help)

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• Orphan → Welburn, Ronald Garfield, PhD (Autumn 1987). "Jazz Magazines of the 1930s: An Overview of Their Provocative Journalism". American Music. 5 (3). University of Illinois Press: 255–270.{{cite journal}}: CS1 maint: multiple names: authors list (link) ISSN 0734-4392 (publication); JSTOR 3051735 (article); OCLC 6733330569, 7376919917 (article).

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• William, Eugene (November 1941). "A History of Jazz Information". Jazz Information (transcript). 2 (16): 93–101. Retrieved May 16, 2022.
  Retrieved May 16, 2022 – via www.swingdjs.com – jazz forum site that was active for 16 years, through January 2019, registered to and maintained by Jesse Miner, a San Francisco area chef and jazz history enthusiast. The forum boards were closed in January 2019, but much of its content, as of May 2022, has been accessible. The 23 links to transcripts of Jazz Information on a former website of the late Joseph Elbert Shepherd (1926–2021) of Sterling, Virginia ([1]), have been archived by Wayback Machine.

• Writer's Digest (February 1950). "Afternoon in An Office". Writer's Digest. Cincinnatti: 13, 38, 74.; ISSN 0043-9525; OCLC 531780687.
  Aaron Maximillion Mathieu (1907–1996), founder of Minicam Photography, was the publication's business manager.

News media

• American Israelite (The) (April 8, 1954). "Illustrated Booklett, 'Jewish Welfare Fund,' Issued in Cincinnati". Cincinnati. p. 1. Retrieved May 17, 2022 – via Newspapers.com. LCCN 2012-263168; OCLC 806971213 (all editions).

• Daily Sentinel; Williams, Joe (May 21, 1947). "Horses Faster Now Than Quarter of Century Ago" (PDF). . Vol. 66. Rome, New York. p. 13. Retrieved May 13, 2022 – via Fultonhistory.com.
  "The picture of Ewell Blackwell of the Cincinnati Reds on the club's official souvenir book is a collector's item. It's right out of Tobacco Road. Incidentally, this is the best illustrated book of its kind in the field, a remarkable job by Photographer Skippy Adelman."

• Orphan → Navadan – the Sunday magazine of the Las Vegas Review-Journal; Moody, Bill (June 10, 1990). "Nevadans" – "Jazz Age Lives in Photography – Las Vegas Man Has Thousands of Pictures in Collection". Vol. 29, no. 23. pp. 5T, 6T, 15T. Retrieved May 19, 2022 – via GenealogyBank. LCCN sn84-20375; ISSN 1097-1645; OCLC 8079993 (all editions).
  Re: Photo collection of Ken Whitten: "Whitten lists among his favorites Otto Hess, Charles Peterson, Bill Gottlieb (Giants of Jazz), Bert Goldblatt, and Skippy Adelman." "'Adelman and Goldblatt just kind of dissappeared but the both took some great shots in the mid-40s,' Whitten said." The article states that Whitten has over 3,000 jazz photos. He, and the author of Moonlight Serenade purchased the negatives from Arsene Studios.

  Note: Whitten, in 1965, had an address of 37 Saint Leonard's Crescent, Toronto.Billboard (November 6, 1965). "The Jazz Beat". . 77 (45): 62. Retrieved May 19, 2022 – via Google Books. {{cite journal}}: Cite journal requires |journal= (help)

Arsene Studios

• 1943: 1585 D Broadway, New York, New York (1585 Broadway – The Strand Theater Building – between 47th and 48th Streets, in Times Square, is the current site of the Morgan Stanley Building)
• 1944: 1585 D Broadway, New York, New York
• 1945: 1585 D Broadway, New York, New York
• 1946: 1585 D Broadway, New York, New York
• 1947: 1585 D Broadway, New York, New York
• 1948: 1585 D Broadway, New York, New York
• 1949: 1585 C Broadway, New York, New York
• 1951: 1585 D Broadway, New York, New York
• 1952: 1585 D Broadway, New York, New York
• 1953: 1585 D Broadway, New York, New York
• 1954: 756 7th Avenue, New York, New York (below the Winter Garden Theatre)
• 1955: 756 7th Avenue, New York, New York
• 1956: 756 7th Avenue, New York, New York
• 1957: 756 7th Avenue, New York, New York
• 1958: 756 7th Avenue, New York, New York
• 1959: 756 7th Avenue, New York, New York

Leo Arsene, an entertainment photographer, had a shop on Seventh Avenue.

Other big collectors of jazz photos: Frank Driggs (acquired many B&W negatives from Leo Arsene)

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• Flower, John. Moonlight Serenade – A Bio-Discography of the Glenn Miller Civilian Band. Arlington House Publishers. Retrieved May 19, 2022 – via Internet Archive. LCCN 74-179717; ISBN 0-8700-0161-2; OCLC 681768770 (all editions).

• Stokes, W. Royal (1991). The Jazz Scene: An Informal History From New Orleans to 1990. Oxford University Press. Retrieved May 19, 2022 – via Internet Archive. LCCN 90-14208; ISBN 0-1950-8270-2, ISBN 978-0-1950-8270-8; OCLC 848061522 (all editions); Scribd 477510387.

• Re: Leo Arsene → New Yorker (The); Singer, Barry (March 18, 1990). "No End" (limited preview): 30–31. Retrieved May 19, 2022. {{cite journal}}: Cite journal requires |journal= (help)
  → Also accessible online via Chartwell Booksellers (PDF). . Retrieved May 19, 2022.

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• Philadelphia Daily News; Nelson, Nels (November 22, 1985). "Some People Sweat Better Than Others". Vol. 61, no. 162. p. 70. Retrieved May 13, 2022 – via Newspapers.com. ProQuest 1827395706 (US Newsstream database).

• Philadelphia Daily News; Nelson, Nels (June 22, 1990). "Snap Judgements – Bill Gottlieb's Photos Are a History of Jazz". Vol. 66, no. 70. p. 50. Retrieved May 13, 2022 – via Newspapers.com. ProQuest 1834816535 (US Newsstream database).

• Pottsville Republican (February 9, 1946). "About Books ..... and Thereabouts". Vol. 121, no. 89. p. 6. Retrieved May 13, 2022 – via Newspapers.com. LCCN sn85-55289; OCLC 12851117 (all editions).

• Wilkes-Barre Record (February 1, 1946). "Mine Ballads Are Recorded – Library of Congress Sends Expedition for Anthracite Folk Song" (weekly). Vol. 113, no. 88. p. 24 (section 2). Retrieved May 17, 2022 – via Newspapers.com. LCCN sn86-63534; OCLC 13386445 (all editions).

Copyrights and trademarks

• "Trademark Registrations Issued" – "Principal Register" – "Class 38 – Prints and Publications" – 949,369: "Science Screen Report" – "Allegro Film Productions, Inc.; SN 405,513". Official Gazette of the United States Patent Office. . Vol. 905, no. 4. December 26, 1972. p. PM 272. Retrieved May 24, 2022 – via Google Books (Penn State).

Catalog of Copyright Entries, Part 1, Group 2, Pamphlets, Leaflets, Contributions to Newspapers or Periodicals, Etc. – Maps. New Series, Volume 43 (1946). Library of Congress, Copyright Office

1. © Edelman, Julius, w&m (29 February 1952). Copyrighted work: "Jazzways" (EU266197). p. 468. Retrieved May 10, 2022 – via Internet Archive.{{cite book}}: CS1 maint: multiple names: authors list (link)

Genealogy

• Naturalization, "Mary Edelman" (1935). (1) "Certificate of Arrival." (2) "Petition for Naturalization." (3) "Oath of Allegiance." → New York, Southern District, U.S District Court Naturalization Records, 1824–1946 (database with images). Petitions for Naturalization and Petition Evidence. Roll No. 954 (Petition nos. 247849–248205) → Citing NARA Microfilm Publication M1972, Southern District of New York, Petitions for Naturalization, 1897–1944. Records of District Courts of the United States, 1685–2009, RG (Record Group) 21. National Archives at New York. FamilySearch Images 1017–1019 (of 1106). Retrieved May 25, 2022 – via FamilySearch (September 13, 2019).

1. Certificate of Arrival No. 2–370639
2. Petition date: July 16, 1935
3. Petition for Naturalization No. 248125
4. Petition Granted: List No. 4439; Certificate No. 3949679

• New Montefiore Cemetery; Edelman, Julius (decedent). Section 3, Block 14, Row 10, Grave 12R – Society: ONLO Association Inc. His wife, Dorothy (née Langer; 1925–2021) is buried next to him in Grave 11R (date of death: May 1, 2004; New Montefiore Cemetery ID: 5256343). Retrieved May 20, 2022 – via New Montefiore Cemetery → ONLO could possibly be a benevolent association of the Onward Lodge #487, Knights of Pythias, New York, New York.

• 1940 United States Census. "Edelman, Julius" (son → age 16 → in household of Harry Edelman → at 488 East Houston Street) (database with images). New York City → Manhattan Assembly District 6 → Block K → S.D. (supervisor's district) No. 14 → E.D. (enumeration district) No. 31–511 – Enumeration date: April 9, 1940 → Line 71 → Family 17 – via FamilySearch.{{cite book}}: CS1 maint: numeric names: authors list (link)
  Digital source → NARA digital publication T627 → Digital image 2 (of 18) Records of the Bureau of the Census, 1790–2007, RG (record group) No 29. Washington, D.C.: National Archives and Records Administration (2012). Roll 2635.

• Death Certificate: "Bessie Edelman". "New York City Municipal Deaths, 1795–1949: Bessie Edelman, 1924" (Date of death: July 7, 1924 → Place of death: Manhattan, New York City → Birth year (estimated) 1896 → Father's name: Israel Cohen → Mother's name Bella Cohen → Spouse's name: Mr. Edelman). New York City Death Certificate No. 18020. Retrieved September 9, 2022 – via FamilySearch.

External links

Category:1924 births

Category:2004 deaths

Category:20th-century American photographers

Category:Jazz photographers

Category:American photojournalists

Category:Stuyvesant High School alumni

Category:Social documentary photographers

Category:Burials at New Montefiore Cemetery