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User:Elizabethhawkins21315/Nkisi/Bibliography

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The vessel becomes a nkisi when filled with the bilongo or milongo.[1]

The most influential nkisi were wooden figures with different types of hardware such as blades, nails, and screws incorporated into the wood. These elements represented the validity of contracts and vows.[2]

The below minkisi were considered feminine and were tied to healing.[3]

Often, people would seek aid through nkisi. In order to do so, an individual would have to seek the guidance of nganga. The nganga would proceed using their ability to intervene with nkisi on behalf of the person seeking aid.[4]


Bibliography[edit]

Edit this section to compile the bibliography for your Wikipedia assignment. Add the name and/or notes about what each source covers, then use the "Cite" button to generate the citation for that source.

LaGamma, Alisa. “Kongo: Power and Majesty.” African Arts 48, no. 3 (2015): 76–87. http://www.jstor.org/stable/24720671.

Lagamma, A. (2008). The Recently Acquired Kongo Mangaaka Power Figure. Metropolitan Museum Journal, 43, 201–210. https://doi.org/10.1086/met.43.25699095[3]

MacGaffey, Wyatt. “The Personhood of Ritual Objects: Kongo ‘Minkisi.’” Etnofoor 3, no. 1 (1990): 45–61. http://www.jstor.org/stable/25757709.[1]

Cole TB. Nkisi Nkondi (Nail Figure): Congolese, Republic of the Congo. JAMA. 2016;315(4):330–331. doi:10.1001/jama.2015.14073[5]

Hersak, Dunja (2010). "Reviewing Power, Process, and Statement: The Case of Songye Figures". African Arts. 43 (2): 38–51. ISSN 0001-9933.[6]

Volavkova, Zdenka. “Nkisi Figures of the Lower Congo.” African Arts, vol. 5, no. 2, 1972, pp. 52–84. JSTOR, https://doi.org/10.2307/3334675. Accessed 17 Apr. 2024.[7]

[2]References[edit]

  1. ^ a b MacGaffey, Wyatt. “The Personhood of Ritual Objects: Kongo ‘Minkisi.’” Etnofoor 3, no. 1 (1990): 45–61. http://www.jstor.org/stable/25757709.
  2. ^ a b LaGamma, Alisa. “Kongo: Power and Majesty.” African Arts 48, no. 3 (2015): 76–87. http://www.jstor.org/stable/24720671.
  3. ^ a b Lagamma, A. (2008). The Recently Acquired Kongo Mangaaka Power Figure. Metropolitan Museum Journal, 43, 201–210. https://doi.org/10.1086/met.43.25699095
  4. ^ Cole, Thomas B. (2016-01-26). "Nkisi Nkondi (Nail Figure): Congolese, Republic of the Congo". JAMA. 315 (4): 330. doi:10.1001/jama.2015.14073. ISSN 0098-7484.
  5. ^ Cole, Thomas B. (2016-01-26). "Nkisi Nkondi (Nail Figure): Congolese, Republic of the Congo". JAMA. 315 (4): 330. doi:10.1001/jama.2015.14073. ISSN 0098-7484.
  6. ^ Hersak, Dunja (2010-06). "Reviewing Power, Process, and Statement: The Case of Songye Figures". African Arts. 43 (2): 38–51. doi:10.1162/afar.2010.43.2.38. ISSN 0001-9933. {{cite journal}}: Check date values in: |date= (help)
  7. ^ Volavkova, Zdenka (1972). "Nkisi Figures of the Lower Congo". African Arts. 5 (2): 52. doi:10.2307/3334675.

Outline of proposed changes[edit]

Often, people would seek aid through nkisi. In order to do so, an individual would have to seek the guidance of nganga. The nganga would proceed using their ability to intervene with nkisi on behalf of the person seeking aid.[1]

  1. ^ Cite error: The named reference :3 was invoked but never defined (see the help page).