User:Double sharp/Schubert opus numbers

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Op. 1

  • D 328, Song "Der Erlkönig" ['Wer reitet so spät durch Nacht und Wind?'] for voice and piano (1815, 4th version)


Op. 2

  • D 118, Song "Gretchen am Spinnrade" ['Meine Ruh’ ist hin, mein Herz ist schwer'] for voice and piano (1814)


Op. 3

  • No. 1 D 121, Song "Schäfers Klagelied" ['Da droben auf jenem Berge'] for voice and piano (1814, 1st version)
  • No. 2 D 216, Song "Meeres Stille" ['Tiefe Stille herrscht im Wasser'] for voice and piano (1815, 2nd setting)
  • No. 3 D 257, Song "Heidenröslein" ['Sah ein Knab’ ein Röslein stehn'] for voice and piano (1815)
  • No. 4 D 368, Song "Jägers Abendlied" ['Im Felde schleich’ ich still und wild'] for voice and piano (1816?, 2nd setting)


Op. 4

  • No. 1 D 489, Song "Der Wanderer" ['Ich komme vom Gebirge her'] for voice and piano, Der Unglückliche (1816, 3rd version [formerly D 493])
  • No. 2 D 685, Song "Morgenlied" ['Eh’ die Sonne früh aufersteht'] for voice and piano (1820)
  • No. 3 D 224, Song "Wandrers Nachtlied" ['Der du von dem Himmel bist'] for voice and piano (1815)


Op. 5

  • No. 1 D 138, Song "Rastlose Liebe" ['Dem Schnee, dem Regen, dem Wind entgegen'] for voice and piano (1815, 1st version)
  • No. 2 D 162, Song "Nähe des Geliebten" ['Ich denke dein, wenn mir der Sonne Schimmer'] for voice and piano (1815, 2nd version)
  • No. 3 D 225, Song "Der Fischer" ['Das Wasser rauscht’, das Wasser schwoll'] for voice and piano (1815, 2nd version)
  • No. 4 D 226, Song "Erster Verlust" ['Ach, wer bringt die schönen Tage'] for voice and piano (1815)
  • No. 5 D 367, Song "Der König in Thule" ['Es war ein König in Thule'] for voice and piano (1816)


Op. 6

  • No. 1 D 541, Song "Memnon" ['Den Tag hindurch nur einmal mag ich sprechen'] for voice and piano (1817)
  • No. 2 D 542, Duet "Antigone und Oedip" ['Ihr hohen Himmlischen'] for two voices and piano (1817)
  • No. 3 D 504, Song "Am Grabe Anselmos" ['Daß ich dich verloren habe'] for voice and piano (1816, 1st version)


Op. 7

  • No. 1 D 514, Song "Die abgeblühte Linde" ['Wirst du halten, was du schwurst'] for voice and piano (1817?)
  • No. 2 D 515, Song "Der Flug der Zeit" ['Es floh die Zeit im Wirbelfluge'] for voice and piano (1817?)
  • No. 3 D 531, Song "Der Tod und das Mädchen" ['Vorüber, ach vorüber'] for voice and piano (1817)


Op. 8

  • No. 1 D 702, Song "Der Jüngling auf dem Hügel" ['Ein Jüngling auf dem Hügel'] for voice and piano (1820)
  • No. 2 D 516, Song "Sehnsucht" ['Der Lerche wolkennahe Lieder'] for voice and piano (1816?)
  • No. 3 D 586, Song "Erlafsee" ['Mir ist so wohl, so weh’ '] for voice and piano (1817)
  • No. 4 D 539, Song "Am Strome" ['Ist mir’s doch, als sei mein Leben'] for voice and piano (1817)


Op. 9

  • D 365, Thirty-six Original Dances for piano, Erste Walzer (1818–1821)


Op. 10

  • D 624, Eight Variations on a French Song in E minor for piano duet (1818; 2 versions of the "Theme" are extant)


Op. 11

  • No. 1 D 598, Quartet "Das Dörfchen" ['Ich rühme mir mein Dörfchen hier'] for two tenors, two basses and piano (1817, 2nd version [formerly D 641])
  • No. 2 D 724, Quartet "Die Nachtigall" ['Bescheiden verborgen im buschigten Gang'] for two tenors, two basses and piano (1821 or earlier)
  • No. 3 D 747, Quartet "Geist der Liebe" ['Der Abend schleiert Flur und Hain'] for two tenors, two basses and piano (1822, 2nd setting)


Op. 12

  • D 478, Song cycle Gesänge des Harfners aus "Wilhelm Meister" for voice and piano (1822)
1. "Wer sich der Einsamkeit ergibt", Harfenspieler I (1822?, 2nd setting; 2nd version)
2. "Wer nie sein Brot mit Tränen aß", Harfenspieler III [formerly D 480] (1822, 3rd setting)
3. "An die Türen will ich schleichen", Harfenspieler II [formerly D 479] (1822?, 2nd version)


Op. 13

  • No. 1 D 517, Song "Der Schäfer und der Reiter" ['Ein Schäfer saß im Grünen'] for voice and piano (1817)
  • No. 2 D 711, Song "Lob der Tränen" ['Laue Lüfte, Blumendüfte'] for voice and piano (1818?, 2nd version)
  • No. 3 D 524, Song "Der Alpenjäger" ['Auf hohen Bergesrücken'] for voice and piano (1817, 3rd version)


Op. 14

  • No. 1 D 720, Song "Suleika I" ['Was bedeutet die Bewegung?'] for voice and piano (1821, 2nd version)
  • No. 2 D 719, Song "Geheimes" ['Über meines Liebchens Äugeln'] for voice and piano (1821)


Op. 15


Op. 16

  • No. 1 D 740, Quartet "Frühlingsgesang" ['Schmücket die Locken'] for two tenors, two basses and piano (1822, 2nd setting)
  • No. 2 D 422, Quartet "Naturgenuß" ['Im Abendschimmer wallt der Quell'] for two tenors, two basses and piano (1822?, 2nd setting)


Op. 17

  • No. 1 D 983, Quartet "Jünglingswonne" ['So lang im deutschen Eichentale'] for two tenors and two basses (pub. 1823)
  • No. 2 D 983A, Quartet "Liebe" ['Liebe rauscht der Silberbach'] for two tenors and two basses (pub. 1823)
  • No. 3 D 983B, Quartet "Zum Rundetanz" ['Auf! es dunkelt; silbern funkelt'] for two tenors and two basses (pub. 1823)
  • No. 4 D 983C, Quartet "Die Nacht" ['Wie schön bist du, freundliche Stille'] for two tenors and two basses (pub. 1823)


Op. 18

  • D 145, Twelve Waltzes, Seventeen Ländler and Nine Écossaises for piano (1815–1821)


Op. 19

  • No. 1 D 369, Song "An Schwager Kronos" ['Spute dich, Kronos!'] for voice and piano (1816)
  • No. 2 D 161, Song "An Mignon" ['Über Tal und Fluß getragen'] for voice and piano (1815, 2nd version)
  • No. 3 D 544, Song "Ganymed" ['Wie im Morgenglanze'] for voice and piano (1817)


Op. 20

  • No. 1 D 741, Song "Sei mir gegrüßt" ['O du Entriß’ne mir'] for voice and piano (1821–1822)
  • No. 2 D 686, Song "Frühlingsglaube" ['Die linden Lüfte sind erwacht'] for voice and piano (1820, 3rd version)
  • No. 3 D 552, Song "Hänflings Liebeswerbung" ['Ahidi! ich liebe'] for voice and piano (1817, 2nd version)


Op. 21

  • No. 1 D 553, Song "Auf der Donau" ['Auf der Wellen Spiegel'] for bass and piano (1817)
  • No. 2 D 536, Song "Der Schiffer" ['Im winde, im Sturme'] for bass and piano (1817?, 2nd version)
  • No. 3 D 525, Song "Wie Ulfru fischt" ['Der Angel zuckt, die Rute bebt'] for bass and piano (1817, 2nd version)


Op. 22

  • No. 1 D 771, Song "Der Zwerg" ['Im trüben Licht verschwinden schon die Berge'] for voice and piano (1822?)
  • No. 2 D 772, Song "Wehmut" ['Wenn ich durch Wald und Fluren geh’ '] for voice and piano (1822 or 1823?)


Op. 23

  • No. 1 D 751, Song "Die Liebe hat gelogen" ['Die Liebe hat gelogen, die Sorge lastet schwer'] for voice and piano (1822)
  • No. 2 D 743, Song "Selige Welt" ['Ich treibe auf des Lebens Meer'] for bass and piano (1822?)
  • No. 3 D 744, Song "Schwanengesang" ['Wie klag’ ich’s aus das Sterbegefühl'] for voice and piano (1822?)
  • No. 4 D 761, Song "Schatzgräbers Begehr" ['In tiefster Erde ruht ein alt Gesetz'] for voice and piano (1822, 2nd version)


Op. 24

  • No. 1 D 583, Song "Gruppe aus dem Tartarus" ['Horch, wie Murmeln des empörten Meeres'] for voice and piano (1817, 2nd setting)
  • No. 2 D 527, Song "Schlaflied" ['Es mahnt der Wald'] for voice and piano, Abendlied or Schlummerlied (1817, 2nd version)


Op. 25

1. "Das Wandern" ['Das Wandern ist des Müllers Lust']
2. "Wohin?" ['Ich hört’ ein Bächlein rauschen']
3. "Halt!" ['Eine Mühle seh’ ich blinken']
4. "Danksagung an den Bach" ['War es also gemeint']
5. "Am Feierabend" ['Hätt’ ich tausend Arme zu rühren']
6. "Der Neugierige" ['Ich frage keine Blume']
7. "Ungeduld" ['Ich schnitt’ es gern in alle Rinden ein']
8. "Morgengruß" ['Guten Morgen, schöne Müllerin']
9. "Des Müllers Blumen" ['Am Bach viel kleine Blumen stehn’ ']
10. "Tränenregen" ['Wir saßen so traulich beisammen']
11. "Mein!" ['Bächlein, laß dein Rauschen sein']
12. "Pause" ['Meine Laute hab’ ich gehängt an die Wand']
13. "Mit dem grünen Lautenbande" ['Schad’ um das schöne grüne Band']
14. "Der Jäger" ['Was sucht denn der Jäger']
15. "Eifersucht und Stolz" ['Wohin so schnell']
16. "Die liebe Farbe" ['In Grün will ich mich kleiden']
17. "Die böse Farbe" ['Ich möchte zieh’n in die Welt hinaus']
18. "Trockne Blumen" ['Ihr Blümlein alle']
19. "Der Müller und der Bach" ['Wo ein treues Herze']
20. "Des Baches Wiegenlied" ['Gute Ruh’, gute Ruh’ ']


Op. 26

  • D 797, Music for Schauspiel "Rosamunde, Fürstin von Zypern" for alto, mixed choir and orchestra (1823, Overture and nine numbers)


Op. 27

  • D 602, Trois Marches Héroiques for piano duet (1818 or 1824)


Op. 28

  • D 809, Quartet "Gondelfahrer" ['Es tanzen Mond und Sterne'] for two tenors, two basses and piano (1824, 2nd setting)


Op. 29


Op. 30

  • D 617, Sonata in B-flat major for piano duet (1818)


Op. 31

  • D 717, Song "Suleika II" ['Ach um deine feuchten Schwingen'] for voice and piano (1821)


Op. 32

  • D 550, Song "Die Forelle" ['In einem Bächlein helle'] for voice and piano (1816–1821, 4th version)


Op. 33

  • D 783, Sixteen German Dances and Two Écossaises for piano (1823–1824; German Dances Nos. 8 and 9 also used in D 366, D 814)


Op. 34

  • D 675, Overture in F major for piano duet (1819?)


Op. 35

  • D 813, Eight Variations on an original theme in A-flat major for piano duet (1824)


Op. 36

  • No. 1 D 707, Song "Der zürnenden Diana" ['Ja, spanne nur den Bogen'] for voice and piano (1820, 2nd version)
  • No. 2 D 672, Song "Nachtstück" ['Wenn über Berge sich der Nebel breitet'] for voice and piano (1819, 2nd version)


Op. 37

  • No. 1 D 794, Song "Der Pilgrim" ['Noch in meines Lebens Lenze'] for voice and piano (1823, 2nd version)
  • No. 2 D 588, Song "Der Alpenjäger" ['Willst du nicht das Lämmlein hüten?'] for voice and piano (1817, 2nd version)


Op. 38

  • D 209, Song "Der Liedler" ['Gib, Schwester, mir die Harf herab'] for voice and piano (1815)


Op. 39

  • D 636, Song "Sehnsucht" ['Ach, aus dieses Tales Gründen'] for voice and piano (1821?, 2nd setting; 3rd version)


Op. 40

  • D 819, Six Grandes Marches for piano duet (1818 or 1824)


Op. 41

  • D 800, Song "Der Einsame" ['Wenn meine Grillen schwirren'] for voice and piano (1825)


Op. 42


Op. 43

  • No. 1 D 828, Song "Die junge Nonne" ['Wie braust durch die Wipfel'] for voice and piano (1825)
  • No. 2 D 827, Song "Nacht und Träume" ['Heil’ge Nacht, du sinkest nieder!'] for voice and piano (1823, 2nd version)


Op. 44

  • D 457, Song "An die untergehende Sonne" ['Sonne, du sinkst'] for voice and piano (1816 sketch, finished 1817)


Op. 45

  • D 739, Hymn "Tantum ergo" ['Tantum ergo'] in C major for mixed choir, orchestra and organ (1814)


Op. 46

  • D 136, Offertory "Totus in Corde" ['Totus in corde langueo'] in C major for soprano (or tenor), clarinet (or violin) concertante, orchestra and organ, Erstes Offertorium (1815?)


Op. 47

  • D 223, Offertory "Salve Regina" ['Salve Regina'] in F major for soprano, orchestra and organ, Zweites Offertorium (1823, 2nd version)


Op. 48

  • D 452, Mass No. 4 in C major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1816; 2nd setting of the "Benedictus" was formerly D 961)


Op. 49

  • D 735, Galop and Eight Écossaises for piano (pub. 1825)


Op. 50


Op. 51


Op. 52
Sieben Gesänge aus Walter Scotts ‘Fräulein am See’

  • No. 1 D 837, Song "Ellens Gesang I" ['Raste, Krieger, Krieg ist aus'] for voice and piano (1825)
  • No. 2 D 838, Song "Ellens Gesang II" ['Jäger, ruhe von der Jagd!'] for voice and piano (1825)
  • No. 3 D 835, Quartet "Bootgesang" ['Triumph, er naht'] for two tenors, two basses and piano (1825)
  • No. 4 D 836, Chorus "Coronach (Totengesang der Frauen und Mädchen)" ['Er ist uns geschieden'] for women’s choir and piano, Totengesang der Frauen und Mädchen (1825)
  • No. 5 D 846, Song "Normans Gesang" ['Die Nacht bricht bald herein'] for voice and piano (1825)
  • No. 6 D 839, Song "Ellens Gesang III (Hymne an die Jungfrau)" ['Ave Maria! Jungfrau mild'] for voice and piano, Ave Maria or Hymne an die Jungfrau (1825)
  • No. 7 D 843, Song "Lied des gefangenen Jägers" ['Mein Roß so müd'] for voice and piano (1825)


Op. 53


Op. 54

  • D 818, Divertissement à la hongroise in G minor for piano duet (1824)


Op. 55

  • D 859, Grande Marche Funèbre in C minor for piano duet (1825)


Op. 56

  • No. 1 D 767, Song "Willkommen und Abschied" ['Es schlug mein Herz'] for voice and piano (1822, 2nd version)
  • No. 2 D 737, Song "An die Leier" ['Ich will von Atreus Söhnen'] for voice and piano (1822 or 1823?)
  • No. 3 D 738, Song "Im Haine" ['Sonnenstrahlen durch die Tannen'] for voice and piano (1822 or 1823?)


Op. 57

  • No. 1 D 633, Song "Der Schmetterling" ['Wie soll ich nicht tanzen'] for voice and piano (1819 and 1823?)
  • No. 2 D 634, Song "Die Berge" ['Sieht uns der Blick gehoben'] for voice and piano (1819 and 1823?)
  • No. 3 D 193, Song "An den Mond" ['Geuß, lieber Mond, geuß deine Silberflimmer'] for voice and piano (1815, 2nd version)


Op. 58

  • No. 1 D 312, Song "Hektors Abschied" ['Will sich Hektor ewig von mir wenden'] for voice and piano (1815, 2nd version)
  • No. 2 D 113, Song "An Emma" ['Weit in nebelgrauer Ferne'] for voice and piano (1814, 3rd version)
  • No. 3 D 191, Song "Des Mädchens Klage" ['Der Eichwald braust'] for voice and piano (1815, 2nd setting; 2nd version)


Op. 59

  • No. 1 D 756, Song "Du liebst mich nicht" ['Mein Herz ist zerrissen, du liebst mich nicht!'] for voice and piano (1822, 2nd version)
  • No. 2 D 775, Song "Daß sie hier gewesen" ['Daß der Ostwind Düfte hauchet'] for voice and piano (1823?)
  • No. 3 D 776, Song "Du bist die Ruh" ['Du bist die Ruh, der Friede mild'] for voice and piano (1823)
  • No. 4 D 777, Song "Lachen und Weinen" ['Lachen und Weinen zu jeglicher Stunde'] for voice and piano (1823)


Op. 60

  • No. 1 D 778, Song "Greisengesang" ['Der Frost hat mir bereifet'] for bass and piano (1823, 3rd version)
  • No. 2 D 801, Song "Dithyrambe" ['Nimmer, das glaub mir, erscheinen die Götter'] for bass and piano (pub. 1826, 2nd setting; 2nd version)


Op. 61

  • D 824, Six Polonaises for piano duet (1826)


Op. 62

1. "Mignon und der Harfner" ['Nur wer die Sehnsucht kennt'] for two voices and piano (5th setting)
2. "Lied der Mignon" ['Heiß mich nicht reden, heiß mich schweigen'] for voice and piano (2nd setting)
3. "Lied der Mignon" ['So laßt mich scheinen, bis ich werde'] for voice and piano (3rd setting)
4. "Lied der Mignon" ['Nur wer die Sehnsucht kennt'] for voice and piano (6th setting)


Op. 63

  • D 823 No. 1, Divertissement sur des motifs originaux français in E minor for piano duet (1st movement pub. 1826–1827 as Marche Brillante)


Op. 64

  • No. 1 D 825, Quartet "Wehmut" ['Die Abendglocke tönet'] for two tenors and two basses (1826)
  • No. 2 D 825A, Quartet "Ewige Liebe" ['Ertönet, ihr Saiten, in nächtlicher Ruh'] for two tenors and two basses (1826)
  • No. 3 D 825B, Quartet "Flucht" ['In der Freie will ich leben'] for two tenors and two basses (1825)


Op. 65

  • No. 1 D 360, Song "Lied eines Schiffers an die Dioskuren" ['Dioskuren, Zwillingssterne'] for voice and piano (1816)
  • No. 2 D 649, Song "Der Wanderer" ['Wie deutlich des Mondes Licht'] for voice and piano (1819, 2nd version)
  • No. 3 D 753, Song "Heliopolis I" ['Im kalten, rauhen Norden ist Kunde mir geworden'] for voice and piano, Aus Heliopolis I or Im Hochgebirge (1822)


Op. 66

  • D 885, Grande Marche Héroique in A minor for piano duet (pub. 1826)


Op. 67

  • D 734, Sixteen Ländler and Two Écossaises for piano, Wiener Damen-Ländler (pub. 1826)


Op. 68

  • D 742, Song "Der Wachtelschlag" ['Ach! mir schallt’s dorten so lieblich hervor'] for voice and piano (pub. 1822)


Op. 69

  • D 773, Overture to the Opera Alfonso und Estrella for piano duet (1823, version for piano duet of the Overture from D 732)
  • D 759A, Overture to the Opera Alfonso und Estrella for piano (1822, version for piano of the Overture from D 732)


Op. 70

  • D 895, Rondo in B minor for violin and piano, Rondeau brillant (1826)


Op. 71

  • D 770, Song "Drang in die Ferne" ['Vater, du glaubst es nicht'] for voice and piano (1823)


Op. 72


Op. 73

  • D 745, Song "Die Rose" ['Es lockte schöne Wärme'] for voice and piano (1822, 1st version)


Op. 74

  • D 37, Trio "Die Advokaten" ['Mein Herr, ich komm mich anzufragen'] for two tenors, bass and piano (1812)


Op. 75

  • D 599, Four Polonaises for piano duet (1818)


Op. 76

  • D 796, Opera "Fierabras" for three sopranos, three tenors, three basses, baritone, one spoken role, mixed choir and orchestra (1823, also appears as "Fierrabras"; in three acts: Overture and twenty-three numbers)


Op. 77


Op. 78


Op. 79

  • No. 1 D 851, Song "Das Heimweh" ['Ach, der Gebirgssohn'] for voice and piano (1825, 2nd version)
  • No. 2 D 852, Song "Die Allmacht" ['Groß ist Jehovah, der Herr'] for voice and piano (1825, 1st setting)


Op. 80

  • No. 1 D 870, Song "Der Wanderer an den Mond" ['Ich auf der Erd’, am Himmel du'] for voice and piano (1826)
  • No. 2 D 871, Song "Das Zügenglöcklein" ['Kling die Nacht durch, klinge'] for voice and piano (1826, 2nd version)
  • No. 3 D 880, Song "Im Freien" ['Draußen in der weiten Nacht'] for voice and piano (1826)


Op. 81

  • No. 1 D 904, Song "Alinde" ['Die Sonne sinkt in’s tiefe Meer'] for voice and piano (1827)
  • No. 2 D 905, Song "An die Laute" ['Leiser, leiser, kleine Laute'] for voice and piano (1827)
  • No. 3 D 903, Cantata "Zur guten Nacht" ['Horch auf! Es schlägt die Stunde'] for baritone, men’s choir and piano (1827)


Op. 82

  • No. 1 D 908, Eight Variations on a theme from Hérold's Opera Marie for piano duet (1827)
  • No. 2 D 968A, Introduction, Four Variations on an original theme and Finale in B-flat major for piano duet [formerly D 603] (date unknown)


Op. 83

  • D 902, Three songs "Drei Gesänge" for bass and piano (1827)
1. "L'incanto degli occhi; Die Macht der Augen" ['Da voi, cari lumi'; 'Nur euch, schöne Sterne'] (2nd setting)
2. "Il traditor deluso; Der getäuschte Verräter" ['Ahimè, io tremo!'; 'Weh mir, ich bebe!']
3. "Il modo di prender moglie; Die Art ein Weib zu nehmen" ['Orsù! non ci pensiamo'; 'Wohlan! und ohne Zagen']


Op. 84

  • No. 1 D 823 No. 2, Divertissement sur des motifs originaux français in E minor for piano duet (2nd movement pub. 1826–1827 as Andantino varié)
  • No. 2 D 823 No. 3, Divertissement sur des motifs originaux français in E minor for piano duet (3rd movement pub. 1826–1827 as Rondeau brillant)


Op. 85

  • No. 1 D 830, Song "Lied der Anne Lyle" ['Wärst du bei mir im Lebenstal'] for voice and piano (1825?)
  • No. 2 D 831, Song "Gesang der Norna" ['Mich führt mein Weg wohl meilenlang'] for voice and piano (1825)


Op. 86

  • D 907, Song "Romanze des Richard Löwenherz" ['Großer Taten tat der Ritter fern im heiligen Lande viel'] for voice and piano (1826?, 2nd version)


Op. 87

  • No. 1 D 713, Song "Der Unglückliche" ['Die Nacht bricht an'] for voice and piano (1821, 2nd version)
  • No. 2 D 637, Song "Hoffnung" ['Es reden und träumen die Menschen viel'] for voice and piano (ca. 1819, 2nd setting)
  • No. 3 D 638, Song "Der Jüngling am Bache" ['An der Quelle saß der Knabe'] for voice and piano (1819, 3rd setting; 2nd version)


Op. 88

  • No. 1 D 856, Song "Abendlied für die Entfernte" ['Hinaus mein Blick, hinaus ins Tal'] for voice and piano (1825)
  • No. 2 D 595, Song "Thekla (eine Geisterstimme)" ['Wo ich sei und wo mich hingewendet'] for voice and piano (1817, 2nd setting; 2nd version)
  • No. 3 D 862, Song "Um Mitternacht" ['Keine Stimme hör’ ich schallen'] for voice and piano (1825 and 1826?, 2nd version)
  • No. 4 D 547, Song "An die Musik" ['Du holde Kunst'] for voice and piano (1817, 2nd version)


Op. 89

  • D 911, Song cycle Winterreise for voice and piano (1827)
1. "Gute Nacht" ['Fremd bin ich eingezogen']
2. "Die Wetterfahne" ['Der Wind spielt mit der Wetterfahne']
3. "Gefror’ne Tränen" ['Gefror’ne Tropfen fallen']
4. "Erstarrung" ['Ich such’ im Schnee vergebens']
5. "Der Lindenbaum" ['Am Brunnen vor dem Tore']
6. "Wasserflut" ['Manche Trän’ aus meinen Augen']
7. "Auf dem Flusse" ['Der du so lustig rauschtest'] (2nd version)
8. "Rückblick" ['Es brennt mir unter beiden Sohlen']
9. "Irrlicht" ['In die tiefsten Felsengründe']
10. "Rast" ['Nun merk’ ich erst, wie müd ich bin'] (2nd version)
11. "Frühlingstraum" ['Ich träumte von bunten Blumen'] (2nd version)
12. "Einsamkeit" ['Wie eine trübe Wolke']
13. "Die Post" ['Von der Straße her ein Posthorn klingt']
14. "Der greise Kopf" ['Der Reif hat einen weißen Schein']
15. "Die Krähe" ['Eine Krähe war mit mir aus der Stadt gezogen']
16. "Letzte Hoffnung" ['Hie und da ist an den Bäumen']
17. "Im Dorfe" ['Es bellen die Hunde']
18. "Der stürmische Morgen" ['Wie hat der Sturm zerrissen']
19. "Täuschung" ['Ein Licht tanzt freundlich vor mir her']
20. "Der Wegweiser" ['Was vermeid’ ich denn die Wege']
21. "Das Wirtshaus" ['Auf einen Totenacker hat mich mein Weg gebracht']
22. "Mut" ['Fliegt der Schnee mir ins Gesicht'] (2nd version)
23. "Die Nebensonnen" ['Drei Sonnen sah ich'] (2nd version)
24. "Der Leiermann" ['Drüben hinterm Dorfe steht ein Leiermann']


Op. 90


Op. 91

  • D 924, Twelve Grazer Waltzes for piano (1827?)


Op. 92

  • No. 1 D 764, Song "Der Musensohn" ['Durch Feld und Wald zu schweifen'] for voice and piano (1822, 2nd version)
  • No. 2 D 543, Song "Auf dem See" ['Und frische Nahrung'] for voice and piano (1817, 2nd version)
  • No. 3 D 142, Song "Geistes-Gruß" ['Hoch auf dem alten Turme'] for voice and piano (1815 or 1816, 6th version)


Op. 93

  • No. 1 D 834, Song "Im Walde" ['Ich wandre über Berg und Tal'] for voice and piano (1825, 2nd version)
  • No. 2 D 853, Song "Auf der Bruck" ['Frisch trabe sonder Ruh und Rast'] for voice and piano (1825, 2nd version)


Op. 94


Op. 95

  • D 866, Song cycle Vier Refrainlieder for voice and piano (1828?)
1. "Die Unterscheidung" ['Die Mutter hat mich jüngst gescholten']
2. "Bei dir allein" ['Bei dir allein empfind ich, daß ich lebe']
3. "Die Männer sind méchant" ['Du sagtest mir es, Mutter']
4. "Irdisches Glück" ['So mancher sieht mit finstrer Miene']


Op. 96

  • No. 1 D 939, Song "Die Sterne" ['Wie blitzen die Sterne so hell durch die Nacht'] for voice and piano (1828)
  • No. 2 D 909, Song "Jägers Liebeslied" ['Ich schieß’ den Hirsch im grünen Forst'] for voice and piano (1827)
  • No. 3 D 768, Song "Wandrers Nachtlied" ['Über allen Gipfeln ist Ruh'] for voice and piano (1824)
  • No. 4 D 881, Song "Fischerweise" ['Den Fischer fechten Sorgen und Gram und Leid nicht an'] for voice and piano (1826, 2nd version)


Op. 97

  • D 955, Song "Glaube, Hoffnung und Liebe" ['Glaube, hoffe, liebe!'] for voice and piano (1828)


Op. 98

  • No. 1 D 497, Song "An die Nachtigall" ['Er liegt und schläft'] for voice and piano (1816)
  • No. 2 D 498, Song "Wiegenlied" ['Schlafe, schlafe, holder süßer Knabe'] for voice and piano (1816)
  • No. 3 D 573, Song "Iphigenia" ['Blüht denn hier an Tauris Strande'] for voice and piano (1817, 3rd version)


Op. 99


Op. 100


Op. 101

  • No. 1 D 882, Song "Im Frühling" ['Still sitz’ ich an des Hügels Hang'] for voice and piano (1826, 2nd version)
  • No. 2 D 833, Song "Der blinde Knabe" ['O sagt, ihr Lieben, mir einmal'] for voice and piano (1825, 2nd version)
  • No. 3 D 546, Song "Trost im Liede" ['Braust des Unglücks Sturm empor'] for voice and piano (1817, 2nd version)


Op. 102

  • D 875, Quintet "Mondenschein" ['Des Mondes Zauberblume lacht'] for two tenors, three basses and piano (1826)


Op. 103


Op. posth. 104

  • D 930, Trio "Der Hochzeitsbraten" ['Ach liebes Herz, ach Theobald, laß dir nur diesmal raten'] for soprano, tenor, bass and piano (1827)


Op. 105

  • No. 1 D 865, Song "Widerspruch" ['Wenn ich durch Busch und Zweig'] for voice and piano (1828, 2nd version)
  • No. 2 D 867, Song "Wiegenlied" ['Wie sich der Äuglein kindlicher Himmel'] for voice and piano (1826 or 1827)
  • No. 3 D 878, Song "Am Fenster" ['Ihr lieben Mauern hold und traut'] for voice and piano (1826)
  • No. 4 D 879, Song "Sehnsucht" ['Die Scheibe friert, der Wind ist rauh'] for voice and piano (1826)


Op. 106

  • No. 1 D 922, Song "Heimliches Lieben" ['O du, wenn deine Lippen mich berühren'] for voice and piano (1827, 2nd version)
  • No. 2 D 926, Song "Das Weinen" ['Gar tröstlich kommt geronnen'] for voice and piano (1827–1828)
  • No. 3 D 927, Song "Vor meiner Wiege" ['Das also, das ist der enge Schrein'] for voice and piano (1827–1828)
  • No. 4 D 891, Song "An Sylvia" ['Was ist Silvia, saget an'] for voice and piano, Gesang (1826)


Op. 107

  • D 951, Rondo in A major for piano duet, Grand Rondeau (1828)


Op. 108

  • No. 1 D 884, Song "Über Wildemann" ['Die Winde sausen am Tannenhang'] for voice and piano (1826)
  • No. 2 D 758, Song "Todesmusik" ['In des Todes Feierstunde'] for voice and piano (1822, 2nd version)
  • No. 3 D 229, Song "Die Erscheinung" ['Ich lag auf grünen Matten'] for voice and piano (1815)


Op. posth. 109

  • No. 1 D 361, Song "Am Bach im Frühling" ['Du brachst sie nun, die kalte Rinde'] for voice and piano (1816, 1st version)
  • No. 2 D 143, Song "Genügsamkeit" ['Dort raget ein Berg aus den Wolken her'] for voice and piano (1815)
  • No. 3 D 530, Song "An eine Quelle" ['Du kleine grünumwachs’ne Quelle'] for voice and piano (1817)


Op. posth. 110

  • D 594, Song "Der Kampf" ['Nein, länger werd’ ich diesen Kampf nicht kämpfen'] for bass and piano (1817)


Op. posth. 111

  • No. 1 D 189, Cantata "An die Freude" ['Freude, schöner Götterfunken'] for voice, unison choir and piano (1815)
  • No. 2 D 395, Song "Lebens-Melodien" ['Auf den Wassern wohnt mein stilles Leben'] for voice and piano (1816)
  • No. 3 D 391, Song "Die vier Weltalter" ['Wohl perlet im Glase'] for voice and piano (1816)


Op. posth. 112

  • No. 1 D 985, Quartet "Gott im Ungewitter" ['Du Schrecklicher, wer kann vor dir und deinem Donner stehn?'] for soprano, alto, tenor, bass and piano (1815?)
  • No. 2 D 986, Quartet "Gott der Weltschöpfer" ['Zu Gott, zu Gott flieg auf'] for soprano, alto, tenor, bass and piano (1815?)
  • No. 3 D 232, Quartet "Hymne an den Unendlichen" ['Zwischen Himmel und Erd’ '] for soprano, alto, tenor, bass and piano (1815)


Op. posth. 113

  • D 696, Six Antiphons "Sechs Antiphonen zum Palmsonntag" for mixed choir (1820)
1. "Hosanna filio David"
2. "In monte Oliveti"
3. "Sanctus"
4. "Pueri Hebraeorum"
5. "Cum angelis et pueris"
6. "Ingrediente Domino"


Op. posth. 114

  • D 667, Quintet in A major for violin, viola, violoncello, double bass and piano, Trout Quintet (1819?)


Op. posth. 115

  • No. 1 D 917, Song "Das Lied im Grünen" ['Ins Grüne, ins Grüne, da lockt uns der Frühling'] for voice and piano (1827)
  • No. 2 D 260, Song "Wonne der Wehmut" ['Trocknet nicht, trocknet nicht, Tränen der ewigen Liebe'] for voice and piano (1815)
  • No. 3 D 410, Song "Sprache der Liebe" ['Laß dich mit gelinden Schlägen rühren'] for voice and piano (1816)


Op. posth. 116

  • D 159, Song "Die Erwartung" ['Hör’ ich das Pförtchen nicht gehen?'] for voice and piano (1816, 2nd version)


Op. posth. 117

  • D 149, Song "Der Sänger" ['Was hör’ ich draußen vor dem Tor'] for voice and piano (1815, 2nd version)


Op. posth. 118

  • No. 1 D 233, Song "Geist der Liebe" ['Wer bist du, Geist der Liebe'] for voice and piano (1815)
  • No. 2 D 221, Song "Der Abend" ['Der Abend blüht'] for voice and piano (1815)
  • No. 3 D 234, Song "Tischlied" ['Mich ergreift, ich weiß nicht wie, himmlisches Behagen'] for voice and piano (1815)
  • No. 4 D 248, Song "Lob des Tokayers" ['O köstlicher Tokayer, o königlicher Wein'] for voice and piano (1815)
  • No. 5 D 270, Song "An die Sonne" ['Sinke, liebe Sonne'] for voice and piano (1815)
  • No. 6 D 247, Song "Die Spinnerin" ['Als ich still und ruhig spann'] for voice and piano (1815)


Op. posth. 119

  • D 943, Song "Auf dem Strom" ['Nimm die letzten Abschiedsküsse'] for voice, horn (or violoncello) and piano (1828)


Op. posth. 120


Op. posth. 121

  • D 968B, Deux Marches Caractéristiques in C major for piano duet [formerly D 886] (date unknown)


Op. posth. 122


Op. posth. 123

  • D 786, Song "Viola" ['Schneeglöcklein, o Schneeglöcklein'] for voice and piano (1823)


Op. posth. 124

  • D 857, Two songs "Zwei Szenen aus dem Schauspiel ‘Lacrimas’ " for voice and piano (1825)
1. "Lied der Delphine" ['Ach, was soll ich beginnen vor Liebe?']
2. "Lied des Florio" ['Nun, da Schatten niedergleiten']


Op. posth. 125

  • No. 1 D 87, String Quartet in E-flat major (1813)
  • No. 2 D 353, String Quartet in E major (1816)


Op. posth. 126

  • D 134, Song "Ballade" ['Ein Fräulein schaut vom hohen Turm'] for voice and piano (1815?)


Op. posth. 127

  • D 146, Twenty Waltzes for piano, Letzte Walzer (1815 and 1823; 2 versions for No. 3 – the 1st one with a Trio in E major [D 135], and the 2nd one with a Trio in A major; also, 2 versions for No. 5 – the 1st one with a Trio in B-flat major and the 2nd one with a Trio in A-flat major)


Op. posth. 128

  • D 472, Cantata "Kantate zu Ehren von Josef Spendou" for two sopranos, tenor, bass, mixed choir and orchestra (1816, see also D 470?)
I. Da liegt er, starr
II. Gottes Bild ist Furst und Staat
III. Ein Punkt nur ist der Mensch
IV. Die Sonne sticht


Op. posth. 129

  • D 965, Song "Der Hirt auf dem Felsen" ['Wenn auf dem höchsten Fels ich steh'] for voice, clarinet and piano (1828)


Op. posth. 130

  • D 990C, Song "Das Echo" ['Herzliebe gute Mutter, o grolle nicht mit mir'] for voice and piano [formerly D 868] (1828?)


Op. posth. 131

  • No. 1 D 141, Song "Der Mondabend" ['Rhein und freundlich lacht der Himmel'] for voice and piano (1815)
  • No. 2 D 148, Cantata "Trinklied" ['Brüder! unser Erdenwallen'] for tenor, men’s choir and piano (1815)
  • No. 3 D 23, Song "Klaglied" ['Meine Ruh’ ist dahin'] for voice and piano (1812)


Op. posth. 132

  • D 706, Hymn "Der 23. Psalm" ['Gott ist mein Hirt, mir wird nichts mangeln'] for two sopranos, two altos and piano (1820)


Op. posth. 133

  • D 757, Quartet "Gott in der Natur" ['Groß ist der Herr!'] for two sopranos, two altos and piano (1822)


Op. posth. 134

  • D 892, Cantata "Nachthelle" ['Die Nacht ist heiter'] for tenor solo, two tenors, two basses and piano (1826)


Op. posth. 135

  • D 920, Cantata "Ständchen" ['Zögernd leise, in des Dunkels nächt'ger Hülle'] for alto, women’s choir and piano, Notturno'’ [formerly D 921] (1827, 2nd version)


Op. posth. 136

  • D 942, Cantata "Mirjams Siegesgesang" ['Rührt die Zimbel, schlagt die Saiten'] for soprano, mixed choir and piano (1828)
I. Rührt die Zimbel, schlagt die Saiten
II. Aus ägypten vor dem Volke
III. Doch der Horizont erdunkelt
IV. S’ist der Herr in seinem Grimme
V. Tauchst du auf, Pharao?
VI. Drum mit Zimbeln und mit Saiten


Op. posth. 137

  • No. 1 D 384, Sonata in D major for violin and piano (1816, 2 versions of the first movement are extant)
  • No. 2 D 385, Sonata in A minor for violin and piano (1816)
  • No. 3 D 408, Sonata in G minor for violin and piano (1816)


Op. posth. 138

  • D 608, Rondo in D major for piano duet, Notre amitié est invariable (1818, 2nd version)


Op. posth. 139

  • D 815, Quartet "Gebet" ['Du Urquell aller Güte'] for soprano, alto, tenor, bass and piano (1824)
  • D 913, Quartet "Nachtgesang im Walde" ['Sei uns stets gegrüßt, o Nacht!'] for two tenors, two basses and four horns (1827)


Op. posth. 140


Op. posth. 141


Op. posth. 142


Op. posth. 143


Op. posth. 144

  • D 947, Allegro in A minor for piano duet, Lebensstürme (1828)


Op. posth. 145

  • No. 1 D 505, Adagio in D-flat major for piano (1818?, probably the second movement of the unfinished Piano Sonata in F minor, D 625; first published in E major in an abridged form)
  • No. 2 D 506, Rondo in E major for piano (1817?, probably the fourth movement of the unfinished? Piano Sonata in E minor, D 566)


Op. posth. 146

  • D 763, Quartet "Schicksalslenker, blicke nieder" for soprano, alto, tenor, bass and piano, Des Tages Weihe (1822)


Op. posth. 147


Op. posth. 148

  • D 897, Trio in E-flat major for violin, violoncello and piano, Notturno (1828?, an "Adagio" movement is extant)


Op. posth. 149

  • D 811, Antiphon "Salve Regina" ['Salve Regina'] in C major for two tenors and two basses (1824)


Op. posth. 150

  • D 184, Gradual "Benedictus es, Domine" ['Benedictus es, Domine'] in C major for mixed choir, orchestra and organ (1815)


Op. posth. 151

  • D 912, Chorus "Schlachtlied" ['Mit unserm Arm ist nichts getan'] for double men’s choir (1827, 2nd setting)


Op. posth. 152

  • D 952, Fugue in E minor for organ duet or piano duet (1828)


Op. posth. 153

  • D 676, Offertory "Salve Regina" ['Salve Regina'] in A major for soprano and orchestra, Drittes Offertorium (1819)


Op. posth. 154

  • D 948, Hymn "Hymnus an den heiligen Geist" ['Komm, heil’ger Geist, erhöre unser Flehen'] for two tenors, two basses, men’s choir, two oboes, two clarinets, two bassoons, two trumpets, two horns and three trombones (1828, 2nd version)


Op. posth. 155

  • D 847, Quartet "Trinklied aus dem 16. Jahrhundert" ['Edit Nonna, edit Clerus'] for two tenors and two basses (1825)


Op. posth. 156

  • D 848, Quartet "Nachtmusik" ['Wir stimmen dir mit Flötensang'] for two tenors and two basses (1825)


Op. posth. 157

  • D 748, Cantata "Am Geburtstage des Kaisers" ['Steig empor, umblüht von Segen'] for soprano, alto, tenor, bass, mixed choir and orchestra (1822)


Op. posth. 158

  • D 666, Cantata "Kantate zum Geburtstag des Sängers Johann Michael Vogl" for soprano, tenor, bass and piano, Der Frühlingsmorgen (1819)
I. Sänger, der von Herzen singet
II. Diese Berge sah’n dich blühen
III. Da saht ihr Orestes scheiden
IV. Gott bewahr’ dein teures Leben


Op. posth. 159

  • D 934, Fantasy in C major for violin and piano (1827)


Op. posth. 160

  • D 802, Variations in E minor for flute and piano, Trockne Blumen (1824, 2 versions of "Variation V")


Op. posth. 161


Op. posth. 162


Op. posth. 163


Op. posth. 164


Op. posth. 165

  • No. 1 D 673, Song "Die Liebende schreibt" ['Ein Blick von deinen Augen'] for voice and piano (1819, 2nd version)
  • No. 2 D 670, Song "Die Sternennächte" ['In monderhellten Nächten'] for voice and piano (1819, 2nd version)
  • No. 3 D 155, Song "Das Bild" ['Ein Mädchen ist’s'] for voice and piano (1815)
  • No. 4 D 230, Song "Die Täuschung" ['Im Erlenbusch, im Tannerhain'] for voice and piano (1815)
  • No. 5 D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist’s von Blut so rot'] for male voice, female voice and piano, Edward (1827, 1st version)


Op. posth. 166

  • D 803, Octet in F major for two violins, viola, violoncello, double bass, clarinet, horn and bassoon (1824)


Op. posth. 167

  • D 714, Octet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 2nd version)


Op. posth. 168

  • D 112, String Quartet in B-flat major (1814)


Op. posth. 169

  • D 984, Quartet "Der Wintertag" ['In schöner heller Winterzeit ward eine Maid geboren'] for two tenors, two basses and piano, Geburtstaglied (after 1820, fragment; piano part is lost)


Op. posth. 170

  • D 591, Overture in C major for orchestra, in the Italian Style (1817)


Op. posth. 171

  • D 790, Twelve German Dances for piano (1823, also appear as "Twelve Ländler")


Op. posth. 172

  • No. 1 D 213, Song "Der Traum" ['Mir träumt’ ich war ein Vögelein'] for voice and piano (1815)
  • No. 2 D 214, Song "Die Laube" ['Nimmer werd’ ich, nimmer dein vergessen'] for voice and piano (1815)
  • No. 3 D 196, Song "An die Nachtigall" ['Geuß nicht so laut der liebentflammten Lieder'] for voice and piano (1815)
  • No. 4 D 231, Song "Das Sehnen" ['Wehmut, die mich hüllt'] for voice and piano (1815)
  • No. 5 D 283, Song "An den Frühling" ['Willkommen, schöner Jüngling!'] for voice and piano (1815, 1st setting)
  • No. 6 D 691, Song "Die Vögel" ['Wie lieblich und fröhlich'] for voice and piano (1820)


Op. posth. 173

  • No. 1 D 195, Song "Amalia" ['Schön wie Engel voll Walhallas Wonne'] for voice and piano (1815)
  • No. 2 D 793, Song "Das Geheimnis" ['Sie konnte mir kein Wörtchen sagen'] for voice and piano (1823, 2nd setting)
  • No. 3 D 177, Song "Vergebliche Liebe" ['Ja, ich weiß es, diese treue Liebe'] for voice and piano (1815)
  • No. 4 D 731, Song "Der Blumen Schmerz" ['Wie tönt es mir so schaurig'] for voice and piano (1821)
  • No. 5 D 519, Song "Die Blumensprache" ['Es deuten die Blumen des Herzens Gefühle'] for voice and piano (1817?)
  • No. 6 D 627, Song "Das Abendrot" ['Du heilig, glühend Abendrot!'] for bass and piano (1818)
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