User:ArcadeBelle/Sandbox
Shinbone Alley is a 1971 animated feature film based on the Joe Darion, Mel Brooks, and George Kleinsinger musical of the same name as well as the original archy and mehitabel stories by Don Marquis. It was directed by John David Wilson[1].
Plot Synopsis[edit]
A New York City poet named Archy (Eddie Bracken) attempts suicide only to come back as a cockroach. He gets used to his new life and becomes infatuated with Mehitabel (Carol Channing), the singing alley cat. She instead goes out with the tomcat Big Bill (Allen Reed Sr.)
When Big Bill dumps Mehitabel, Archy confronts her about her wild ways in general and her affinity for bad boy tomcats in particular. She momentarily agrees; however, self-appointed theatre maestro cat Tyrone T. Tattersall (John Carradine) promises to make her a star and becomes her next lover. Archy attempts and fails suicide again.
In the theatre, Mehitabel holds up her end of the deal in getting food for Tyrone, but he kicks her off the stage. Archy and Big Bill watch her, and Mehitabel gets back together with Big Bill.
Back to his typewriter, Archy channels his frustration in calling the other insects and spiders to revolution. He immediately drops the scheme when he hears the news that Mehitabel has kittens, and Big Bill has left the scene again. Archy persuades Mehitabel to give up her life as an alley cat and support the kittens with a "job" as a house cat.
Later, however, when Archy comes to visit her in the upscale house, she reminds him that social class now separates them from being friends and kicks him out -- regretting it later. Archy gets drunk and meets several ladybug street walkers who find his love poems about Mehitabel. Big Bill makes fun of him.
One day, Mehitabel returns to Shinbone Alley and sings and dances again like her old self. After having tried to reform her, Archy realizes he liked Mehitabel for her wild ways all along and accepts her for "being what she has to be," content to be just friends.
Reception[edit]
Shinbone Alley did not fare well at the box office. However, on April 12, 1971, New York Times critic Judith Crist called it "a blend of literature, musical comedy and fine arts... pure sophisticated entertainment for all, and a refreshment for moviegoers."[2]
External Links[edit]