User:Am,gut/Sarah Sze/Bibliography

You will be compiling your bibliography and creating an outline of the changes you will make in this sandbox.

Bibliography

As you gather the sources for your Wikipedia contribution, think about the following:

Is the source from a reliable publication?
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Is the source independent of the subject?
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Is the source primary or secondary?
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- Wikipedia allows limited use of primary sources, but typically only for straightforward, descriptive statements of facts, and only if they are published and verifiable without requiring specialized knowledge.
- Secondary sources should be the main basis for a biography on Wikipedia.
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If you're creating a new article, consider the following:
- Ensure that your topic meets Wikipedia's notability guidelines.
- In order for a topic to meet the notability requirement, you must be able to identify 2-3 sources that are reliable, verifiable, and independent of the subject you're writing about.
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- Sources that are not independent of the subject might be useful additions, but don't count towards the notability requirement.
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Bibliography

Edit this section to compile the bibliography for your Wikipedia assignment. Add the name and/or notes about what each source covers, then use the "Cite" button to generate the citation for that source

This article discusses how her materials are in relation to one another and how they form their own environment.^[1]
This journal article delves into how Sze structure her works and her process and ideas of wanting to combine the two-dimensional with the real three-dimensional^[2]
This Parachute: Contemporary Art Magazine article centers around Sze's creation of space, specifically with her more spherical works which creates a layer and another context. This source also highlights some of her traditional influences like painting.^[3]
This academic review focuses on one of Sze's work and some of her bigger ideas like the complications population growth and how this theme relates to the work at hand.^[4]
This peer reviewed journal article review highlights Sze's environmental artwork and her strategic process and decisions with placing and hiding her artwork in and around the grass.^[5]
This interview conducted by Okwui Enwezor with Sze goes into detail about her process with creating her 2013 Venice Biennale exhibition.^[6]
This is a episode from Art 21's "Art in the Twenty-First Century" series where they team up with Sze and get a look into her art planning process. This episode delves into her outside installations and museum installations, giving multiple perspectives on how Sze displays her work in different settings.^[7]
This peer reviewed journal article highlights Sze in their installation art section with how Sze composition of scattering objects in its totality relates to one another in the greater picture.^[8]
The Guggenheim Interview focused on her displayed artwork Timelapse discusses Sze's process with creating the piece and the considerations she took with space, materiality, and the concept of memory with objects.^[9]
This is a talk she did with TedTalk where she focuses on her work process and her big themes like memory, value of daily life objects, technology with the modern age, and the experience of time. This source also references many of her works during her talk which was beneficial with seeing where her bigger ideas was being implemented in her work.^[10]
This interview with Sze conducted by the Tate museum also adds to her conversation with how one remembers objects and the distortion with time has an effect with the object and their value.^[11]
This exhibition catalogue essay discusses how Sze formats her sculptures to create the multiplicity of the unknown.^[12]
This exhibition review talks about Sze inclusion of everyday materials and themes of overabundance and growth.^[13]

Examples:

Luke, Learie. 2007. Identity and secession in the Caribbean: Tobago versus Trinidad, 1889–1980 Kingston, Jamaica: University of the West Indies Press.
- This is a book published by a university press, so it should be a reliable source. It also covers the topic in some depth, so it's helpful in establishing notability.
Galeano, Gloria; Bernal, Rodrigo (2013-11-08). "Sabinaria , a new genus of palms (Cryosophileae, Coryphoideae, Arecaceae) from the Colombia-Panama border". Phytotaxa.
- This is a peer-reviewed scientific journal, so it should be a reliable source. It covers the topic in some depth, so it's helpful in establishing notability.
Baker, William J.; Dransfield, John (2016). "Beyond Genera Palmarum: progress and prospects in palm systematics". Botanical Journal of the Linnean Society.
- This is a peer-reviewed scientific journal, so it should be a reliable source for a specific fact. Since it only dedicates a few sentences to the topic, it can't be used to establish notability.

References

^ Glover, Izi (1998-06-01). "All kinds of everything". MAKE: The Magazine of Women's Art (80): 34–35.
^ Josenhans, Frauke V. (2017). "Sarah Sze: The Hidden Poetry of the Everyday". Yale University Art Gallery Bulletin: 16–23. ISSN 0084-3539.
^ Mavrikakis, Nicholas (1999-07-01). "Sarah Sze (exposition)". Parachute: Contemporary Art Magazine (in French) (99): 41–2.
^ Schwabsky, Barry (1999-10-01). "SARAH SZE". Artforum International. 38 (2): 143–143.
^ Sheynfeld, Irina (2021). "Journeys: Sarah Sze and Rashid Johnson at Storm King Art Center". Crosscurrents. 71 (4): 457–462.
^ Enwezor, Okwui (2020-05-13). "INTERVIEW: Sarah Sze on the Changing Pace of Time and Space, the Ebb and Flow of Information, and How all Art is Essentially Sculpture". Artspace.
^ Balance. Tatge, C. (Director). (2012).[Video/DVD] Public Broadcasting Service. Retrieved from https://video.alexanderstreet.com/watch/Balance-2
^ Deprez, Eleen M. (2020-06-01). "Installation Art and Exhibitions: Sharing Ground: Symposium: Installation Art". academic.oup.com. doi:10.1111/jaac.12739.
^ Sarah Sze: Timelapse | Gagosian Quarterly. Retrieved 2024-04-22 – via www.youtube.com.
^ Sze, Sarah (2019-09-30). How we experience time and memory through art. Retrieved 2024-04-22 – via www.ted.com.
^ Sarah Sze – ‘You Mark Time Through Objects’ | Artist Interview | TateShots. Retrieved 2024-04-22 – via www.youtube.com.
^ Jean Louis Scefer. “Art as a tightrope”. In Sarah Sze. Sarah Sze,( London; New York: Thames & Hudson, 2000), 20-26.
^ John Slyce. “The Imagined Communities of Sarah Sze”. In Sarah Sze. Sarah Sze (London: Institute of Contemporary Arts, 1998), 6-16.

Outline of proposed changes

Click on the edit button to draft your outline.

With working on Sarah Sze's Wiki article, I mainly plan to flesh out the process portion of her article. I would like to do this by adding more to the broad statement of her using everyday objects. This can be seen with adding more into why she choose to use everyday objects and how these objects' values are impacted in the gallery setting. With looking at various artworks with her installations in closed and open spaces, I also wanted to touch on how the environment she is working in influences her work. I think one main point to highlight is her relationship with transitioning her work from the two-dimensional to the three-dimensional and her focus to push aspects that she could not originally do on paper to the real world through sculpture.

Additionally, I want to emphasize her importance with architecture. With the influences of her father being an architect, her growing up seeing the world in that perspective plays a vital role in her constriction and how she views her work.

Now that you have compiled a bibliography, it's time to plan out how you'll improve your assigned article.

In this section, write up a concise outline of how the sources you've identified will add relevant information to your chosen article. Be sure to discuss what content gap your additions tackle and how these additions will improve the article's quality.

Consider other changes you'll make to the article, including possible deletions of irrelevant, outdated, or incorrect information, restructuring of the article to improve its readability or any other change you plan on making. This is your chance to really think about how your proposed additions will improve your chosen article and to vet your sources even further.

Note: This is not a draft. This is an outline/plan where you can think about how the sources you've identified will fill in a content gap.

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[1] Glover, Izi (1998-06-01). "All kinds of everything". MAKE: The Magazine of Women's Art (80): 34–35.

[2] Josenhans, Frauke V. (2017). "Sarah Sze: The Hidden Poetry of the Everyday". Yale University Art Gallery Bulletin: 16–23. ISSN 0084-3539.

[3] Mavrikakis, Nicholas (1999-07-01). "Sarah Sze (exposition)". Parachute: Contemporary Art Magazine (in French) (99): 41–2.

[4] Schwabsky, Barry (1999-10-01). "SARAH SZE". Artforum International. 38 (2): 143–143.

[5] Sheynfeld, Irina (2021). "Journeys: Sarah Sze and Rashid Johnson at Storm King Art Center". Crosscurrents. 71 (4): 457–462.

[6] Enwezor, Okwui (2020-05-13). "INTERVIEW: Sarah Sze on the Changing Pace of Time and Space, the Ebb and Flow of Information, and How all Art is Essentially Sculpture". Artspace.

[7] Balance. Tatge, C. (Director). (2012).[Video/DVD] Public Broadcasting Service. Retrieved from https://video.alexanderstreet.com/watch/Balance-2

[8] Deprez, Eleen M. (2020-06-01). "Installation Art and Exhibitions: Sharing Ground: Symposium: Installation Art". academic.oup.com. doi:10.1111/jaac.12739.

[9] Sarah Sze: Timelapse | Gagosian Quarterly. Retrieved 2024-04-22 – via www.youtube.com.

[10] Sze, Sarah (2019-09-30). How we experience time and memory through art. Retrieved 2024-04-22 – via www.ted.com.

[11] Sarah Sze – ‘You Mark Time Through Objects’ | Artist Interview | TateShots. Retrieved 2024-04-22 – via www.youtube.com.

[12] Jean Louis Scefer. “Art as a tightrope”. In Sarah Sze. Sarah Sze,( London; New York: Thames & Hudson, 2000), 20-26.

[13] John Slyce. “The Imagined Communities of Sarah Sze”. In Sarah Sze. Sarah Sze (London: Institute of Contemporary Arts, 1998), 6-16.

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