User:Akbaker7/Coded Bias

Background and Introduction

Coded Bias was directed by Shalini Kantayya and premiered at the 2020 Sundance film festival. Kantayya has a long list of other works which include directing for the National Geographic television series Breakthrough and a documentary titled Catching the Sun. She is also an associate of the UC Berkeley graduate school of Journalism. Kantayya was introduced to the idea of Coded Bias recently and explains in an interview with 500 Global on August 17, 2021 that three years ago she did not even know what an algorithm was. She has always had a fascination with science fiction and how technology will affect the near future. She read the book Weapons of Math Destruction, which is where she learned about how artificial intelligence, machine learning, and algorithms determine outcomes for certain people. She was intrigued by how humans outsource these decisions to machines and how these decisions can greatly impact someone's life. The director came across the work of Joy Buolamwini through a Ted Talk. After seeing this Ted Talk, Kantayya was shocked about how these systems have not been vetted for racial bias, unintended consequences and even accuracy.

Synopsis

This documentary goes into detail about artificial intelligence and the bias that is embedded into this technology. MIT media researcher Joy Buolamwini's computer science studies uncovered that her face was unrecognizable in many facial recognition programs and she was motivated to find out why. She gains momentum in her research when she realized that facial recognition programs didn't work on her own face, but worked when she wore a white mask. This shocking discovery only made her more intrigued about how else artificial technology was affecting minorities.

This documentary takes its viewers all over the world to witness how artificial intelligence, algorithms, and power are proving to be a worrisome combination. The most common and concerning theme about this technology is that it lacks legal structure and has shown that human rights are being violated. It was explained how algorithms and artificial intelligence discriminates by race and gender statuses in many domains such as: housing, career opportunities, healthcare, credit, education, and legalities.  As Joy Buolamwini began networking with other concerned and educated individuals, a shared goal was to bring awareness to this uncharted territory. Buolamwini and her colleagues celebrated a victory after she was asked to testify in front of congress about artificial intelligence. Knowing that this was just the beginning of a bigger battle, Buolamwini was aware that she had more work ahead of her and created the Algorithmic Justice League.

Reception

Critical response

On the review aggregation website Rotten Tomatoes, the film holds an approval rating of 100% based on 43 reviews with an average rating of 7.9/10. The website's critical consensus reads, "Clear, concise, and comprehensive, Coded Bias offers a chilling look at largely unseen side effects of modern society's algorithmic underpinnings." On Metacritic, the film has a weighted average score of 73 out of 100 based on 7 critic reviews.

In a review written for the New York Times, Devika Girish states "The film moves deftly between pragmatic and larger political critiques, arguing that it’s not just that the tech is faulty; even if it were perfect, it would infringe dangerously on people’s liberties."

Praising the documentary for its "impressive pacing," Nick Allen, writing for rogerebert.com states "One might expect a documentary about data and algorithms to run a bit dry, but “Coded Bias” defies that by having a lot on its mind and by being quick on its feet, hopping all over the country, and the world."

Giving the documentary a 2.5 out of 5 stars, Ashley Sosa, writing for videolibrarian.com, states "The documentary's cautionary message about the dangers of algorithmic bias is presented in an engaging and humanistic way. Technical details are kept to a minimum, which could be viewed as positive or negative depending on prior knowledge and interest."

Soundtrack

The soundtrack consisted of:

"On The Beautiful Blue Danube", "An der schönen blauen Donau", Op.314: Written by Johann Strauss II

"Clair de Lune" Suit Bergamasque, Written by Claude Debussy

"Coded Bias" Theme Song, Vocals Naiika Alfred, Mix and Mastering Chris Petti, Lyrics by Joy Buolamwini, "Al Ain't I a Woman"

Funding

Funding for the film was provided by Just Films and the Ford Foundation. This film also received help from both the Alfred P. Sloan Foundation Film Program and the Sundance Institute Documentary Film Program.

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2. ^  External link in |website= (help)
3. ^ Sosa, Ashley (2021-10-12). "Coded Bias". videolibrarian.com. Retrieved 2021-11-10.