Jacqueline Mitelman: Difference between revisions

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Jacqueline Mitelman was born in [[Scotland]] in 1949, and has since lived in [[Melbourne]] and in [[France]] for a few years. She studied for a Diploma of Art and Design at [[Prahran College|Prahran College of Advanced Education]] 1973-76, where her lecturers were [[Athol Shmith]], [[Paul Cox (director)|Paul Cox]], and [[John Cato]].
Jacqueline Mitelman was born in [[Scotland]] in 1949, and has since lived in [[Melbourne]] and in [[France]] for a few years. She studied for a Diploma of Art and Design at [[Prahran College|Prahran College of Advanced Education]] 1973-76, where her lecturers were [[Athol Shmith]], [[Paul Cox (director)|Paul Cox]], and [[John Cato]].
== Career ==
== Career ==
After graduation practiced as a [[Freelancer|freelance]] photographer specialising in portraiture for magazines and newspapers, album and book covers, and for theatre and music posters.<ref>{{Citation | title=Portraits hit sweet spot.(Green Guide) | journal=The Age (Melbourne, Australia) | publication-date=2009-02-12 | publisher=Fairfax Media Publications Pty Limited | pages=29 | issn=0312-6307 }}</ref> The [[National Portrait Gallery (Australia)|National Portrait Gallery]] holds twenty of her photographs<ref>{{Cite web|url=http://www.portrait.gov.au/stories/jacqueline-mitelman/|title=Jacqueline Mitelman: 'Buddha-nature'|website=National Portrait Gallery|access-date=2020-01-26}}</ref> including those of [[Michael Leunig]], [[Christina Stead]], [[Brett Whiteley]], [[Germaine Greer]], [[Ruby Hunter]], [[Alan Marshall (Australian author)|Alan Marshall]], [[Kylie Tennant]], [[Susan Ryan]], [[Ita Buttrose]] and [[Max Dupain]].<ref>{{Citation | title=With heads held high.(Features) | journal=The Australian (National, Australia) | publication-date=1999-06-09 | publisher=News Limited | pages=B14 | url=https://trove.nla.gov.au/work/68227699 }}</ref> Her depiction of ''Miss Alesandra'', won the Gallery’s National Photographic Portrait prize.<ref>{{Citation | title=Tip from left field.(Green Guide) | journal=The Age (Melbourne, Australia) | publication-date=2011-07-14 | publisher=Fairfax Media Publications Pty Limited | pages=21 | issn=0312-6307 }}</ref><ref>{{Citation | author1=Crean, Simon | title=National Photgraphic Portrait Prize 2011 | publication-date=2011-02-24 | url=https://trove.nla.gov.au/work/193079909 }}</ref> Mitelman says of her approach that;
After graduation practiced as a [[Freelancer|freelance]] photographer specialising in portraiture for magazines and newspapers, album and book covers, and for theatre and music posters.<ref>{{Citation | title=Portraits hit sweet spot.(Green Guide) | journal=The Age (Melbourne, Australia) | publication-date=2009-02-12 | publisher=Fairfax Media Publications Pty Limited | pages=29 | issn=0312-6307 }}</ref> The [[National Portrait Gallery (Australia)|National Portrait Gallery]] holds twenty of her photographs<ref>{{Cite web|url=http://www.portrait.gov.au/stories/jacqueline-mitelman/|title=Jacqueline Mitelman: 'Buddha-nature'|website=National Portrait Gallery|access-date=2020-01-26}}</ref> including those of [[Michael Leunig]], [[Christina Stead]], [[Brett Whiteley]], [[Germaine Greer]], [[Ruby Hunter]], [[Alan Marshall (Australian author)|Alan Marshall]], [[Kylie Tennant]], [[Susan Ryan]], [[Ita Buttrose]] and [[Max Dupain]].<ref>{{Citation | title=With heads held high.(Features) | journal=The Australian (National, Australia) | publication-date=1999-06-09 | publisher=News Limited | pages=B14 | url=https://trove.nla.gov.au/work/68227699 }}</ref> Her depiction of ''Miss Alesandra'', won the Gallery’s National Photographic Portrait prize.<ref>{{Citation | title=Tip from left field.(Green Guide) | journal=The Age (Melbourne, Australia) | publication-date=2011-07-14 | publisher=Fairfax Media Publications Pty Limited | pages=21 | issn=0312-6307 }}</ref><ref>{{Citation | author1=Crean, Simon | title=National Photgraphic Portrait Prize 2011 | publication-date=2011-02-24 | url=https://trove.nla.gov.au/work/193079909 }}</ref> Mitelman says of her approach<ref>Waters, A., & Mitelman, J. (2019). Available natural light. Australian Rationalist, The, 113, 25.</ref> that;


{{quotation|“taking photographs is a bit like a temporary infatuation, for me, because, I'm not interested in taking awkward pictures of somebody, so it's a bit like, you know that process when you fall in love with somebody.”<ref>{{Cite web|url=http://www.portrait.gov.au/stories/jacqueline-mitelman/|title=Jacqueline Mitelman: 'Buddha-nature'|website=National Portrait Gallery|access-date=2020-01-26}}</ref>}}
{{quotation|“taking photographs is a bit like a temporary infatuation, for me, because, I'm not interested in taking awkward pictures of somebody, so it's a bit like, you know that process when you fall in love with somebody.”<ref>{{Cite web|url=http://www.portrait.gov.au/stories/jacqueline-mitelman/|title=Jacqueline Mitelman: 'Buddha-nature'|website=National Portrait Gallery|access-date=2020-01-26}}</ref>}}
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* 2002, October 8-25: ''Photomontage'', J-Space Centre for Contemporary Art, Chisholm Institute
* 2002, October 8-25: ''Photomontage'', J-Space Centre for Contemporary Art, Chisholm Institute
* 1998/9, November-January: ''Dog Portraiture'', Monash Gallery of Art
* 1998/9, November-January: ''Dog Portraiture'', Monash Gallery of Art
* 1995, March 8-June8: ''Beyond the Picket Fence: Australian women's art in the National Library collections'', National Library of Australia, Canberra, opened by [[Andrea Stretton]], 7 March 1995<ref>{{Cite web|url=https://www.daao.org.au/bio/jacqueline-mitelman/events/|title=Design and Art Australia Online|last=|first=|date=|website=|url-status=live|archive-url=|archive-date=|access-date=}}</ref>
* 1995, March 8-June 8: ''Beyond the Picket Fence: Australian women's art in the National Library collections'', National Library of Australia, Canberra, opened by [[Andrea Stretton]], 7 March 1995<ref name=":0">{{Cite web|url=https://www.daao.org.au/bio/jacqueline-mitelman/events/|title=Jacqueline Mitelman|last=|first=|date=|website=Design and Art Australia Online|url-status=live|archive-url=|archive-date=|access-date=January 26, 2020}}</ref>
* 1975, October 1-September 6: ''Wimmin: six wimmin photographers'', National Gallery of Victoria, for International Women's Year
* 1975, October 1-September 6: ''Wimmin: six wimmin photographers'', National Gallery of Victoria, for International Women's Year<ref name=":0" />
* 1975: ''Woman 1975'', touring exhibition of the Women's Christian Association of Australia, Victoria, for International Women's Year
* 1975: ''Woman 1975'', touring exhibition of the Women's Christian Association of Australia, Victoria, for International Women's Year<ref name=":0" />


== Awards ==
== Awards ==

Revision as of 03:42, 26 January 2020

Jacqueline Mitelman is an Australian portrait photographer.

Early life and education

Jacqueline Mitelman was born in Scotland in 1949, and has since lived in Melbourne and in France for a few years. She studied for a Diploma of Art and Design at Prahran College of Advanced Education 1973-76, where her lecturers were Athol Shmith, Paul Cox, and John Cato.

Career

After graduation practiced as a freelance photographer specialising in portraiture for magazines and newspapers, album and book covers, and for theatre and music posters.[1] The National Portrait Gallery holds twenty of her photographs[2] including those of Michael Leunig, Christina Stead, Brett Whiteley, Germaine Greer, Ruby Hunter, Alan Marshall, Kylie Tennant, Susan Ryan, Ita Buttrose and Max Dupain.[3] Her depiction of Miss Alesandra, won the Gallery’s National Photographic Portrait prize.[4][5] Mitelman says of her approach[6] that;

“taking photographs is a bit like a temporary infatuation, for me, because, I'm not interested in taking awkward pictures of somebody, so it's a bit like, you know that process when you fall in love with somebody.”[7]

Of Mitelman’s portraits of dogs, critic Anna Clabburn wrote; “These subjects are approached with reverence and deliberation and, like a human portrait, strive towards an inner essence by mapping the creature’s eyes and body language. There’s much to be learnt from Mitelman’s comic yet serious transposition of dogs into human guise. The anthropomorphic quality of her subjects is both inviting and vaguely disturbing…” [8]

Exhibitions

  • 2016: Finalist, Bowness Prize Monash Gallery of Art
  • 2014: Finalist, Pinnacles Gallery Portrait Prize
  • 2013, May: On Cockatoo Island, Mars Gallery
  • 2012: Smith Street Portrait Project, Gertrude Street Projection Festival
  • 2011/12, October-February: Tarra Warra Museum of Art[9][10][11]
  • 2010: Finalist, National Photographic Portrait Prize National Portrait Gallery
  • 2008: Finalist, Olive Cotton Award, Tweed River Art Gallery
  • 2007: Finalist, Olive Cotton Award, Tweed River Art Gallery
  • 2008, April: Some Dogs, MARS Gallery Port Melbourne
  • 2005, April: Mostly Strange, MARS Gallery Port Melbourne
  • 2002, January 3-February 10: Investigations, Herring Island Environmental Sculpture Park
  • 2002, October 8-25: Photomontage, J-Space Centre for Contemporary Art, Chisholm Institute
  • 1998/9, November-January: Dog Portraiture, Monash Gallery of Art
  • 1995, March 8-June 8: Beyond the Picket Fence: Australian women's art in the National Library collections, National Library of Australia, Canberra, opened by Andrea Stretton, 7 March 1995[12]
  • 1975, October 1-September 6: Wimmin: six wimmin photographers, National Gallery of Victoria, for International Women's Year[12]
  • 1975: Woman 1975, touring exhibition of the Women's Christian Association of Australia, Victoria, for International Women's Year[12]

Awards

  • 2011: National Photographic Portrait Prize National Portrait Gallery
  • 2004: Josephine Ulrick National Photography Prize

Collections

Publications

  • Mitelman, Jacqueline; Horne, Donald, 1921-2005 (1988), Faces of Australia, Lothian, ISBN 978-0-85091-343-9{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  • Mitelman, Jacqueline; Gaston, Vivien; TarraWarra Museum of Art (2011), Jacqueline Mitelman : facetime, TarraWarra Museum of Art, retrieved 26 January 2020

References

  1. ^ "Portraits hit sweet spot.(Green Guide)", The Age (Melbourne, Australia), Fairfax Media Publications Pty Limited: 29, 2009-02-12, ISSN 0312-6307
  2. ^ "Jacqueline Mitelman: 'Buddha-nature'". National Portrait Gallery. Retrieved 2020-01-26.
  3. ^ "With heads held high.(Features)", The Australian (National, Australia), News Limited: B14, 1999-06-09
  4. ^ "Tip from left field.(Green Guide)", The Age (Melbourne, Australia), Fairfax Media Publications Pty Limited: 21, 2011-07-14, ISSN 0312-6307
  5. ^ Crean, Simon (2011-02-24), National Photgraphic Portrait Prize 2011
  6. ^ Waters, A., & Mitelman, J. (2019). Available natural light. Australian Rationalist, The, 113, 25.
  7. ^ "Jacqueline Mitelman: 'Buddha-nature'". National Portrait Gallery. Retrieved 2020-01-26.
  8. ^ Anna Clabburn, The Age, January 20, 1999
  9. ^ Mitelman, Jacqueline; Gaston, Vivien; TarraWarra Museum of Art (2011), Jacqueline Mitelman : facetime, TarraWarra Museum of Art, retrieved 26 January 2020
  10. ^ "SPACE.(News)", The Age (Melbourne, Australia), Fairfax Media Publications Pty Limited: 15, 2012-02-22, ISSN 0312-6307
  11. ^ "Art directory.(Directory)", Art and Australia, 49 (1), Art and Australia Pty. Ltd: 179(12), 2011-03-22, ISSN 0004-301X
  12. ^ a b c "Jacqueline Mitelman". Design and Art Australia Online. Retrieved January 26, 2020.{{cite web}}: CS1 maint: url-status (link)
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