Delmer Daves: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
m →‎External links: recategorize
add info
Line 9: Line 9:


'''Delmer Lawrence Daves''' (July 24, 1904 – August 17, 1977) was an American screenwriter, director and producer.<ref name=NYT>{{cite web|work=[[The New York Times]]|url=https://www.nytimes.com/movies/person/17148/Delmer-Daves|title=Delmer Daves}}</ref>
'''Delmer Lawrence Daves''' (July 24, 1904 – August 17, 1977) was an American screenwriter, director and producer.<ref name=NYT>{{cite web|work=[[The New York Times]]|url=https://www.nytimes.com/movies/person/17148/Delmer-Daves|title=Delmer Daves}}</ref>

He would be known for his dramas and for the Western adventures that saw heroes battle Indians, nature, and outlaws, the two most acclaimed of these being ''Broken Arrow'' and ''3:10 to Yuma''. In addition, Daves would work with some of the most famous actors of the time; a few would make several movies with him, including [[Gary Cooper]], [[Glenn Ford]], [[Richard Egan (actor)|Richard Egan]], [[Alan Ladd]], [[Troy Donahue]], [[Ernest Borgnine]], and [[Rossano Brazzi]]. He also launched soon-to-be-famous stars like [[Anne Bancroft]], [[Olivia Hussey]], [[George C. Scott]], [[Sandra Dee]], and [[Charles Bronson]].


==Life and career==
==Life and career==
===Early Life===
Born in [[San Francisco]], Delmer Daves first pursued a career as a [[lawyer]]. While attending [[Stanford University]], he became interested in the burgeoning film industry, first working as a [[Prop (stage, screen)|prop boy]] on the [[Western (genre)|western]] ''[[The Covered Wagon]]'' (1923) and serving as a [[technical advisor]] on a number of films. After finishing his education in law, he continued his career in [[Hollywood]].
Born in [[San Francisco]], Delmer Daves first pursued a career as a [[lawyer]]. While attending [[Stanford University]], he became interested in the burgeoning film industry, first working as a [[Prop (stage, screen)|prop boy]] on the [[Western (genre)|western]] ''[[The Covered Wagon]]'' (1923) and serving as a [[technical advisor]] on a number of films.


After finishing his education in law, he continued his career in [[Hollywood]].
After moving to Hollywood in 1928, he became a screenwriter, his first credit being the "[[sound film|talkie]]" comedy ''[[So This Is College]]'', released by [[Metro-Goldwyn-Mayer|MGM]]. Through the 1930s, he made himself a name as a successful screenplay and story writer, while moonlighting as an actor in [[bit part]]s and uncredited roles. He penned the successful [[Dick Powell]] [[Musical film|musicals]] ''[[Dames]]'', ''[[Flirtation Walk]]'', and ''[[Page Miss Glory (1935 film)|Page Miss Glory]]'' between 1934 and 1935. Daves' largest successes of the period, however, came with ''[[The Petrified Forest]]'' (1936) and ''[[Love Affair (1939 film)|Love Affair]]'' (1939). Almost twenty years later, [[Leo McCarey]], director of ''Love Affair'', helmed the nearly identical ''[[An Affair to Remember]]'' (1957) using Daves' script.
===Screenwriter and Actor===
After moving to Hollywood in 1928, he became a screenwriter, his first credit being the "[[sound film|talkie]]" comedy ''[[So This Is College]]'' (1929), released by [[Metro-Goldwyn-Mayer|MGM]], directed by Sam Wood.


He also moonlighted as an actor making small appearances in films like ''[[The Night Flyer]]'' (1928), ''[[Three Sinners]]'' (1928), ''[[The Mating Call]]'' (1928), ''[[Excess Baggage (1928 film)|Excess Baggage]]'' (1928), ''[[The Duke Steps Out]]'' (1929), and ''[[A Man's Man ]]'' (1929), as well as ''[[So This Is College]]'' (1929), which he wrote.
Daves made his directorial debut in the [[Cary Grant]] [[War film|wartime]] [[Adventure film|adventure]] ''[[Destination Tokyo]]'' in 1943. Over the course of his twenty-two-year career, Daves cultivated an unpretentious style, taking a relaxed approach to filming and letting the actors and screenplay drive the film. His most notable films include ''[[Dark Passage (film)|Dark Passage]]'' (1947),<ref name=NYT2/> which utilized a first-person approach to great effect, the critically acclaimed ''[[Broken Arrow (1950 film)|Broken Arrow]]'' (1950),<ref name=NYT2/> the westerns ''[[3:10 to Yuma (1957 film)|3:10 to Yuma]]'' (1957) and ''[[The Hanging Tree]]'' (1959),<ref name=NYT2>{{cite web|title=Delmer Daves Filmography|url=https://www.nytimes.com/movies/person/17148/Delmer-Daves/filmography|work=[[The New York Times]]}}</ref> the [[Cold War]] drama ''[[Never Let Me Go (1953 film)|Never Let Me Go]]'' (1953), and the melodramatic ''[[A Summer Place (film)|A Summer Place]]'' (1959). Daves garnered a [[Directors Guild of America]] [[Directors Guild of America Award|Award]] nomination for his work on 1958's ''[[Cowboy (1958 film)|Cowboy]]''. ''[[Spencer's Mountain]]'' (1963), which he wrote, directed, and produced, based upon [[Earl Hamner Jr.|Earl Hamner Jr's]] autobiographical novel of the same name, and served as the basis for the popular television series ''[[The Waltons]]''.


He appeared in ''[[The Bishop Murder Case]]'' (1930) and ''[[Good News (1930 film)|Good News]]'' (1930).
He would be known for his dramas and for the Western adventures that saw heroes battle Indians, nature, and outlaws, the two most acclaimed of these being ''Broken Arrow'' and ''3:10 to Yuma''. In addition, Daves would work with some of the most famous actors of the time; a few would make several movies with him, including [[Gary Cooper]], [[Glenn Ford]], [[Richard Egan (actor)|Richard Egan]], [[Alan Ladd]], [[Troy Donahue]], [[Ernest Borgnine]], and [[Rossano Brazzi]]. He also launched soon-to-be-famous stars like [[Anne Bancroft]], [[Olivia Hussey]], [[George C. Scott]], [[Sandra Dee]], and [[Charles Bronson]].

He wrote and appeared in ''[[Shipmates (film)|Shipmates]]'' (1931) and ''[[Divorce in the Family]]'' (1931) and worked uncredited on ''[[Susan Lenox (Her Fall and Rise)]]'' (1931) and ''[[Slim (film)|Slim]]'' (1931).

Daves then focused on writing, working on scripts for ''[[Clear All Wires!]]'' (1933), and ''[[No More Women]]'' (1934). He did some musicals: ''[[Dames (film)|Dames]]'' (1934) and ''[[Flirtation Walk]]'' (1934). He followed this with ''[[Stranded (film)|Stranded]]'' (1935), ''[[Page Miss Glory]]'' (1935), ''[[Shipmates Forever]]'' (1935), and ''[[Miss Pacific Fleet]]'' (1935).

Daves' first really significant credit as screenwriter was ''[[The Petrified Forest]]'' (1936). He wrote ''[[The Go Getter]]'' (1937), ''[[The Singing Marine]]'' (1937), ''[[She Married an Artist]]'' (1938) and ''[[Professor Beware]]'' (1938) for [[Harold Lloyd]].

Daves had a big critical and commercial success with ''[[Love Affair (1939 film)|Love Affair]]'' (1939). (Almost twenty years later, [[Leo McCarey]], director of ''Love Affair'', helmed the nearly identical ''[[An Affair to Remember]]'' (1957) using Daves' script.)

He was very much in demand as a writer, his credits including ''[[$1000 a Touchdown]]'' (1939), ''[[The Farmer's Daughter (1940 film)|The Farmer's Daughter]]'' (1940), ''[[It All Came True (film)|It All Came True]]'' (1940), and ''[[Safari (1940 film)|Safari]]'' (1940). Daves wrote a propaganda short, ''Young America Flies'' (1940) then did ''[[Unexpected Uncle]]'' (1941), ''[[The Night of January 16th]]'' (1941), and ''[[You Were Never Lovelier]]'' (1942). He also helped write ''[[Stage Door Canteen (film)|Stage Door Canteen]]'' (1943).
===Director===
Daves made his directorial debut in the [[Cary Grant]] [[War film|wartime]] [[Adventure film|adventure]] ''[[Destination Tokyo]]'' (1943).

He followed it with ''[[The Very Thought of You (film)|The Very Thought of You]]'' (1944), ''[[Hollywood Canteen (film)|Hollywood Canteen]]'' (1944), and ''[[Pride of the Marines (film)|Pride of the Marines]]'' (1945).

Daves wsa a writer only on ''[[Ladies' Man]]'' (1947).

He wrote and directed ''[[The Red House (film)|The Red House]]'' (1947) and ''[[Dark Passage (film)|Dark Passage]]'' (1947),<ref name=NYT2/> which utilized a first-person approach to great effect. He directed Richard Brooks' script in ''[[To the Victor]]'' (1948), directed ''[[A Kiss in the Dark]]'' (1949) and wrote and directed ''[[Task Force (film)|Task Force]]'' (1949) with Gary Cooper.

Daves directed the critically acclaimed ''[[Broken Arrow (1950 film)|Broken Arrow]]'' (1950), which made a star of Jeff Chandler.<ref name=NYT2/>

He wrote and directed ''[[Bird of Paradise (1951 film)|Bird of Paradise]]'' (1951); directed ''[[Return of the Texan]]'' (1952); and wrote and directed ''[[Treasure of the Golden Condor]]'' (1953);<ref name=NYT2>{{cite web|title=Delmer Daves Filmography|url=https://www.nytimes.com/movies/person/17148/Delmer-Daves/filmography|work=[[The New York Times]]}}</ref>.

As director only he did ''[[Never Let Me Go]]'' (1953) and ''[[Demetrius and the Gladiators]]'' (1954). He wrote and directed ''[[Drum Beat (film)|Drum Beat]]'' (1954) with [[Alan Ladd]].

Daves was a writer only on ''[[White Feather (film)|White Feather]]'' (1955). He wrote and directed ''[[Jubal]]'' (1956), ''[[The Last Wagon]]'' (1956).

He directed ''[[3:10 to Yuma]]'' (1957) and ''[[Cowboy (film)|Cowboy]]'' (1958). Daves garnered a [[Directors Guild of America]] [[Directors Guild of America Award|Award]] nomination for his work on 1958's ''[[Cowboy (1958 film)|Cowboy]]''.

He also directed ''[[Kings Go Forth]]'' (1958), ''[[The Badlanders]]'' (1958) and ''[[The Hanging Tree]]'' (1959).
===Later Films===
Daves wrote and directed a series of films with [[Troy Donahue]]: ''[[A Summer Place (film)|A Summer Place]]'' (1959), ''[[Parrish (film)|Parrish]]'' (1961), ''[[Susan Slade]]'' (1961) and ''[[Rome Adventure]]'' (1962).

Daves final films were ''[[Spencer's Mountain]]'' (1963), ''[[Youngblood Hawke (film)|Youngblood Hawke]]'' (1964) and ''[[The Battle of the Villa Fiorita]]'' (1965).''[[Spencer's Mountain]]'' (1963), which he wrote, directed, and produced, based upon [[Earl Hamner Jr.|Earl Hamner Jr's]] autobiographical novel of the same name, and served as the basis for the popular television series ''[[The Waltons]]''.


Daves was married to actress [[Mary Lawrence (actor)|Mary Lawrence]] from 1938 until his death on August 17, 1977.
Daves was married to actress [[Mary Lawrence (actor)|Mary Lawrence]] from 1938 until his death on August 17, 1977.

Revision as of 09:49, 5 December 2018

Delmer Daves
BornJuly 24, 1904
San Francisco, California
DiedAugust 17, 1977(1977-08-17) (aged 73)
La Jolla, California
Occupation(s)Film director, screenwriter, film producer

Delmer Lawrence Daves (July 24, 1904 – August 17, 1977) was an American screenwriter, director and producer.[1]

He would be known for his dramas and for the Western adventures that saw heroes battle Indians, nature, and outlaws, the two most acclaimed of these being Broken Arrow and 3:10 to Yuma. In addition, Daves would work with some of the most famous actors of the time; a few would make several movies with him, including Gary Cooper, Glenn Ford, Richard Egan, Alan Ladd, Troy Donahue, Ernest Borgnine, and Rossano Brazzi. He also launched soon-to-be-famous stars like Anne Bancroft, Olivia Hussey, George C. Scott, Sandra Dee, and Charles Bronson.

Life and career

Early Life

Born in San Francisco, Delmer Daves first pursued a career as a lawyer. While attending Stanford University, he became interested in the burgeoning film industry, first working as a prop boy on the western The Covered Wagon (1923) and serving as a technical advisor on a number of films.

After finishing his education in law, he continued his career in Hollywood.

Screenwriter and Actor

After moving to Hollywood in 1928, he became a screenwriter, his first credit being the "talkie" comedy So This Is College (1929), released by MGM, directed by Sam Wood.

He also moonlighted as an actor making small appearances in films like The Night Flyer (1928), Three Sinners (1928), The Mating Call (1928), Excess Baggage (1928), The Duke Steps Out (1929), and A Man's Man (1929), as well as So This Is College (1929), which he wrote.

He appeared in The Bishop Murder Case (1930) and Good News (1930).

He wrote and appeared in Shipmates (1931) and Divorce in the Family (1931) and worked uncredited on Susan Lenox (Her Fall and Rise) (1931) and Slim (1931).

Daves then focused on writing, working on scripts for Clear All Wires! (1933), and No More Women (1934). He did some musicals: Dames (1934) and Flirtation Walk (1934). He followed this with Stranded (1935), Page Miss Glory (1935), Shipmates Forever (1935), and Miss Pacific Fleet (1935).

Daves' first really significant credit as screenwriter was The Petrified Forest (1936). He wrote The Go Getter (1937), The Singing Marine (1937), She Married an Artist (1938) and Professor Beware (1938) for Harold Lloyd.

Daves had a big critical and commercial success with Love Affair (1939). (Almost twenty years later, Leo McCarey, director of Love Affair, helmed the nearly identical An Affair to Remember (1957) using Daves' script.)

He was very much in demand as a writer, his credits including $1000 a Touchdown (1939), The Farmer's Daughter (1940), It All Came True (1940), and Safari (1940). Daves wrote a propaganda short, Young America Flies (1940) then did Unexpected Uncle (1941), The Night of January 16th (1941), and You Were Never Lovelier (1942). He also helped write Stage Door Canteen (1943).

Director

Daves made his directorial debut in the Cary Grant wartime adventure Destination Tokyo (1943).

He followed it with The Very Thought of You (1944), Hollywood Canteen (1944), and Pride of the Marines (1945).

Daves wsa a writer only on Ladies' Man (1947).

He wrote and directed The Red House (1947) and Dark Passage (1947),[2] which utilized a first-person approach to great effect. He directed Richard Brooks' script in To the Victor (1948), directed A Kiss in the Dark (1949) and wrote and directed Task Force (1949) with Gary Cooper.

Daves directed the critically acclaimed Broken Arrow (1950), which made a star of Jeff Chandler.[2]

He wrote and directed Bird of Paradise (1951); directed Return of the Texan (1952); and wrote and directed Treasure of the Golden Condor (1953);[2].

As director only he did Never Let Me Go (1953) and Demetrius and the Gladiators (1954). He wrote and directed Drum Beat (1954) with Alan Ladd.

Daves was a writer only on White Feather (1955). He wrote and directed Jubal (1956), The Last Wagon (1956).

He directed 3:10 to Yuma (1957) and Cowboy (1958). Daves garnered a Directors Guild of America Award nomination for his work on 1958's Cowboy.

He also directed Kings Go Forth (1958), The Badlanders (1958) and The Hanging Tree (1959).

Later Films

Daves wrote and directed a series of films with Troy Donahue: A Summer Place (1959), Parrish (1961), Susan Slade (1961) and Rome Adventure (1962).

Daves final films were Spencer's Mountain (1963), Youngblood Hawke (1964) and The Battle of the Villa Fiorita (1965).Spencer's Mountain (1963), which he wrote, directed, and produced, based upon Earl Hamner Jr's autobiographical novel of the same name, and served as the basis for the popular television series The Waltons.

Daves was married to actress Mary Lawrence from 1938 until his death on August 17, 1977.

He is interred at Glendale's Forest Lawn Memorial Park Cemetery.

Partial filmography

References

  1. ^ "Delmer Daves". The New York Times.
  2. ^ a b c "Delmer Daves Filmography". The New York Times.

External links