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==About the song==
==About the song==
''Aaromale'' is a [[Psychedelic rock]] with a touch of [[Country blues]] but with a [[Hindustani classical music|Hindustani]] base. Beautifully penned by [[Kaithapram Damodaran Namboothiri|Kaithapram]], the song is high in instrumentation and quick changing rhythms. The song starts slow but goes on to pick speed slightly. The song has amazing guitar scores that give the feel of country music.
''Aaromale'' is a [[Psychedelic rock]] with a touch of [[Country blues]] but with a [[Hindustani classical music|Hindustani]] base. The song begins with the elements of Blues and concludes in a psychedelic rock fashion. The chorus portion is based on the raga [[Bageshri]]. Beautifully penned by [[Kaithapram Damodaran Namboothiri|Kaithapram]], the song is high in instrumentation and quick changing rhythms. The song starts slow but goes on to pick speed slightly. The song has amazing guitar scores that give the feel of country music.


The song is so important in the [[contemporary music]] as it can be regarded as the first attempt to correlate the very different styles of music, [[Rock music]] and [[Hindustani classical music]]. The composer is highly successful in proving the inspirations the origin of [[Rock music]] had from the very different style of Hindustani music.
The song is so important in the [[contemporary music]] as it can be regarded as the first attempt to correlate the very different styles of music, [[Rock music]] and [[Hindustani classical music]]. The composer is highly successful in proving the inspirations the origin of [[Rock music]] had from the very different style of Hindustani music.
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<!-- Deleted image removed: [[Image:aaromalesong.jpg|left|thumb|A snap from the song {{deletable image-caption}}]] -->
<!-- Deleted image removed: [[Image:aaromalesong.jpg|left|thumb|A snap from the song {{deletable image-caption}}]] -->


Though the song seems a [[Psychedelic rock]] song, it is strictly based on [[Hindustani classical music|Hindustani]] [[raga]] [[Bageshri]].<ref>{{cite web|url=http://groups.yahoo.com/group/arrahmanfans/message/129768/|title=Aaromale...just goin crazy!!!(Raga Bageshree)}}</ref>The chorus portion beginning with ''Swasthi Swasthi'' is also composed on [[Bageshri]]. The raga Bageshri is a popular raga of late night. ''Aaromale'' can be regarded as one of the very few songs which use the variance of this raga in depicting the mixed emotions of rejoice and the waiting for reunion.
Though the song seems completely a [[Psychedelic rock]] song, its major portions are strictly based on [[Hindustani classical music|Hindustani]] [[raga]] [[Bageshri]].<ref>{{cite web|url=http://groups.yahoo.com/group/arrahmanfans/message/129768/|title=Aaromale...just goin crazy!!!(Raga Bageshree)}}</ref>The chorus portion beginning with ''Swasthi Swasthi'' is composed on [[Bageshri]]. The raga Bageshri is a popular raga of late night. ''Aaromale'' can be regarded as one of the very few songs which use the variance of this raga in depicting the mixed emotions of rejoice and the waiting for reunion.

==Music Video and Picturisation==
==Music Video and Picturisation==
The song features [[Silambarasan Rajendar|Silambarasan]] in Tamil and [[Naga Chaitanya]] in Telugu. The song is casted when Karthik, who was an aspirant to become a filmmaker completes his first script and plans further on it. It also features Jessy ([[Trisha]] in Tamil and [[Samantha Ruth Prabhu|Samantha]] in Telugu) for whom Karthik is waiting for a reunion with. The song was picturised in [[Alappuzha]] in [[Kerala]] and [[Chennai]]. The song is highly successful in depicting the mixed emotions ,of the protagonist, of rejoice and the waiting for reunion with his beloved. The initial [[Guitar]] strings and the female humming of the song were used in background music for many portions of the film. The hummings in the background were rendered by [[Shreya Ghoshal]]. This was confirmed by the composer's music label manager, Mr. Vijay Iyer in the official yahoo group of A.R.Rahman fans. But, there were criticisms that the director who picturised all the songs in the film very well with his cinematographer [[Manoj Paramahamsa]] did not give any importance in the picturisation of this song as dialogues and situational scenes interrupted the song. Also the second stanca of the chorus portion was not included.
The song features [[Silambarasan Rajendar|Silambarasan]] in Tamil and [[Naga Chaitanya]] in Telugu. The song is casted when Karthik, who was an aspirant to become a filmmaker completes his first script and plans further on it. It also features Jessy ([[Trisha]] in Tamil and [[Samantha Ruth Prabhu|Samantha]] in Telugu) for whom Karthik is waiting for a reunion with. The song was picturised in [[Alappuzha]] in [[Kerala]] and [[Chennai]]. The song is highly successful in depicting the mixed emotions ,of the protagonist, of rejoice and the waiting for reunion with his beloved. The initial [[Guitar]] strings and the female humming of the song were used in background music for many portions of the film. The hummings in the background were rendered by [[Shreya Ghoshal]]. This was confirmed by the composer's music label manager, Mr. Vijay Iyer in the official yahoo group of A.R.Rahman fans. But, there were criticisms that the director who picturised all the songs in the film very well with his cinematographer [[Manoj Paramahamsa]] did not give any importance in the picturisation of this song as dialogues and situational scenes interrupted the song. Also the second stanca of the chorus portion was not included.

Revision as of 05:32, 6 May 2010

"Aaromale"
Song

Aaromale (Malayalam: ആരോമലേ, English: O Beloved) is a Malayalam song from the 2010 Tamil film Vinnaithaandi Varuvaayaa and Telugu film Ye Maaya Chesave composed by Academy Award winner A. R. Rahman[1], featuring lyrics by Kaithapram. The song, features vocals by Alphonse.

About the song

Aaromale is a Psychedelic rock with a touch of Country blues but with a Hindustani base. The song begins with the elements of Blues and concludes in a psychedelic rock fashion. The chorus portion is based on the raga Bageshri. Beautifully penned by Kaithapram, the song is high in instrumentation and quick changing rhythms. The song starts slow but goes on to pick speed slightly. The song has amazing guitar scores that give the feel of country music.

The song is so important in the contemporary music as it can be regarded as the first attempt to correlate the very different styles of music, Rock music and Hindustani classical music. The composer is highly successful in proving the inspirations the origin of Rock music had from the very different style of Hindustani music.

Aaromale is sung by acclaimed Malayalam Film score composer Alphonse Joseph. Alphonse had already sung certain songs for films and music albums but they were all composed by himself. So this song can be regarded as the debut of him as a vocalist. The rendition of Alphonse got high appreciations from fans and critics and Rahman made him to participate in his much anticipated world tour.

Though the song seems completely a Psychedelic rock song, its major portions are strictly based on Hindustani raga Bageshri.[2]The chorus portion beginning with Swasthi Swasthi is composed on Bageshri. The raga Bageshri is a popular raga of late night. Aaromale can be regarded as one of the very few songs which use the variance of this raga in depicting the mixed emotions of rejoice and the waiting for reunion.

Music Video and Picturisation

The song features Silambarasan in Tamil and Naga Chaitanya in Telugu. The song is casted when Karthik, who was an aspirant to become a filmmaker completes his first script and plans further on it. It also features Jessy (Trisha in Tamil and Samantha in Telugu) for whom Karthik is waiting for a reunion with. The song was picturised in Alappuzha in Kerala and Chennai. The song is highly successful in depicting the mixed emotions ,of the protagonist, of rejoice and the waiting for reunion with his beloved. The initial Guitar strings and the female humming of the song were used in background music for many portions of the film. The hummings in the background were rendered by Shreya Ghoshal. This was confirmed by the composer's music label manager, Mr. Vijay Iyer in the official yahoo group of A.R.Rahman fans. But, there were criticisms that the director who picturised all the songs in the film very well with his cinematographer Manoj Paramahamsa did not give any importance in the picturisation of this song as dialogues and situational scenes interrupted the song. Also the second stanca of the chorus portion was not included.

Trivia

Director Gautham Menon has picked this song as his favourite from the soundtrack. He said that he had listened to this song atleast a thousand times prior to picturising it.

A. R. Rahman planned and was asked to score only six songs for the soundtrack. But later it was his suggestion itself to include a song with Malayalam lyrics and that was apt for the script. He himself suggested the lyricist Kaithapram and the singer Alphonse to whom he made an acquaintance with during the audio launch of Alphons' debut album Vellithira.

Alphonse said in an interview that Rahman had composed only the chorus portion before the recording and the remaining the so-called "rock" portion was composed instantly in presence of him and lyricist Kaithapram during the recording time. The lyrics were also written on the time of recording only. The beautiful song was made a reality only in about four hours.

Professional Reviews

  • Behindwoods:"Oh, this song just defies description! But it has a Rahman-esque addictive charm that cannot be ignored. Sad and pleasant moods alternate. A curious blend of guitars and malayalam lyrics. The gentle rhythms that break out with the line ’swasti swasti sumuhurtham’ cut into the sobriety of the song in a refreshing manner. You need some repeated listening to savour this."
  • Indiaglitz:"A full-length Malayalam song in a Tamil movie sounds interesting. Since the female lead Jessi played by Trisha is Malayalam Christian, obviously the song finds a place in the album. Acclaimed Malayalam lyricist Kaithapram has penned the song with Malayalam music composer Alphonse singing it. High in instrumentation and quick changing rhythms, the song makes one brisk at the first listen itself. Mixed emotions flow as we listen to it."
  • Radiomusic:"Passionate singing by Malayalam music director Alphonse Joseph and amazing guitar play make the song grow on you after the first hearing itself. A Malayalam track with a feel of country music, Aaromale is an experimental track by Rahman. The song has a perfect fusion of western and Indian."
  • Lordoftheweb:"A song that starts slow, goes on to pick speed slightly and makes you say Wow after listening to it. Thats Aaromale! With amazing guitar scores that give you the feel of country music, and invigorating malayalam lyrics, this song will be quickly liked by the music aficionados. This song’s popularity will be like the song itself -slow, but will start to rise once people have listened to it a fewtimes. This is a true fusion of western and south Indian music, something that Rahman always wanted to capture. My personal favorite."
  • Rediff:"A guitar strums lazily, reminding you very faintly of the old Wild West, and then morphs into something that might be an ancient native Indian chant -- that's Aaromale, sung by Alphonse. The lyrics in Malayalam seem to form a neat accompaniment to the general structure of the song. There's a soothing, gentle feel to the number, an experience that lets you sink into it. The song proper starts some time later, with a faint strain of violins somewhere far off. Even as Alphonse's voice rises to higher octaves, the refrain hugs the original depths, supplying a many-layered experience. An intense number, this."
  • "Rahman does it again with this genius of a track. From the movie Vinnaithaandi Varuvaaya starring Simbu and Trisha, Rahman's experimental malayalam track for this movie, in acoustic blues style may not appeal to the common man with a thing for fast beats and randomized choruses, but to a real music lover, Aaromale would be divine for the ears. Alphonse- the music director- has sung this track and one cannot help but notice the depth and passion in his voice. The chorus of the track is a very catchy "mantra" type chorus with Alphonse crooning the word Aaromale in the BG."
  • Tamilgalatta:"The soft strumming of a guitar introduces this number. Alphonse's voice has a distinct heart-wrenching yearning in his voice. As Rahman said, the songs do not follow the strict patterns of Pallavi and Anupallavi, and 'Aaromale' confirms that. It is almost a spiritual experience."
  • "But Aaromale is everything you wish for – a dazzling boundary-pusher contained within the perimeter of a standard stanza-chorus construction, except that the stanzas aren’t quite stanzas in the way we usually know them, a block of music (comprising, say two individual lines of melody repeated twice, once by the male singer and once by the female counterpart). The non-chorus portions, here, are structured along the lines of blues-rock and country music (think Creedence Clearwater Revival’s recording of I put a spell on you layered onto an Ennio Morricone score for a spaghetti Western, and brushed lightly with the psychedelia of Pink Floyd) – and looping through the song’s lazy meanderings, you realise, once again, that Rahman’s legacy (in continuance with MS Viswanathan’s legacy of the “light music” melody line and Ilayaraja’s legacy of interstitial orchestration and arrangement) is not just the sound of his music, the clean, clear sound that’s the musical equivalent of a bracing breath of pure oxygen on a mountaintop, but also his systematic demolition of the constituents of a film song."[3]

Lyrics

In English

Mamalayeri Varum Thennal (O..Breeze blowing through the mountains.)
Puthu Manavalan Thennal (O..Breeze, decked up like a bridegroom)
Palli Medayae Thottu Thalodi Kurushil Thozhuthu Varumbol (Coming after worshipping the cross at the altar..)
Varavelpinu Malayala Kara Manasammatham Choriyum (O Land of Kerala….grant permission for welcoming it..)

Aaromale...(O Beloved...)

Swasthi Swasthi Sumuhurtham (On this very auspiciousness occasion )
Sumangali Bhava Manavatti (O Bride..,May you be blessed with a long wedded life)
Swasthi Swasthi Su Muhurtham (On this very auspiciousness occasion )
Sumungali Bhava Manavatti (O Bride..,May you be blessed with a long wedded life)
Shyama Rathri Than Aramanayil (In the inner sanctum of the dark evening…)
Mari Nilkayo Tharakame (O star..why are you so reserved ? )
Pulari Manjillae Kathiroliyay (Like a ray of light in the morning mist,)
Akalae Nilkayo Penmaname (Are you standing afar…my lady ?)
Chanju Nilkuma Chillayil Nee Chila Chilambuyo Poonkuyilae (O Koel..did you shake the bent branch of the tree ?..)
Manchirathile Marayoliyae Thediyethiyo Poonthennal (Did the festivities arrive with the flames of the mud lamps ?)
Swasthi Swasthi Su Muhurtham (On this very auspiciousness occasion )
Sumungali Bhava Manavatti (O Bride..,May you be blessed with a long wedded life)

Aaromale...(O Beloved...)

Kadaline, Karayodiniyum Padan Sneham Undo? (Does the sea still possess the love to serenade the shore ?)
Mezhukuthurikalayi Urukan Iniyum Pranayam Manasil Undo? (Is there still love in the mind..for melting like candle wax ?)

Aaromale...(O Beloved...)

Swasthi Swasthi Sumuhurtham
Sumangali Bhava Manavatti
Swasthi Swasthi Su Muhurtham
Sumungali Bhava Manavatti
Shyama Rathri Than Aramanayil
Mari Nilkayo Tharakame
Pulari Manjillae Kathiroliyay
Akalae Nilkayo Penmaname
Chanju Nilkuma Chillayil Nee Chila Chilambuyo Poonkuyile

Aaromale...

In Malayalam

മാമലയേറി വരും തെന്നല്‍
പുതുമണവാളന്‍ തെന്നല്‍
പള്ളിമേടയെ തൊട്ടുതലോടി കുരിശില്‍ തൊഴുതു വരുമ്പോള്‍
വരവേല്‍പ്പിനു മലയാളക്കര മനസമ്മതം ചൊരിയും

ആരോമലേ...

സ്വസ്തി സ്വസ്തി സുമൂഹൂര്‍ത്തം
സുമംഗലി ഭവാ മണവാട്ടി
ശ്യാമരാത്രിതന്‍ അരമനയില്‍
മാറിനില്‍ക്കയോ താരകമേ
പുലരിമഞ്ഞിലെ കതിരോലിയാല്‍
അകലെ നില്‍ക്കയോ വിണ്‍മഞ്ഞേ
ചാഞ്ഞു നില്‍ക്കുമാ ചില്ലയില്‍ നീ
ചിഞ്ചിലം കൂവും പൂങ്കുയിലേ
മണ്‍ചിരാതിലെ മലരോളിയെ
തേടിയെത്തിയോ പൂന്തെന്നല്‍
സ്വസ്തി സ്വസ്തി സുമൂഹൂര്‍ത്തം
സുമംഗലി ഭവാ മണവാട്ടി

ആരോമലേ...

കടലിനു കരയോടിനിയും പാടാന്‍ സ്നേഹമുണ്ടോ
മെഴുകുതിരികളായി ഉരുകാന്‍ ഇനിയും പ്രണയം മനസ്സിലുണ്ടോ

ആരോമലേ...

സ്വസ്തി സ്വസ്തി സുമൂഹൂര്‍ത്തം
സുമംഗലി ഭവാ മണവാട്ടി
ശ്യാമരാത്രിതന്‍ അരമനയില്‍
മാറിനില്‍ക്കയോ താരകമേ
പുലരിമഞ്ഞിലെ കതിരോലിയാല്‍
അകലെ നില്‍ക്കയോ വിണ്‍മഞ്ഞേ
ചാഞ്ഞു നില്‍ക്കുമാ ചില്ലയില്‍ നീ
ചിഞ്ചിലം കൂവും പൂങ്കുയിലേ
മണ്‍ചിറാതിലെ മലരോളിയെ
തേടിയെത്തിയോ പൂന്തെന്നല്‍
സ്വസ്തി സ്വസ്തി സുമൂഹൂര്‍ത്തം
സുമംഗലി ഭവാ മണവാട്ടി

ആരോമലേ...

In Tamil

மாமலையேறி வரும் தென்னல்
புது மணவாளன் தென்னல்
பள்ளி மேடையே தொட்டு தலோடி குருசில் தொழுது வரும்போல்
வரவேல்பினு மலையாளக்கர மனசம்மதம் சொரியும்

ஆரோமலே...


ஸ்வஸ்தி ஸ்வஸ்தி சு முஹுர்த்தம்

சுமங்கலி பவ மணவாட்டி

ஸ்வஸ்தி ஸ்வஸ்தி சு முஹுர்த்தம்

சுமங்கலி பவ மணவாட்டி

ஷ்யம்ம ராத்திரி தன அரமனையில்

மாரி நில்கயோ தாரகமே

புலரி மன்சில்லே கதிரொளியா

அகலே நில்கயோ பென்மனமே

சஞ்சு நிலக்கும சில்லயில் நீ , சில் சிலம்பியோ பூங்குயிலே

மன்சிரகிலே , மரயோலியே தேடியதியோ பூரன்கள்

ஸ்வஸ்தி ஸ்வஸ்தி சு முஹுர்த்தம்

சுமங்கலி பவ மணவாட்டி

ஆரோமலே...

கடலினே, கரயோடினியும் படன் ஷ்நேஹம் உண்டோ  ?

மெழுகுதுரிகலாயுறுகா இனியும் ப்ரணயம் மனசில் உண்டோ  ?

ஆரோமலே...


ஸ்வஸ்தி ஸ்வஸ்தி சு முஹுர்த்தம்

சுமங்கலி பவ மணவாட்டி

ஸ்வஸ்தி ஸ்வஸ்தி சு முஹுர்த்தம்

சுமங்கலி பவ மணவாட்டி

ஷ்யம்ம ராத்திரி தன அரமனையில்

மாரி நில்கயோ தாரகமே

புலரி மன்சில்லே கதிரொளியா

அகலே நில்கயோ பென்மனமே

சஞ்சு நிலக்கும சில்லயில் நீ , சில் சிலம்பியோ பூங்குயிலே

மன்சிரகிலே , மரயோலியே தேடியதியோ பூரன்கள்

ஸ்வஸ்தி ஸ்வஸ்தி சு முஹுர்த்தம்

சுமங்கலி பவ மணவாட்டி

ஆரோமலே...

See also

References

  1. ^ "Vinnaithaandi Varuvaaya".
  2. ^ "Aaromale...just goin crazy!!!(Raga Bageshree)".
  3. ^ "Vinnaithaandi Varuvaaya music review by fans".

External links

Vinnaithaandi Varuvaayaa tracklist and credits : http://www.arrahman.com/v2/discography/films-tamil-vinnaithaandivaruvaaya.html
Aaromale chords: http://tamilchords.blogspot.com/search/label/Vinnaithandi%20Varuvaya
Alphonse performing Aaromale live: http://www.youtube.com/watch?v=brnu-SxlFtE