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Mendl produced [[Lonnie Donegan]]'s first recordings, which were pivotal in defining the new [[skiffle]] sound of the 1950s. He was instrumental in establishing Decca's new progressive subsidiary [[Deram]] and acted as executive producer for the [[Moody Blues]]' 1967 album ''[[Days of Future Passed]]''. Through his efforts, [[David Bowie]], [[John Mayall]], [[Caravan (band)|Caravan]], and [[Genesis (band)|Genesis]] signed with Decca. His production credits covered a wide variety of styles -- he also produced the original cast recordings of [[musical]]s such as ''[[Hello Dolly]]'', ''[[Fings Ain't Wot They Used T'Be]]'', ''[[Oh! What A Lovely War]]'' and ''[[Cinderella (musical)|Cinderella]]'', a set of speeches by [[Winston Churchill]], comedy/satire albums by [[Ivor Cutler]] and [[Frankie Howerd]] and even an LP of the [[Le Mans]] 24-hour race, inspired by his lifelong passion for motor racing.
Mendl produced [[Lonnie Donegan]]'s first recordings, which were pivotal in defining the new [[skiffle]] sound of the 1950s. He was instrumental in establishing Decca's new progressive subsidiary [[Deram]] and acted as executive producer for the [[Moody Blues]]' 1967 album ''[[Days of Future Passed]]''. Through his efforts, [[David Bowie]], [[John Mayall]], [[Caravan (band)|Caravan]], and [[Genesis (band)|Genesis]] signed with Decca. His production credits covered a wide variety of styles -- he also produced the original cast recordings of [[musical]]s such as ''[[Hello Dolly]]'', ''[[Fings Ain't Wot They Used T'Be]]'', ''[[Oh! What A Lovely War]]'' and ''[[Cinderella (musical)|Cinderella]]'', a set of speeches by [[Winston Churchill]], comedy/satire albums by [[Ivor Cutler]] and [[Frankie Howerd]] and even an LP of the [[Le Mans]] 24-hour race, inspired by his lifelong passion for motor racing.

Mendl encouraged Decca to sign rising Liverpool band [[The Beatles]] in 1962 but they were famously turned down by executive [[Dick Rowe]] and he is also credited with recommending [[The Rolling Stones]], a signing for which Rowe ultimately took credit<ref name="TAXI">[http://finaltaxi.wordpress.com/2008/07/22/rock-music-producer-hugh-mendl/ The Final Taxi]</ref>.


Mendl was well-known for his "massive contempt" for Decca's rival [[EMI]], which he regarded as having "all of the arrogance of the BBC without any of the education"<ref name="IndObit">[http://www.independent.co.uk/news/obituaries/hugh-mendl-producer-at-decca-records-876686.html Hugh Mendl obituary, ''The Independent'', 25 July 2008]</ref> but his obituary noted that he largely stood apart from the often bitter and divisive office politics at Decca, where staff were habitually played off against each other by Edward Lewis.<ref name="IndObit"/>.
Mendl was well-known for his "massive contempt" for Decca's rival [[EMI]], which he regarded as having "all of the arrogance of the BBC without any of the education"<ref name="IndObit">[http://www.independent.co.uk/news/obituaries/hugh-mendl-producer-at-decca-records-876686.html Hugh Mendl obituary, ''The Independent'', 25 July 2008]</ref> but his obituary noted that he largely stood apart from the often bitter and divisive office politics at Decca, where staff were habitually played off against each other by Edward Lewis.<ref name="IndObit"/>.

Revision as of 08:29, 29 September 2008

Hugh Rees Christopher Mendl (August 6, 1919, London - July 7, 2008) was a British record producer, A&R representative, and manager. He worked for Decca Records for 40 years.

Mendl attended Radley College and then University College, Oxford, where he studied history. After falling in love with jazz music in the late 1930s, he abandoned his career in foreign affairs for sound recording and reproduction. Mendl's grandfather, who was chairman of the Decca Gramophone Company, landed him his first position in the business. During World War II he worked as an announcer for jazz radio in Jerusalem and on news broadcasts in the Mediterranean. He applied for a job at the BBC after the war but soon returned to Decca. He worked as a "song plugger" in the late 1940s, and began producing in 1950, working early in his career with Reggie Goff (his first recording), Winifred Atwell (producing her classic recording of "Black And White Rag") and Josh White.

Mendl produced Lonnie Donegan's first recordings, which were pivotal in defining the new skiffle sound of the 1950s. He was instrumental in establishing Decca's new progressive subsidiary Deram and acted as executive producer for the Moody Blues' 1967 album Days of Future Passed. Through his efforts, David Bowie, John Mayall, Caravan, and Genesis signed with Decca. His production credits covered a wide variety of styles -- he also produced the original cast recordings of musicals such as Hello Dolly, Fings Ain't Wot They Used T'Be, Oh! What A Lovely War and Cinderella, a set of speeches by Winston Churchill, comedy/satire albums by Ivor Cutler and Frankie Howerd and even an LP of the Le Mans 24-hour race, inspired by his lifelong passion for motor racing.

Mendl encouraged Decca to sign rising Liverpool band The Beatles in 1962 but they were famously turned down by executive Dick Rowe and he is also credited with recommending The Rolling Stones, a signing for which Rowe ultimately took credit[1].

Mendl was well-known for his "massive contempt" for Decca's rival EMI, which he regarded as having "all of the arrogance of the BBC without any of the education"[2] but his obituary noted that he largely stood apart from the often bitter and divisive office politics at Decca, where staff were habitually played off against each other by Edward Lewis.[2].

Mendl suffered a heart attack at an industry Christmas party in December 1979, which he blamed on the stress of "working for a dying company". During his convalescence Sir Edward Lewis died, and a few weeks later Decca was taken over by Polygram. When Mendl returned to work, he discovered that his office had been cleaned out on the orders of the new proprietors and all his diaries -- which would have provided a unique insight into the company's operations -- had been thrown away[2].

He left the company soon after and quit the music business, retiring to Devon, where he ran an antiques shop late in his life.

References

  • [1] "Hugh Mendl: Producer at Decca Records", The Independent, 25 July 2008

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