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Planetary romance

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+#REDIRECT [[Planetary romance]]
-{{short description|Subgenre of science fantasy}}
-{{multiple issues|
+{{Rcat shell|
-{{refimprove|date=August 2012}}
+{{R to related topic}}
-{{Original research|date=September 2007}}
 }}
-[[File:Amazing stories 194110.jpg|thumb|Cover of ''Amazing Stories'', October 1941]]
-'''Sword and planet''' is a [[subgenre]] of [[science fantasy]] that features rousing adventure stories set on other planets,<ref>{{Cite web |last=Jones |first=Howard Andrew |last2=McAulty |first2=Todd |date=2019-10-28 |title=Five Classic Sword-and-Planet Sagas |url=https://www.tor.com/2019/10/28/five-classic-sword-and-planet-sagas/ |access-date=2023-08-12 |website=Tor.com |language=en-US}}</ref> and usually featuring humans as protagonists. The name derives from the heroes of the genre engaging their adversaries in hand-to-hand combat primarily with simple [[melee weapon|melée weapons]] such as swords, even in a setting that often has advanced technology. Although there are works that herald the genre, such as [[Percy Greg]]'s ''[[Across the Zodiac]]'' (1880) and [[Edwin Lester Arnold]]'s ''[[Lieut. Gullivar Jones: His Vacation]]'' (1905; published in the US in 1964 as ''Gulliver of Mars''), the prototype for the genre is ''[[A Princess of Mars]]'' by [[Edgar Rice Burroughs]] originally serialized by ''[[All-Story]]'' in 1912 as "Under the Moons of Mars".<ref name="Williams2017">{{cite book|author=Eric Williams|title=The Screenwriters Taxonomy: A Collaborative Approach to Creative Storytelling|url=https://books.google.com/books?id=AB00DwAAQBAJ&pg=PT121|date=5 September 2017|publisher=Taylor & Francis|isbn=978-1-351-61066-7|pages=121–}}</ref>
-The genre predates the mainstream popularity of [[science fiction]] proper, and does not necessarily feature any scientific rigor, being instead romantic tales of high adventure. For example, little thought is given to explaining why the environment of the alien planet is compatible with life from Earth, just that it does in order to allow the hero to move about and interact with the natives. Native technology will often break the known laws of physics.
-The genre tag "sword and planet" mimics the terms [[sword and sorcery]], and [[sword and sandal]]. The coining of the phrase has been attributed to [[Donald A. Wollheim]], editor of [[Ace Books]], and later of [[DAW Books]] at a time (1960s) when the genre was undergoing a revival (although his anthology  ''[[Swordsmen in the Sky]]'' used the term sword and wonder instead).<ref>{{Cite thesis |title=Revivifying the Ur-text: a reconstruction of sword-&-sorcery as a literary form |url=https://repository.lboro.ac.uk/articles/thesis/Revivifying_the_Ur-text_a_reconstruction_of_sword-_-sorcery_as_a_literary_form/9327695/1 |publisher=Loughborough University |date=2018-01-01 |degree=PhD |language=en |first=Philip |last=Emery}}</ref> Both Ace Books and DAW Books were instrumental in bringing much of the earlier pulp sword and planet stories back into print, as well as publishing a great deal of new, imitative work by a new generation of authors.
-There is a fair amount of overlap between ''sword and planet'' and ''[[planetary romance]],'' although some works are considered to belong to one and not the other. Influenced by the likes of ''A Princess of Mars'' yet more modern and technologically savvy, sword and planet more directly imitates the conventions established by Burroughs in the [[Barsoom|Mars series]]. That is to say that the hero is alone as the only human being from Earth, swords are the weapon of choice, and while the alien planet has some advanced technology, it is used only in limited applications to advance the plot or increase the grandeur of the setting. In general, the alien planet will seem to be more medieval and primitive than Earth. This leads to anachronistic situations such as flying ships held aloft by anti-gravity technology, while ground travel is done by riding domesticated native animals.
-{{TOC limit|3}}
-== History ==
-Stories in the sword and planet genre fall primarily into two chronological classes.{{Original research inline|date=August 2023}}
-=== Beginnings ===
-The first includes the stories of Burroughs himself and his early imitators,<ref name=":0" /> of whom [[Otis Adelbert Kline]] was the most significant.
-In ''A Princess of Mars'', John Carter, a [[Confederate States of America|Confederate]] officer and soldier, has taken up prospecting in [[Arizona]] after the war to regain his fortune. Under mysterious circumstances, he is transported to [[Mars]], called [[Barsoom]] by its inhabitants. There he encounters savage and monstrous aliens, a beautiful princess, and a life of adventure and wonder.<ref>[[Charles Gramlich]], ''The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders'', pp. 1209-1211</ref> Burroughs followed up this first book with several more Barsoom stories, and another series that could be considered Sword & Planet, featuring as hero Carson Napier and his adventures on [[Venus]], natively known as [[Amtor]].<ref>{{Cite book |last1=Caryad |first1=<!-- None; mononymous --> |url= |title=Wanderer am Himmel: Die Welt der Planeten in Astronomie und Mythologie |last2=Römer |first2=Thomas |last3=Zingsem |first3=Vera |date=2014 |publisher=Springer-Verlag |isbn=978-3-642-55343-1 |pages=78 |language=de |trans-title=Wanderers in the Sky: The World of the Planets in Astronomy and Mythology |chapter=Ein geplatzter Traum |trans-chapter=A Shattered Dream |author-link2=<!-- No article at present (April 2023); editor for Phantastische Medien, Wikidata Q126753 --> |chapter-url=https://books.google.com/books?id=y_WJBAAAQBAJ&pg=PA78}}</ref> Burroughs' [[Pellucidar]] series could arguably be considered sword-and-(inner) planet, as it follows most of the plot conventions described below.
-=== Modern development ===
-The second and larger group includes authors who began to write Burroughs [[pastiche]]s from the mid-1960s to early 1970s. Such authors included [[Lin Carter]] and [[Michael Moorcock]]. Except for continuations of the extended [[Dray Prescot series|Dray Prescot]] and [[Gor]] sequences, and occasional parodies of earlier series, not many new works in the genre have appeared from major publishers since 1980. One notable exception are two books written by [[S. M. Stirling]] and published by Tor: ''The Sky People'' (2006) and ''In the Courts of the Crimson Kings'' (2008). However, smaller presses have continued to issue new works in the genre, most notably [[Wildside Press]], primarily through The [[Borgo Press]] imprint. In 2007, for example, Wildside/Borgo published a new book in Charles Nuetzel's ''Torlo Hannis of Noomas'' series, and printed the ''Talera'' trilogy by [[Charles Gramlich|Charles Allen Gramlich]].
-{{clear}}
-== Form ==
-[[File:Planet stories 1950fal.jpg|thumb|Cover of ''Planet Stories'', Fall 1950]]
-Burroughs established a set of conventions that were followed fairly closely by most other entries in the sword and planet genre. The typical first book in a sword and planet series uses some or all of the following plot points:<ref name=":0">{{Cite magazine |last=Gramlich and |first=Charles Allen |last2=Servello |first2=Stephen James |date= |title=Sword and Planet Fiction |url=https://www.erbzine.com/mag35/3566.html |website=ERBzine |volume=3566 |access-date=2023-08-12}}</ref>
-A tough but chivalrous male protagonist, from Earth of a period not too distant from our own, finds himself transported to a distant world.<ref name=":0" /> The transportation may be via astral projection, teleportation, time travel, or any similar form of scientific magic, but should not imply that travel between worlds is either easy or common. The Earthman thus finds himself the sole representative of his own race on an alien planet. This planet is at a pre-modern, even barbaric stage of civilization, but may here and there have remarkable technologies that hint at a more advanced past. There is no obligation for the physical properties or biology of the alien planet to follow any scientific understanding of the potential conditions of habitable worlds; in general, the conditions will be earth-like, but with variations such as a different-colored sun or different numbers of moons. A lower gravity may be invoked to explain such things as large flying animals or people, or the superhuman strength of the hero, but will otherwise be ignored.
-Not long after discovering his predicament, the Earthman finds himself caught in a struggle between two or more factions, nations, or species. He sides, of course, with the nation with the prettiest woman, who will sometimes turn out to be a princess. Before he can set about seriously courting her, however, she is kidnapped by a fiendish villain or villains. The Earthman, taking up his sword (the local weapon of choice, which he has a talent with), sets out on a quest to recover the woman and wallop the kidnappers. On the way, he crosses wild and inhospitable terrain, confronts savage animals and monsters, discovers lost civilizations ruled by cruel tyrants or wicked priests, and will repeatedly engage in swashbuckling sword-fights, be imprisoned, daringly escape and rescue other prisoners, and kill any men or beasts who stand in his way. At the end of the story he will defeat the villain and free the captive princess, only to find another crisis emerging that will require all his wit and muscle, but will not be resolved until ''the next thrilling novel in the adventures of...!''.{{Tone inline|date=February 2020}}
-==See also==
-*[[Technofantasy]]
-==References==
-{{reflist|30em}}
-{{Science fiction}}
-{{Fantasy fiction}}
-[[Category:Planetary romances|*]]
-[[Category:Science fantasy]]