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[[File:Antonio Quintana, Apartamentos Vedado,Havana, Cuba.jpg|thumb|left|Antonio Quintana, duplex apartaments. Havana (Vedado), Cuba, 1951-1953]] Between 1951 and 1953 he designed, with Alberto Beale, Manuel A. Rubio y Augusto Pérez Beato, the apartment building for Enriqueta Fernández [https://www.urbipedia.org/hoja/Edificio_Enriqueta_Fern%C3%A1ndez#/media/File:AntonioQuintana.ApartamentosVedado.2.jpg] on the corners of 23 and 26 streets, in Vedado, Havana. Consisting of a plinth as a base and a prism on top, the building constitutes the first instance in the construction of 12 two-level apartments (duplexes) in Cuba. Due to its seemingly structural lightness, this building caused a great impact at the time.<ref name="Antonio"/>
[[File:Antonio Quintana, Apartamentos Vedado,Havana, Cuba.jpg|thumb|left|Antonio Quintana, duplex apartaments. Havana (Vedado), Cuba, 1951-1953]] Between 1951 and 1953 he designed, with Alberto Beale, Manuel A. Rubio y Augusto Pérez Beato, the apartment building for Enriqueta Fernández [https://www.urbipedia.org/hoja/Edificio_Enriqueta_Fern%C3%A1ndez#/media/File:AntonioQuintana.ApartamentosVedado.2.jpg] on the corners of 23 and 26 streets, in Vedado, Havana. Consisting of a plinth as a base and a prism on top, the building constitutes the first instance in the construction of 12 two-level apartments (duplexes) in Cuba. Due to its seemingly structural lightness, this building caused a great impact at the time.<ref name="Antonio"/>
The volume of the apartments consists of a block that rests on four columns that are spaced about 12m apart, and cantilever about 6m on each side. The nucleus of stairs and the elevator are separated from the main body with which it connects every 2 floors by walkways. The floor of the houses is organized by modules of about 3 meters that give rise to the different rooms. The structural framework also organizes the façade, generating frames every two floors, which contain each housing unit. The enclosure is delayed giving rise to a terrace.<ref>{{cite web|url=https://www.urbipedia.org/hoja/Edificio_Enriqueta_Fern%C3%A1ndez|title=Edificio Enriqueta Fernández|access-date=2021-12-15}}</ref>
The volume of the apartments consists of a block that rests on four columns that are spaced about 12m apart, and cantilever about 6m on each side. The nucleus of stairs and the elevator are separated from the main body with which it connects every 2 floors by walkways. The floor of the houses is organized by modules of about 3 meters that give rise to the different rooms. The structural framework also organizes the façade, generating frames every two floors, which contain each housing unit. The enclosure is delayed giving rise to a terrace.<ref>{{cite web|url=https://www.urbipedia.org/hoja/Edificio_Enriqueta_Fern%C3%A1ndez|title=Edificio Enriqueta Fernández|access-date=2021-12-15}}</ref>
Quintana based the building's design on an idea suggested by José Rodríguez Feo, who later lived in the penthouse; he saw "the building as hanging from a cloud", floating, or almost without touching the ground, with the aim of integrating the public and private spaces, making the corner “disappear”, the place that would be like a square and used for exhibitions. It was a very novel structure for its time, supported by only four columns and the building seems to levitate six meters on the sides, as well as the staircase and the elevator seem separated from it and connecting every two floors. In 1955, economic needs and the search for greater profitability led the ground floor to be occupied by a car dealer, this intervention added new partitions but the original idea and transparency continued to be present, in later years a new cafeteria was added on the ground floor and a restaurant on the mezzanine, nullifying the original conception of the project and making it impossible to distinguish the differentiation of volumes.

==Building del Retiro Odontológico==
==Building del Retiro Odontológico==
[[File:Antonio Quintana Retiro Odontologico building.jpg|thumb|right|Antonio Quintana Retiro Odontologico building]]
[[File:Antonio Quintana Retiro Odontologico building.jpg|thumb|right|Antonio Quintana Retiro Odontologico building]]

Revision as of 16:45, 16 December 2021

Antonio Quintana Simonetti
Antonio Quintana
Born1919 (1919)
Died1993, 74
Alma materUniversity of Havana
OccupationArchitect
SpouseMatilde Ponce Copado
AwardsGold Medal from the Colegio Nacional de Arquitectos de Cuba
BuildingsBuilding for Enriqueta Fernández, Edificio del Seguro Médico

Antonio Luis Quintana Simonetti (Havana, April 19, 1919 - September 21, 1993). Cuban architect and a forerunner of the Modern Movement in Cuba. Graduated from the College of Architecture of Havana in 1944, among his works stand out many of the most important buildings in the Cuban capital, which reflect his interest in modernism.[1]Dissatisfied from his beginnings as a student with the classical canons, Antonio Quintana participated in 1944 in the so-called Burning of the Vignola, in the courtyard of the School of Architecture of the University of Havana. From this, event he began to study the precepts of contemporary architecture. He graduated as an architect in 1944.

History

He worked with Pedro Martínez Inclán and Mario Romañach, in the Barrio Residencial Obrero de Luyanó, south of the bay of Havana. The project, which was carried out according to the architecture canons of the modern movement, consisted of 1,500 houses, eight apartment complexes in four-story buildings, and all the complementary services of the houses: markets, schools, sports fields, and parks.[2]

Building for Enriqueta Fernández

Antonio Quintana, duplex apartaments. Havana (Vedado), Cuba, 1951-1953

Between 1951 and 1953 he designed, with Alberto Beale, Manuel A. Rubio y Augusto Pérez Beato, the apartment building for Enriqueta Fernández [1] on the corners of 23 and 26 streets, in Vedado, Havana. Consisting of a plinth as a base and a prism on top, the building constitutes the first instance in the construction of 12 two-level apartments (duplexes) in Cuba. Due to its seemingly structural lightness, this building caused a great impact at the time.[2]

The volume of the apartments consists of a block that rests on four columns that are spaced about 12m apart, and cantilever about 6m on each side. The nucleus of stairs and the elevator are separated from the main body with which it connects every 2 floors by walkways. The floor of the houses is organized by modules of about 3 meters that give rise to the different rooms. The structural framework also organizes the façade, generating frames every two floors, which contain each housing unit. The enclosure is delayed giving rise to a terrace.[3] Quintana based the building's design on an idea suggested by José Rodríguez Feo, who later lived in the penthouse; he saw "the building as hanging from a cloud", floating, or almost without touching the ground, with the aim of integrating the public and private spaces, making the corner “disappear”, the place that would be like a square and used for exhibitions. It was a very novel structure for its time, supported by only four columns and the building seems to levitate six meters on the sides, as well as the staircase and the elevator seem separated from it and connecting every two floors. In 1955, economic needs and the search for greater profitability led the ground floor to be occupied by a car dealer, this intervention added new partitions but the original idea and transparency continued to be present, in later years a new cafeteria was added on the ground floor and a restaurant on the mezzanine, nullifying the original conception of the project and making it impossible to distinguish the differentiation of volumes.

Building del Retiro Odontológico

Antonio Quintana Retiro Odontologico building

This building is located on Calle L between 21 and 23, the construction of this building led to the Gold Medal award in 1956. This building has two basement levels designed for parking. These apartments are currently unused. It has a cafeteria with a capacity for 200 people and direct access to the street. It has a theater room that, because it is very deteriorated, does not provide functions. On the first two floors are the Stomatological College and the offices of the dental offices. This beulding was awarded a gold medal in 1956 by the Colegio Nacional de Arquitectos de Cuba.[4]

Edificio del Seguro Médico Building

Edificio del Seguro Médico Bilding

The Edificio del Seguro Médico Building, located on 23rd street at N corner, is considered an important commercial architectural work of the 1950s in the city of Havana.[4] It was initially built as a residential building and the headquarters of the Medical Insurance. Currently, the Latin Press Agency and the Ministry of Public Health are based there. It has 2 basement levels for parking. From the 4th floor, there are 3 apartments per floor.[4]

1955 competition

Commercial building entrance on La Rampa. Drawing by Quintana.

The project arose as a result of a public architectural competition held in 1955 for the new headquarters of the Cuban Colegio de Médicos (National Medical Association) and the offices of the Medical Insurance Company. Given the high cost of the site, the complexity of the initial project was increased by the need to add rental income from apartments that would help to make the building profitable. Antonio Quintana's proposal was the winner since it managed to solve the complexity of the program with two volumes: a five-story box containing administrative offices, an auditorium, and lobbies, and an eighteen-story modernist slab with its own separate entrance lobby. Quintana established a visual dialogue between the two geometries and generated new guidelines for the new emerging modernist, mixed-use typologies. in the city.[5]

The Seguro Medico was a private company, they were the landlord and owner of the residential tower and thus subject to the new property redistribution instituted by the Castro government. Early in the new revolutionary government, guided by the principals that: 1. housing is a right, not a commodity, 2. housing should be equitable, and 3. the government is the primary decision-maker, "Fidel Castro sought to release the grip landlords held on Cuban properties with a 1960 urban-reform law that eliminated multiple ownership, gave renters a chance to buy their homes at low cost and made the state responsible for providing housing." Thus, all private property was abolished and the government forcefully became the new owner of the Seguro Medico building.[6]

Program

Residential lobby entrance from Calle N, mural by Mariano Rodriguez

The first mixed-use building in Havana was the Radiocentro CMQ Building, also on La Rampa (Calle 23). The modernist Edificio del Seguro Médico is one of the earliest mixed-use buildings (commercial/residential) in Havana. Similar to the Lever House in Manhattan, Antonio Quintana Simonetti (1919–1943) sets up a relationship of two volumes of dissimilar proportion: a box at the lower level containing the Seguro Médico offices, and an eighteen-story residential block. Similar to the FOCSA Building's podium used only for recreation, the residences are located over the roof of the Seguro Medico offices; a large plane made into a children's playground (garden) as shown in the Quintana sketch-drawing for that area.

Because the building must accommodate a dual program, there is a total separation by way of two scales, two structural modules, and two entrances on two different streets.[a]

Architecture

Structural Plan. Residential block

Residential module

The residential block has an architectural module of 3.13 metres (10.3 ft) by 3.40 metres (11.2 ft). Three 3.13 metres (10.3 ft) modules are expressed on the north elevation of the office block by the 9.40-meter dimension of the bearing walls.[8] The outboard balconies are each of a different color and alternate position on every floor. The lower volume occupied today by the Ministry of Public Health. [b][9] The 3.40 metres (11.2 ft) width of the rooms is further subdivided into three sections of 1.13 metres (3 ft 8 in) and this module determines the width of doors, windows, and passages between rooms within the apartment. The wooden windows have two sets of nine movable slats that can be independently controlled to modulate the natural light in the room, they can be completely closed to make the room totally dark, even in bright days. The pattern of the windows and door and the bearing walls (9.40 meters apart) are expressed on the Calle N elevation.

Balconies, walls and floors

Balconies in their present state of disrepair.

The balconies have a six-inch terrazzo baseboard and two incandescent lights located in the ceiling of the balcony above. The front railing of the outboard balconies are the upturned concrete floor slab, the two pre-fab side railings are metal. Originally the floors in the residential tower were of black terrazzo.

There are four structural walls of poured in place reinforced concrete. The two center walls are the shear panels of the tower. The height of the apartment ceiling is eleven concrete blocks high plus a terrazzo base (2,352 millimetres (92.6 in)). They divide the apartments and rooms and are unpainted, set in common, gray mortar, the wall sits on top of a black 152 millimetres (6.0 in) terrazzo baseboard that matches the floors. Several of the doors in the apartment as the bathroom doors, for instance, have fixed louvers between the space from the top of the door to the ceiling, some of the doors have a 320 millimetres (13 in) fixed panel of glass over them. In some of the bathrooms, the terrazzo floor is raised by a step.

In both sides of the rear elevation on each floor, there is a 12.65-meter long wall that is subdivided down the center it is divided horizontally into three parts: 1-Two prefab concrete panels of 6.32 m or 9.48 m in length depending on the layout of the floor. 2- Located under the kitchen cabinets, a strip window of equal length and in the middle of the two concrete panels. The window has wooden "persianas" (venetian blinds) that were widely used in modern and traditional residential buildings in Havana such as the FOCSA Building and the López Serrano Building. The other wall is the exterior wall of the public corridor, made of floor to ceiling concrete blocks and set in such a way that allows for 8" X 8" openings throughout so that the exterior wall of the semi-public corridor is partially open to the elements. The concrete block wall is either 6.32 or 3.17 meters long and alternates with the plank wall in an abstract pattern.

The wall enclosing the vestibule in front of the elevators is made of an aluminum frame for glass panel inserts with operable windows.

Ventilation and light

Edificio del Seguro Médico. South wall, rear elevation from La Rampa
Edificio del Seguro Médico_wall detail, Havana

The north wall is designed to regulate the view, breezes from the north and the natural light. The entire wall is subdivided according to the 3.13 metres (10.3 ft) module and it is composed of louvered doors and windows that can be made to open completely so that the wall is de-materialized, or, its opposite, be made to change its character to the point where no air or light can enter the rooms. On the rear elevation, two different wall surface designs form an abstract pattern. One, accommodates a horizontal operable window in the middle of the wall, (similar to the FOCSA Building), which is made up of two prefab concrete slabs. The other design makes the wall partially porous by the placement of the cmu to allow for views, natural light and ventilation.

Murals

The building has two murals, one a black and white tesserae mural by Wifredo Lam entitled Abstracción which is located on the main entrance-commercial vestibule on Calle La Rampa; the other is in the residential lobby on Calle N and titled Boomerang, by Mariano Rodriguez.

Prize

The Edificio del Seguro Médico was awarded First Prize at the Architecture Competition in 1954 and a Gold Medal by the School of Architects in Havana in 1959.[10][11]

Gallery

See also

Notes

  1. ^ Mariano Rodriguez won, together with Wifredo Lam, the competition for the realization of two murals. Mariano's mural is in ceramic and titled Boomerang. His work Gallo Amarillo obtained a merit award of $500.00 at the VIII National Painting and Sculpture Hall and went to the collection of the National Museum.[7]
  2. ^ Robert Venturi in the ISI Building at 3501 Market Street near the Penn campus designed a flush facade (on the north-east side of the building) similar to the Edificio del Seguro Médico so that there is a modernist reading, no shadows from the window frames register on the facade.

References

  1. ^ "Antonio Quintana Simonetti y sus 5 edificios emblemáticos de El Vedado". Retrieved 2021-12-15.
  2. ^ a b "Antonio Quintana Simonetti". Retrieved 2021-12-15.
  3. ^ "Edificio Enriqueta Fernández". Retrieved 2021-12-15.
  4. ^ a b c "Antonio Quintana Simonetti y sus 5 edificios emblemáticos de El Vedado". Retrieved 2021-12-16.
  5. ^ Petkov Ivanov, Ivan (8 September 2009). "Edificio para el seguro medico, La Habana" (Document). hdl:2099.1/7627. {{cite document}}: Cite document requires |publisher= (help)
  6. ^ "HOUSING POLICY IN CASTRO'S CUBA" (PDF). Retrieved 2018-12-02.
  7. ^ "Fundacion Mariano Rodriguez". Retrieved 2021-12-15.
  8. ^ File:Edificio del Seguro Médico, Havana NE Elevation.jpg
  9. ^ "Buildings: North Academic Building from the 2007 Master Plan". 6 April 2011. Retrieved 2018-11-21.
  10. ^ "Edificio de Seguro Médico". 20 December 2013. Retrieved 2018-11-21.
  11. ^ "Edificio del Seguro Médico, Antonio Quintana – 1955". Retrieved 2018-11-21.

External links

Entrevista con José Antonio Choy, arquitecto cubano
Seguro Medico_Ivan Petkov Ivanov
Havana skyline from Havana Hilton