Lady Caroline Lamb (film): Difference between revisions

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==Background==
==Background==
The film was the directorial debut of screenwriter [[Robert Bolt]] and starred his wife [[Sarah Miles]] in the title role. Bolt did not direct another film. The film is also notable because it is the last film in which [[Michael Wilding (actor)|Michael Wilding]] appeared, in a cameo with his last wife, [[Margaret Leighton]], who played Lady Melbourne. The film score was composed by [[Richard Rodney Bennett]], who later based a concert work, ''Elegy for Lady Caroline Lamb'' for viola and orchestra, on some of the material.
The film was the directorial debut of screenwriter [[Robert Bolt]] and starred his wife [[Sarah Miles]] in the title role. Bolt said he was attracted to the story of Lamb because it "was funny, touching and entertaining" and felt the movie was about "the struggle between the romantics of the world and the classicists... The classical, ignoble view of life, as espoused by Wellington in the film, keep society going... but it's the romantics, like Caroline, who drive life, who instigate new ideas, and who often are the true geniuses."<ref>Movies: Bolt of lighting hits the screen...
Martin, James. Chicago Tribune 4 Mar 1973: e10. </ref>

Bolt said it was difficult to raise finance because people said they had not heard of Lady Caroline Lamb. In July 1971 it was announced the film, then called ''Lamb'' would be the first film financed by Tomorrow Entertainment, a subsidiary of General Electric, in association with Pulsar Productions and Vides Cinematographa of Rome. Richard Chamberlain and Sarah Miles would star, with cameos from Laurence Olivier, Margaret Leighton and John Mills. Filming was to start the following month in England and Rome and Fernando Ghia as producer.
<ref>BOLT WILL DIRECT G.E.'S FIRST FILM: Also Wrote Script for New Subsidiary's 'Lamb'
By A. H. WEILER. New York Times 28 July 1971: 21. <?ref>

However these plans fell through. Eventually finance was raised from Anglo-EMI and General Electric but Bolt had to waive all his fee in order to keep artistic control.<ref>Miles dressed up as Lamb: Robert Bolt has gone to Italy to complete work on the first film he has directed. BARRY NORMAN talks to him about the problems of embarking on a new career
The Guardian (1959-2003); London (UK) [London (UK)]25 Mar 1972: 10.</ref>

"I've been playing zanies and eccentrics for the past few years," said Chamberlain, "so Byron is new for me. He was lie this incredible pop star."<ref>Chamberlain Career Surgery a Success
Haber, Joyce. Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]19 Nov 1972: w21.</ref>

"I'm not a good director but I know what the author intended," said Bolt.<ref name="five">Movies: Five Gardeners (for All Seasons) Has Robert Bolt
Blume, Mary. Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]13 Aug 1972: c20. </ref>

Bolt did not direct another film. The film is also notable because it is the last film in which [[Michael Wilding (actor)|Michael Wilding]] appeared, in a cameo with his last wife, [[Margaret Leighton]], who played Lady Melbourne. The film score was composed by [[Richard Rodney Bennett]], who later based a concert work, ''Elegy for Lady Caroline Lamb'' for viola and orchestra, on some of the material.


==Reception==
==Reception==
===Critical===
Praise came for [[Laurence Olivier]]'s cameo as the Duke of Wellington, with [[Philip French]] of ''The Times'' writing that "... Olivier's brief appearance as the Duke of Wellington is a beautifully witty and rounded characterisation that is worth the price of the admission in itself".<ref>''The Films of Laurence Olivier'', by Margaret Morley, Citadel, 1977, p 176</ref>
Praise came for [[Laurence Olivier]]'s cameo as the Duke of Wellington, with [[Philip French]] of ''The Times'' writing that "... Olivier's brief appearance as the Duke of Wellington is a beautifully witty and rounded characterisation that is worth the price of the admission in itself".<ref>''The Films of Laurence Olivier'', by Margaret Morley, Citadel, 1977, p 176</ref>


The ''Los Angeles Times'' called it "beautiful but dumb."<ref>CRITIC AT LARGE: Bolt's 'Lamb' in Lean Tradition
Champlin, Charles. Los Angeles Times 26 Feb 1973: f1. </ref>
===Box Office===
The film was one of the most popular movies of 1973 at the British box office.<ref>{{cite book|page=270|url=https://books.google.com/books?id=NTmrBgAAQBAJ&q=guinness+book+of+box+office+hits+swern+childs&pg=PA268|title=British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure|first=Sue|last= Harper|publisher=Edinburgh University Press|date= 2011|isbn = 9780748654260}}</ref> It was nominated for three [[BAFTA]] awards.<ref>http://awards.bafta.org/award/1973/film. Retrieved 26 February 2020.</ref>
The film was one of the most popular movies of 1973 at the British box office.<ref>{{cite book|page=270|url=https://books.google.com/books?id=NTmrBgAAQBAJ&q=guinness+book+of+box+office+hits+swern+childs&pg=PA268|title=British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure|first=Sue|last= Harper|publisher=Edinburgh University Press|date= 2011|isbn = 9780748654260}}</ref> It was nominated for three [[BAFTA]] awards.<ref>http://awards.bafta.org/award/1973/film. Retrieved 26 February 2020.</ref>


Revision as of 14:06, 17 November 2020

Lady Caroline Lamb
Theatrical release poster
Directed byRobert Bolt
Written byRobert Bolt
Produced byFranco Cristaldi
Fernando Ghia
Bernard Williams
StarringSarah Miles
Jon Finch
Richard Chamberlain
Laurence Olivier
CinematographyOswald Morris
Edited byNorman Savage
Music byRichard Rodney Bennett
Production
company
Pulsar Productions
Distributed byMGM-EMI (UK)
United Artists (US)
Release date
22 November 1972
Running time
123 minutes
CountryUnited Kingdom
LanguageEnglish

Lady Caroline Lamb is a 1972 British epic romantic drama film based on the life of Lady Caroline Lamb, lover of Lord Byron and wife of William Lamb, 2nd Viscount Melbourne (later Prime Minister). The only film written and directed by Robert Bolt, it starred his wife, Sarah Miles,[1] as Lady Caroline, Jon Finch, Richard Chamberlain, Laurence Olivier, Ralph Richardson, John Mills, Margaret Leighton and Michael Wilding.

Plot Synopsis

The film describes the life of Lady Caroline Lamb (Sarah Miles) after she marries William Lamb (Jon Finch). Later she meets and falls in love with Lord Byron (Richard Chamberlain), but when he deserts her for a younger woman Miss Millbanke (Silvia Monti), she descends into madness. At the end of the film she dies from a broken heart.

Cast

Background

The film was the directorial debut of screenwriter Robert Bolt and starred his wife Sarah Miles in the title role. Bolt said he was attracted to the story of Lamb because it "was funny, touching and entertaining" and felt the movie was about "the struggle between the romantics of the world and the classicists... The classical, ignoble view of life, as espoused by Wellington in the film, keep society going... but it's the romantics, like Caroline, who drive life, who instigate new ideas, and who often are the true geniuses."[2]

Bolt said it was difficult to raise finance because people said they had not heard of Lady Caroline Lamb. In July 1971 it was announced the film, then called Lamb would be the first film financed by Tomorrow Entertainment, a subsidiary of General Electric, in association with Pulsar Productions and Vides Cinematographa of Rome. Richard Chamberlain and Sarah Miles would star, with cameos from Laurence Olivier, Margaret Leighton and John Mills. Filming was to start the following month in England and Rome and Fernando Ghia as producer. Cite error: A <ref> tag is missing the closing </ref> (see the help page).

"I've been playing zanies and eccentrics for the past few years," said Chamberlain, "so Byron is new for me. He was lie this incredible pop star."[3]

"I'm not a good director but I know what the author intended," said Bolt.[4]

Bolt did not direct another film. The film is also notable because it is the last film in which Michael Wilding appeared, in a cameo with his last wife, Margaret Leighton, who played Lady Melbourne. The film score was composed by Richard Rodney Bennett, who later based a concert work, Elegy for Lady Caroline Lamb for viola and orchestra, on some of the material.

Reception

Critical

Praise came for Laurence Olivier's cameo as the Duke of Wellington, with Philip French of The Times writing that "... Olivier's brief appearance as the Duke of Wellington is a beautifully witty and rounded characterisation that is worth the price of the admission in itself".[5]

The Los Angeles Times called it "beautiful but dumb."[6]

Box Office

The film was one of the most popular movies of 1973 at the British box office.[7] It was nominated for three BAFTA awards.[8]

External links

References

  1. ^ John A. Wagner (25 February 2014). Voices of Victorian England: Contemporary Accounts of Daily Life. ABC-CLIO. p. 199. ISBN 978-0-313-38689-3.
  2. ^ Movies: Bolt of lighting hits the screen... Martin, James. Chicago Tribune 4 Mar 1973: e10.
  3. ^ Chamberlain Career Surgery a Success Haber, Joyce. Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]19 Nov 1972: w21.
  4. ^ Movies: Five Gardeners (for All Seasons) Has Robert Bolt Blume, Mary. Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]13 Aug 1972: c20.
  5. ^ The Films of Laurence Olivier, by Margaret Morley, Citadel, 1977, p 176
  6. ^ CRITIC AT LARGE: Bolt's 'Lamb' in Lean Tradition Champlin, Charles. Los Angeles Times 26 Feb 1973: f1.
  7. ^ Harper, Sue (2011). British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure. Edinburgh University Press. p. 270. ISBN 9780748654260.
  8. ^ http://awards.bafta.org/award/1973/film. Retrieved 26 February 2020.
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