Family Values (play): Difference between revisions
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“My play is based on a lot of real events. I researched Nauru as fully as I could, I looked at the makeup of the people there and the women too, and it is an attempt to depict the situation truthfully.” He added, I also depict a family coming apart at the seams. There are lots of blackly funny moments based on the ideological positions of the children, which differ so widely.” <ref>{{cite news|newspaper=City News|url=https://citynews.com.au/2020/williamsons-relevant-blackly-funny-family-values/|title=Invigorated, David Williamson maintains the rage|first=Helen|last= Musa|date= |
“My play is based on a lot of real events. I researched Nauru as fully as I could, I looked at the makeup of the people there and the women too, and it is an attempt to depict the situation truthfully.” He added, I also depict a family coming apart at the seams. There are lots of blackly funny moments based on the ideological positions of the children, which differ so widely.” <ref>{{cite news|newspaper=City News|url=https://citynews.com.au/2020/williamsons-relevant-blackly-funny-family-values/|title=Invigorated, David Williamson maintains the rage|first=Helen|last= Musa|date= |
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February 26, 2020}}</ref> |
February 26, 2020}}</ref> |
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Williamson also wanted to explore the growth of religion in Australia.“ The influence of evangelism seems to be growing. When our current prime minister invites cameras into church to see him asking God for a favour … it’s troubling.”<ref name="blake"/>{{cite web|first=Elissa|last=Blake|url=https://www.audreyjournal.com.au/arts/david-williamson-fifty-and-out/|title=David Williamson Fifty and Out?|date=24 November 2019|url=https://www.audreyjournal.com.au/arts/david-williamson-fifty-and-out/}}</ref> |
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“It’s a play in which people who shouldn’t be in the same room together have to be in the same room together because they’re related,” Williamson says. “So drama ensues – and comedy, too. Without that, the situation would be unbearable... It’s a big ask for any play, but I think it’s right on the fault lines of where we are now. Australia today is a deeply divided nation.”<ref name="blake"/> |
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The play had its world premiere at the Griffin. “I couldn’t be happier than having the circle close at Griffin,” he said. “John Bell’s production of The Removalists in 1972 was on that stage – back when it was called the Nimrod Theatre – and that established me as a writer more than anything else. My career as a playwright took off from there and it’s terrifically satisfying to come back to that wonderful. I’m back where I started, but I’m terribly happy to be there.”<ref name="blake"/> |
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==References== |
==References== |
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Revision as of 23:26, 22 October 2020
 | The topic of this article may not meet Wikipedia's general notability guideline. (December 2019) |
| Family Values | |
|---|---|
| Written by | David Williamson |
| Date premiered | 2020 |
| Place premiered | Griffin Theatre, Sydney |
| Original language | English |
| Genre | social comedy |
Family Values is a 2020 Australian play by David Williamson.[1] It was inspired in part by Williamson's anger at Australia's treatment of refugees.[2]
Plot
A judge is about to retire.
Background
Williamson said, “What kind of country have we become, to send people fleeing persecution to Nauru?” In particular he family of Tamil asylum seekers from Biloela. “My play is based on a lot of real events. I researched Nauru as fully as I could, I looked at the makeup of the people there and the women too, and it is an attempt to depict the situation truthfully.” He added, I also depict a family coming apart at the seams. There are lots of blackly funny moments based on the ideological positions of the children, which differ so widely.” [3]
Williamson also wanted to explore the growth of religion in Australia.“ The influence of evangelism seems to be growing. When our current prime minister invites cameras into church to see him asking God for a favour … it’s troubling.”[4]Blake, Elissa (24 November 2019). "David Williamson Fifty and Out?".</ref>
“It’s a play in which people who shouldn’t be in the same room together have to be in the same room together because they’re related,” Williamson says. “So drama ensues – and comedy, too. Without that, the situation would be unbearable... It’s a big ask for any play, but I think it’s right on the fault lines of where we are now. Australia today is a deeply divided nation.”[4]
The play had its world premiere at the Griffin. “I couldn’t be happier than having the circle close at Griffin,” he said. “John Bell’s production of The Removalists in 1972 was on that stage – back when it was called the Nimrod Theatre – and that established me as a writer more than anything else. My career as a playwright took off from there and it’s terrifically satisfying to come back to that wonderful. I’m back where I started, but I’m terribly happy to be there.”[4]
References
- ^ "Griffin Theatre announces its 2020 Season". Limelight Magazine. 25 August 2019.
- ^ Dow, Steve (11 January 2020). "David Williamson on retirement, politics and critics: 'For years I couldn't go to an opening night'". The Guardian.
- ^ Musa, Helen (February 26, 2020). "Invigorated, David Williamson maintains the rage". City News.
- ^ a b c Cite error: The named reference
blakewas invoked but never defined (see the help page).
External links
- Family Values at Griffin Theatre
- Family Values at Ausstage
- Review of 2020 Sydney production at the Conversation
- Review of 2020 Sydney production at Limelight
- Review of 2020 Sydney production at Sydney Morning Herald
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