Close to the Roof: Difference between revisions
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==Plot== |
==Plot== |
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In a house in the Sydney suburb of Surry Hills, two siblings, Lucy and Charlie, prepare the beds in their attic for guests. The siblings are the children of Tony Perelli, a widowed Italian migrant who is bitter about his lack of success in Australia, and who is determined to return home from whose children come home. Tony refuses to let Lucy work and does not know the Charlie has been boxing, thinking that he is going to be a musician. |
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Two men, Wally and Joe, arrive to stay in the attic. They were part of a trio who robbed a band at Newtown, which resulted in people being injured; the third member of their group, Bill, was captured in a shoot out. They are paying Tony money and Tony's children discover this; they are unhappy about it but support their father. |
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Wally is killed. |
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Joe is an ex-boxer from the country on his first robbery Wally is an experienced criminal. Joe and Lucia seem to like each other. Joe gives Charlie advice how to fight a particular boxer. |
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As the days pass, things become tense between Joe and Wally. They disagree over a number of things including Lucy and over how to divide the money. Bill dies in hospital without waking up and Joe wants them to give Bill's share to the latter's widow. Wally mandhandles Lucy, resulting in Joe fatally knocking out Wally. |
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Charlie and Tony bury Wally's corpse in French's Forest. Tony discovers that Joe has been helping his son with boxing and orders the criminal out of the house. Charlie decides to drive Joe to Queensland. Joe tells Lucy that he has a girlfriend but she deduces he is lying and they kiss. Joe realises police are waiting outside. He knocks out Charlie so the latter will not follow him, and walks out the front of the house. A gunshot rings out. |
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==Cast== |
==Cast== |
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*[[Stewart Ginn (actor)|Stewart Ginn]] as Wally Fox |
*[[Stewart Ginn (actor)|Stewart Ginn]] as Wally Fox |
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*[[Ron Haddrick]] as Joe Cullon |
*[[Ron Haddrick]] as Joe Cullon |
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*[[Edward Howell (actor)|Edward Howell]] as Tony Perelli |
*[[Edward Howell (actor)|Edward Howell]] as Tony Perelli |
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*Josephine Dunphy as |
*Josephine Dunphy as Lucy Perelli |
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*Ken Lawrence as |
*Ken Lawrence as Charlie Perelli |
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==Production== |
==Production== |
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The play was based on stage play called ''Hideout'' by Rex Rienits and Stewart Howard which was produced at Sydney's Independent Theatre in 1937 starring John Alden.<ref>{{cite news |url=http://nla.gov.au/nla.news-article17364626 |title="HIDEOUT." |newspaper=[[The Sydney Morning Herald]] |location=New South Wales, Australia |date=1 May 1937 |access-date=19 April 2020 |page=12 |via=Trove }} </ref> This in turn was based on a story called"Heat," which appeared in the Melbourne magazine, Pandemonium. |
The play was based on stage play called ''Hideout'' by Rex Rienits and Stewart Howard which was produced at Sydney's Independent Theatre in 1937 starring John Alden.<ref>{{cite news |url=http://nla.gov.au/nla.news-article17364626 |title="HIDEOUT." |newspaper=[[The Sydney Morning Herald]] |location=New South Wales, Australia |date=1 May 1937 |access-date=19 April 2020 |page=12 |via=Trove }} </ref> This in turn was based on a story called "Heat," which appeared in the Melbourne magazine, Pandemonium. "Heat" led to Adelaide police to seize copies of the magazine.<ref>{{cite news |url=http://nla.gov.au/nla.news-article247131390 |title=The Two Million |newspaper=[[The Daily Telegraph (Sydney)|The Daily Telegraph]] |location=New South Wales, Australia |date=10 April 1937 |access-date=19 April 2020 |page=6 |via=Trove }} </ref> |
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"Heat" led to Adelaide police to seize copies of the magazine.<ref>{{cite news |url=http://nla.gov.au/nla.news-article247131390 |title=The Two Million |newspaper=[[The Daily Telegraph (Sydney)|The Daily Telegraph]] |location=New South Wales, Australia |date=10 April 1937 |access-date=19 April 2020 |page=6 |via=Trove }} </ref> |
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==Reception== |
==Reception== |
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The ''Sydney Morning Herald'' said it was "a fairly efficient if unimportant variation on the "and then there were none" theme" whose "only unusual contributions to the form were its "don't - come - the - raw prawn" dialogue and its coincidental echoes of the two most successful Australian dramas of recent years", namely ''[[The Shifting Heart]]'' (in Edward Howell's character) and ''[[Summer of the Seventeenth Doll]]'' (in the characters of the two robbers). The reviewer said Haddrick's "appearance was entirely convincing, a piece of sculptured Australiana" but that Ginn's character "a rat under a hot tin roof if ever there was one, was the most interesting character before the cameras." The reviewer added the "production made a virtue of dispensing with background music and of confining the action almost entirely to one setting. The unconvincing sounds of shooting at the end of the play were a minor flaw."<ref>{{cite news|newspaper=Sydney Morning Herald |date=December 15, 1960|title="Close To The Roof" On ABN|page=9}}</ref> |
The ''Sydney Morning Herald'' said it was "a fairly efficient if unimportant variation on the "and then there were none" theme" whose "only unusual contributions to the form were its "don't - come - the - raw prawn" dialogue and its coincidental echoes of the two most successful Australian dramas of recent years", namely ''[[The Shifting Heart]]'' (in Edward Howell's character) and ''[[Summer of the Seventeenth Doll]]'' (in the characters of the two robbers). The reviewer said Haddrick's "appearance was entirely convincing, a piece of sculptured Australiana" but that Ginn's character "a rat under a hot tin roof if ever there was one, was the most interesting character before the cameras." The reviewer added the "production made a virtue of dispensing with background music and of confining the action almost entirely to one setting. The unconvincing sounds of shooting at the end of the play were a minor flaw."<ref>{{cite news|newspaper=Sydney Morning Herald |date=December 15, 1960|title="Close To The Roof" On ABN|page=9}}</ref> |
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The allegations of "coincidental echoes" with two other Australian plays prompted Rex Rienits to write to the newspaper pointing out the play was based on a stage play called ''Hideout'' which had been performed at the Independent Theatre twenty years earlier before ''Shifting Heart'' or ''Doll'' had been written.<ref>{{cite news|title=Letters to the Editor|first=Rex|last=Rienits|newspaper=Sydney Morning Herald|date=December 16, 1960|page=2}}</ref> |
The allegations of "coincidental echoes" with two other Australian plays prompted Rex Rienits to write to the newspaper pointing out the play was based on a stage play called ''Hideout'' which had been performed at the Independent Theatre twenty years earlier, well before ''Shifting Heart'' or ''Doll'' had been written.<ref>{{cite news|title=Letters to the Editor|first=Rex|last=Rienits|newspaper=Sydney Morning Herald|date=December 16, 1960|page=2}}</ref> |
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==See also== |
==See also== |
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*[[List of television plays broadcast on Australian Broadcasting Corporation (1960s)]] |
*[[List of television plays broadcast on Australian Broadcasting Corporation (1960s)]] |
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Revision as of 12:26, 29 April 2020
| Close to the Roof | |
|---|---|
| Directed by | Raymond Menmuir |
| Written by | Rex Rienits |
| Distributed by | ABC |
Release dates | 14 December 1960 (Sydney, live) 25 January 1961 (Melbourne, taped) |
Running time | 60 mins |
| Country | Australia |
| Language | English |
Close to the Roof is a 1960 Australian live television play which aired on ABC. Broadcast 14 December 1960 in Sydney, it was kinescoped ("telerecorded") and shown in Melbourne on 25 January 1961[1] (it is not known it was also shown on ABC's stations in Adelaide, Brisbane and Perth). Australian TV drama was relatively rare at the time.[2]
It was also adapted for radio by the ABC in 1960.[3]
Plot
In a house in the Sydney suburb of Surry Hills, two siblings, Lucy and Charlie, prepare the beds in their attic for guests. The siblings are the children of Tony Perelli, a widowed Italian migrant who is bitter about his lack of success in Australia, and who is determined to return home from whose children come home. Tony refuses to let Lucy work and does not know the Charlie has been boxing, thinking that he is going to be a musician.
Two men, Wally and Joe, arrive to stay in the attic. They were part of a trio who robbed a band at Newtown, which resulted in people being injured; the third member of their group, Bill, was captured in a shoot out. They are paying Tony money and Tony's children discover this; they are unhappy about it but support their father.
Joe is an ex-boxer from the country on his first robbery Wally is an experienced criminal. Joe and Lucia seem to like each other. Joe gives Charlie advice how to fight a particular boxer.
As the days pass, things become tense between Joe and Wally. They disagree over a number of things including Lucy and over how to divide the money. Bill dies in hospital without waking up and Joe wants them to give Bill's share to the latter's widow. Wally mandhandles Lucy, resulting in Joe fatally knocking out Wally.
Charlie and Tony bury Wally's corpse in French's Forest. Tony discovers that Joe has been helping his son with boxing and orders the criminal out of the house. Charlie decides to drive Joe to Queensland. Joe tells Lucy that he has a girlfriend but she deduces he is lying and they kiss. Joe realises police are waiting outside. He knocks out Charlie so the latter will not follow him, and walks out the front of the house. A gunshot rings out.
Cast
- Stewart Ginn as Wally Fox
- Ron Haddrick as Joe Cullon
- Edward Howell as Tony Perelli
- Josephine Dunphy as Lucy Perelli
- Ken Lawrence as Charlie Perelli
Production
The play was based on stage play called Hideout by Rex Rienits and Stewart Howard which was produced at Sydney's Independent Theatre in 1937 starring John Alden.[4] This in turn was based on a story called "Heat," which appeared in the Melbourne magazine, Pandemonium. "Heat" led to Adelaide police to seize copies of the magazine.[5]
Reception
The Sydney Morning Herald said it was "a fairly efficient if unimportant variation on the "and then there were none" theme" whose "only unusual contributions to the form were its "don't - come - the - raw prawn" dialogue and its coincidental echoes of the two most successful Australian dramas of recent years", namely The Shifting Heart (in Edward Howell's character) and Summer of the Seventeenth Doll (in the characters of the two robbers). The reviewer said Haddrick's "appearance was entirely convincing, a piece of sculptured Australiana" but that Ginn's character "a rat under a hot tin roof if ever there was one, was the most interesting character before the cameras." The reviewer added the "production made a virtue of dispensing with background music and of confining the action almost entirely to one setting. The unconvincing sounds of shooting at the end of the play were a minor flaw."[6]
The allegations of "coincidental echoes" with two other Australian plays prompted Rex Rienits to write to the newspaper pointing out the play was based on a stage play called Hideout which had been performed at the Independent Theatre twenty years earlier, well before Shifting Heart or Doll had been written.[7]
See also
References
- ^ "TV Guide". The Age. 19 January 1961. p. 15.
- ^ Vagg, Stephen (18 February 2019). "60 Australian TV Plays of the 1950s & '60s". Filmink.
- ^ "Advertising". The Canberra Times. 5 November 1960. p. 19. Retrieved 6 June 2015 – via National Library of Australia.
- ^ ""HIDEOUT."". The Sydney Morning Herald. New South Wales, Australia. 1 May 1937. p. 12. Retrieved 19 April 2020 – via Trove.
- ^ "The Two Million". The Daily Telegraph. New South Wales, Australia. 10 April 1937. p. 6. Retrieved 19 April 2020 – via Trove.
- ^ ""Close To The Roof" On ABN". Sydney Morning Herald. 15 December 1960. p. 9.
- ^ Rienits, Rex (16 December 1960). "Letters to the Editor". Sydney Morning Herald. p. 2.
External links
- Close to the Roof at IMDb
- Close to the Roof at AustLit
- Full copy of script at National Archive of Australia
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