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Los Angeles Times 26 Nov 1973: c22. </ref>
Los Angeles Times 26 Nov 1973: c22. </ref>
===Phil Feldman===
===Phil Feldman===
The company's output was sporadic, owing to the commitments of its stars. In 1975, First Artists lost $33,000 on sales of $9.3 million. Phil Feldman, formerly a producer and an executive at CBS and Warner Brothers, was brought in to reorganise the company. He increased the development slate, and moved it into film distribution, television and music to ensure a more constant source of income.<ref name="inc">First Artists' Formula Altered Kilday, Gregg. Los Angeles Times 18 Oct 1976: e11. </ref>
The company's output was sporadic, owing to the commitments of its stars. In January 1975, after the company had made seven films, Phil Feldman, formerly a producer and an executive at CBS, Raystar and Warner Brothers, was brought in as chairman.<ref>FELDMAN NAMED TO ARTISTS POSTS
Los Angeles Times 16 Jan 1975: h10. </ref> He increased the development slate, and moved it into film distribution, television and music to ensure a more constant source of income.<ref name="inc">First Artists' Formula Altered Kilday, Gregg. Los Angeles Times 18 Oct 1976: e11. </ref>


Feldman decided to supplement the company's movies with other star's films, such as ''Bobby Deerfield'', originally developed for Paul Newman, and made with Al Pacino at Columbia. The were involved in the production of ''The Gumball Rally'', were distribution consultants on ''The Ritz'' and did TV movies like ''Minstrel Man''.<ref name="inc"/>
Feldman decided to supplement the company's movies with other star's films, such as ''Bobby Deerfield'', originally developed for Paul Newman, and made with Al Pacino at Columbia. The were involved in the production of ''The Gumball Rally'', were distribution consultants on ''The Ritz'' and did TV movies like ''Minstrel Man''.<ref name="inc"/>
Line 24: Line 25:
In July 1977 Feldman announced that Bill Cosby, who had appeared in three Poitier films, would produce and star in a film for the company called ''Sitting Pretty''. "I consider him a member of the team," said Feldman of Cosby.<ref name="bill">FILM CLIPS: Taking Stock at First Artists Kilday, Gregg. Los Angeles Times 10 Dec 1977: c9. </ref> Other films the company planned to make include ''Repo'' with Darren McGavin and ''Stevie'' with Glenda Jackson and ''Devilfish'' with Bert Gordon. (''Devilfish'' and ''Sitting Pretty'' would ultimately not be made.) They shared development costs on ''Bobby Deerfield'', ''The Gauntlet'' and ''The One and Only'' and co produced ''Speedtrap'' with a Dutch conglomerate. The company also distributed some foreign films in the USA such as ''[[Pardon Mon Affaire]]'' and ''[[The Obscure Object of Desire]]''.<ref name="bill"/>
In July 1977 Feldman announced that Bill Cosby, who had appeared in three Poitier films, would produce and star in a film for the company called ''Sitting Pretty''. "I consider him a member of the team," said Feldman of Cosby.<ref name="bill">FILM CLIPS: Taking Stock at First Artists Kilday, Gregg. Los Angeles Times 10 Dec 1977: c9. </ref> Other films the company planned to make include ''Repo'' with Darren McGavin and ''Stevie'' with Glenda Jackson and ''Devilfish'' with Bert Gordon. (''Devilfish'' and ''Sitting Pretty'' would ultimately not be made.) They shared development costs on ''Bobby Deerfield'', ''The Gauntlet'' and ''The One and Only'' and co produced ''Speedtrap'' with a Dutch conglomerate. The company also distributed some foreign films in the USA such as ''[[Pardon Mon Affaire]]'' and ''[[The Obscure Object of Desire]]''.<ref name="bill"/>


McQueen made ''Enemy of the People'' which was a box office disappointment. When First Artists refused to option Harold Pinter's ''Old Times'' for McQueen, the actor sued the company. The case was settled out of court. McQueen made one more movie for First Artists, ''Tom Horn''.
McQueen made ''Enemy of the People'' which was a box office disappointment. When First Artists refused to option Harold Pinter's ''Old Times'' for McQueen, the actor sued the company. The case was settled out of court.


Feldman insisted that Hoffman not make pictures for other studios until his obligation to First Artists was completed. Hoffman wound up suing First Artists for $68 million claiming that he was denied creative control on ''Straight Time'' and ''Agatha''. Feldman counter claimed that these movies had gone over budget and schedule, allowing him to step in.<ref>{{Cite news|title=First Artists Wins Latest Round|last= Kilday|first=Gregg|newspaper= Los Angeles Times |date=15 July 1978|page= b5}}</ref>
Feldman insisted that Hoffman not make pictures for other studios until his obligation to First Artists was completed. Hoffman wound up suing First Artists for $65 million claiming that he was denied creative control on ''Straight Time'' and ''Agatha''. Feldman counter claimed that these movies had gone over budget and schedule, allowing him to step in.<ref>{{Cite news|title=First Artists Wins Latest Round|last= Kilday|first=Gregg|newspaper= Los Angeles Times |date=15 July 1978|page= b5}}</ref> <ref>Sad Hoffman Tells of Film Suit: Lawsuit Is Complicated Regarded as Irrevelant 'Bad Faith' Charged
By ALJEAN HARMETZ Special to The New York Times.21 Mar 1979: C17. </ref>


In July 1978 the company acquired Joel/Cal-Made, a male clothing manufacturer for $8 million.<ref>First Artists Acquires Firm
In July 1978 the company acquired Joel/Cal-Made, a male clothing manufacturer for $8 million.<ref>First Artists Acquires Firm
Wall Street Journal 6 July 1978: 7. </ref>
Wall Street Journal 6 July 1978: 7. </ref> In November the company sought to buy into a London casino but was unsuccessful.<ref>California: First Artists said it seeks to operate a London casino,
Los Angeles Times 3 Nov 1978: f18. </ref>
===End of Company===
===End of Company===
In September 1979 Philip Feldman resigned as chairman and president. The company was put up for sale.<ref>First Artists Production Says Feldman Resigned As Chairman, President
Films such as ''Straight Time'' and ''Agatha'' performed poorly at the box office, although ''The Main Event'' was very successful. In September 1979 Philip Feldman resigned as chairman and president. The company was put up for sale.<ref>First Artists Production Says Feldman Resigned As Chairman, President
Wall Street Journal 1 Oct 1979: 33. </ref>
Wall Street Journal 1 Oct 1979: 33. </ref>


On December 31, 1979, the voting trust that runs the First Artists on behalf of its founder‐shareholders expired and First Artists left the movie business. By this stage the company's shares were worth $4.<ref name="new"/>
On December 31, 1979, the voting trust that runs the First Artists on behalf of its founder‐shareholders expired and First Artists left the movie business. By this stage the company's shares were worth $4. The company's last film was ''Tom Horn''.<ref name="new"/>

Their last film was ''Tom Horn''.<ref name="new"/>


==Select Filmography==
==Select Filmography==

Revision as of 12:17, 12 April 2020

First Artists was a production company owned by by Barbra Streisand, Paul Newman, Sidney Poitier, Dustin Hoffman and Steve McQueen. They agreed to make three films for the company.[1]

History

Beginnings

The company was formed in 1969 and was the idea of agent Freddie Fields of Creative Management with assistance from David Begelman. Inspired by the formation of United Artists in 1919, the initial stars were Paul Newman, Barbra Streisand, and Sidney Poitier. The stars had creative control over their productions in exchange for being paid lower salaries and a percentage of the gross. Each star promised to make three productions for the company, which would also be involved in television production, music publishing and recording. The distributor of the films would be National General who would put up two-thirds of the money for a film, and First Artists would put up the rest. [1]

In July 1970 Patrick Kelly was appointed chief executive officer.[2] The original three stars were joined the following year by Steve McQueen.[1]

The company's first slate of films were Pocket Money (1972) with Newman, The Getaway (1972) with McQueen, The Life and Times of Judge Roy Bean (1972) with Newman, and Up the Sandbox (1972) with Streisand. The Getaway and Roy Bean were particularly successful.

In 1972 First Artists offered 350,000 shares to investors at $7.50.[3] That year Dustin Hoffman joined the company agreeing to make two films at no more than $3 million.[4] He would have creative control provided the film did not go over budget and schedule.[5]

National General eventually went into liquidation. First Artists sued the company, and settled in 1976.[6] In November 1973 Warners took over the distribution of First Artists movies.[7]

Phil Feldman

The company's output was sporadic, owing to the commitments of its stars. In January 1975, after the company had made seven films, Phil Feldman, formerly a producer and an executive at CBS, Raystar and Warner Brothers, was brought in as chairman.[8] He increased the development slate, and moved it into film distribution, television and music to ensure a more constant source of income.[9]

Feldman decided to supplement the company's movies with other star's films, such as Bobby Deerfield, originally developed for Paul Newman, and made with Al Pacino at Columbia. The were involved in the production of The Gumball Rally, were distribution consultants on The Ritz and did TV movies like Minstrel Man.[9]

In July 1977 Feldman announced that Bill Cosby, who had appeared in three Poitier films, would produce and star in a film for the company called Sitting Pretty. "I consider him a member of the team," said Feldman of Cosby.[10] Other films the company planned to make include Repo with Darren McGavin and Stevie with Glenda Jackson and Devilfish with Bert Gordon. (Devilfish and Sitting Pretty would ultimately not be made.) They shared development costs on Bobby Deerfield, The Gauntlet and The One and Only and co produced Speedtrap with a Dutch conglomerate. The company also distributed some foreign films in the USA such as Pardon Mon Affaire and The Obscure Object of Desire.[10]

McQueen made Enemy of the People which was a box office disappointment. When First Artists refused to option Harold Pinter's Old Times for McQueen, the actor sued the company. The case was settled out of court.

Feldman insisted that Hoffman not make pictures for other studios until his obligation to First Artists was completed. Hoffman wound up suing First Artists for $65 million claiming that he was denied creative control on Straight Time and Agatha. Feldman counter claimed that these movies had gone over budget and schedule, allowing him to step in.[11] [12]

In July 1978 the company acquired Joel/Cal-Made, a male clothing manufacturer for $8 million.[13] In November the company sought to buy into a London casino but was unsuccessful.[14]

End of Company

Films such as Straight Time and Agatha performed poorly at the box office, although The Main Event was very successful. In September 1979 Philip Feldman resigned as chairman and president. The company was put up for sale.[15]

On December 31, 1979, the voting trust that runs the First Artists on behalf of its founder‐shareholders expired and First Artists left the movie business. By this stage the company's shares were worth $4. The company's last film was Tom Horn.[1]

Select Filmography

National General

Warner Bros

TV Movies

Paramount

First Artists Distributed

Distributor Only

Unmade Projects

  • Dry Hustle from novel by Sarah Kernochan (1977)
  • Fancy Hardware by script by A. Carothers (1977)
  • Ev'ry Time We Say Goodbye based on the song by Cole Porter (1977)
  • Tramps an original script by Sandor Stern (1977)
  • Flashpoint based on novel by George LaFountaine

References

  1. ^ a b c d Hollie, Pamela G. (December 23, 1979). "First Artists Star‐Crossed Child of the 1960's". New York Times. p. F3.
  2. ^ First Artists Firm Names Kelley to Post Los Angeles Times 20 July 1970: e14.
  3. ^ First Artists' Initial Offering Wall Street Journal 28 Jan 1972: 21.
  4. ^ FILM CLIPS: Hoffman-First Artists Tangle Continues Kilday, Gregg. Los Angeles Times 21 Oct 1978: b5.
  5. ^ FILM CLIPS: Dustin Hoffman Vs. First Artists Kilday, Gregg. Los Angeles Times 18 Oct 1978: f17.
  6. ^ First Artists Settles Suit Wall Street Journal 28 May 1976: 10.
  7. ^ WARNERS TO HANDLE FIRST ARTISTS' FILMS Los Angeles Times 26 Nov 1973: c22.
  8. ^ FELDMAN NAMED TO ARTISTS POSTS Los Angeles Times 16 Jan 1975: h10.
  9. ^ a b First Artists' Formula Altered Kilday, Gregg. Los Angeles Times 18 Oct 1976: e11.
  10. ^ a b FILM CLIPS: Taking Stock at First Artists Kilday, Gregg. Los Angeles Times 10 Dec 1977: c9.
  11. ^ Kilday, Gregg (15 July 1978). "First Artists Wins Latest Round". Los Angeles Times. p. b5.
  12. ^ Sad Hoffman Tells of Film Suit: Lawsuit Is Complicated Regarded as Irrevelant 'Bad Faith' Charged By ALJEAN HARMETZ Special to The New York Times.21 Mar 1979: C17.
  13. ^ First Artists Acquires Firm Wall Street Journal 6 July 1978: 7.
  14. ^ California: First Artists said it seeks to operate a London casino, Los Angeles Times 3 Nov 1978: f18.
  15. ^ First Artists Production Says Feldman Resigned As Chairman, President Wall Street Journal 1 Oct 1979: 33.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=First_Artists&oldid=950506628"