The Scarface Mob: Difference between revisions

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[[Desi Arnaz]] optioned the rights to Eliot Ness' book about fighting Al Capone and decided to turn it into a two-part episode of ''Westinghouse Desilu Playhouse'' under the title of "The Untouchables". It was always intended to be released theatrically in Europe.<ref>THE TV SCENE---: It Takes Blood, Sweat and Beer
[[Desi Arnaz]] optioned the rights to Eliot Ness' book about fighting Al Capone and decided to turn it into a two-part episode of ''Westinghouse Desilu Playhouse'' under the title of "The Untouchables". It was always intended to be released theatrically in Europe.<ref>THE TV SCENE---: It Takes Blood, Sweat and Beer
Smith, Cecil. Los Angeles Times 20 Apr 1959: A12. </ref> ''Westinghouse'' paid $200,000 for the episodes but they cost $400,000. Arnaz was willing to risk the short fall in order to get greater production values and highly regarded cast like Robert Stack and Neville Brand.<ref name="wall"/>
Smith, Cecil. Los Angeles Times 20 Apr 1959: A12. </ref> ''Westinghouse'' paid $200,000 for the episodes but they cost $400,000. Arnaz was willing to risk the short fall in order to get greater production values and highly regarded cast like Robert Stack and Neville Brand.<ref name="wall"/>

Stack says the lead role was first offered to [[Van Heflin]] who turned it down, then [[Van Johnson]] who accepted but his wife advised him not to do it. Then Stack was offered; he was reluctant but his agent persuaded him to do it - he says his costumes were fitted for Van Johnson.<ref>Stack p 206</ref>

Stack later wrote that Phil Karlson was "ideally suited" to direct the show because "he can deal in violence and brutality on the screen, and some of his work was regarded as the precursor of [[Sam Peckinpah]]'s. But he's a quiet, gentle man who wears a ratty-looking red sweater which he thinks brings him luck... His personal, Joe Milquetoast manner contrasted sharply with the controlled mayhem of his product."<ref>Stack p 207</ref>

==Reception==
==Reception==
Reviewing part one, the ''New York Times'' said "while it was not superlative drama or a novel theme, it held the interest. Whether it will be worth two chapters remains to be seen."<ref>Two-Part Study of Al Capone Begins
Reviewing part one, the ''New York Times'' said "while it was not superlative drama or a novel theme, it held the interest. Whether it will be worth two chapters remains to be seen."<ref>Two-Part Study of Al Capone Begins

Revision as of 20:43, 20 January 2020

The Scarface Mob
Directed byPhil Karlson
Written byPaul Monash
Produced byQuinn Martin
StarringRobert Stack
CinematographyCharles Straumer
Edited byRobert L. Swanson
Music byWilbur Hatch
Production
company
Desilu Productions
Release dates
1959 (UK)
1962 (US)
Running time
100 mins
CountryUnited States
LanguageEnglish
Budget$400,000[1]

The Scarface Mob is an American feature film directed by Phil Karlson and starring Robert Stack. It consists of the pilot episodes for the TV series The Untouchables (1959) that originally screened as a two-part installment of Westinghouse Desilu Playhouse on April 20 and 27 1959. The episodes were cut together and released theatrically as a stand-alone feature outside America in 1959 and inside the US in 1962.[2][3]

Premise

In 1929 Chicago, Federal investigator Eliot Ness struggles to in the fight against Al Capone. He decides to form a special team of reliable, dedicated, honest law enforcement officers.

Cast

Production

There were a number of stories set in this area on film and TV at the time, including Seven Against the Wall on Playhouse 90 and the film Al Capone (1959).

Desi Arnaz optioned the rights to Eliot Ness' book about fighting Al Capone and decided to turn it into a two-part episode of Westinghouse Desilu Playhouse under the title of "The Untouchables". It was always intended to be released theatrically in Europe.[4] Westinghouse paid $200,000 for the episodes but they cost $400,000. Arnaz was willing to risk the short fall in order to get greater production values and highly regarded cast like Robert Stack and Neville Brand.[1]

Stack says the lead role was first offered to Van Heflin who turned it down, then Van Johnson who accepted but his wife advised him not to do it. Then Stack was offered; he was reluctant but his agent persuaded him to do it - he says his costumes were fitted for Van Johnson.[5]

Stack later wrote that Phil Karlson was "ideally suited" to direct the show because "he can deal in violence and brutality on the screen, and some of his work was regarded as the precursor of Sam Peckinpah's. But he's a quiet, gentle man who wears a ratty-looking red sweater which he thinks brings him luck... His personal, Joe Milquetoast manner contrasted sharply with the controlled mayhem of his product."[6]

Reception

Reviewing part one, the New York Times said "while it was not superlative drama or a novel theme, it held the interest. Whether it will be worth two chapters remains to be seen."[7]

The Los Angeles Times called it "a harsh and ugly slab of violence , expertly done with the true metal of history."[8]

The New York Times, reviewing part two, praised the quality of the production design.[9]

Four days after the series aired, the ABC network offered Desilu $3,620,000 to make 32 episodes of a series about The Untouchables. ABC held 35%, Desilu 35% and the rest was held by Stack and other outside interests.[1]

Alcatraz Express

Alcatraz Express
Directed byJohn Peyser
Written byWilliam Spier
StarringRobert Stack
Production
company
Desilu Productions
CountryUnited States
LanguageEnglish

Neville Brand later reprised his role as Capone in "The Big Train" a two part episode of The Untouchables.

The two episodes were cut together and released theatrically as Alcatraz Express.

Plot

Al Capone is about to be sent to prison in Atlanta on a tax-evasion charge. Elliot Ness insists that Capone be taken by train to San Francisco. Capone tries to escape while on board.

Reception

Reviewing the original episodes, the Los Angeles Times called it "about the slickest two hours of warfare ever shown on the tube."[10]

The Guns of Zangara

The Guns of Zangara
Directed byHoward W. Koch
Written byWilliam Spier
StarringRobert Stack
Production
company
Desilu Productions
CountryUnited States
LanguageEnglish


The Unhired Assassin was another two-part episode of The Untouchtables that was released theatrically, this time under the title The Gun of Zangara. It focused on Giuseppe Zangara's attempted assassination of Franklin D. Roosevelt.[11]

The project as a labor of love for writer William Spier.[12]

References

  1. ^ a b c Bush, Thomas W. (7 July 1959). "Movies' New Role: More Producers Turn To TV Films to Offset Drop in Theater-Going How Desilu Builds Profits; Barbara Stanwyck, Betty Hutton Make Switch Taking a Flyer on Pilots Movies' New Role: More Producers Turn Out Films for Television". Wall Street Journal. p. 1.
  2. ^ Lambert, David (9 May 2017). "The Scarface Mob". TV Shows on DVD. Archived from the original on 12 May 2017. Retrieved 26 June 2018.
  3. ^ SCARFACE MOB, The Monthly Film Bulletin; London Vol. 27, Iss. 312, (Jan 1, 1960): 39.
  4. ^ THE TV SCENE---: It Takes Blood, Sweat and Beer Smith, Cecil. Los Angeles Times 20 Apr 1959: A12.
  5. ^ Stack p 206
  6. ^ Stack p 207
  7. ^ Two-Part Study of Al Capone Begins Shepard, Richard F. New York Times 21 Apr 1959: 7
  8. ^ THE TV SCENE---: Capone Story Has Ring of History Smith, Cecil. Los Angeles Times 27 Apr 1959: A10.
  9. ^ TV: The End of Capone: Final Installment of Mobster's Story Presented on 'Desilu Playhouse' By JACK GOULD. New York Times 28 Apr 1959: 71.
  10. ^ Big Al Loses as Ness Bags Another Big Winner Page, Don. Los Angeles Times 13 Jan 1961: A7.
  11. ^ THE TV SCENE---: Hitler to Be Seen in a New Light Smith, Cecil. Los Angeles Times 25 Feb 1960: A10.
  12. ^ Smith, Cecil (21 Feb 1960). "THE TV SCENE---: Assassin's Attempt on F.D.R. to Be Re-lived Ironic Tale of Florida Shooting on Untouchables The Untouchables Will Re-Live Grim History". Los Angeles Times. p. J5.

External links