Mahler (film): Difference between revisions
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The music score of the movie consists of recordings by the [[Concertgebouw Orchestra]] conducted by [[Bernard Haitink]]. |
The music score of the movie consists of recordings by the [[Concertgebouw Orchestra]] conducted by [[Bernard Haitink]]. |
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==Production== |
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David Puttnam's company Goodtimes planned to make a series of six films about composers, all to be directed by [[Ken Russell]]. Subjects were to include [[Franz Liszt]], [[George Gershwin]] and [[Vaughan Williams]]; they decided to do Mahler first. The National Film Finance Corporation removed its support prior to filming meaning Puttnam had to slash the budget from £400,000 to £180,000.<ref>Yule p 49-50</ref> |
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==Reception== |
==Reception== |
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According to one account, by 1985 the film had recorded a net loss of £14,000.<ref name="walker"/> However [[Sandy Lieberson]] of Goodtimes said "the film sold everywhere and made a tidy profit."<ref>Yule p 51</ref> |
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==References== |
==References== |
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{{reflist}} |
{{reflist}} |
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==Notes== |
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*{{cite book|title=Fast fade : David Puttnam, Columbia Pictures, and the battle for Hollywood|last=Yule|first= Andrew|year=1989 |publisher=Delacorte Press}} |
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==External links== |
==External links== |
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* {{Imdb title|id=0071797|title=Mahler}} |
* {{Imdb title|id=0071797|title=Mahler}} |
Revision as of 01:31, 8 October 2019
Mahler | |
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Directed by | Ken Russell |
Written by | Ken Russell |
Produced by | Roy Baird |
Starring | Robert Powell Georgina Hale Lee Montague |
Cinematography | Dick Bush |
Edited by | Michael Bradsell |
Music by | Gustav Mahler Richard Wagner |
Distributed by | Mayfair Films (U.S.) Visual Programme Systems Ltd. (UK) |
Release dates | 24 October 1974 (Belgium) February 1975 (U.S.) |
Running time | 115 min |
Country | United Kingdom |
Language | English |
Budget | £193,000[1] or £168,000[2] |
Mahler is a 1974 biographical film based on the life of Austro-Bohemian composer Gustav Mahler. It was written and directed by Ken Russell for Goodtimes Enterprises, and starred Robert Powell as Gustav Mahler and Georgina Hale as Alma Mahler. The film was entered into the 1974 Cannes Film Festival, where it won the Technical Grand Prize.[3]
Plot
After a spectacular prelude, the film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.
Some outdoor sections of the film were made in Borrowdale, in the English Lake District.
Cast
- Robert Powell as Gustav Mahler
- Gary Rich as Young Gustav
- Georgina Hale as Alma Mahler
- Lee Montague as Bernhard Mahler
- Miriam Karlin as Aunt Rosa
- Rosalie Crutchley as Marie Mahler
- Richard Morant as Max
- Angela Down as Justine Mahler
- Antonia Ellis as Cosima Wagner
- Ronald Pickup as Nick
- Peter Eyre as Otto Mahler
- Dana Gillespie as Anna von Mildenburg
- George Coulouris as Doctor Roth
- David Collings as Hugo Wolf
- Arnold Yarrow as Grandfather
- David Trevena as Doctor Richter
- Elaine Delmar as Princess
- Benny Lee as Uncle Arnold
- Andrew Faulds as Doctor on Train
- Otto Diamant as Professor Sladky
- Michael Southgate as Alois Mahler
- Ken Colley as Siegfried Krenek
- Sarah McClellan as Putzi
- Claire McClellan as Glucki
- Oliver Reed as Station Master (uncredited)
The music score of the movie consists of recordings by the Concertgebouw Orchestra conducted by Bernard Haitink.
Production
David Puttnam's company Goodtimes planned to make a series of six films about composers, all to be directed by Ken Russell. Subjects were to include Franz Liszt, George Gershwin and Vaughan Williams; they decided to do Mahler first. The National Film Finance Corporation removed its support prior to filming meaning Puttnam had to slash the budget from £400,000 to £180,000.[4]
Reception
According to one account, by 1985 the film had recorded a net loss of £14,000.[1] However Sandy Lieberson of Goodtimes said "the film sold everywhere and made a tidy profit."[5]
References
Notes
- Yule, Andrew (1989). Fast fade : David Puttnam, Columbia Pictures, and the battle for Hollywood. Delacorte Press.
External links
- Mahler at IMDb
- Trauma as Memory in Ken Russell’s Mahler, by Eftychia Papanikolaou; chapter in ‘’After Mahler’s Death’’ edited by Gerold W. Gruber, Morten Solvik and Jan Vičar, 72-89. Olomouc, Czech Republic: Palacký University, 2013.