The Rainbow (1989 film): Difference between revisions

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* Sam McMullen as Winifred's Baby
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==Produciton==
In 1983 it was reported that Russell had taken an option on the novel.<ref>THE NUCLEAR "AFTERMATH"
Welsh, James M. Literature/Film Quarterly; Salisbury Vol. 11, Iss. 4, (1983): 277. </ref> He focused on the last third of the novel, the story of Ursula. Russell called it "a timeless parable.. about a girl who won't stay within the comforting womb of her family but goes off alone to find her own way in life... This film's about saying no I won't because I'm me not you. And it's about a woman saying that in the days they weren't supposed to."<ref name="derek"/>


In January 1984 Russell said he was unable to get finance for the film. "It seems to me that as the last one did well commercially this would too. But I just can't sell it anywhere. Everyone says 'it's a beautiful script but it's not commercial.' Of course they'd be saying exactly the same thing about ''Women in Love'' if I were trying to sell that now. It's so hard to find anyone with the courage to say yes to anything today."<ref>MOVIES: KEN RUSSELL: OPERA HIGHS AFTER FILM LOWS
Mann, Roderick. Los Angeles Times 22 Jan 1984: r14. </ref>

In April 1987 Russell said he "had no luck with" raising funding for ''The Rainbow'' though he was hopeful to make a movie of a Lawrence novella ''St Mawr''.<ref>WHERE RUSSELL DIRECTS, CONTROVERSY FOLLOWS: [Home Edition]
Mann, Roderick. Los Angeles Times 19 Apr 1987: 29. </ref>

However Russell's film ''[[Gothic (film)|Gothic]]'' (1986) became a big success on video, and Vestron told [[Dan Ireland]] that if Russell could come up with a horror movie, they would finance ''The Rainbow''. He signed a four picture deal with Vestron and made ''Lair of the White Worm''.<ref>{{cite web |url=http://trailersfromhell.com/blog/2012/05/15/dan-ireland-on-the-lair-of-the-white-worm/ |title=Dan Ireland on The Lair of the White Worm |last=Melville |first=Marty |date=15 May 2012 |work=The Trailers From Hell! Blog |accessdate=28 July 2012 |url-status=dead |archiveurl=https://archive.is/20120715013812/http://trailersfromhell.com/blog/2012/05/15/dan-ireland-on-the-lair-of-the-white-worm/ |archivedate=15 July 2012 |df=dmy-all }}</ref>

Russell got Glenda Jackson to play te mother of her character in ''Women in Love''; Sammi Davis would play the daughter. "It's the same heroines," Russell said, "but they're in their teens rather than in their 20's. It's them growing up and battling all the things that females of all ages have had to do throughout history."<ref>At the Movies: [Review]
Lawrence Van Gelder. New York Times 6 May 1988: C.8. </ref>

Russell later said the character of Ursula is a bit of a problem to bring off because she's a young woman who is fighting hard for her identity and she could be seen as grumbling all the time... but Sammi transcends all that."<ref name="derek"/>

In June 1988 [[Elton John]] was to play Uncle Harry.<ref>FIRE UP! . . .: [FINAL EDITION, C]
Kathy O'Malley & Hanke Gratteau. Chicago Tribune 26 June 1988: 2. </ref> By August John bowed out for "personal reasons".<ref>PECKING ORDER, PART 2 . . .: [SPORTS FINAL, C Edition]
Kathy O'Malley and Hanke Gratteau. Chicago Tribune 2 Aug 1988: 14. </ref>

The film was shot in London, Oxfordshire and the Lake District.<ref name="derek">Rainbow warrior: After twenty years Ken Russell films Lawrence again
Malcolm, Derek. The Guardian (1959-2003); London (UK) [London (UK)]18 Aug 1988: 23. </ref>

Producer Ronaldo Vasconcellos called it "one of Ken's calmer films and I think the world is ready for it."<ref name"derek"/>

The film came out a few months after a British TV version of the novel which had a bigger budget. Davis had auditioned for the lead but been turned down in favour of [[Imogen Stubbs]].<ref name="derek"/>

Sammi Davis said "Ken couldn't be normal. But he's the best director I ever worked with: full of energy, a brilliant sense of humor. And very demonstrative, not wordy-which I like, 'cause I'm not a wordy person. The reason people probably think he's crazy is because of his films. He picks such odd subjects."<ref name="los">Riding a `Rainbow': [Home Edition]
ARKATOV, JANICE. Los Angeles Times 20 May 1989: 2. </ref>

Davis appeared in the film naked in a few scene. "Up till then I'd always said no," she says. "But (nudity) was so essential to this part. That's what Lawrence is about: nakedness, physically and mentally getting down to the core of the person. That's why I felt fine about doing it."<ref name="los"/>
==References==
==References==
{{reflist}}
{{reflist}}

Revision as of 04:08, 5 October 2019

The Rainbow
Theatrical release poster
Directed byKen Russell
Written byD. H. Lawrence
Ken Russell
Vivian Russell
Produced byDan Ireland
William J. Quigley
StarringSammi Davis
Paul McGann
Amanda Donohoe
CinematographyBilly Williams
Edited byPeter Davies
Music byCarl Davis
Distributed byVestron Pictures
Release date
  • 5 May 1989 (1989-05-05)
Running time
113 minutes
CountryUnited Kingdom
LanguageEnglish

The Rainbow is a 1989 British drama film directed by Ken Russell [1] adapted from the D. H. Lawrence novel The Rainbow (1915).

Sammi Davis stars as Ursula, a sheltered young pupil, then schoolteacher, who's taken under the wing (sexually and otherwise) by the more sophisticated Winifred (Amanda Donohoe).

Russell's film was a companion to his 1969 adaption of Lawrence's second novel about the Brangwen sisters Women in Love (1920). Glenda Jackson appears as the mother of the character she played in Women in Love (1969).

Leonard Maltin commented that "Many beautiful and striking moments don't quite gel, but still worth watching". The film was entered into the 16th Moscow International Film Festival.[2]

Plot

Set during the final years of England's Victorian era, Ursula Brangwen is the eldest of several children of wealthy Derbyshire farmer Will Brangwen and his wife Anna. Ursula, since age 3, has a fascination with rainbows and after one rainstorm, she runs off with a suitcase hoping to look for a pot of gold at the end of it. Will tries to ease her fascination by making her a jam sandwich with several spreads of different flavoured jam resembling a rainbow.

During her teenage years, Ursula falls into a same sex romance with her older swimming and gym teacher Winifred Inger, while at the same time, Ursula also begins having romantic feelings for Anton Skrebensky, a student at the nearby boys high school who plans to enlist in the Army after graduation. Ursula and Winifred spend romantic weekends together at Winifred's house as well as hiking in the hills around the area. Winifred introduces Ursula to an artist friend of hers whom encourages Ursula to model in the nude for his paintings, and when the artist, Mac, makes sexual advances towards Ursula and refuses to pay her for her modeling, she walks out.

One weekend, Ursula brings along Winifred as her chaperone when she visits her father's wealthy older brother, Uncle Henry, who becomes smitten with Winifred and, after a short courtship, proposes marriage to her. Winifred accepts which creates jealousy in Ursula.

Feeling abandoned and alone after Winifred leaves her to marry Uncle Henry, and Anton goes off to fight in the Second Boer War in South Africa, Ursula decides to restart her life by becoming a school teacher. After graduation from high school, Ursula moves to London where she takes a job as a schoolmarm at a poor elementary school in the East End where she becomes quickly appalled by the lack of discipline and hygiene among the impoverished children she is forced to teach (many of whom are illiterate child laborers). She also fends off sexual advances by the lecherous headmaster of the school, who uses physical discipline to settle unruly students. Ursula initially refuses to go to that level of physical punishment for her class. But after being provoked a few too many times by one belligerent boy who uses a slingshot to pelt her with small stones, Ursula finally loses her temper and violently beats the child with a cane in full view of the class and school staff. While her violent outburst actually works to pacify her students, and makes the headmaster not to make anymore inappropriate passes at her, Ursula is guilt-ridden by her own actions and as a result, she quits her job when the school year ends.

Returning to her family farm a year-and-a-half later in the spring of 1901, Ursula is reunited with Anton who is back from war and wants to rekindle a romance with her. After having a casual reunion with Winifred, who is now married to Uncle Henry and now has a baby, Ursula decides to consummate her romance with Anton. At the same time, Ursula also begins working with a local miners union to help out unprivileged workers with salary and securities. When she learns that she may be pregnant, Anton proposes marriage to her, but she turns him down, wanting to follow her own path in life.

After Anton leaves her for good, Ursula is attacked while walking home alone by two mine workers who attempt to rape her, but she escapes and spends most of the day hiding out in a rain-soaked forest, but she makes it back to her farm. There she finds a telegram from Anton who informs her that he had gotten married to another woman and has left the country with her for a military post in India.

After a heartfelt talk with her father about life and what path it leads in life, Ursula decides to start all over again. In the final scene, Ursula packs a suitcase and runs out of her house to chase another large rainbow that appears after a storm, just like her younger self used to.

Cast

Produciton

In 1983 it was reported that Russell had taken an option on the novel.[3] He focused on the last third of the novel, the story of Ursula. Russell called it "a timeless parable.. about a girl who won't stay within the comforting womb of her family but goes off alone to find her own way in life... This film's about saying no I won't because I'm me not you. And it's about a woman saying that in the days they weren't supposed to."[4]

In January 1984 Russell said he was unable to get finance for the film. "It seems to me that as the last one did well commercially this would too. But I just can't sell it anywhere. Everyone says 'it's a beautiful script but it's not commercial.' Of course they'd be saying exactly the same thing about Women in Love if I were trying to sell that now. It's so hard to find anyone with the courage to say yes to anything today."[5]

In April 1987 Russell said he "had no luck with" raising funding for The Rainbow though he was hopeful to make a movie of a Lawrence novella St Mawr.[6]

However Russell's film Gothic (1986) became a big success on video, and Vestron told Dan Ireland that if Russell could come up with a horror movie, they would finance The Rainbow. He signed a four picture deal with Vestron and made Lair of the White Worm.[7]

Russell got Glenda Jackson to play te mother of her character in Women in Love; Sammi Davis would play the daughter. "It's the same heroines," Russell said, "but they're in their teens rather than in their 20's. It's them growing up and battling all the things that females of all ages have had to do throughout history."[8]

Russell later said the character of Ursula is a bit of a problem to bring off because she's a young woman who is fighting hard for her identity and she could be seen as grumbling all the time... but Sammi transcends all that."[4]

In June 1988 Elton John was to play Uncle Harry.[9] By August John bowed out for "personal reasons".[10]

The film was shot in London, Oxfordshire and the Lake District.[4]

Producer Ronaldo Vasconcellos called it "one of Ken's calmer films and I think the world is ready for it."Cite error: The opening <ref> tag is malformed or has a bad name (see the help page).

The film came out a few months after a British TV version of the novel which had a bigger budget. Davis had auditioned for the lead but been turned down in favour of Imogen Stubbs.[4]

Sammi Davis said "Ken couldn't be normal. But he's the best director I ever worked with: full of energy, a brilliant sense of humor. And very demonstrative, not wordy-which I like, 'cause I'm not a wordy person. The reason people probably think he's crazy is because of his films. He picks such odd subjects."[11]

Davis appeared in the film naked in a few scene. "Up till then I'd always said no," she says. "But (nudity) was so essential to this part. That's what Lawrence is about: nakedness, physically and mentally getting down to the core of the person. That's why I felt fine about doing it."[11]

References

  1. ^ James, Caryn. "NY Times: The Rainbow". NY Times. Retrieved 11 June 2008.
  2. ^ "16th Moscow International Film Festival (1989)". MIFF. Archived from the original on 16 March 2013. Retrieved 24 March 2013.
  3. ^ THE NUCLEAR "AFTERMATH" Welsh, James M. Literature/Film Quarterly; Salisbury Vol. 11, Iss. 4, (1983): 277.
  4. ^ a b c d Rainbow warrior: After twenty years Ken Russell films Lawrence again Malcolm, Derek. The Guardian (1959-2003); London (UK) [London (UK)]18 Aug 1988: 23.
  5. ^ MOVIES: KEN RUSSELL: OPERA HIGHS AFTER FILM LOWS Mann, Roderick. Los Angeles Times 22 Jan 1984: r14.
  6. ^ WHERE RUSSELL DIRECTS, CONTROVERSY FOLLOWS: [Home Edition] Mann, Roderick. Los Angeles Times 19 Apr 1987: 29.
  7. ^ Melville, Marty (15 May 2012). "Dan Ireland on The Lair of the White Worm". The Trailers From Hell! Blog. Archived from the original on 15 July 2012. Retrieved 28 July 2012.
  8. ^ At the Movies: [Review] Lawrence Van Gelder. New York Times 6 May 1988: C.8.
  9. ^ FIRE UP! . . .: [FINAL EDITION, C] Kathy O'Malley & Hanke Gratteau. Chicago Tribune 26 June 1988: 2.
  10. ^ PECKING ORDER, PART 2 . . .: [SPORTS FINAL, C Edition] Kathy O'Malley and Hanke Gratteau. Chicago Tribune 2 Aug 1988: 14.
  11. ^ a b Riding a `Rainbow': [Home Edition] ARKATOV, JANICE. Los Angeles Times 20 May 1989: 2.

External links