Mutiny on the Bounty (1962 film): Difference between revisions
add reference |
|||
Line 1: | Line 1: | ||
{{short description|1962 film by Carol Reed, Lewis Milestone}} |
{{short description|1962 film by Carol Reed, Lewis Milestone}} |
||
{{refimprove|date=August 2014}} |
|||
{{Infobox film |
{{Infobox film |
||
| name = Mutiny on the Bounty |
| name = Mutiny on the Bounty |
||
Line 67: | Line 66: | ||
===Development=== |
===Development=== |
||
Following the success of 1935's ''Mutiny on the Bounty'', director [[Frank Lloyd]] announced plans in 1940 to make a sequel which focused on [[Captain Bligh]] in later life, to star [[Spencer Tracy]] or [[Charles Laughton]]. No film resulted. In 1945 [[Casey Wilson]] wrote a script for ''Christian of the Bounty'', which was to star [[Clark Gable]] as [[Fletcher Christian]] and focus on Christian's life on [[Pitcairn Island]].<ref name="new">{{cite news|url=https://www.nytimes.com/1959/11/02/archives/two-studios-plan-a-bounty-mutiny-mgm-and-paramount-race-to-complete.html|title=TWO STUDIOS PLAN A BOUNTY 'MUTINY'; M-G-M and Paramount Race to Complete Productions of Films on Sea Adventure|work=[[The New York Times]]|publisher=The New York Times Company|date=November 2, 1959|accessdate=July 12, 2018|author=Special to the New York Times|page=39}}</ref> |
Following the success of 1935's ''Mutiny on the Bounty'', director [[Frank Lloyd]] announced plans in 1940 to make a sequel which focused on [[Captain Bligh]] in later life, to star [[Spencer Tracy]] or [[Charles Laughton]]. No film resulted. In 1945 [[Casey Wilson]] wrote a script for ''Christian of the Bounty'', which was to star [[Clark Gable]] as [[Fletcher Christian]] and focus on Christian's life on [[Pitcairn Island]].<ref name="new">{{cite news|url=https://www.nytimes.com/1959/11/02/archives/two-studios-plan-a-bounty-mutiny-mgm-and-paramount-race-to-complete.html|title=TWO STUDIOS PLAN A BOUNTY 'MUTINY'; M-G-M and Paramount Race to Complete Productions of Films on Sea Adventure|work=[[The New York Times]]|publisher=The New York Times Company|date=November 2, 1959|accessdate=July 12, 2018|author=Special to the New York Times|page=39}}</ref> |
||
===Aaron Rosenberg=== |
|||
In the 1950s MGM remade a number of their earlier successes in colour and widescreen such as ''Scaramouche'' and ''The Prisoner of Zenda''. They decided to remake ''Mutiny on the Bounty''. In 1958 the studio announced [[Aaron Rosenberg]] would produce the film and [[Marlon Brando]] was mentioned as a possible star.<ref>{{cite news|title=MGM Wants Brando in 'Mutiny' Remake|last=Hopper |first=Hedda |work=[[Los Angeles Times]]|date=October 9, 1958 |page=B10}}</ref> |
|||
[[Eric Ambler]] was signed to write a script at $5,000 a week. It was intended to combine material from the Nordhoff and Hall novels ''Mutiny on the Bounty'' and ''Pitcairn Island'' (MGM also owned the rights to a third book, ''Men Against the Sea'', which dealt with Bligh's boat voyage after the mutiny).<ref name="new"/> |
|||
In 1959 it was announced Paramount would make a rival Bounty film to be written and directed by [[James Clavell]] called ''The Mutineers'', which would focus on the fate of the Muntineers on Pitcairn Island.<ref name="new"/> However this project was not made. |
In 1959 it was announced Paramount would make a rival Bounty film to be written and directed by [[James Clavell]] called ''The Mutineers'', which would focus on the fate of the Muntineers on Pitcairn Island.<ref name="new"/> However this project was not made. |
||
Brando eventually was signed, |
Brando eventually was signed, at a fee of $500,000 plus 10% of the profits. [[Carol Reed]] was direct. It was decided to shoot the film in [[Tahiti]] itself to take advantage of color and widescreen, being shot in Cinema 65. [[Robert Surtees (cinematographer)|Robert Surtees]] would be the cinematographer. The film was set to begin shooting 15 October 1960 and the film was called "MGM's ''Ben Hur'' of 1961."<ref>{{cite news|title=Britons to Support Brando in 'Mutiny': Producer, Director Will Cast 20 'Bounty' Roles in England|last=Scott|first=John L. |work=[[Los Angeles Times]]|date=May 31, 1960|page=A7}}</ref> |
||
A replica of the ''Bounty'' was built in [[Nova Scotia]] and was to be sailed to Tahiti.<ref name="new2">{{cite news|url=https://www.nytimes.com/1960/06/05/archives/producer-director-log-a-few-plans-on-their-mutiny-on-the-bounty.html|title=Producer, Director Log a Few Plans On Their 'Mutiny on the Bounty'|first=Murray|last=Schumach|work=[[The New York Times]]|publisher=The New York Times Company|date=June 5, 1960|accessdate=July 12, 2018|page=D5}}</ref> |
A replica of the ''Bounty'' was built in [[Nova Scotia]] and was to be sailed to Tahiti.<ref name="new2">{{cite news|url=https://www.nytimes.com/1960/06/05/archives/producer-director-log-a-few-plans-on-their-mutiny-on-the-bounty.html|title=Producer, Director Log a Few Plans On Their 'Mutiny on the Bounty'|first=Murray|last=Schumach|work=[[The New York Times]]|publisher=The New York Times Company|date=June 5, 1960|accessdate=July 12, 2018|page=D5}}</ref> |
||
===Script=== |
|||
Rosenberg said the film would focus more on the fate of the crew after the mutiny, with Captain Bligh only in a minor role and the mutiny dealt with in flashback. "It was Brando's idea," said Rosenberg. "And he was right. It has always been fascinating to wonder what happened to the mutineers afterwards."<ref name="new2"/> |
Rosenberg said the film would focus more on the fate of the crew after the mutiny, with Captain Bligh only in a minor role and the mutiny dealt with in flashback. "It was Brando's idea," said Rosenberg. "And he was right. It has always been fascinating to wonder what happened to the mutineers afterwards."<ref name="new2"/> |
||
"The mood after the mutiny must be one of hope," said Reed. "The men hope to live a different sort of life, a life without suffering, without brutality. They hope for a life without sick ambitions, without the pettiness of personal success. They dream of a new life where nobody is trying to outdo the next person."<ref name="new2"/> |
"The mood after the mutiny must be one of hope," said Reed. "The men hope to live a different sort of life, a life without suffering, without brutality. They hope for a life without sick ambitions, without the pettiness of personal success. They dream of a new life where nobody is trying to outdo the next person."<ref name="new2"/> |
||
MGM were unhappy with Ambler's script, although the writer estimated he did 14 drafts.<ref>When it comes to espionage thrillers, the grand master is forever Ambler: Master spy novelist is forever Ambler |
|||
Gorner, Peter. Chicago Tribune 28 Oct 1981: b1. </ref> |
|||
[[John Gay]] was signed to write a version in July 1960. Eventually scripts would be written by William Driscoll, [[Borden Chase]] (writing in August 1960), [[Howard Clewes]] and [[Charles Lederer]].<ref name="cost"/> |
|||
===Cast==== |
|||
[[Trevor Howard]] signed to play Bligh.<ref>{{cite news|last=Scheuer |first=Philip K. |date=October 20, 1960 |title='Sheik' griffith to sail on bounty |work=[[Los Angeles Times]] |page=B11 |url=https://search.proquest.com/docview/167773141 |accessdate=July 12, 2018}}</ref> Brando personally selected a local Tahitian, Tarita, to play his love interest.<ref name="tahiti"/> |
[[Trevor Howard]] signed to play Bligh.<ref>{{cite news|last=Scheuer |first=Philip K. |date=October 20, 1960 |title='Sheik' griffith to sail on bounty |work=[[Los Angeles Times]] |page=B11 |url=https://search.proquest.com/docview/167773141 |accessdate=July 12, 2018}}</ref> Brando personally selected a local Tahitian, Tarita, to play his love interest.<ref name="tahiti"/> |
||
In August 1960 [[Peter Finch]] was reportedly going to be in the film.<ref>Finch and Boyd to Join Liz Taylor in 'Cleopatra' |
|||
[[Charles Lederer]] was brought on to work on the script.<ref name="cost"/> |
|||
Hopper, Hedda. Chicago Daily Tribune 12 Aug 1960: a2. </ref> |
|||
===Shooting=== |
===Shooting=== |
||
Shooting was to begin in October 1960 however delays in the scripting and construction of the ship (built at a cost of $750,000) meant it did not begin until November. More than 150 cast and crew arrived in Tahiti, and MGM took over 200 hotel rooms.<ref name="tahiti">{{cite news|date=February 19, 1961|url=https://www.nytimes.com/1961/02/19/archives/return-to-paradise-aboard-the-bounty.html|title=RETURN TO 'PARADISE' ABOARD THE 'BOUNTY' |work=[[The New York Times]]|publisher=The New York Times Company|accessdate=July 12, 2018|first=Morgan|last=Hugdins}}</ref> |
|||
Filming was |
Shooting began on November 28. Filming was difficult, in part because the script was being rewritten and Brando was reportedly ad-libbing much of his part. Also costs were high due to the remote location.<ref name="marlon">{{cite news|title=TAHITI WAS PARADISE |date=December 17, 1961 |work=[[The Times of India]] |publisher=[[The Times Group]] |accessdate=July 12, 2018 |url=https://search.proquest.com/docview/744310855 |page=A6}}</ref> The replica of the Bounty took nine months to make rather than the scheduled six and arrived after filming had started.<ref name="phil">{{cite news|last=Scheuer|first=Philip K. |date=October 21, 1962 |title=The Story Behind an $18 Million Mutiny: THE BOUNTY'S OTHER MUTINIES |work=[[Los Angeles Times]] |url=https://search.proquest.com/docview/168207868 |accessdate=July 12, 2018 |page=1}}</ref> |
||
⚫ | In January 1961, after three months of filming, Reed flew back from location with, reportedly, an "undisclosed ailment".<ref>{{cite news|title=Mackin takes municipal court seat |date=January 14, 1961 |work=[[Los Angeles Times]] |url=https://search.proquest.com/docview/167827945 |page=12 |accessdate=July 12, 2018}}</ref> This has been reported as gallstones and heat stroke; other reports said Reed was unhappy over differences in the direction of the story.<ref name="phil"/> |
||
⚫ | |||
⚫ | In January 1961, after three months of filming, Reed flew back from location with, reportedly, an "undisclosed ailment".<ref>{{cite news|title=Mackin takes municipal court seat |date=January 14, 1961 |work=[[Los Angeles Times]] |url=https://search.proquest.com/docview/167827945 |page=12 |accessdate=July 12, 2018}}</ref> |
||
By now the rain season had started. Filming halted and the unit returned to Hollywood. MGM demanded that Reed finish the film within 100 days. Reed said he needed 139. The studio fired him. |
|||
⚫ | |||
⚫ | |||
⚫ | |||
Milestone later said "I felt it would be an easy assignment because they'd been on it for months and there surely couldn't be much left to do." <ref>Higham p 193</ref> However he says he found that they had only shot one seven minute scene, where Trevor Howard issues instructions about obtaining breadfruit.<ref name="cost"/> |
|||
⚫ | |||
Filming resumed in March 1961 at MGM studios. Milestone says for his first two weeks on the film "Brando behaved himself and I got a lot of stuff done" such as the arrival of the Bounty at Tahiti. The director says he "got on beautifully with" the British actors "they were real human beings and I had a lot of fun."<ref>Higham p 193</ref> |
|||
Milestone says "the trouble started" after the first two weeks. He summarised the cause being "the producer made a number of promises to Marlon Brando which he couldn't keep. It was an impossible situation because, right or wrong, the man simply took charge of everything. You had the option of sitting and watching him or turning your back on him. Neither the producers nor I could do anything about it."<ref>Higham p 193</ref> |
|||
⚫ | |||
"Marlon did not have approval of the story," said Milestone. "But he did have approval of himself. If Brando did not like something he would just stand in front of the camera and not act. He thought only of himself. At the same time, he was right in many things that he wanted. He is too cerebral to play the part of Mr. Christian the way Clark Gable played it."<ref name="cost"/> |
"Marlon did not have approval of the story," said Milestone. "But he did have approval of himself. If Brando did not like something he would just stand in front of the camera and not act. He thought only of himself. At the same time, he was right in many things that he wanted. He is too cerebral to play the part of Mr. Christian the way Clark Gable played it."<ref name="cost"/> |
||
Milestone says the script was constantly being rewritten with input from Rosenberg, [[Sol Siegel]] and [[Joseph Vogel]], as well as Brando. |
Milestone says the script was constantly being rewritten by Charles Lederer on set with input from Rosenberg, [[Sol Siegel]] and [[Joseph Vogel]], as well as Brando. Milestone says Lederer would often work on the script with Brando in the morning and shooting would not start until the afternoon. Milestone says "you had the option of shooting it but since Marlon Brando was going to supervise it anyway, I waited until someone yelled 'camera' and went off to sit down somewhere and read the paper."<ref>Highman p 193</ref> |
||
A Tahitian was killed while filming a canoe sequence. |
|||
The film ended up costing $10 million more than originally expected.<ref name="cost">{{cite news|date=March 25, 1962|url=https://www.nytimes.com/1962/03/25/archives/hollywood-at-sea-bounty-director-blames-a-timorous-management-for.html|first=Murray|last=Schumach|title=HOLLYWOOD AT SEA; 'Bounty' Director Blames a Timorous Management for Tumultuous Saga|work=[[The New York Times]]|publisher=The New York Times Company|accessdate=July 12, 2018}}</ref> |
The film ended up costing $10 million more than originally expected.<ref name="cost">{{cite news|date=March 25, 1962|url=https://www.nytimes.com/1962/03/25/archives/hollywood-at-sea-bounty-director-blames-a-timorous-management-for.html|first=Murray|last=Schumach|title=HOLLYWOOD AT SEA; 'Bounty' Director Blames a Timorous Management for Tumultuous Saga|work=[[The New York Times]]|publisher=The New York Times Company|accessdate=July 12, 2018}}</ref> |
||
Line 106: | Line 121: | ||
"The big trouble was lack of guts by management at Metro," said Milestone. "Lack of vision. When they realised there was so much trouble with the script they should have stopped the whole damn production. If they did not like Marlon's behavior they should have told him that they must do as they wished or else they should have taken him out of the picture. But they just did not have the guts."<ref name="cost"/> |
"The big trouble was lack of guts by management at Metro," said Milestone. "Lack of vision. When they realised there was so much trouble with the script they should have stopped the whole damn production. If they did not like Marlon's behavior they should have told him that they must do as they wished or else they should have taken him out of the picture. But they just did not have the guts."<ref name="cost"/> |
||
Shooting finished by October 1961. |
|||
===Post Production=== |
|||
The studio was unhappy with the ending. A number of writers pitched ideas including Brando. Eventually [[Billy Wilder]] suggested the ending that was shot.<ref>{{cite book|page=201|first=Patricia|last=Bosworth|publisher=Thorndike|year=2001|title=Marlon Brando}}</ref> Milestone refused to direct it so [[George Seaton]] shot Christian's death scene. |
|||
The ''Saturday Evening Post'' ran an article about the making of the film which Brando felt disparaged him. He sued them for $5 million. He got MGM president Joseph Vogel to speak in support of the actor.<ref>{{cite book|page=175-178|title=Somebody : the reckless life and remarkable career of Marlon Brando|last=Kanfer|first= Stefan|year=2008 |publisher=Alfred A. Knopf }}</ref> |
|||
==Reception== |
==Reception== |
||
===Critical=== |
|||
[[Bosley Crowther]] of ''[[The New York Times]]'' wrote that "there's much that is eye-filling and gripping as pure spectacle," but criticized Marlon Brando for making Fletcher Christian "more a dandy than a formidable ship's officer ... one feels the performance is intended either as a travesty or a lark."<ref>{{cite journal |last=Crowther |first=Bosley |authorlink=Bosley Crowther |date=November 9, 1962 |title=Screen: New Version of 'Mutiny on Bounty' Seen at Loew's State |url= |journal=[[The New York Times]] |page=31 }}</ref> ''[[Variety (magazine)|Variety]]'' called the film "often overwhelmingly spectacular" and "generally superior" to the 1935 version, adding, "Brando in many ways is giving the finest performance of his career."<ref>{{cite journal |date=November 14, 1962 |title=Mutiny On The Bounty |url= |journal=[[Variety (magazine)|Variety]] |page=6 }}</ref> [[Brendan Gill]] of ''[[The New Yorker]]'' wrote that the screenwriter and directors "haven't failed, but a genuine success has been beyond their grasp. One reason for this is that they've received no help from Marlon Brando, who plays Fletcher Christian as a sort of seagoing [[Prince Hamlet|Hamlet]]. Since what Fletcher Christian has to say is so much less interesting than what Hamlet has to say, Mr. Brando's tortured scowlings seem thoroughly out of place. Indeed, we tend to sympathize with the wicked Captain Bligh, well played by Trevor Howard. No wonder he behaved badly, with that highborn young fop provoking him at every turn!"<ref>{{cite journal |last=Gill |first=Brendan |authorlink=Brendan Gill |date=November 17, 1962 |title=The Current Cinema |url= |journal=[[The New Yorker]] |page=208 }}</ref> [[Richard L. Coe]] of ''[[The Washington Post]]'' called the film an "unquestionably handsome spectacular" that "teeters headlong into absurdity" in its third hour, summarizing: "It would seem that the mutiny occurred only because the hero blew his top and is egotistically disturbed because he did so."<ref>{{cite journal |last=Coe |first=Richard L. |authorlink=Richard L. Coe |date=November 21, 1962 |title='Bounty' Sets Freudian Sail |url= |journal=[[The Washington Post]] |page=B8 }}</ref> ''[[The Monthly Film Bulletin]]'' of the UK criticized Brando for an "outrageously phony upper-class English accent" and the direction for "looking suspiciously like a multiple hack job."<ref>{{cite journal |date=January 1963 |title=Mutiny on the Bounty |url= |journal=[[The Monthly Film Bulletin]] |volume=30 |issue=348 |page=4 |accessdate= }}</ref> ''[[Time (magazine)|Time]]'' wrote that the film "wanders through the hoarse platitudes of witless optimism until at last it is swamped with sentimental bilge."<ref>{{cite book |last=Kanfer |first=Stefan |date=2008 |title=Somebody: The Reckless Life and Remarkable Career of Marlon Brando |url= |location= |publisher=Faber and Faber |page=178 |isbn=9780571278787 |accessdate= }}</ref> |
[[Bosley Crowther]] of ''[[The New York Times]]'' wrote that "there's much that is eye-filling and gripping as pure spectacle," but criticized Marlon Brando for making Fletcher Christian "more a dandy than a formidable ship's officer ... one feels the performance is intended either as a travesty or a lark."<ref>{{cite journal |last=Crowther |first=Bosley |authorlink=Bosley Crowther |date=November 9, 1962 |title=Screen: New Version of 'Mutiny on Bounty' Seen at Loew's State |url= |journal=[[The New York Times]] |page=31 }}</ref> ''[[Variety (magazine)|Variety]]'' called the film "often overwhelmingly spectacular" and "generally superior" to the 1935 version, adding, "Brando in many ways is giving the finest performance of his career."<ref>{{cite journal |date=November 14, 1962 |title=Mutiny On The Bounty |url= |journal=[[Variety (magazine)|Variety]] |page=6 }}</ref> [[Brendan Gill]] of ''[[The New Yorker]]'' wrote that the screenwriter and directors "haven't failed, but a genuine success has been beyond their grasp. One reason for this is that they've received no help from Marlon Brando, who plays Fletcher Christian as a sort of seagoing [[Prince Hamlet|Hamlet]]. Since what Fletcher Christian has to say is so much less interesting than what Hamlet has to say, Mr. Brando's tortured scowlings seem thoroughly out of place. Indeed, we tend to sympathize with the wicked Captain Bligh, well played by Trevor Howard. No wonder he behaved badly, with that highborn young fop provoking him at every turn!"<ref>{{cite journal |last=Gill |first=Brendan |authorlink=Brendan Gill |date=November 17, 1962 |title=The Current Cinema |url= |journal=[[The New Yorker]] |page=208 }}</ref> [[Richard L. Coe]] of ''[[The Washington Post]]'' called the film an "unquestionably handsome spectacular" that "teeters headlong into absurdity" in its third hour, summarizing: "It would seem that the mutiny occurred only because the hero blew his top and is egotistically disturbed because he did so."<ref>{{cite journal |last=Coe |first=Richard L. |authorlink=Richard L. Coe |date=November 21, 1962 |title='Bounty' Sets Freudian Sail |url= |journal=[[The Washington Post]] |page=B8 }}</ref> ''[[The Monthly Film Bulletin]]'' of the UK criticized Brando for an "outrageously phony upper-class English accent" and the direction for "looking suspiciously like a multiple hack job."<ref>{{cite journal |date=January 1963 |title=Mutiny on the Bounty |url= |journal=[[The Monthly Film Bulletin]] |volume=30 |issue=348 |page=4 |accessdate= }}</ref> ''[[Time (magazine)|Time]]'' wrote that the film "wanders through the hoarse platitudes of witless optimism until at last it is swamped with sentimental bilge."<ref>{{cite book |last=Kanfer |first=Stefan |date=2008 |title=Somebody: The Reckless Life and Remarkable Career of Marlon Brando |url= |location= |publisher=Faber and Faber |page=178 |isbn=9780571278787 |accessdate= }}</ref> |
||
The film holds a rating of 72% on review aggregation website [[Rotten Tomatoes]] based on 18 reviews, with an average score of 6.5/10.<ref>{{cite web | url = https://www.rottentomatoes.com/m/1014482_mutiny_on_the_bounty | title = Mutiny on the Bounty (1962) | website = [[Rotten Tomatoes]] | publisher = [[Fandango Media]] | access-date = July 11, 2018 }}</ref> |
The film holds a rating of 72% on review aggregation website [[Rotten Tomatoes]] based on 18 reviews, with an average score of 6.5/10.<ref>{{cite web | url = https://www.rottentomatoes.com/m/1014482_mutiny_on_the_bounty | title = Mutiny on the Bounty (1962) | website = [[Rotten Tomatoes]] | publisher = [[Fandango Media]] | access-date = July 11, 2018 }}</ref> |
||
Milestone said later he thought Brando's performance "was horrible".<ref>Higham p 194</ref> |
|||
===Box office=== |
===Box office=== |
||
The film was the [[1962 in film|6th highest-grossing film of 1962]] grossing $13,680,000 domestically,<ref name="numbers"/> earning $9.8 million in US [[Gross rental|theatrical rentals]].<ref>{{cite news|title=Top Rental Films of 1963 |work=[[Variety (magazine)|Variety]] |publisher=[[Penske Business Media]] |date=January 8, 1964 |page=37}}</ref>. However it needed to make $30 million to recoup its budget<ref name="marlon"/> of $19 million. This meant the film was a [[Box office bomb|box office flop]].<ref>{{cite web|url=https://www.imdb.com/title/tt0056264/trivia |title=Mutiny on the Bounty (1962): Trivia |publisher=[[IMDb]] |accessdate=June 13, 2013}}</ref> |
|||
{{Anchor|Awards|Accolades}} |
{{Anchor|Awards|Accolades}} |
||
Line 131: | Line 154: | ||
==Comic book adaption== |
==Comic book adaption== |
||
* [[Gold Key Comics|Gold Key]]: ''Mutiny on the Bounty'' (February 1963)<ref>{{gcdb issue|id=17511|title=Gold Key: ''Mutiny on the Bounty''}}</ref><ref>{{comicbookdb|type=issue|id=362753|title=Gold Key: ''Mutiny on the Bounty''}}</ref> |
* [[Gold Key Comics|Gold Key]]: ''Mutiny on the Bounty'' (February 1963)<ref>{{gcdb issue|id=17511|title=Gold Key: ''Mutiny on the Bounty''}}</ref><ref>{{comicbookdb|type=issue|id=362753|title=Gold Key: ''Mutiny on the Bounty''}}</ref> |
||
==Legacy== |
|||
Marlon Brando fell in love with Tahiti and bought an island. |
|||
==See also== |
==See also== |
||
* [[List of American films of 1962]] |
* [[List of American films of 1962]] |
||
Line 138: | Line 162: | ||
==References== |
==References== |
||
{{Reflist}} |
{{Reflist}} |
||
==Nottes== |
|||
*{{cite book|title=The celluloid muse; Hollywood directors speak|last1=Higham|first1= Charles|last2= Greenberg|first2= Joel|year=1971 |publisher= Regnery}} |
|||
==External links== |
==External links== |
||
{{commons category}} |
{{commons category}} |
Revision as of 06:32, 21 June 2019
Mutiny on the Bounty | |
---|---|
Directed by | Lewis Milestone |
Written by | Charles Lederer |
Produced by | Aaron Rosenberg (uncredited) |
Starring | Marlon Brando Trevor Howard Richard Harris |
Cinematography | Robert L. Surtees |
Edited by | John McSweeney, Jr. |
Music by | Bronisław Kaper |
Distributed by | Metro-Goldwyn-Mayer |
Release date | November 8, 1962 |
Running time | 178 minutes (UK:185 minutes) |
Country | United States |
Language | English |
Budget | $19 million |
Box office | $13.6 million[1] |
Mutiny on the Bounty is a 1962 American Technicolor epic historical drama film starring Marlon Brando, Trevor Howard and Richard Harris, based on the novel Mutiny on the Bounty by Charles Nordhoff and James Norman Hall.
The film retells the 1789 real-life mutiny aboard HMAV Bounty led by Fletcher Christian against the ship's captain, William Bligh. It is the second American film to be made from the novel, the first being Mutiny on the Bounty (1935). It was directed by Lewis Milestone, who replaced Carol Reed early in the production schedule, and it turned out to be Milestone's final film.
The screenplay was written by Charles Lederer (with uncredited input from Eric Ambler, William L. Driscoll, Borden Chase, John Gay and Ben Hecht).[2] The score was composed by Bronisław Kaper.
Mutiny on the Bounty was filmed in the Ultra Panavision 70 widescreen process, the first motion picture so credited. It was partly shot on location in the South Pacific. Behind the scenes, Marlon Brando effectively took over directing duties himself and caused it to become far behind schedule and over budget — resulting in director Carol Reed pulling out of the project and being replaced by Lewis Milestone who is credited as director of the picture. The film was panned, and was considered a box office bomb, having lost over $6 million.
A replica of the Bounty was constructed for the film. Fifty years after the release of the film, the vessel sank in Hurricane Sandy with loss of life.
Plot
In the year 1787, the Bounty sets sail from Britain for Tahiti under the command of captain William Bligh (Trevor Howard). Her mission is to transport breadfruit to Jamaica, where hopefully it will thrive and provide a cheap source of food for the slaves.
The voyage gets off to a difficult start with the discovery that some cheese is missing. Bligh, the true pilferer, is accused of the theft by seaman John Mills (Richard Harris), and Bligh has Mills brutally flogged for showing contempt to his superior officer, to the disgust of his patrician second-in-command, 1st Lieutenant Fletcher Christian (Marlon Brando). The tone for the months to come is summarized by Bligh's ominous pronouncement that "cruelty with a purpose is not cruelty, it is efficiency." Aristocrat Christian is deeply offended by his ambitious captain.
Bligh attempts to reach Tahiti sooner by attempting the shorter westbound route around Cape Horn, a navigational nightmare. The strategy fails and the Bounty backtracks east, costing the mission much time. Singleminded Bligh attempts to make up the lost time by pushing the crew harder and cutting their rations.
When the Bounty reaches her destination, the crew revels in the easygoing life of the tropical paradise — and in the free-love philosophies of the Tahitian women. Christian himself is smitten with Maimiti (Tarita Teriipaia), daughter of the Tahitian king. Bligh's agitation is further fueled by a dormancy period of the breadfruit: more months of delay until the plants can be transplanted. As departure day nears, three men, including seaman Mills, attempt to desert but are caught by Christian and clapped in irons by Bligh.
On the voyage to Jamaica, Bligh attempts to bring back twice the number of breadfruit plants to atone for his tardiness, and must reduce the water rations of the crew to water the extra plants. One member of the crew falls from the rigging to his death while attempting to retrieve the drinking ladle. Another assaults Bligh over conditions on the ship and is fatally keelhauled. Mills taunts Christian after each death, trying to egg him on to challenge Bligh. When a crewman becomes gravely ill from drinking seawater, Christian attempts to give him fresh water in violation of the Captain's orders. Bligh strikes Christian when he ignores his second order to stop. In response, Christian strikes Bligh. Bligh informs Christian that he will hang for his action when they reach port. With nothing left to lose, Christian takes command of the ship and sets Bligh and the loyalist members of the crew adrift in the longboat with navigational equipment, telling them to make for a local island. Bligh decides instead to cross much of the Pacific in order to reach British authorities sooner and arrives back in Britain with remarkable speed.
The military court exonerates Bligh of misdeed and recommends an expedition to arrest the mutineers and put them on trial, but also comes to the conclusion that the appointment of Bligh as captain of The Bounty was wrong. In the meantime, Christian sails back to Tahiti to pick up supplies and the girlfriends of the crew, then on to remote and wrongly charted Pitcairn Island to hide from the wrath of the Royal Navy. Once on Pitcairn, Christian decides that it is their duty to return to Britain and testify to Bligh's wrongdoing and asks his men to sail with him. To prevent this possibility the men set the ship on fire and Christian is fatally burned while trying to save it.
Cast
- Marlon Brando as 1st Lt. Fletcher Christian
- Trevor Howard as Capt. William Bligh
- Richard Harris as Seaman John Mills
- Hugh Griffith as Seaman Alexander Smith
- Richard Haydn as Horticulturalist William Brown
- Tarita Teriipaia as Princess Maimiti
- Matahiarii Tama as Chief Hitihiti
- Percy Herbert as Seaman Matthew Quintal
- Duncan Lamont as John Williams
- Gordon Jackson as Seaman Edward Birkett
- Chips Rafferty as Seaman Michael Byrne
- Noel Purcell as Helmsman William McCoy
- Ashley Cowan as Samuel Mack
- Eddie Byrne as John Fryer (Sailing Master)
- Tim Seely: Edward 'Ned' Young (Midshipman)
- Frank Silvera as Minarii
- Henry Daniell as British chief court-martial admiral (uncredited)
- Torin Thatcher as British officer Staines (uncredited)
Production
Development
Following the success of 1935's Mutiny on the Bounty, director Frank Lloyd announced plans in 1940 to make a sequel which focused on Captain Bligh in later life, to star Spencer Tracy or Charles Laughton. No film resulted. In 1945 Casey Wilson wrote a script for Christian of the Bounty, which was to star Clark Gable as Fletcher Christian and focus on Christian's life on Pitcairn Island.[3]
Aaron Rosenberg
In the 1950s MGM remade a number of their earlier successes in colour and widescreen such as Scaramouche and The Prisoner of Zenda. They decided to remake Mutiny on the Bounty. In 1958 the studio announced Aaron Rosenberg would produce the film and Marlon Brando was mentioned as a possible star.[4]
Eric Ambler was signed to write a script at $5,000 a week. It was intended to combine material from the Nordhoff and Hall novels Mutiny on the Bounty and Pitcairn Island (MGM also owned the rights to a third book, Men Against the Sea, which dealt with Bligh's boat voyage after the mutiny).[3]
In 1959 it was announced Paramount would make a rival Bounty film to be written and directed by James Clavell called The Mutineers, which would focus on the fate of the Muntineers on Pitcairn Island.[3] However this project was not made.
Brando eventually was signed, at a fee of $500,000 plus 10% of the profits. Carol Reed was direct. It was decided to shoot the film in Tahiti itself to take advantage of color and widescreen, being shot in Cinema 65. Robert Surtees would be the cinematographer. The film was set to begin shooting 15 October 1960 and the film was called "MGM's Ben Hur of 1961."[5]
A replica of the Bounty was built in Nova Scotia and was to be sailed to Tahiti.[6]
Script
Rosenberg said the film would focus more on the fate of the crew after the mutiny, with Captain Bligh only in a minor role and the mutiny dealt with in flashback. "It was Brando's idea," said Rosenberg. "And he was right. It has always been fascinating to wonder what happened to the mutineers afterwards."[6]
"The mood after the mutiny must be one of hope," said Reed. "The men hope to live a different sort of life, a life without suffering, without brutality. They hope for a life without sick ambitions, without the pettiness of personal success. They dream of a new life where nobody is trying to outdo the next person."[6]
MGM were unhappy with Ambler's script, although the writer estimated he did 14 drafts.[7]
John Gay was signed to write a version in July 1960. Eventually scripts would be written by William Driscoll, Borden Chase (writing in August 1960), Howard Clewes and Charles Lederer.[8]
Cast=
Trevor Howard signed to play Bligh.[9] Brando personally selected a local Tahitian, Tarita, to play his love interest.[10]
In August 1960 Peter Finch was reportedly going to be in the film.[11]
Shooting
Shooting was to begin in October 1960 however delays in the scripting and construction of the ship (built at a cost of $750,000) meant it did not begin until November. More than 150 cast and crew arrived in Tahiti, and MGM took over 200 hotel rooms.[10]
Shooting began on November 28. Filming was difficult, in part because the script was being rewritten and Brando was reportedly ad-libbing much of his part. Also costs were high due to the remote location.[12] The replica of the Bounty took nine months to make rather than the scheduled six and arrived after filming had started.[13]
In January 1961, after three months of filming, Reed flew back from location with, reportedly, an "undisclosed ailment".[14] This has been reported as gallstones and heat stroke; other reports said Reed was unhappy over differences in the direction of the story.[13]
By now the rain season had started. Filming halted and the unit returned to Hollywood. MGM demanded that Reed finish the film within 100 days. Reed said he needed 139. The studio fired him.
Lewis Milestone
Reed was replaced by Lewis Milestone. "Reed was used to making his own pictures," said Milestone. "He was not used to producer, studio and star interference. But those of us who have been around Hollywood are like alley cats. We know this style. We know how to survive."[8]
Milestone later said "I felt it would be an easy assignment because they'd been on it for months and there surely couldn't be much left to do." [15] However he says he found that they had only shot one seven minute scene, where Trevor Howard issues instructions about obtaining breadfruit.[8]
Filming resumed in March 1961 at MGM studios. Milestone says for his first two weeks on the film "Brando behaved himself and I got a lot of stuff done" such as the arrival of the Bounty at Tahiti. The director says he "got on beautifully with" the British actors "they were real human beings and I had a lot of fun."[16]
Milestone says "the trouble started" after the first two weeks. He summarised the cause being "the producer made a number of promises to Marlon Brando which he couldn't keep. It was an impossible situation because, right or wrong, the man simply took charge of everything. You had the option of sitting and watching him or turning your back on him. Neither the producers nor I could do anything about it."[17]
The unit returned to Tahiti in April 1961. Filming was also plagued by bad weather and script problems. Richard Harris clashed with Brando and Brando was frequently late to set and difficult while filming.[13]
"Marlon did not have approval of the story," said Milestone. "But he did have approval of himself. If Brando did not like something he would just stand in front of the camera and not act. He thought only of himself. At the same time, he was right in many things that he wanted. He is too cerebral to play the part of Mr. Christian the way Clark Gable played it."[8]
Milestone says the script was constantly being rewritten by Charles Lederer on set with input from Rosenberg, Sol Siegel and Joseph Vogel, as well as Brando. Milestone says Lederer would often work on the script with Brando in the morning and shooting would not start until the afternoon. Milestone says "you had the option of shooting it but since Marlon Brando was going to supervise it anyway, I waited until someone yelled 'camera' and went off to sit down somewhere and read the paper."[18]
A Tahitian was killed while filming a canoe sequence.
The film ended up costing $10 million more than originally expected.[8]
"I have been in this business a few days but I never saw anything like this," said Milestone. "It was like being in a hurricane on a rudderless ship without a captain. I thought when I took the job that it would be a nice trip. By the time it was finished I felt as though I had been shanghaied."[8]
"The big trouble was lack of guts by management at Metro," said Milestone. "Lack of vision. When they realised there was so much trouble with the script they should have stopped the whole damn production. If they did not like Marlon's behavior they should have told him that they must do as they wished or else they should have taken him out of the picture. But they just did not have the guts."[8]
Shooting finished by October 1961.
Post Production
The studio was unhappy with the ending. A number of writers pitched ideas including Brando. Eventually Billy Wilder suggested the ending that was shot.[19] Milestone refused to direct it so George Seaton shot Christian's death scene.
The Saturday Evening Post ran an article about the making of the film which Brando felt disparaged him. He sued them for $5 million. He got MGM president Joseph Vogel to speak in support of the actor.[20]
Reception
Critical
Bosley Crowther of The New York Times wrote that "there's much that is eye-filling and gripping as pure spectacle," but criticized Marlon Brando for making Fletcher Christian "more a dandy than a formidable ship's officer ... one feels the performance is intended either as a travesty or a lark."[21] Variety called the film "often overwhelmingly spectacular" and "generally superior" to the 1935 version, adding, "Brando in many ways is giving the finest performance of his career."[22] Brendan Gill of The New Yorker wrote that the screenwriter and directors "haven't failed, but a genuine success has been beyond their grasp. One reason for this is that they've received no help from Marlon Brando, who plays Fletcher Christian as a sort of seagoing Hamlet. Since what Fletcher Christian has to say is so much less interesting than what Hamlet has to say, Mr. Brando's tortured scowlings seem thoroughly out of place. Indeed, we tend to sympathize with the wicked Captain Bligh, well played by Trevor Howard. No wonder he behaved badly, with that highborn young fop provoking him at every turn!"[23] Richard L. Coe of The Washington Post called the film an "unquestionably handsome spectacular" that "teeters headlong into absurdity" in its third hour, summarizing: "It would seem that the mutiny occurred only because the hero blew his top and is egotistically disturbed because he did so."[24] The Monthly Film Bulletin of the UK criticized Brando for an "outrageously phony upper-class English accent" and the direction for "looking suspiciously like a multiple hack job."[25] Time wrote that the film "wanders through the hoarse platitudes of witless optimism until at last it is swamped with sentimental bilge."[26]
The film holds a rating of 72% on review aggregation website Rotten Tomatoes based on 18 reviews, with an average score of 6.5/10.[27]
Milestone said later he thought Brando's performance "was horrible".[28]
Box office
The film was the 6th highest-grossing film of 1962 grossing $13,680,000 domestically,[1] earning $9.8 million in US theatrical rentals.[29]. However it needed to make $30 million to recoup its budget[12] of $19 million. This meant the film was a box office flop.[30]
Awards
The 1962 movie did not win any Oscars but was nominated for seven:[31]
- Academy Award for Best Picture – Aaron Rosenberg
- Academy Award for Best Production Design – Set Decoration, Color – George W. Davis, Henry Grace, Hugh Hunt and Joseph McMillan Johnson
- Best Cinematography, Color – Robert Surtees
- Best Effects, Special Effects – A. Arnold Gillespie (visual) and Milo B. Lory (audible)
- Best Film Editing – John McSweeney Jr.
- Best Music, Score – Substantially Original – Bronisław Kaper
- Best Music, Song – Bronisław Kaper (music) and Paul Francis Webster (lyrics) – for the song "Love Song from Mutiny on the Bounty (Follow Me)"
Honors
The film is recognized by American Film Institute in these lists:
- 2005: AFI's 100 Years of Film Scores – Nominated[32]
Comic book adaption
Legacy
Marlon Brando fell in love with Tahiti and bought an island.
See also
References
- ^ a b "Mutiny on the Bounty (1962)". The Numbers. Nash Information Services. Retrieved June 13, 2013.
- ^ "Mutiny on the Bounty (1962): Full Cast & Crew". IMDb. Retrieved March 29, 2011.
- ^ a b c Special to the New York Times (November 2, 1959). "TWO STUDIOS PLAN A BOUNTY 'MUTINY'; M-G-M and Paramount Race to Complete Productions of Films on Sea Adventure". The New York Times. The New York Times Company. p. 39. Retrieved July 12, 2018.
- ^ Hopper, Hedda (October 9, 1958). "MGM Wants Brando in 'Mutiny' Remake". Los Angeles Times. p. B10.
- ^ Scott, John L. (May 31, 1960). "Britons to Support Brando in 'Mutiny': Producer, Director Will Cast 20 'Bounty' Roles in England". Los Angeles Times. p. A7.
- ^ a b c Schumach, Murray (June 5, 1960). "Producer, Director Log a Few Plans On Their 'Mutiny on the Bounty'". The New York Times. The New York Times Company. p. D5. Retrieved July 12, 2018.
- ^ When it comes to espionage thrillers, the grand master is forever Ambler: Master spy novelist is forever Ambler Gorner, Peter. Chicago Tribune 28 Oct 1981: b1.
- ^ a b c d e f g Schumach, Murray (March 25, 1962). "HOLLYWOOD AT SEA; 'Bounty' Director Blames a Timorous Management for Tumultuous Saga". The New York Times. The New York Times Company. Retrieved July 12, 2018.
- ^ Scheuer, Philip K. (October 20, 1960). "'Sheik' griffith to sail on bounty". Los Angeles Times. p. B11. Retrieved July 12, 2018.
- ^ a b Hugdins, Morgan (February 19, 1961). "RETURN TO 'PARADISE' ABOARD THE 'BOUNTY'". The New York Times. The New York Times Company. Retrieved July 12, 2018.
- ^ Finch and Boyd to Join Liz Taylor in 'Cleopatra' Hopper, Hedda. Chicago Daily Tribune 12 Aug 1960: a2.
- ^ a b "TAHITI WAS PARADISE". The Times of India. The Times Group. December 17, 1961. p. A6. Retrieved July 12, 2018.
- ^ a b c Scheuer, Philip K. (October 21, 1962). "The Story Behind an $18 Million Mutiny: THE BOUNTY'S OTHER MUTINIES". Los Angeles Times. p. 1. Retrieved July 12, 2018.
- ^ "Mackin takes municipal court seat". Los Angeles Times. January 14, 1961. p. 12. Retrieved July 12, 2018.
- ^ Higham p 193
- ^ Higham p 193
- ^ Higham p 193
- ^ Highman p 193
- ^ Bosworth, Patricia (2001). Marlon Brando. Thorndike. p. 201.
- ^ Kanfer, Stefan (2008). Somebody : the reckless life and remarkable career of Marlon Brando. Alfred A. Knopf. p. 175-178.
- ^ Crowther, Bosley (November 9, 1962). "Screen: New Version of 'Mutiny on Bounty' Seen at Loew's State". The New York Times: 31.
- ^ "Mutiny On The Bounty". Variety: 6. November 14, 1962.
- ^ Gill, Brendan (November 17, 1962). "The Current Cinema". The New Yorker: 208.
- ^ Coe, Richard L. (November 21, 1962). "'Bounty' Sets Freudian Sail". The Washington Post: B8.
- ^ "Mutiny on the Bounty". The Monthly Film Bulletin. 30 (348): 4. January 1963.
- ^ Kanfer, Stefan (2008). Somebody: The Reckless Life and Remarkable Career of Marlon Brando. Faber and Faber. p. 178. ISBN 9780571278787.
- ^ "Mutiny on the Bounty (1962)". Rotten Tomatoes. Fandango Media. Retrieved July 11, 2018.
- ^ Higham p 194
- ^ "Top Rental Films of 1963". Variety. Penske Business Media. January 8, 1964. p. 37.
- ^ "Mutiny on the Bounty (1962): Trivia". IMDb. Retrieved June 13, 2013.
- ^ "Mutiny on the Bounty (1962): Awards". The New York Times. The New York Times Company. Archived from the original on October 20, 2012. Retrieved December 25, 2008.
{{cite news}}
: Unknown parameter|dead-url=
ignored (|url-status=
suggested) (help) - ^ "Official Ballot" (PDF). AFI's 100 Years of Film Scores. American Film Institute. September 23, 2005. Retrieved August 6, 2016.
- ^ "Gold Key: Mutiny on the Bounty". Grand Comics Database.
- ^ Gold Key: Mutiny on the Bounty at the Comic Book DB (archived from the original)
Nottes
- Higham, Charles; Greenberg, Joel (1971). The celluloid muse; Hollywood directors speak. Regnery.
External links
- Mutiny on the Bounty at IMDb
- Mutiny on the Bounty at AllMovie
- Mutiny on the Bounty at the TCM Movie Database
- Mutiny on the Bounty at the AFI Catalog of Feature Films
- Mutiny on the Bounty at Box Office Mojo
- Mutiny on the Bounty at Rotten Tomatoes
- Mutiny on the Bounty at South Seas Cinema
- 1962 films
- 1960s drama films
- 1960s historical films
- American films
- American drama films
- American epic films
- American film remakes
- American historical films
- English-language films
- Films about HMS Bounty
- Films adapted into comics
- Films based on American novels
- Films directed by Lewis Milestone
- Films scored by Bronisław Kaper
- Films set in the 18th century
- Films shot in Bora Bora
- Metro-Goldwyn-Mayer films
- Military courtroom films
- Screenplays by Charles Lederer
- Sea adventure films
- Seafaring films
- Films set on ships