Monica Vitti: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
Line 25: Line 25:
Vitti's first film role was an uncredited bit in [[Edoardo Anton]]'s ''[[Ridere Ridere Ridere]]'' (1954). She was in ''[[Adriana Lecouvreur (film)|Adriana Lecouvreur]]'' (1955), the TV series ''[[L'alfiere]]'' (1956) and the TV movies ''Questi ragazzi'' (1956) and ''[[Il tunnel]]'' (1958). She did an episode of ''[[Mont-Oriol]]'' (1958) and dubbed [[Rosaana Rory]]'s voice in ''[[Big Deal on Madonna Street]]'' (1958).
Vitti's first film role was an uncredited bit in [[Edoardo Anton]]'s ''[[Ridere Ridere Ridere]]'' (1954). She was in ''[[Adriana Lecouvreur (film)|Adriana Lecouvreur]]'' (1955), the TV series ''[[L'alfiere]]'' (1956) and the TV movies ''Questi ragazzi'' (1956) and ''[[Il tunnel]]'' (1958). She did an episode of ''[[Mont-Oriol]]'' (1958) and dubbed [[Rosaana Rory]]'s voice in ''[[Big Deal on Madonna Street]]'' (1958).


Vitt's first widely noted performance was at the age of 26, in [[Mario Amendola]]'s ''[[Le dritte]]'' (1958) with [[Franco Fabrizi]]. She was in the TV movie ''[[Il borghese gentiluomo]]'' (1959).
Vitt's first widely noted performance was at the age of 26, in [[Mario Amendola]]'s ''[[Le dritte]]'' (1958) with [[Franco Fabrizi]]. She was in the TV movie ''[[Il borghese gentiluomo]]'' (1959).<ref>Features/Articles/People: Monica Vitti
Walter, Eugene. Vogue; New York Vol. 147, Iss. 4, (Feb 15, 1966): 122, 123, 124, 125, 155</ref>
===Antonioni===
===Antonioni===
In 1957 she joined [[Michelangelo Antonioni]]'s ''[[Teatro Nuovo di Milano]]'' and dubbed the voice of [[Dorian Gray (actress)|Dorian Gray]] in the director's ''[[Il Grido]]'' (1957) (''The Cry''). She played a leading role in Antonioni internationally praised and award winning film ''[[L'avventura]]'' (1960), as a detached and cool protagonist drifting into a relationship with the lover of her missing girlfriend. Giving a screen presence which has been described as "stunning", she is also credited with helping Antonioni raise money for the production and sticking with him through daunting location shooting. ''L'avventura'' made Vitti an international star and one of Italy's most famous actresses of the 20th century. Her image later appeared on an Italian postage stamp commemorating the film.
In 1957 she joined [[Michelangelo Antonioni]]'s ''[[Teatro Nuovo di Milano]]'' and dubbed the voice of [[Dorian Gray (actress)|Dorian Gray]] in the director's ''[[Il Grido]]'' (1957) (''The Cry''). She played a leading role in Antonioni internationally praised and award winning film ''[[L'avventura]]'' (1960), as a detached and cool protagonist drifting into a relationship with the lover of her missing girlfriend. Giving a screen presence which has been described as "stunning", she is also credited with helping Antonioni raise money for the production and sticking with him through daunting location shooting. ''L'avventura'' made Vitti an international star and one of Italy's most famous actresses of the 20th century. Her image later appeared on an Italian postage stamp commemorating the film. According to the ''New York Times'' Vitti's "air of disenchantment perfectly conveys the unreal aura of her heroines."<ref>'Most Controversial Director': Controversial Director
By MELTON S. DAVISROME. New York Times 15 Nov 1964: SM34.</ref>


[[Image:Monicavitti reddesert.jpg|thumb|left|''[[Red Desert (film)|Red Desert]]'' (1964)]]
[[Image:Monicavitti reddesert.jpg|thumb|left|''[[Red Desert (film)|Red Desert]]'' (1964)]]
Vitti received critical praise for starring roles in the Antonioni film ''[[La Notte]]'' (''Night'', 1961), with [[Jeanne Moreau]] and [[Marcello Mastroianni]]. Vitti starred in a TV movie ''Le notti bianche'' (1962) then did a third with Antonioni, ''[[L'Eclisse]]'' (1962) with [[Alain Delon]].
Vitti received critical praise for starring roles in the Antonioni film ''[[La Notte]]'' (''Night'', 1961), with [[Jeanne Moreau]] and [[Marcello Mastroianni]]. Vitti starred in a TV movie ''Le notti bianche'' (1962) then did a third with Antonioni, ''[[L'Eclisse]]'' (1962) with [[Alain Delon]].<ref>The Eclipse
Houston, Penelope. Sight and Sound; London Vol. 32, Iss. 2, (Spring 1963): 90. </ref>


Vitti was one of many stars in an anthology movie, ''[[Three Fables of Love]]'' (1962). She had a cameo in ''[[Sweet and Sour (film)|Sweet and Sour]]'' (1963) and played the lead in a comedy for [[Roger Vadim]], ''[[Nutty, Naughty Chateau]]'' (1963). Vitti was then in another anthology film ''[[High Infidelity]]'' (1964) and made a fourth with Antonioni, ''[[Red Desert (film)|Il Deserto Rosso]]'' (''Red Desert'', 1964), with [[Richard Harris]]. After Vitti's relationship with Antonioni ended, the two did not work together again until ''[[Il mistero di Oberwald]]'' (1980).
Vitti was one of many stars in an anthology movie, ''[[Three Fables of Love]]'' (1962). She had a cameo in ''[[Sweet and Sour (film)|Sweet and Sour]]'' (1963) and played the lead in a comedy for [[Roger Vadim]], ''[[Nutty, Naughty Chateau]]'' (1963). Vitti was then in another anthology film ''[[High Infidelity]]'' (1964) and made a fourth with Antonioni, ''[[Red Desert (film)|Il Deserto Rosso]]'' (''Red Desert'', 1964), with [[Richard Harris]]. The director said Vitti "certainly inspires me, because I like to watch and direct her, but the parts I give her are a long way from her own character."<ref>In the Red Desert
Manceaux, Michele. Sight and Sound; London Vol. 33, Iss. 3, (Summer 1964): 118. </ref>

After Vitti's relationship with Antonioni ended, the two did not work together again until ''[[Il mistero di Oberwald]]'' (1980).<ref name="guard"/>


Vitti starred in a comedy for [[Tinto Brass]], ''[[The Flying Saucer (1964 film)|The Flying Saucer]]'' (1964), and appeared in the anthology, ''[[Le bambole|The Dolls]]'' (1964).
Vitti starred in a comedy for [[Tinto Brass]], ''[[The Flying Saucer (1964 film)|The Flying Saucer]]'' (1964), and appeared in the anthology, ''[[Le bambole|The Dolls]]'' (1964).
===International Films===
===International Films===
Vitti's first English language film was ''[[Modesty Blaise (1966 film)|Modesty Blaise]]'' (1966), a [[mod (subculture)|mod]] [[James Bond]] spy spoof with [[Terence Stamp]] and [[Dirk Bogarde]], directed by [[Joseph Losey]], which had only mixed success and received harsh critical reviews. She did the anthology movie ''[[The Queens (1966 film)|The Queens]]'' (1966), a TV series ''[[Les fables de La Fontaine]]'' (1966), ''[[Kill Me Quick, I'm Cold]]'' (1967) with [[Jean Sorel]], and ''[[I Married You for Fun]]'' (1967).
Vitti's first English language film was ''[[Modesty Blaise (1966 film)|Modesty Blaise]]'' (1966), a [[mod (subculture)|mod]] [[James Bond]] spy spoof which she signed to do in July 1965.<ref>Monica Vitti in New Film
New York Times 2 July 1965: 17.</ref> Co starring [[Terence Stamp]] and [[Dirk Bogarde]], directed by [[Joseph Losey]], it had only mixed success and received harsh critical reviews.
She did the anthology movie ''[[The Queens (1966 film)|The Queens]]'' (1966), a TV series ''[[Les fables de La Fontaine]]'' (1966), ''[[Kill Me Quick, I'm Cold]]'' (1967) with [[Jean Sorel]], and ''[[I Married You for Fun]]'' (1967).


Vitti appeared in ''[[On My Way to the Crusades, I Met a Girl Who...]]'' (1967) with [[Tony Curtis]], ''[[The Girl with a Pistol]]'' (1968) with [[Stanley Baker]], ''[[The Bitch Wants Blood]]'' (1969) with [[Maurice Ronet]], and ''[[Help Me, My Love]]'' (1969) with [[Alberto Sordi]].<ref>MOVIE CALL SEET: Columbia to Film 'Gorgeous'
Vitti appeared in ''[[On My Way to the Crusades, I Met a Girl Who...]]'' (1967) with [[Tony Curtis]], ''[[The Girl with a Pistol]]'' (1968) with [[Stanley Baker]], ''[[The Bitch Wants Blood]]'' (1969) with [[Maurice Ronet]], and ''[[Help Me, My Love]]'' (1969) with [[Alberto Sordi]].<ref>MOVIE CALL SEET: Columbia to Film 'Gorgeous'
Line 42: Line 51:
===1970s===
===1970s===
[[File:Monica Vitti 75.png|thumb|Vitti in ''[[Duck in Orange Sauce]]'' (1975)]]
[[File:Monica Vitti 75.png|thumb|Vitti in ''[[Duck in Orange Sauce]]'' (1975)]]
Vitti starred with [[Marcello Mastroianni]] in [[Ettore Scola]]'s highly successful romantic comedy ''Dramma della gelosia'' (''[[The Pizza Triangle]]'') (1970). She followed it with ''[[Ninì Tirabusciò, la donna che inventò la mossa]]'' (1970), ''[[Le coppie]]'' (1970) with Sordi, ''[[The Pacifist (film)|The Pacifist]]'' (1970), ''[[La supertestimone]]'' (1971), ''[[That's How We Women Are]]'' (1971), and ''[[Gli ordini sono ordini|Orders Are Orders]]'' (1972).
Vitti starred with [[Marcello Mastroianni]] in [[Ettore Scola]]'s highly successful romantic comedy ''Dramma della gelosia'' (''[[The Pizza Triangle]]'') (1970). She followed it with ''[[Ninì Tirabusciò, la donna che inventò la mossa]]'' (1970), ''[[Le coppie]]'' (1970) with Sordi, ''[[The Pacifist (film)|The Pacifist]]'' (1970), ''[[La supertestimone]]'' (1971), ''[[That's How We Women Are]]'' (1971), and ''[[Gli ordini sono ordini|Orders Are Orders]]'' (1972).<ref>Beauty Bulletin: Monica Vitti: A Woman for All Seasons
Vogue; New York Vol. 156, Iss. 9, (Nov 15, 1970): 148, 149.</ref>


Vitti was in a version of ''[[La Tosca (1973 film)|La Tosca]]'' (1973) and a comedy ''[[Teresa the Thief]]'' (1973). She made ''[[Polvere di stelle]]'' (1973), directed by [[Alberto Sordi]], for which she won the 1974 [[David di Donatello for Best Actress|David di Donatello award for Best Actress]].
Vitti was in a version of ''[[La Tosca (1973 film)|La Tosca]]'' (1973) and a comedy ''[[Teresa the Thief]]'' (1973). She made ''[[Polvere di stelle]]'' (1973), directed by [[Alberto Sordi]], for which she won the 1974 [[David di Donatello for Best Actress|David di Donatello award for Best Actress]].
Line 52: Line 62:
Vitti's second English film was ''[[An Almost Perfect Affair]]'' (1979), directed by [[Michael Ritchie (film director)|Michael Ritchie]] and co-starring [[Keith Carradine]], which was set during the [[Cannes Film Festival]]. <ref>OF PIRATES AND PERRIER Rosenfield, Paul. Los Angeles Times 26 Aug 1979: m1.</ref>
Vitti's second English film was ''[[An Almost Perfect Affair]]'' (1979), directed by [[Michael Ritchie (film director)|Michael Ritchie]] and co-starring [[Keith Carradine]], which was set during the [[Cannes Film Festival]]. <ref>OF PIRATES AND PERRIER Rosenfield, Paul. Los Angeles Times 26 Aug 1979: m1.</ref>
===Later Career===
===Later Career===
Vitti reunited with Antonioni in ''[[The Mystery of Oberwald]]'' (1980) which is not as well known as ''L'Avventura''. She followed it in ''[[I Don't Understand You Anymore]]'' (1980), ''[[Camera d'albergo]]'' (1981), ''[[Il tango della gelosia|Tango of Jealousy]]'' (1981), ''[[I Know That You Know That I Know]]'' (1982) with Sordi, ''[[Scusa se è poco]]'' (1982), ''[[Flirt (1983 film)|Flirt]]'' (1983), and ''[[Francesca è mia]]'' (1986). She co wrote the last two films.
Vitti reunited with Antonioni in ''[[The Mystery of Oberwald]]'' (1980) which is not as well known as ''L'Avventura''.<ref name="at">At the Movies: Monica Vitti working again on a project with Antonioni.
Buckley, Tom. New York Times 11 May 1979: C6.</ref> She followed it in ''[[I Don't Understand You Anymore]]'' (1980), ''[[Camera d'albergo]]'' (1981), ''[[Il tango della gelosia|Tango of Jealousy]]'' (1981), ''[[I Know That You Know That I Know]]'' (1982) with Sordi, ''[[Scusa se è poco]]'' (1982), ''[[Flirt (1983 film)|Flirt]]'' (1983), and ''[[Francesca è mia]]'' (1986). She co wrote the last two films. In 1984 she was awarded the Order of Arts and Letters by French Culture Minister Jack Lang, who praised her for helping spur a renewal of Italian films. ''We need Italian cinema to find its health again so that French cinema will not remain an island in the middle of other European countries,'' Lang said.<ref>France honors actress Monica Vitti
The Globe and Mail 7 Mar 1984: M.9. </ref>


By 1986 Vitti had returned to the theatre as an actress and teacher.
By 1986 Vitti had returned to the theatre as an actress and teacher.


In 1989, Vitti tried writing and directing, and created ''[[Scandalo Segreto]]'' (1990), which she also starred in alongside [[Elliot Gould]]. The film was not a success and she then retired from cinema.
In 1989, Vitti tried writing and directing, and created ''[[Scandalo Segreto]]'' (1990), which she also starred in alongside [[Elliot Gould]].<ref name="guard">Scandal, sex, lies and Vitti tapes: After a life in front of the camera, Monica Vitti has stepped behind it as director
Vidal, John. The Guardian 11 May 1990: 36.</ref> The film was not a success and she then retired from cinema.


During the 1990s she did television work, acting and directing, including ''[[Ma tu mi vuoi bene?]]'' (1992).
During the 1990s she did television work, acting and directing, including ''[[Ma tu mi vuoi bene?]]'' (1992).

Revision as of 05:32, 16 June 2019

Monica Vitti
Monica Vitti in 1990
Born
Maria Luisa Ceciarelli

(1931-11-03) 3 November 1931 (age 92)
Rome, Italy
Years active1954–1992
Spouse
Roberto Russo
​
(m. 1995)​

Monica Vitti (born 3 November 1931)[1][2][3] is an Italian actress best known for her starring roles in films directed by Michelangelo Antonioni during the early 1960s.[4] After working with Antonioni, Vitti changed focus and began making comedies, working with director Mario Monicelli on many films. She has appeared opposite Marcello Mastroianni, Richard Harris, Terence Stamp, Michael Caine, and Dirk Bogarde. Vitti won five David di Donatello Awards for Best Actress, seven Italian Golden Globes for Best Actress, the Career Golden Globe, and the Venice Film Festival Career Golden Lion Award.[5]

Early life

Born Maria Luisa Ceciarelli in Rome, she acted in amateur productions as a teenager, then trained as an actor at Rome's National Academy of Dramatic Arts (graduating in 1953) and at Pittman's College, where she played a teen in a charity performance of Dario Niccodemi's La nemica. She toured Germany with an Italian acting troupe and her first stage appearance in Rome was for a production of Niccolò Machiavelli's La Mandragola.

Film career

Early Roles

Vitti's first film role was an uncredited bit in Edoardo Anton's Ridere Ridere Ridere (1954). She was in Adriana Lecouvreur (1955), the TV series L'alfiere (1956) and the TV movies Questi ragazzi (1956) and Il tunnel (1958). She did an episode of Mont-Oriol (1958) and dubbed Rosaana Rory's voice in Big Deal on Madonna Street (1958).

Vitt's first widely noted performance was at the age of 26, in Mario Amendola's Le dritte (1958) with Franco Fabrizi. She was in the TV movie Il borghese gentiluomo (1959).[6]

Antonioni

In 1957 she joined Michelangelo Antonioni's Teatro Nuovo di Milano and dubbed the voice of Dorian Gray in the director's Il Grido (1957) (The Cry). She played a leading role in Antonioni internationally praised and award winning film L'avventura (1960), as a detached and cool protagonist drifting into a relationship with the lover of her missing girlfriend. Giving a screen presence which has been described as "stunning", she is also credited with helping Antonioni raise money for the production and sticking with him through daunting location shooting. L'avventura made Vitti an international star and one of Italy's most famous actresses of the 20th century. Her image later appeared on an Italian postage stamp commemorating the film. According to the New York Times Vitti's "air of disenchantment perfectly conveys the unreal aura of her heroines."[7]

File:Monicavitti reddesert.jpg
Red Desert (1964)

Vitti received critical praise for starring roles in the Antonioni film La Notte (Night, 1961), with Jeanne Moreau and Marcello Mastroianni. Vitti starred in a TV movie Le notti bianche (1962) then did a third with Antonioni, L'Eclisse (1962) with Alain Delon.[8]

Vitti was one of many stars in an anthology movie, Three Fables of Love (1962). She had a cameo in Sweet and Sour (1963) and played the lead in a comedy for Roger Vadim, Nutty, Naughty Chateau (1963). Vitti was then in another anthology film High Infidelity (1964) and made a fourth with Antonioni, Il Deserto Rosso (Red Desert, 1964), with Richard Harris. The director said Vitti "certainly inspires me, because I like to watch and direct her, but the parts I give her are a long way from her own character."[9] 

After Vitti's relationship with Antonioni ended, the two did not work together again until Il mistero di Oberwald (1980).[10]

Vitti starred in a comedy for Tinto Brass, The Flying Saucer (1964), and appeared in the anthology, The Dolls (1964).

International Films

Vitti's first English language film was Modesty Blaise (1966), a mod James Bond spy spoof which she signed to do in July 1965.[11] Co starring Terence Stamp and Dirk Bogarde, directed by Joseph Losey, it had only mixed success and received harsh critical reviews.

She did the anthology movie The Queens (1966), a TV series Les fables de La Fontaine (1966), Kill Me Quick, I'm Cold (1967) with Jean Sorel, and I Married You for Fun (1967).

Vitti appeared in On My Way to the Crusades, I Met a Girl Who... (1967) with Tony Curtis, The Girl with a Pistol (1968) with Stanley Baker, The Bitch Wants Blood (1969) with Maurice Ronet, and Help Me, My Love (1969) with Alberto Sordi.[12]

1970s

Vitti in Duck in Orange Sauce (1975)

Vitti starred with Marcello Mastroianni in Ettore Scola's highly successful romantic comedy Dramma della gelosia (The Pizza Triangle) (1970). She followed it with Ninì Tirabusciò, la donna che inventò la mossa (1970), Le coppie (1970) with Sordi, The Pacifist (1970), La supertestimone (1971), That's How We Women Are (1971), and Orders Are Orders (1972).[13]

Vitti was in a version of La Tosca (1973) and a comedy Teresa the Thief (1973). She made Polvere di stelle (1973), directed by Alberto Sordi, for which she won the 1974 David di Donatello award for Best Actress.

Vitti starred in Luis Buñuel's innovative The Phantom of Liberty (1974). This is often considered her last great film. She did two flims with Claudia Cardinale, The Immortal Bachelor (1975) and Blonde in Black Leather (1975).

She was in Duck in Orange Sauce (1975),, Mimì Bluette... fiore del mio giardino (1976), Basta che non si sappia in giro!.. (1977), L'altra metà del cielo (1977), State Reasons (1978), Il cilindro (1978), Per vivere meglio, divertitevi con noi (1978), Amori miei (1978) and Tigers in Lipstick (1979) (with Ursula Andress]]).

Vitti's second English film was An Almost Perfect Affair (1979), directed by Michael Ritchie and co-starring Keith Carradine, which was set during the Cannes Film Festival. [14]

Later Career

Vitti reunited with Antonioni in The Mystery of Oberwald (1980) which is not as well known as L'Avventura.[15] She followed it in I Don't Understand You Anymore (1980), Camera d'albergo (1981), Tango of Jealousy (1981), I Know That You Know That I Know (1982) with Sordi, Scusa se è poco (1982), Flirt (1983), and Francesca è mia (1986). She co wrote the last two films. In 1984 she was awarded the Order of Arts and Letters by French Culture Minister Jack Lang, who praised her for helping spur a renewal of Italian films. We need Italian cinema to find its health again so that French cinema will not remain an island in the middle of other European countries, Lang said.[16]

By 1986 Vitti had returned to the theatre as an actress and teacher.

In 1989, Vitti tried writing and directing, and created Scandalo Segreto (1990), which she also starred in alongside Elliot Gould.[10] The film was not a success and she then retired from cinema.

During the 1990s she did television work, acting and directing, including Ma tu mi vuoi bene? (1992).

In 1993 Vitti was awarded the Festival Tribute at the Créteil International Women's Film Festival, in France.

Personal life

Michelangelo Antonioni and Vitti met in the late 1950s, and their relationship grew stronger after L'Avventura was made, because it had shaped both their careers. However, by the late 1960s, they did not make any movies together, making the relationship strained until it officially ended. In a later interview, Vitti stated that Antonioni ended their relationship. They made the film Il mistero di Oberwald together in 1981.

In 1995 Vitti married Roberto Russo, with whom she has lived since 1975. In 2011, it was learned that Alzheimer's disease had "removed her from the public gaze for the last 15 years."[17] In 2018, her husband confirmed she is still living in Rome and with a caretaker.[18]

Awards

Filmography

Retrieved from "https://en.wikipedia.org/w/index.php?title=Monica_Vitti&oldid=902050732"