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{{Use British English|date=August 2016}}
{{Use British English|date=August 2016}}
{{Use dmy dates|date=August 2016}}
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{{more footnotes|date=January 2013}}
{{Infobox person
{{Infobox person
| name = Henry Daniell
| name = Henry Daniell
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Daniell was born in [[Barnes, London|Barnes]], then lived in Surrey, and was educated at [[St Paul's School (London)|St Paul's School]] and at [[Gresham's School]] in [[Holt, Norfolk]].
Daniell was born in [[Barnes, London|Barnes]], then lived in Surrey, and was educated at [[St Paul's School (London)|St Paul's School]] and at [[Gresham's School]] in [[Holt, Norfolk]].
===English Stage===
===English Stage===
He made his first appearance on the stage in the provinces in 1913, and on the London stage at the [[Gielgud Theatre|Globe Theatre]] on 10 March 1914, walking on in the revival of [[Edward Knoblock]]'s ''Kismet''.
He made his first appearance on the stage in the provinces in 1913, and on the London stage at the [[Gielgud Theatre|Globe Theatre]] on 10 March 1914, walking on in the revival of [[Edward Knoblock]]'s ''Kismet''. <ref name="los">Henry Daniell, British Actor, Dies at Home
Los Angeles Times1 Nov 1963: F7. </ref> He followed it with ''Monna Vanna'' and ''The Sphinx''.<ref name="times">HENRY DANIELL LONG FAMED FOR CHARACTER ROLES
Los Angeles Times 14 Nov 1940: B4. </ref>


In 1914 he joined the 2nd Battalion of the [[Norfolk Regiment]] during [[World War I]], but was invalided out the following year after being severely wounded in combat. Thereafter he appeared at the [[Noël Coward Theatre|New Theatre]] in October 1915 as Police Officer Clancy in ''Stop Thief!'', and notably, from May 1916, at the [[Theatre Royal, Haymarket]].
In 1914 he joined the 2nd Battalion of the [[Norfolk Regiment]] during [[World War I]], but was invalided out the following year after being severely wounded in combat. Thereafter he appeared at the [[Noël Coward Theatre|New Theatre]] in October 1915 as Police Officer Clancy in ''Stop Thief!'', and notably, from May 1916, at the [[Theatre Royal, Haymarket]].<ref name="times"/>


===Broadway===
===Broadway===
Line 37: Line 38:


[[File:Dictator charlie4.jpg|thumbnail|Henry Daniell (left) in Chaplin's ''[[The Great Dictator]]'' with [[Charlie Chaplin]], [[Jack Oakie]] and [[Carter DeHaven]]]]
[[File:Dictator charlie4.jpg|thumbnail|Henry Daniell (left) in Chaplin's ''[[The Great Dictator]]'' with [[Charlie Chaplin]], [[Jack Oakie]] and [[Carter DeHaven]]]]
He was also in ''[[Jealousy (1929 film)|Jealousy]]'' (1929) with [[Jeanne Eagels]] in her last role.<ref name=fbr/> He was in ''[[The Last of the Lone Wolf]]'' (1930) and returned to Broadway for ''Heat Wave'' (1931) and ''For Services Rendered'' (1933).
He was also in ''[[Jealousy (1929 film)|Jealousy]]'' (1929) with [[Jeanne Eagels]] in her last role.<ref name=fbr/><ref name="los"/> He was in ''[[The Last of the Lone Wolf]]'' (1930) and returned to Broadway for ''Heat Wave'' (1931) and ''For Services Rendered'' (1933).


Daniell returned to films in the British ''[[The Path of Glory]]'' (1934) then was back on Broadway in ''Kind Lady'' (1935).
Daniell returned to films in the British ''[[The Path of Glory]]'' (1934) then was back on Broadway in ''Kind Lady'' (1935).<ref>THE THEATRE: Macabre Excellence
Wall Street Journal 26 Apr 1935: 13. </ref>


===MGM===
===MGM===
MGM used him in ''[[The Unguarded Hour]]'' (1936), ''[[Camille (1936 film)|Camille]]'' (1936) with [[Greta Garbo]] (as the sleazy Baron de Varville), ''[[Under Cover of Night]]'' (1936), ''[[The Thirteenth Chair (1937 film)|The Thirteenth Chair]]'' (1937), ''[[The Firefly (film)|The Firefly]]'' (1937), and ''[[Madame X (1937 film)|Madame X]]'' (1937).
MGM used him in ''[[The Unguarded Hour]]'' (1936), ''[[Camille (1936 film)|Camille]]'' (1936) with [[Greta Garbo]] (as the sleazy Baron de Varville), ''[[Under Cover of Night]]'' (1936), ''[[The Thirteenth Chair (1937 film)|The Thirteenth Chair]]'' (1937), ''[[The Firefly (film)|The Firefly]]'' (1937), and ''[[Madame X (1937 film)|Madame X]]'' (1937).


Columbia borrowed him for a role in ''[[Holiday (1938 film)|Holiday]]'' (1938) then he went back to MGM for ''[[Marie Antoinette (1938 film)|Marie Antoinette]]'' (1938), playing [[Nicholas de la Motte]].
Columbia borrowed him for a role in ''[[Holiday (1938 film)|Holiday]]'' (1938) then he went back to MGM for ''[[Marie Antoinette (1938 film)|Marie Antoinette]]'' (1938), playing [[Nicholas de la Motte]]. He was in ''Yankee Fable'' on Broadway.<ref>News and Gossip of Fall Amusements, With Index of What to See and Where to Go: Henry Daniell Joins Cast of New Comedy In 'Yankee Fable' Supports Ina Claire Plays Gen. Howe
The Washington Post 30 Oct 1938: TS4. </ref>


===Warner Bros===
===Warner Bros===
Line 51: Line 54:
He followed it with ''[[We Are Not Alone (1939 film)|We Are Not Alone]]'' (1939), ''[[All This, and Heaven Too (film)|All This, and Heaven Too]]'' (1940), and ''[[The Sea Hawk (1940 film)|The Sea Hawk]]'' (1940). In the latter, directed by Curtiz, he played the treacherous Lord Wolfingham (no relation to [[Francis Walsingham]]), fighting [[Errol Flynn]] in what is often considered one of the most spectacular sword fighting duels ever filmed.<ref name="Turner Classic Movies">[http://www.tcm.com/tcmdb/title/738/The-Adventures-of-Robin-Hood/articles.html#05 "The Adventures of Robin Hood (1938)"], [[Turner Classic Movies|TCM]]</ref> When [[Michael Curtiz]] cast him in this film, Henry Daniell initially refused because he could not fence. Curtiz accomplished the climactic duel through the use of shadows and over-shoulder shots, with a double fencing Flynn with ingenious inter-cutting of their faces.
He followed it with ''[[We Are Not Alone (1939 film)|We Are Not Alone]]'' (1939), ''[[All This, and Heaven Too (film)|All This, and Heaven Too]]'' (1940), and ''[[The Sea Hawk (1940 film)|The Sea Hawk]]'' (1940). In the latter, directed by Curtiz, he played the treacherous Lord Wolfingham (no relation to [[Francis Walsingham]]), fighting [[Errol Flynn]] in what is often considered one of the most spectacular sword fighting duels ever filmed.<ref name="Turner Classic Movies">[http://www.tcm.com/tcmdb/title/738/The-Adventures-of-Robin-Hood/articles.html#05 "The Adventures of Robin Hood (1938)"], [[Turner Classic Movies|TCM]]</ref> When [[Michael Curtiz]] cast him in this film, Henry Daniell initially refused because he could not fence. Curtiz accomplished the climactic duel through the use of shadows and over-shoulder shots, with a double fencing Flynn with ingenious inter-cutting of their faces.


[[Charlie Chaplin]] borrowed him for a part in ''[[The Great Dictator]]'' (1940) (playing Garbitsch, to sound like "garbage", a parody of [[Joseph Goebbels]]), then he went back to MGM for ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940), and ''[[A Woman's Face]]'' (1940).
[[Charlie Chaplin]] borrowed him for a part in ''[[The Great Dictator]]'' (1940) (playing Garbitsch, to sound like "garbage", a parody of [[Joseph Goebbels]]), then he went back to MGM for ''[[The Philadelphia Story (film)|The Philadelphia Story]]'' (1940), and ''[[A Woman's Face]]'' (1940).<ref name="times"/


At Warners Daniell had a role in a B, ''[[Dressed to Kill (1941 film)|Dressed to Kill]]'' (1941). He did ''[[The Feminine Touch (1941 film)|The Feminine Touch]]'' (1941) at MGM, ''[[Four Jacks and a Jill (film)|Four Jacks and a Jill]]'' (1942) at RKO and ''[[Castle in the Desert]]'' (1942) at Fox.
At Warners Daniell had a role in a B, ''[[Dressed to Kill (1941 film)|Dressed to Kill]]'' (1941). He did ''[[The Feminine Touch (1941 film)|The Feminine Touch]]'' (1941) at MGM, ''[[Four Jacks and a Jill (film)|Four Jacks and a Jill]]'' (1942) at RKO and ''[[Castle in the Desert]]'' (1942) at Fox.
Line 68: Line 71:
Daniell was [[King William III]] in ''[[Captain Kidd (film)|Captain Kidd]]'' (1945). He had the lead in a TV version of ''[[Angel Street]]'' (1946) then was [[William of Pembroke]] in ''[[The Bandit of Sherwood Forest]]'' (1946) at Columbia.
Daniell was [[King William III]] in ''[[Captain Kidd (film)|Captain Kidd]]'' (1945). He had the lead in a TV version of ''[[Angel Street]]'' (1946) then was [[William of Pembroke]] in ''[[The Bandit of Sherwood Forest]]'' (1946) at Columbia.


On Broadway Daniell was in revivals of ''[[The Winter's Tale]]'' (1946), ''[[Lady Windermere's Fan]]'' (1946-47), and ''The First Mrs. Fraser'' (1947).
On Broadway Daniell was in revivals of ''[[The Winter's Tale]]'' (1946), ''[[Lady Windermere's Fan]]'' (1946-47), and ''The First Mrs. Fraser'' (1947).<ref>OSCAR WILDE PLAY IN REVIVAL TONIGHT: 'Lady Windermere's Fan' to Star Cornelia Skinner and Henry Daniell at Cort Dowling, Singer Dissolve Firm "Gypsy Lady" to Lose Two
By SAM ZOLOTOW. New York Times 14 Oct 1946: 38.</ref><ref>HENRY DANIELL, ACTOR, 69, DEAD: Played Suave Villain Role in Stage and Screen Plays Had wide Range
Marcus Blechman, 1948. New York Times (11 Nov 1963: 31.</ref>


Daniell played [[Franz Liszt]] in ''[[Song of Love (1947 film)|Song of Love]]'' (1947) then was villainous in ''[[The Exile (1947 film)|The Exile]]'' (1947), ''[[Wake of the Red Witch]]'' (1948), and ''[[Siren of Atlantis]]'' (1949). On Broadway he was in ''That Lady'' (1950).
Daniell played [[Franz Liszt]] in ''[[Song of Love (1947 film)|Song of Love]]'' (1947) then was villainous in ''[[The Exile (1947 film)|The Exile]]'' (1947), ''[[Wake of the Red Witch]]'' (1948), and ''[[Siren of Atlantis]]'' (1949). On Broadway he was in ''That Lady'' (1950).<ref>MISS CORNELL BACK TONIGHT IN DRAMA: Portrays One-Eyed Princess in 'That Lady,' Which Is Due at Martin Beck Theatre
By LOUIS CALTA. New York Times 22 Nov 1949: 37. </ref>


===Television===
===Television===
Daniell did some more swashbucklers, ''[[The Secret of St. Ives]]'' (1949) and ''[[Buccaneer's Girl]]'' (1950) ,and begin appearing on television shows such as ''[[Repertory Theatre]]'', ''[[Studio One in Hollywood]]'', ''[[Armstrong Circle Theatre]]'', and ''[[Lights Out (TV series)|Lights Out]]''. He continued to appear on stage in ''[[The Cocktail Party]]'' (1951) and ''[[My 3 Angels]]'' (1953-54).
Daniell did some more swashbucklers, ''[[The Secret of St. Ives]]'' (1949) and ''[[Buccaneer's Girl]]'' (1950) ,and begin appearing on television shows such as ''[[Repertory Theatre]]'', ''[[Studio One in Hollywood]]'', ''[[Armstrong Circle Theatre]]'', and ''[[Lights Out (TV series)|Lights Out]]''. He continued to appear on stage in ''[[The Cocktail Party]]'' (1951), ''Remains to Be Seen'' (1952) and ''[[My 3 Angels]]'' (1953-54).<ref>Henry Daniell Featured In Melodrama at Plymouth
By Edwin F. Melvin. The Christian Science Monitor 28 Oct 1952: 7. </ref>


Daniell appeared in some big screen epics such as ''[[The Egyptian (film)|The Egyptian]]'' (1954) (directed by Curtiz), ''[[The Prodigal (film)|The Prodigal]]'' (1955) and ''[[Diane (film)|Diane]]'' (1956), but was increasingly in television: ''[[Lux Video Theatre]]'', ''[[Jane Wyman Presents The Fireside Theatre]]'', ''[[TV Reader's Digest]]'', ''[[Producers' Showcase]]'' (an adaptation of ''[[The Barretts of Wimpole Street]]''), and ''[[Telephone Time]]''.
Daniell appeared in some big screen epics such as ''[[The Egyptian (film)|The Egyptian]]'' (1954) (directed by Curtiz), ''[[The Prodigal (film)|The Prodigal]]'' (1955) and ''[[Diane (film)|Diane]]'' (1956), but was increasingly in television: ''[[Lux Video Theatre]]'', ''[[Jane Wyman Presents The Fireside Theatre]]'', ''[[TV Reader's Digest]]'', ''[[Producers' Showcase]]'' (an adaptation of ''[[The Barretts of Wimpole Street]]''), and ''[[Telephone Time]]''.

Revision as of 11:27, 13 March 2019

Henry Daniell
File:Henry daniell.jpg
Henry Daniell in The Four Skulls of Jonathan Drake (1959)
Born
Charles Henry Daniel

(1894-03-05)5 March 1894
Barnes, Surrey, UK
Died31 October 1963(1963-10-31) (aged 69)
Santa Monica, California, U.S.
Burial placeWoodlawn Memorial Cemetery, Santa Monica
OccupationActor
Years active1913–1963 (stage)
1929–1963 (film)
SpouseAnn Knox

Charles Henry Daniell (5 March 1894 – 31 October 1963)[1] was an English actor who had a long career on stage as well as in films. He is perhaps best-known for his villainous roles in films like The Great Dictator, Philadelphia Story and The Sea Hawk. Daniell was given few opportunities to play a 'good guy', including a supporting part as Franz Liszt biographical film Song of Love (1947). His name is sometimes spelled "Daniel".[2]

Biography

Early life

Daniell was born in Barnes, then lived in Surrey, and was educated at St Paul's School and at Gresham's School in Holt, Norfolk.

English Stage

He made his first appearance on the stage in the provinces in 1913, and on the London stage at the Globe Theatre on 10 March 1914, walking on in the revival of Edward Knoblock's Kismet. [3] He followed it with Monna Vanna and The Sphinx.[4]

In 1914 he joined the 2nd Battalion of the Norfolk Regiment during World War I, but was invalided out the following year after being severely wounded in combat. Thereafter he appeared at the New Theatre in October 1915 as Police Officer Clancy in Stop Thief!, and notably, from May 1916, at the Theatre Royal, Haymarket.[4]

Broadway

In April 1921, Daniell appeared at the Empire Theatre in New York City, as Prince Charles of Vaucluse in Clair de Lune, and subsequently toured for the next three years, reappearing in London at the Garrick Theatre in August 1925 as Jack Race in Cobra.

Daniell returned to Broadway in The Woman on the Jury (1923) and The Second Mrs. Tanqueray (1924).

He again went to New York for the first six months of 1929, appearing at the Morosco Theatre in January as Lord Ivor Cream in Serena Blandish, returning in July to London where he played John Carlton in Secrets at the Comedy Theatre.

He again toured America in 1930–31, this time appearing on the Pacific Coast at Los Angeles as well as New York once more. He returned to London for another packed programme of stage performances, which he continued in Britain and the United States while also beginning his film career in 1929 with The Awful Truth, with leading lady Ina Claire.[2]

Henry Daniell (left) in Chaplin's The Great Dictator with Charlie Chaplin, Jack Oakie and Carter DeHaven

He was also in Jealousy (1929) with Jeanne Eagels in her last role.[5][3] He was in The Last of the Lone Wolf (1930) and returned to Broadway for Heat Wave (1931) and For Services Rendered (1933).

Daniell returned to films in the British The Path of Glory (1934) then was back on Broadway in Kind Lady (1935).[6]

MGM

MGM used him in The Unguarded Hour (1936), Camille (1936) with Greta Garbo (as the sleazy Baron de Varville), Under Cover of Night (1936), The Thirteenth Chair (1937), The Firefly (1937), and Madame X (1937).

Columbia borrowed him for a role in Holiday (1938) then he went back to MGM for Marie Antoinette (1938), playing Nicholas de la Motte. He was in Yankee Fable on Broadway.[7]

Warner Bros

Daniell went to Warner Bros to appear in The Private Lives of Elizabeth and Essex (1939) as Robert Cecil, 1st Earl of Salisbury, directed by Michael Curtiz and starring Errol Flynn and Bette Davis.

He followed it with We Are Not Alone (1939), All This, and Heaven Too (1940), and The Sea Hawk (1940). In the latter, directed by Curtiz, he played the treacherous Lord Wolfingham (no relation to Francis Walsingham), fighting Errol Flynn in what is often considered one of the most spectacular sword fighting duels ever filmed.[8] When Michael Curtiz cast him in this film, Henry Daniell initially refused because he could not fence. Curtiz accomplished the climactic duel through the use of shadows and over-shoulder shots, with a double fencing Flynn with ingenious inter-cutting of their faces.

Charlie Chaplin borrowed him for a part in The Great Dictator (1940) (playing Garbitsch, to sound like "garbage", a parody of Joseph Goebbels), then he went back to MGM for The Philadelphia Story (1940), and A Woman's Face (1940).Cite error: The <ref> tag has too many names (see the help page).[9]

Daniell played Franz Liszt in Song of Love (1947) then was villainous in The Exile (1947), Wake of the Red Witch (1948), and Siren of Atlantis (1949). On Broadway he was in That Lady (1950).[10]

Television

Daniell did some more swashbucklers, The Secret of St. Ives (1949) and Buccaneer's Girl (1950) ,and begin appearing on television shows such as Repertory Theatre, Studio One in Hollywood, Armstrong Circle Theatre, and Lights Out. He continued to appear on stage in The Cocktail Party (1951), Remains to Be Seen (1952) and My 3 Angels (1953-54).[11]

Daniell appeared in some big screen epics such as The Egyptian (1954) (directed by Curtiz), The Prodigal (1955) and Diane (1956), but was increasingly in television: Lux Video Theatre, Jane Wyman Presents The Fireside Theatre, TV Reader's Digest, Producers' Showcase (an adaptation of The Barretts of Wimpole Street), and Telephone Time.

He had a rare contemporary part in The Man in the Gray Flannel Suit (1956) and was in Lust for Life (1956).

In 1957, he appeared as King Charles II of England in the NBC anthology series The Joseph Cotten Show in the episode "The Trial of Colonel Blood", with Michael Wilding in the title role. In the same year he played the instructing solicitor to Charles Laughton's leading counsel barrister in Witness for the Prosecution (1957).

The actor claimed one of his favourite roles was as Tony Curtis's supervisor in the Blake Edwards film Mister Cory (1957) at a time when the actor's career was clearly slowing down, but Daniell retained some of the best and most memorable lines in the movie, "A gentleman never grabs. Manners, Mister Cory. I find them a prerequisite in any circumstance."

Daniell was also in Studio 57, Schlitz Playhouse, Matinee Theatre, Kraft Theatre, Alcoa Theatre, Westinghouse Desilu Playhouse, Playhouse 90, The Californians, Lux Playhouse, Maverick, Riverboat, and Startime (an adaptation of My Three Angels). He continued to be in demand for features such as The Sun Also Rises (1957), Les Girls (1957), The Story of Mankind (1957) (AS Pierre Cauchon), From the Earth to the Moon (1958), and The Four Skulls of Jonathan Drake (1959).

Later Career

Daniell had roles in Markham, The Swamp Fox, Wagon Train, Peter Gunn, Shirley Temple's Storybook, The Islanders, The Law and Mr. Jones and several episodes of Boris Karloff's TV series Thriller.

He could also be seen in the films Madison Avenue (1961), Voyage to the Bottom of the Sea (1961), The Comancheros (1961), The Notorious Landlady (1962), Five Weeks in a Balloon (1962), The Chapman Report (1962) and Mutiny on the Bounty (1962).

His final TV appearances were in episodes of Combat! and 77 Sunset Strip and he was on Broadway in Lord Pengo (1962-63) with Charles Boyer.

His last role was a small uncredited appearance as the British Ambassador in the 1964 film My Fair Lady directed by his old friend George Cukor. The scene in which he appears takes place at the embassy ball. He is seen as Eliza arrives and when introduced to her shakes her hand and says "Miss Doolittle". Later, Daniell presents Eliza to the Queen of Transylvania with the one line, "Miss Doolittle, ma'am." In the commentary on the DVD, at the moment he appears on-screen in the role, it is mentioned that the day he shot the scene was "his last day on earth", as he died from a heart attack that very evening on the set of My Fair Lady on 31 October 1963 in Santa Monica, California.[12]

Personal life

Daniell married Ann Knox and, in the years following World War II, lived in Los Angeles, California.

He and Ann were involved in a Hollywood sex scandal in the late 1930s, as reported by visiting author P.G. Wodehouse, who wrote to his stepdaughter Leonora about the couple:

Apparently they go down to Los Angeles and either (a) indulge in or (b) witness orgies – probably both … there’s something pleasantly domestic about a husband and wife sitting side by side with their eyes glued to peepholes, watching the baser elements whoop it up. And what I want to know is – where are these orgies? I feel I’ve been missing something.[13]

Death

An obituary distributed by United Press International and datelined Hollywood reported, "Daniell was stricken yesterday from Halloween day at his home in nearby Santa Monica a few hours before he was due to report on the set of the film version of My Fair Lady at Warner Bros. studio."[5] He died of a myocardial infarction.[14]

Complete filmography

References

  • Who's Who in the Theatre, edited by John Parker, tenth edition, revised, London, 1947, pp. 477–478

Notes

  1. ^ Castronova, Frank V., ed. (1998). Almanac of Famous People. Detroit: Gale. p. 431. ISBN 0-7876-0045-8.
  2. ^ a b "Henry Daniell Playbill". Playbill. Retrieved 20 May 2016.
  3. ^ a b Henry Daniell, British Actor, Dies at Home Los Angeles Times1 Nov 1963: F7.
  4. ^ a b HENRY DANIELL LONG FAMED FOR CHARACTER ROLES Los Angeles Times 14 Nov 1940: B4.
  5. ^ a b "Character Actor Henry Daniell Dies Suddenly". The Fresno Bee The Republican. California, Fresno. United Press International. 1 November 1963. p. 30.
  6. ^ THE THEATRE: Macabre Excellence Wall Street Journal 26 Apr 1935: 13.
  7. ^ News and Gossip of Fall Amusements, With Index of What to See and Where to Go: Henry Daniell Joins Cast of New Comedy In 'Yankee Fable' Supports Ina Claire Plays Gen. Howe The Washington Post 30 Oct 1938: TS4.
  8. ^ "The Adventures of Robin Hood (1938)", TCM
  9. ^ HENRY DANIELL, ACTOR, 69, DEAD: Played Suave Villain Role in Stage and Screen Plays Had wide Range Marcus Blechman, 1948. New York Times (11 Nov 1963: 31.
  10. ^ MISS CORNELL BACK TONIGHT IN DRAMA: Portrays One-Eyed Princess in 'That Lady,' Which Is Due at Martin Beck Theatre By LOUIS CALTA. New York Times 22 Nov 1949: 37.
  11. ^ Henry Daniell Featured In Melodrama at Plymouth By Edwin F. Melvin. The Christian Science Monitor 28 Oct 1952: 7.
  12. ^ Miller, Frank. "Trivia and Fun Facts About My Fair Lady". TCM.com. Turner Classic Movies, Inc. Retrieved 25 May 2017.
  13. ^ P. G. Wodehouse: A Life by Robert McCrum (New York: W. W. Norton, 2004) p.242 ISBN 978-0-393-05159-9
  14. ^ https://www.nytimes.com/1963/11/01/archives/henry-daniell-actor-69-dead-played-suave-villain-role-in-stage-and.html

External links

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