Robert Shaw (actor): Difference between revisions
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'''Robert Archibald Shaw''' (9 August 1927 – 28 August 1978) was an [[English people|English]] actor, novelist, and playwright. He was nominated for an [[Academy Award for Best Supporting Actor|Oscar]] and a [[Golden Globe Award for Best Supporting Actor – Motion Picture|Golden Globe]] for his role as [[Henry VIII of England|Henry VIII]] in the drama film ''[[A Man for All Seasons (1966 film)|A Man for All Seasons]]'' (1966). |
'''Robert Archibald Shaw''' (9 August 1927 – 28 August 1978) was an [[English people|English]] actor, novelist, and playwright. He was nominated for an [[Academy Award for Best Supporting Actor|Oscar]] and a [[Golden Globe Award for Best Supporting Actor – Motion Picture|Golden Globe]] for his role as [[Henry VIII of England|Henry VIII]] in the drama film ''[[A Man for All Seasons (1966 film)|A Man for All Seasons]]'' (1966). |
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Shaw's other notable film roles include ''[[From Russia with Love (film)|From Russia with Love]]'' (1963), ''[[The Royal Hunt of the Sun (film)|The Royal Hunt of the Sun]]'' (1969), ''[[Young Winston]]'' (1972), ''[[The Sting]]'' (1973), ''[[The Taking of Pelham One Two Three (1974 film)|The Taking of Pelham One Two Three]] (1974), ''[[Jaws (film)|Jaws]]'' (1975), ''[[Robin and Marian]]'' (1976), and ''[[Black Sunday (1977 film)|Black Sunday]]'' (1977). |
Shaw's other notable film roles include ''[[From Russia with Love (film)|From Russia with Love]]'' (1963), ''[[The Royal Hunt of the Sun (film)|The Royal Hunt of the Sun]]'' (1969), ''[[Young Winston]]'' (1972), ''[[The Sting]]'' (1973), ''[[The Taking of Pelham One Two Three (1974 film)|The Taking of Pelham One Two Three]]'' (1974), ''[[Jaws (film)|Jaws]]'' (1975), ''[[Robin and Marian]]'' (1976), and ''[[Black Sunday (1977 film)|Black Sunday]]'' (1977). |
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==Early life== |
==Early life== |
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==Acting career== |
==Acting career== |
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[[File:Robert Shaw - Radio TV Mirror, July 1957.jpg|thumb|upright|Shaw in ''[[The Buccaneers (TV series)|The Buccaneers]]'' (1957)]] |
[[File:Robert Shaw - Radio TV Mirror, July 1957.jpg|thumb|upright|Shaw in ''[[The Buccaneers (TV series)|The Buccaneers]]'' (1957)]] |
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Shaw began his acting career in theatre, appearing in regional theatre throughout England. In 1947 he appeared in ''[[The Cherry Orchard]]'' on British TV |
Shaw began his acting career in theatre, appearing in regional theatre throughout England. In 1947 he appeared in ''[[The Cherry Orchard]]'' on British TV; also for that medium he did scenes from ''[[Twelfth Night]]'' and ''[[Macbeth (play)|Macbeth]]''. |
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He |
He had a small part in ''[[The Lavender Hill Mob]]'' (1951), playing a police laboratory technician towards the end of the film, and in 1952, he made his London debut in the West End at the [[Embassy Theatre (London)|Embassy Theatre]], in ''[[Caro William]]''. That year he appeared on TV in ''A Time to Be Born'' (1952). |
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Shaw had small roles in ''[[The Dam Busters (1955 film)|The Dam Busters]]'' (1955), a TV version of ''[[The Scarlet Pimpernel]]'' (1956), ''[[Doublecross (film)|Doublecross]]'' (1956) |
Shaw had small roles in ''[[The Dam Busters (1955 film)|The Dam Busters]]'' (1955), a TV version of ''[[The Adventures of the Scarlet Pimpernel|The Scarlet Pimpernel]]'' (1956), the films ''[[Doublecross (1956 film)|Doublecross]]'' (1956) and ''[[A Hill in Korea]]'' (1956) (alongside other young actors like [[Michael Caine]]), and a TV version of ''[[Hindle Wakes (play)|Hindle Wakes]]'' (1957). |
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===''The Buccaneers''=== |
===''The Buccaneers''=== |
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Shaw became a TV star in England when he starred as Captain Dan Tempest in ''[[The Buccaneers (TV series)|The Buccaneers]]'' (1956-57). |
Shaw became a TV star in England when he starred as Captain Dan Tempest in ''[[The Buccaneers (TV series)|The Buccaneers]]'' (1956-57) which ran for 39 episodes.<ref>{{cite web|url=http://www.screenonline.org.uk/tv/id/1131436/|title=The Buccaneers|website=BFI Screenonline}}</ref> |
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He was now a TV leading man, having leads in TV films such as ''Success'' (1957) and a TV version of ''[[Rupert of Hentzau]]'' (1957) |
He was now a TV leading man, having leads in TV films such as ''Success'' (1957) and a TV version of ''[[Rupert of Hentzau]]'' (1957). He had a big stage success with ''[[The Long and the Short and the Tall (play)|The Long and the Short and the Tall]]'' in 1959 directed by [[Lindsay Anderson]], a performance which was filmed for television (though Shaw did not appear in the feature film version). |
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He had small roles in ''[[Sea Fury]]'' (1958) and ''[[Libel (film)|Libel]]'' (1959) and guest starred on |
He had small roles in ''[[Sea Fury (film)|Sea Fury]]'' (1958) and ''[[Libel (film)|Libel]]'' (1959) and guest starred on ''[[William Tell (TV series)|William Tell]]'', ''[[ITV Television Playhouse]]'', ''[[The Four Just Men (TV series)|The Four Just Men]]'', and ''[[Danger Man]]''. He was also appearing in TV plays like ''The Dark Man'', ''Misfire'' and ''The Train Set''. |
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===Writing=== |
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Shaw's first novel, ''The Hiding Place'', published in 1960, received positive reviews. |
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Shaw appeared in a production of [[Harold Pinter]]'s ''[[The Caretaker]]'' alongside [[Donald Pleasance]] and [[Alan Bates]]. In 1961 the production transferred to Broadway and ran for 165 performances. |
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In 1961 Shaw appeared in a Broadway production of [[Harold Pinter]]'s ''[[The Caretaker]]'' alongside [[Donald Pleasance]] and [[Alan Bates]] (Shaw replaced [[Peter Woodthorpe]] who had performed with the others on stage in London). It ran for 165 performances.<ref>{{cite web|url=http://www.screenonline.org.uk/film/id/443431/index.html|title=The Caretaker|website=BFI Screenonline}}</ref> |
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His second novel ''[[The Sun Doctor]]'' (1961), was awarded the [[Hawthornden Prize]] in 1962. |
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⚫ | Shaw had good roles in ''[[The Valiant (1962 film)|The Valiant]]'' (1962), a war film, and ''[[Tomorrow at Ten]]'' (1962), a thriller. He played the leads in TV versions of ''[[The Winter's Tale]]'' (1962) and ''[[The Father (Strindberg play)|The Father]]'' (1962). He, Pleasance, and Bates reprised their performances in a film version of ''[[The Caretaker (film)|The Caretaker]]'' (1963); Shaw was part of the consortium who helped finance the latter. |
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===Film Fame=== |
===Film Fame=== |
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Shaw became well known as a film actor when cast as assassin [[List of James Bond henchmen in From Russia with Love|Donald Grant]] in the second [[James Bond]] film, ''[[From Russia with Love (film)|From Russia with Love]]'' (1963). |
Shaw became well known as a film actor when cast as assassin [[List of James Bond henchmen in From Russia with Love|Donald Grant]] in the second [[James Bond]] film, ''[[From Russia with Love (film)|From Russia with Love]]'' (1963). |
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For TV he adapted an appeared in a production of ''[[A Florentine Tragedy]]'' (1963) and was Claudius in ''[[Hamlet at Elsinore]]'' (1964) with Christopher Plummer. He played the title role in ''[[The Luck of Ginger Coffey (film)|The Luck of Ginger Coffey]]'' (1964) |
For TV he adapted an appeared in a production of ''[[A Florentine Tragedy]]'' (1963) and was Claudius in ''[[Hamlet at Elsinore]]'' (1964) with Christopher Plummer. He played the title role in ''[[The Luck of Ginger Coffey (film)|The Luck of Ginger Coffey]]'' (1964), shot in Canada alongside [[Mary Ure]] who became his second wife. He had a role in ''[[Carol for Another Christmas]]'' (1964). |
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In 1964 Shaw returned to Broadway in a production of ''The Physicists'' directed by [[Peter Brook]] but it only ran 55 performances. |
In 1964 Shaw returned to Broadway in a production of ''[[The Physicists]]'' directed by [[Peter Brook]] but it only ran 55 performances. |
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Shaw then embarked on a trilogy of novels – ''[[The Flag (novel)|The Flag]]'' (1965), ''[[The Man in the Glass Booth]]'' (1967) and ''[[A Card from Morocco]]'' (1969). |
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⚫ | Shaw was the relentless [[Panzer division|panzer]] German Army officer Colonel Hessler in ''[[Battle of the Bulge (film)|Battle of the Bulge]]'' (1965); a young [[Henry VIII of England|Henry VIII]] in ''[[A Man for All Seasons (1966 film)|A Man for All Seasons]]'' (1966), which earned him a nomination for the [[Golden Globe Award]] and the [[Academy Award for Best Supporting Actor]]; [[General George Armstrong Custer]] in ''[[Custer of the West]]'' (1967); [[Martin Luther]] in ''[[Luther (film)|Luther]]'' (1968); and top billed in another film version of Pinter, ''[[The Birthday Party (film)|The Birthday Party]]'' (1968). |
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In 1968 his play ''[[The Man in the Glass Booth]]'' was a Broadway hit, directed by Pinter. It ran for 264 performances. |
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⚫ | Shaw was the relentless [[Panzer division|panzer]] German Army officer Colonel Hessler in ''[[Battle of the Bulge (film)|Battle of the Bulge]]'' (1965), produced by [[Philip Yordan]]; a young [[Henry VIII of England|Henry VIII]] in ''[[A Man for All Seasons (1966 film)|A Man for All Seasons]]'' (1966), which earned him a nomination for the [[Golden Globe Award]] and the [[Academy Award for Best Supporting Actor]]; [[General George Armstrong Custer]] in ''[[Custer of the West]]'' (1967), again for Yordan<ref name="custer">{{cite web|url=https://contrappassomag.wordpress.com/tag/phillip-yordan/|website=Contrapasso|title=Writers at the Movies: ‘Custer of the West’|first=Clive|last=Sinclair|date=4 May 2015}}</ref>; [[Martin Luther]] in ''[[Luther (1968 film)|Luther]]'' (1968); and top billed in another film version of Pinter, ''[[The Birthday Party (film)|The Birthday Party]]'' (1968), directed by [[William Friedkin]].<ref name="variety">"ABC's 5 Years of Film Production Profits & Losses", ''Variety'', 31 May 1973 p 3</ref> |
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===''The Man in the Glass Booth''=== |
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⚫ | In 1968 his play ''[[The Man in the Glass Booth]]'' was a Broadway hit, directed by Pinter. It ran for 264 performances. His adaptation for the stage of ''The Man in the Glass Booth'' gained him the most attention for his writing. The book and play present a complex and morally ambiguous tale of a man who, at various times in the story, is either a Jewish businessman pretending to be a Nazi war criminal, or a Nazi war criminal pretending to be a Jewish businessman. The play was quite controversial when performed in the UK and the US, some critics praising Shaw's "sly, deft and complex examination of the moral issues of nationality and identity", others sharply critical of Shaw's treatment of such a sensitive subject.{{citation needed|date=August 2018}} |
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⚫ | Shaw was one of many stars in ''[[Battle of Britain (film)|Battle of Britain]]'' (1969) and he had the lead in ''[[The Royal Hunt of the Sun (film)|The Royal Hunt of the Sun]]'' (1969) and ''[[Figures in a Landscape (film)|Figures in a Landscape]]'' (1970); his fee for the latter was reportedly $500,000.<ref>Shaw: Cash crunch adds up to misery |
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Dangaard, Colin. Chicago Tribune 29 Jan 1978: e20. </ref> |
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He did ''[[A Town Called Bastard]]'' (1971) then played [[Lord Randolph Churchill]], in ''[[Young Winston]]'' (1972); ''[[A Reflection of Fear]]'' (1972); ''[[The Hireling]]'' (1973); had a cameo in ''[[The Golden Voyage of Sinbad]]'' (1973); played mobster Doyle Lonnegan in ''[[The Sting]]'' (1973); was the subway-hijacker and hostage-taker "Mr. Blue" in ''[[The Taking of Pelham One Two Three (1974 film)|The Taking of Pelham One Two Three]]'' (1974). |
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His play ''[[Cato Street]]'', about the 1820 [[Cato Street Conspiracy]], was produced for the first time in 1971 in London. He did ''[[Old Times]]'' on Broadway in 1971. |
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As an actor he appeared in ''[[A Town Called Bastard]]'' (1971), a spasghetti Western; ''[[Young Winston]]'' (1972), as [[Lord Randolph Churchill]]; ''[[A Reflection of Fear]]'' (1972); ''[[The Hireling]]'' (1973); had a cameo in ''[[The Golden Voyage of Sinbad]]'' (1973); played mobster Doyle Lonnegan in ''[[The Sting]]'' (1973), a huge hit; was the subway-hijacker and hostage-taker "Mr. Blue" in ''[[The Taking of Pelham One Two Three (1974 film)|The Taking of Pelham One Two Three]]'' (1974). |
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His last performances were in ''[[Force 10 from Navarone (film)|Force 10 from Navarone]]'' (1978) and ''[[Avalanche Express]]'' (1979). |
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⚫ | ''The Man in the Glass Booth'' was further developed for the screen, but Shaw disapproved of the resulting screenplay and had his name removed from the credits. However, Shaw viewed the completed film before its release and asked to have his name reinstated. In 2002, director [[Arthur Hiller]] related Shaw's initial objection to the screenplay and his subsequent change of heart:<blockquote>"When we decided that we needed more emotions in the film and leaned it towards that, we tried, obviously, to be honest to Robert Shaw, to keep that intellectual game-playing, but to create more of an emotional environment. And Robert Shaw became very disturbed. He did not like the idea and indeed, if you will watch the film, you will see that his name does not appear in the credits, nor does it even say, 'based on the play, ''The Man in the Glass Booth''<nowiki/>' because he wouldn’t let us do it. He just didn't like the idea until he saw the film. Then he phoned Eddie Anhalt, the screenwriter, and congratulated him because he thought it was—just kept the tone he wanted and did it so well. And he phoned Mort Abrahams the Executive Producer to see if he could get his name put on the final credits. But it was too late to restore his name, all the prints were all made."<ref>''The Man In The Glass Booth''; Interview with Arthur Hiller; 2003 DVD release; KINO VIDEO.</ref></blockquote> |
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==Writing career== |
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Shaw was also an accomplished writer of novels, plays and screenplays. His first novel, ''The Hiding Place'', published in 1960, received positive reviews. His next, ''[[The Sun Doctor]]'', published the following year, was awarded the [[Hawthornden Prize]] in 1962. |
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Shaw followed this with ''[[Murder on the Bridge]]'' (1975); ''[[Diamonds (1975 film)|Diamonds]]'' (1975); ''[[Robin and Marian]]'' (1976); ''[[Swashbuckler (film)|Swashbuckler]]'' (1976); playing the lighthouse keeper and treasure-hunter Romer Treece in ''[[The Deep (1977 film)|The Deep]]'' (1977), for which his fee was $650,000<ref>The Fathomable Film Life in 'The Deep': Film Intrigue of Underwater Life Films Follow Lure of the Deep Fathoming 'The Deep' Film |
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Watters, Jim. Los Angeles Times 12 Sep 1976: v1.</ref>; and as Israeli [[Mossad]] agent David Kabakov in ''[[Black Sunday (1977 film)|Black Sunday]]'' (1977). |
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During filming ''[[Force 10 from Navarone (film)|Force 10 from Navarone]]'' (1978) Shaw said "I'm seriously thinking that this might be my last film... I no longer have anything real to say. I'm appalled at some of the lines... I'm not at ease in film. I can't remember the last film I enjoyed making."<ref>Shaw: Cash crunch adds up to misery Dangaard, Colin. Chicago Tribune 29 Jan 1978: e20. </ref> He made one more movie, ''[[Avalanche Express]]'' (1979).<ref>FILM CLIPS: Memories of Robert Shaw: 'A Gallant Man Lee, Grant. Los Angeles Times 2 Sep 1978: b5. </ref> |
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⚫ | ''The Man in the Glass Booth'' was further developed for the screen, but Shaw disapproved of the resulting screenplay and had his name removed from the credits. However, Shaw viewed the completed film before its release and asked to have his name reinstated. In 2002, director [[Arthur Hiller]] related Shaw's initial objection to the screenplay and his subsequent change of heart:<blockquote>"When we decided that we needed more emotions in the film and leaned it towards that, we tried, obviously, to be honest to Robert Shaw, to keep that intellectual game-playing, but to create more of an emotional environment. And Robert Shaw became very disturbed. He did not like the idea and indeed, if you will watch the film, you will see that his name does not appear in the credits, nor does it even say, 'based on the play, ''The Man in the Glass Booth''<nowiki/>' because he wouldn’t let us do it. He just didn't like the idea until he saw the film. Then he phoned Eddie Anhalt, the screenwriter, and congratulated him because he thought it was—just kept the tone he wanted and did it so well. And he phoned Mort Abrahams the Executive Producer to see if he could get his name put on the final credits. But it was too late to restore his name, all the prints were all made."<ref>''The Man In The Glass Booth''; Interview with Arthur Hiller; 2003 DVD release; KINO VIDEO.</ref></blockquote> |
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Filmi |
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==Personal life== |
==Personal life== |
Revision as of 02:29, 30 January 2019
Robert Shaw | |
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File:Robert Shaw headshot.jpg | |
Born | Westhoughton, Lancashire, England | 9 August 1927
Died | 28 August 1978 Tourmakeady, County Mayo, Ireland | (aged 51)
Occupation(s) | Actor, novelist, playwright |
Years active | 1947–1978 |
Spouse(s) |
Jennifer Bourke
(m. 1952; div. 1963)Virginia Jansen (m. 1976) |
Children | 10
|
Relatives | Tanya Landman (niece) Rob Kolar (grandson) |
Robert Archibald Shaw (9 August 1927 – 28 August 1978) was an English actor, novelist, and playwright. He was nominated for an Oscar and a Golden Globe for his role as Henry VIII in the drama film A Man for All Seasons (1966).
Shaw's other notable film roles include From Russia with Love (1963), The Royal Hunt of the Sun (1969), Young Winston (1972), The Sting (1973), The Taking of Pelham One Two Three (1974), Jaws (1975), Robin and Marian (1976), and Black Sunday (1977).
Early life
Robert Archibald Shaw was born on 9 August 1927 at 51 King Street in Westhoughton, Lancashire,[1] the son of former nurse Doreen Nora (née Avery), who was born in Piggs Peak, Swaziland, and doctor Thomas Archibald Shaw.[2][3] He had three sisters named Elisabeth, Joanna, and Wendy, and one brother named Alexander. When he was seven years old, the family moved to Scotland, settling in Stromness, Orkney. When Shaw was 12, his alcoholic father killed himself. The family then moved to Cornwall, where Shaw attended the independent Truro School.[citation needed] For a brief period, he was a teacher at Glenhow Preparatory School in Saltburn-by-the-Sea in the North Riding of Yorkshire, before attending the Royal Academy of Dramatic Art in London. He also served in the Royal Air Force.[citation needed]
Acting career
Shaw began his acting career in theatre, appearing in regional theatre throughout England. In 1947 he appeared in The Cherry Orchard on British TV; also for that medium he did scenes from Twelfth Night and Macbeth.
He had a small part in The Lavender Hill Mob (1951), playing a police laboratory technician towards the end of the film, and in 1952, he made his London debut in the West End at the Embassy Theatre, in Caro William. That year he appeared on TV in A Time to Be Born (1952).
Shaw had small roles in The Dam Busters (1955), a TV version of The Scarlet Pimpernel (1956), the films Doublecross (1956) and A Hill in Korea (1956) (alongside other young actors like Michael Caine), and a TV version of Hindle Wakes (1957).
The Buccaneers
Shaw became a TV star in England when he starred as Captain Dan Tempest in The Buccaneers (1956-57) which ran for 39 episodes.[4]
He was now a TV leading man, having leads in TV films such as Success (1957) and a TV version of Rupert of Hentzau (1957). He had a big stage success with The Long and the Short and the Tall in 1959 directed by Lindsay Anderson, a performance which was filmed for television (though Shaw did not appear in the feature film version).
He had small roles in Sea Fury (1958) and Libel (1959) and guest starred on William Tell, ITV Television Playhouse, The Four Just Men, and Danger Man. He was also appearing in TV plays like The Dark Man, Misfire and The Train Set.
Writing
Shaw's first novel, The Hiding Place, published in 1960, received positive reviews.
In 1961 Shaw appeared in a Broadway production of Harold Pinter's The Caretaker alongside Donald Pleasance and Alan Bates (Shaw replaced Peter Woodthorpe who had performed with the others on stage in London). It ran for 165 performances.[5]
His second novel The Sun Doctor (1961), was awarded the Hawthornden Prize in 1962.
Shaw had good roles in The Valiant (1962), a war film, and Tomorrow at Ten (1962), a thriller. He played the leads in TV versions of The Winter's Tale (1962) and The Father (1962). He, Pleasance, and Bates reprised their performances in a film version of The Caretaker (1963); Shaw was part of the consortium who helped finance the latter.
Film Fame
Shaw became well known as a film actor when cast as assassin Donald Grant in the second James Bond film, From Russia with Love (1963).
For TV he adapted an appeared in a production of A Florentine Tragedy (1963) and was Claudius in Hamlet at Elsinore (1964) with Christopher Plummer. He played the title role in The Luck of Ginger Coffey (1964), shot in Canada alongside Mary Ure who became his second wife. He had a role in Carol for Another Christmas (1964).
In 1964 Shaw returned to Broadway in a production of The Physicists directed by Peter Brook but it only ran 55 performances.
Shaw then embarked on a trilogy of novels – The Flag (1965), The Man in the Glass Booth (1967) and A Card from Morocco (1969).
Shaw also adapted The Hiding Place into a screenplay for the film Situation Hopeless... But Not Serious starring Sir Alec Guinness.
Shaw was the relentless panzer German Army officer Colonel Hessler in Battle of the Bulge (1965), produced by Philip Yordan; a young Henry VIII in A Man for All Seasons (1966), which earned him a nomination for the Golden Globe Award and the Academy Award for Best Supporting Actor; General George Armstrong Custer in Custer of the West (1967), again for Yordan[6]; Martin Luther in Luther (1968); and top billed in another film version of Pinter, The Birthday Party (1968), directed by William Friedkin.[7]
The Man in the Glass Booth
In 1968 his play The Man in the Glass Booth was a Broadway hit, directed by Pinter. It ran for 264 performances. His adaptation for the stage of The Man in the Glass Booth gained him the most attention for his writing. The book and play present a complex and morally ambiguous tale of a man who, at various times in the story, is either a Jewish businessman pretending to be a Nazi war criminal, or a Nazi war criminal pretending to be a Jewish businessman. The play was quite controversial when performed in the UK and the US, some critics praising Shaw's "sly, deft and complex examination of the moral issues of nationality and identity", others sharply critical of Shaw's treatment of such a sensitive subject.[citation needed]
Shaw was one of many stars in Battle of Britain (1969) and he had the lead in The Royal Hunt of the Sun (1969) and Figures in a Landscape (1970); his fee for the latter was reportedly $500,000.[8]
In 1970 Shaw returned to Broadway playing the title role in Gantry, a musical adaptation of Elmer Gantry which ran for 1 performance despite co starring Rita Moreno.
His play Cato Street, about the 1820 Cato Street Conspiracy, was produced for the first time in 1971 in London. He did Old Times on Broadway in 1971.
As an actor he appeared in A Town Called Bastard (1971), a spasghetti Western; Young Winston (1972), as Lord Randolph Churchill; A Reflection of Fear (1972); The Hireling (1973); had a cameo in The Golden Voyage of Sinbad (1973); played mobster Doyle Lonnegan in The Sting (1973), a huge hit; was the subway-hijacker and hostage-taker "Mr. Blue" in The Taking of Pelham One Two Three (1974).
In 1974 he made his final appearance on Broadway, in a production of Dance of Death.
The Man in the Glass Booth was further developed for the screen, but Shaw disapproved of the resulting screenplay and had his name removed from the credits. However, Shaw viewed the completed film before its release and asked to have his name reinstated. In 2002, director Arthur Hiller related Shaw's initial objection to the screenplay and his subsequent change of heart:
"When we decided that we needed more emotions in the film and leaned it towards that, we tried, obviously, to be honest to Robert Shaw, to keep that intellectual game-playing, but to create more of an emotional environment. And Robert Shaw became very disturbed. He did not like the idea and indeed, if you will watch the film, you will see that his name does not appear in the credits, nor does it even say, 'based on the play, The Man in the Glass Booth' because he wouldn’t let us do it. He just didn't like the idea until he saw the film. Then he phoned Eddie Anhalt, the screenwriter, and congratulated him because he thought it was—just kept the tone he wanted and did it so well. And he phoned Mort Abrahams the Executive Producer to see if he could get his name put on the final credits. But it was too late to restore his name, all the prints were all made."[9]
Film Stardom
Shaw achieved his greatest film stardom to date after playing the shark-obsessed fisherman Quint in Jaws (1975).
Shaw followed this with Murder on the Bridge (1975); Diamonds (1975); Robin and Marian (1976); Swashbuckler (1976); playing the lighthouse keeper and treasure-hunter Romer Treece in The Deep (1977), for which his fee was $650,000[10]; and as Israeli Mossad agent David Kabakov in Black Sunday (1977).
During filming Force 10 from Navarone (1978) Shaw said "I'm seriously thinking that this might be my last film... I no longer have anything real to say. I'm appalled at some of the lines... I'm not at ease in film. I can't remember the last film I enjoyed making."[11] He made one more movie, Avalanche Express (1979).[12]
Filmi
Personal life
Shaw was married three times and had 10 children, two of whom were adopted. His first wife was Jennifer Bourke from 1952 to 1963, with whom he had four daughters. His second wife was actress Mary Ure from 1963 to 1975, with whom he had four children, including daughters Elizabeth (born 1963) and Hannah (born 1966). He adopted son Colin (born 1961) from his wife's previous marriage to filmmaker and actor John Osborne; according to an interview with Colin, he was Shaw's son born during an affair while Ure was still married to Osborne. Shaw's son Ian (born 1969) also became an actor. This marriage ended with Ure's death from an overdose. His third and final wife was Virginia Jansen from 1976 until his death in 1978, with whom he had one son, Thomas, and adopted her son, Charles, from a previous relationship. Shaw's grandson (via his daughter Deborah and film producer Evzen Kolar) [13] is American musician and composer Rob Kolar.[14][15]
For the last seven years of his life, Shaw lived at Drimbawn House in Tourmakeady, County Mayo, Ireland.[16]
Death
Like his father, Shaw was an alcoholic for most of his life.[17] He died in Ireland at the age of 51 from a heart attack on 28 August 1978, while driving from Castlebar, County Mayo, to his home in Tourmakeady.[18] He suddenly became ill, stopped the car, stepped out, and then collapsed and died on the roadside. He was rushed to Castlebar General Hospital, where he was pronounced dead.[19][20] He had just completed acting in the film Avalanche Express. His body was cremated and its ashes scattered near his home in Toormakeady. A stone memorial to him was unveiled there in his honour in August 2008.[16]
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Robert Shaw memorial in Tourmakeady, County Mayo, Ireland, near the location where he died
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Closeup of the text
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View of the pier at the site
Legacy
Shaw has a pub named after him[21] in his birthplace of Westhoughton.
Villain Sebastian Shaw from the X-Men comics is named and modelled after Shaw.[22]
Work
Stage
- The Caretaker (1962)
- The Physicists (1964)
- The Man in the Glass Booth (1968)
- Gantry (1970)
- Old Times (1971)
- The Dance of Death (1974)
Filmography
- The Cherry Orchard (1947)
- The Lavender Hill Mob (1951) – Chemist at Police Exhibition (uncredited)
- The Dam Busters (1954) – Flight Sgt. J. Pulford
- Double Cross (1956) – Ernest
- A Hill in Korea (1956) – Lance Corporal Hodge
- The Buccaneers (TV, 1956–57) – Captain Dan Tempest (39 episodes)
- Rupert of Hentzau (TV, 1957) – Rupert of Hentzau
- Sea Fury (1958) – Gorman
- Libel (1959) – First Photographer
- The Four Just Men (1960) – TV episode – Crack Up – Stuart
- The Dark Man (TV, 1960) – Alan Regan
- Danger Man (1961) – TV episode – Bury The Dead – Tony Costello
- The Winter's Tale (1961) – Leontes
- The Valiant (1962) – Lieutenant Field
- The Father (1962) – The Captain
- Tomorrow at Ten (1962) – Marlowe
- The Caretaker (1963) – Aston
- The Cracksman (1963) – Moke
- From Russia with Love (1963) – Donald 'Red' Grant
- Hamlet (1964) – Claudius, King of Denmark
- The Luck of Ginger Coffey (1964) – Ginger Coffey
- Carol for Another Christmas (1964) – Ghost of Christmas Future
- Battle of the Bulge (1965) – Col. Martin Hessler
- A Man for All Seasons (1966) – King Henry VIII
- Custer of the West (1967) – Gen. George Armstrong Custer
- Luther (TV, 1968) – Martin Luther
- The Birthday Party (1968) – Stanley Webber
- Battle of Britain (1969) – Squadron Leader "Skipper"
- The Royal Hunt of the Sun (1969) – Francisco Pizarro
- Figures in a Landscape (1970) – MacConnachie (also adapted for the screen)
- A Town Called Bastard (a.k.a. A Town Called Hell) (1971) – The Priest
- Young Winston (1972) – Lord Randolph Churchill
- A Reflection of Fear (a.k.a. Labyrinth) (1973) – Michael
- The Hireling (1973) – Steven Ledbetter
- The Golden Voyage of Sinbad (1973) – The Oracle of All Knowledge (uncredited)
- The Sting (1973) – Doyle Lonnegan
- The Taking of Pelham One Two Three (1974) – Mr. Blue – Bernard Ryder
- Jaws (1975) – Quint
- The Man in the Glass Booth (1975) – Writer only
- Der Richter und sein Henker (a.k.a. End of the Game, Murder on the Bridge, Deception, and Getting Away with Murder) (1975) – Richard Gastmann
- Diamonds (a.k.a. Diamond Shaft) (1975) – Charles / Earl Hodgson
- Robin and Marian (1976) – Sheriff of Nottingham
- Swashbuckler (a.k.a. Scarlet Buccaneer) (1976) – Ned Lynch
- Black Sunday (1977) – Major David Kabokov
- The Deep (1977) – Romer Treece
- Force 10 from Navarone (1978) – Major Keith Mallory
- Avalanche Express (1979) – General Marenkov (final film role)
Writing
- The Hiding Place (1960)
- The Sun Doctor (1961)
- The Flag (1965)
- Situation Hopeless... But Not Serious (screenplay adaptation of The Hiding Place, 1965)
- The Man in the Glass Booth (1967)
- The Man in the Glass Booth (play adaptation, 1968)
- A Card from Morocco (1969)
- Figures in a Landscape (1970) (screenplay adaptation of novel)
- Cato Street (play, 1971)
References
- ^ "Mayor to unveil plaque in honour of Jaws star". The Bolton News. Newsquest. 19 July 1996. Retrieved 18 June 2018.
- ^ Wakeman, John; Kunitz, Stanley (1975). World Authors, 1950-1970: A Companion Volume to Twentieth Century Authors. Wilson. p. 1292. ISBN 0-8242-0419-0.
- ^ Ross, Lillian; Ross, Helen (1961). The Player A Profile of an Art. Simon and Schuster. p. 472.
- ^ "The Buccaneers". BFI Screenonline.
- ^ "The Caretaker". BFI Screenonline.
- ^ Sinclair, Clive (4 May 2015). "Writers at the Movies: 'Custer of the West'". Contrapasso.
- ^ "ABC's 5 Years of Film Production Profits & Losses", Variety, 31 May 1973 p 3
- ^ Shaw: Cash crunch adds up to misery Dangaard, Colin. Chicago Tribune 29 Jan 1978: e20.
- ^ The Man In The Glass Booth; Interview with Arthur Hiller; 2003 DVD release; KINO VIDEO.
- ^ The Fathomable Film Life in 'The Deep': Film Intrigue of Underwater Life Films Follow Lure of the Deep Fathoming 'The Deep' Film Watters, Jim. Los Angeles Times 12 Sep 1976: v1.
- ^ Shaw: Cash crunch adds up to misery Dangaard, Colin. Chicago Tribune 29 Jan 1978: e20.
- ^ FILM CLIPS: Memories of Robert Shaw: 'A Gallant Man Lee, Grant. Los Angeles Times 2 Sep 1978: b5.
- ^ Busch, Anita (17 July 2017). "Evzen Kolar Dies: Film Producer Of 'Surf Ninjas' & 'City of Industry' Was 67". Deadline Hollywood. Penske Business Media, LLC. Retrieved 25 August 2018.
- ^ Ciafardini, Marc (6 June 2016). "Composer Rob Kolar Takes the Sonic Wheel for 'The Detour' on TBS". goseetalk.com. Retrieved 27 January 2018.
- ^ Holdsworth, Nick (17 July 2010). "Brother, sister act is film fest friendly". Variety. Penske Business Media, LLC. Retrieved 25 August 2018.
- ^ a b Connie O'Toole "Robert Shaw memorial unveiled in Mayo village" Irish Times (11 August 2008)
- ^ McIver, Brian (14 June 2012). "Revealed: The Scottish roots behind hellraiser Robert Shaw as Jaws hits cinemas again". Daily Record.
- ^ "Robert Shaw". tourmakeady.weebly.com.
- ^ "Robert Shaw, British Actor, Dies in Ireland". The Post and Courier. 29 August 1978. Retrieved 6 December 2011.
- ^ David Parkinson, "Shaw, Robert Archibald (1927–1978)", Oxford Dictionary of National Biography, Oxford University Press 2004; online edition 2007; ISBN 978-0198614111
- ^ "The Robert Shaw". JD Weatherspoon. Retrieved 9 June 2011.
- ^ "Comic Book Urban Legends Revealed #44!". Retrieved 9 June 2011.
External links
- 1927 births
- 1978 deaths
- Alumni of the Royal Academy of Dramatic Art
- British people of English descent
- English dramatists and playwrights
- English male film actors
- English male stage actors
- English male television actors
- People educated at Truro School
- People from Orkney
- People from Westhoughton
- English expatriates in Ireland
- 20th-century English male actors
- 20th-century English novelists
- 20th-century British dramatists and playwrights
- English male dramatists and playwrights
- English male novelists
- 20th-century British male writers
- British expatriate male actors in the United States