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| name = Oliver!
| name = Oliver!
| image = Oliver! (1968 movie poster).jpg
| image = Oliver! (1968 movie poster).jpg
| alt =
| alt =
| caption = Theatrical release poster by [[Howard Terpning]]
| caption = Theatrical release poster by [[Howard Terpning]]
| director = [[Carol Reed]]
| director = [[Carol Reed]]
| producer = [[John and James Woolf|John Woolf]]
| producer = [[John and James Woolf|John Woolf]]
| screenplay = [[Vernon Harris]]
| screenplay = [[Vernon Harris]]
| story = [[Lionel Bart]] (''[[Oliver!]]'')
| story =
| based on = {{Based on|''[[Oliver Twist]]''|[[Charles Dickens]]}}
| based on = {{Based on|''[[Oliver! ]]''|[[Lionel Bart]]}}<br />{{Based on|''[[Oliver Twist]]''|[[Charles Dickens]]}}
| starring = <!-- Per poster -->[[Ron Moody]]<br>[[Oliver Reed]]<br>[[Harry Secombe]]<br>[[Shani Wallis]]<br>[[Mark Lester]]<br>[[Jack Wild]]
| starring = <!-- Per poster -->[[Ron Moody]]<br />[[Oliver Reed]]<br />[[Harry Secombe]]<br />[[Shani Wallis]]<br />[[Mark Lester]]<br />[[Jack Wild]]
| music = [[Lionel Bart]]<br>[[Johnny Green]]<br>[[Eric Rogers (composer)|Eric Rogers]]<br>[[Onna White]]
| music = <!-- Per poster -->Lionel Bart<br />[[Johnny Green|John Green]]
| cinematography = [[Oswald Morris]]
| cinematography = [[Oswald Morris]]
| editing = [[Ralph Kemplen]]
| editing = [[Ralph Kemplen]]
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| gross = $77.4 million
| gross = $77.4 million
}}
}}
'''''Oliver!''''' is a 1968 British [[Musical film|musical]] [[drama film]] produced by [[John Woolf]] and directed by [[Carol Reed]] and based on the [[stage musical]] [[Oliver!|of the same name]], with book, music and lyrics written by [[Lionel Bart]]. The screenplay was written by [[Vernon Harris]].
'''''Oliver!''''' is a 1968 British [[Musical film|musical]] [[drama film]] directed by [[Carol Reed]], written by [[Vernon Harris]], and based on the [[stage musical]] [[Oliver!|of the same name]]. Both the film and play are based on [[Charles Dickens]]'s novel ''[[Oliver Twist]]''. The film includes such musical numbers as "[[Food, Glorious Food]]", "[[Consider Yourself]]", "[[As Long as He Needs Me]]", "[[You've Got to Pick a Pocket or Two]]", and "[[Where Is Love?]]". Filmed at [[Shepperton Studios|Shepperton Film Studio]] in [[Surrey]], it was a Romulus Films production and was distributed internationally by [[Columbia Pictures]].


At the [[41st Academy Awards]] for 1968, ''Oliver!'' was nominated for eleven [[Academy Awards]] and won six, including [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]] for Reed, and an [[Academy Honorary Award|Honorary Award]] for choreographer [[Onna White]]. At the [[26th Golden Globe Awards]], the film won two [[Golden Globes]]: for [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Motion Picture – Musical or Comedy]], and [[Golden Globe Award for Best Actor – Motion Picture Musical or Comedy|Best Actor – Musical or Comedy]] for [[Ron Moody]].
Both the film and play are based on [[Charles Dickens]]' novel ''[[Oliver Twist]]''. The film includes several musical numbers, including "[[Food, Glorious Food]]", "[[Consider Yourself]]", "[[As Long as He Needs Me]]", "[[You've Got to Pick a Pocket or Two]]" and "[[Where Is Love?]]".


The [[British Film Institute]] ranked ''Oliver!'' the [[BFI Top 100 British films|77th greatest British film of the 20th century]]. In 2017, a poll of 150 actors, directors, writers, producers and critics for ''[[Time Out (magazine)|Time Out]]'' magazine ranked it the 69th best British film ever.<ref>[https://www.timeout.com/london/film/100-best-british-films#tab_panel_4 "The 100 best British films"]. ''[[Time Out (magazine)|Time Out]]''. Retrieved 26 October 2017</ref>
Filmed in [[Shepperton Studios|Shepperton Film Studio]] in [[Surrey]], the film was a Romulus Films production and was distributed internationally by [[Columbia Pictures]].


== Synopsis ==
At the [[41st Academy Awards]] for 1968, ''Oliver!'' was nominated for eleven [[Academy Awards]] and won six, including Awards for [[Academy Award for Best Picture|Best Picture]], and [[Academy Award for Directing|Best Director]] for Carol Reed.<ref name=GTR>{{IMDb title|id=0063385|title=Oliver!}}</ref> At the [[26th Golden Globe Awards]] the film won two [[Golden Globes]] for [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Film - Musical or Comedy]], and [[Golden Globe Award for Best Actor – Motion Picture Musical or Comedy|Best Actor - Musical or Comedy]] for [[Ron Moody]].<ref name=GTR/>
[[File:41st Academy Awards Mark Lester Jack Wild.jpg|thumb|upright|Mark Lester (Oliver) and Jack Wild (The Artful Dodger) arrive at the annual Academy Awards (the film picked up 6 gongs)]]


==Synopsis==
=== Act 1 ===
A workhouse in [[Dunstable]], England is visited by the wealthy governors who fund it. While a sumptuous banquet is held for them, the barefoot orphan boys who work there are being served their daily gruel. They dream of enjoying the same "Food, Glorious Food" as their masters. While eating, some boys draw straws to see who will ask for more to eat, and the job falls to a boy named Oliver Twist. He goes up to Bumble and Widow Corney, who run the workhouse and serve the gruel, and asks for more. Enraged, Bumble takes Oliver to the governors to see what to do with him ("Oliver!"). A decision is made to have Oliver sold into service. Bumble parades Oliver through the snow, trying to sell him to the highest bidder ("Boy for Sale"). Oliver is sold to an undertaker named Mr. Sowerberry, who intends to use him as a mourner for children's funerals. After his first funeral, Noah Claypole, Sowerberry's apprentice, insults Oliver's mother. Oliver attacks Noah in fury and Mrs. Sowerberry forces him into a coffin while Noah fetches Bumble. Oliver is too angry to be intimidated by Bumble, who places the blame on not keeping Oliver on a diet of gruel, instead of meat, which made him strong. Oliver is thrown into the cellar as further punishment. Alone in the dark with a roomful of empty coffins, Oliver wonders ("Where Is Love?"). While clutching the window grate, Oliver pushes it open and escapes.


After a week on the road, Oliver reaches London. Soon, he crosses paths with the Artful Dodger, who decides to take Oliver under his wing ("Consider Yourself"). Dodger leads Oliver to his home, a hideout for a group of young boys housed by the elderly Fagin. Oliver naively believes the items they had actually stolen are "made" by them and Fagin and the boys play along for their amusement. After a laugh, they subtly explain to Oliver they are actually a [[pickpocket]] gang. At the same time, Fagin helps the boys practice their stealing while proclaiming his belief that ("You've Got to Pick a Pocket or Two") to get by. Once the boys go to sleep, Fagin sneaks off to meet with an adult thief with whom he does business, Bill Sikes, who burgles houses, while Fagin's gang only steal out of peoples pockets. Sikes, unlike Fagin, is brutal, neglectful and merciless. Sikes' girlfriend, Nancy, waits for him at the pub and sings of her contentment with the life she shares with the reprobates of London while covering up her own broken dreams of the life she wishes she had with Sikes ("It's a Fine Life").
===Act 1===
A workhouse in Dunstable, England is visited by the wealthy governors who fund it. While a sumptuous banquet is held for them, the barefoot orphan boys who work there are being served their daily gruel. They dream of enjoying the same "''Food, Glorious Food''" as their masters. While eating, some boys draw straws to see who will ask for more to eat, and the job falls to a boy named Oliver Twist. He goes up to Bumble and Widow Corney, who run the workhouse and serve the gruel, and asks for more. Enraged, Bumble takes Oliver to the governors to see what to do with him ("''Oliver!''"). A decision is made to have Oliver sold into service. Bumble parades Oliver through the snow, trying to sell him to the highest bidder ("''Boy for Sale''"). Oliver is sold to an undertaker named Mr. Sowerberry, who intends to use him as a mourner for children's funerals. After his first funeral, Noah Claypole, Sowerberry's apprentice, insults Oliver's mother. Oliver attacks Noah in fury and Mrs. Sowerberry forces him into a coffin while Noah fetches Bumble. Oliver is too angry to be intimidated by Bumble, who places the blame on not keeping Oliver on a diet of gruel, instead of meat, which made him strong. Oliver is thrown into the cellar as further punishment. Alone in the dark with a roomful of empty coffins, Oliver wonders ("''Where is Love?''"). While clutching the window grate, Oliver pushes it open and escapes.


Back at the hideout, Oliver witnesses Fagin counting his hidden treasures and taking a little more than his fair share from Sikes' loot. Initially furious that he has been discovered, Fagin calms down and has Oliver go to sleep. Nancy and her sister Bet arrive in the morning to collect some money from Fagin on behalf of Sikes, and meet Oliver. The boys mock Oliver for his apparent class and manners towards Nancy, which she finds charming. Dodger attempts to be just as gentlemanly towards Nancy and the boys and Fagin join in the fun ("I'd Do Anything"). Fagin sends the boys out for the day and Oliver asks to go with Dodger, which he agrees to ("Be Back Soon"). While on the job, Oliver witnesses what Dodger really does and is apprehended for Dodger's theft of a wallet belonging to a gentleman named Mr. Brownlow. Afraid that Oliver will tell the police all about them, Fagin and Sikes send Nancy to court to observe him. Oliver is too terrified to say anything, but before the drunken magistrate can finalize the verdict, a bookseller who witnessed the act arrives and proclaims Oliver's innocence. Brownlow takes in Oliver, while Sikes and Fagin send Dodger to follow them, to Nancy's displeasure.
After a week on the road, Oliver reaches London. Soon, he crosses paths with the Artful Dodger, who decides to take Oliver under his wing ("''Consider Yourself''"). Dodger leads Oliver to his home, a hideout for a group of young boys housed by the elderly Fagin. Oliver naively believes the items they had actually stolen are "made" by them and Fagin and the boys play along for their amusement. After a laugh, they subtly explain to Oliver they are actually a [[pickpocket]] gang. At the same time, Fagin helps the boys practice their stealing while proclaiming his belief that ("''You've Got to Pick a Pocket or Two''") to get by. Once the boys go to sleep, Fagin sneaks off to meet with an adult thief with whom he does business, Bill Sikes, who burgles houses, while Fagin's gang only steal out of peoples pockets. Sikes, unlike Fagin, is brutal, neglectful and merciless. Sikes' girlfriend, Nancy, waits for him at the pub and sings of her contentment with the life she shares with the reprobates of London while covering up her own broken dreams of the life she wishes she had with Sikes who is in bed ("''It's a Fine Life''").


=== Act 2 ===
Back at the hideout, next day Oliver witnesses Fagin counting his hidden treasures and taking a little more than his fair share from Sikes' loot. Initially furious that he has been discovered, Fagin calms down and has Oliver go to sleep. Nancy and her sister Bet arrive in the morning to collect some money from Fagin on behalf of Sikes, and meet Oliver. The boys mock Oliver for his politeness towards Nancy, which she finds charming. Dodger attempts to be just as gentlemanly towards Nancy and the boys and Fagin join in the fun ("''I'd Do Anything''"). Fagin sends the boys out for the day and Oliver asks to go with Dodger, which he agrees to ("''Be Back Soon''"). While on the job, Oliver witnesses what Dodger really does and is apprehended for Dodger's theft of a wallet belonging to a gentleman named Mr. Brownlow. Afraid that Oliver will tell the police all about them, Fagin and Sikes send Nancy to court to observe him. Oliver is too terrified to say anything, but before the drunken magistrate can finalize the verdict, a bookseller who witnessed the act arrives and proclaims Oliver's innocence. Brownlow takes in Oliver, while Sikes and Fagin send Dodger to follow them, to Nancy's displeasure.
Oliver has been living in the residence of wealthy Mr. Brownlow for several days now. From the balcony, he watches the merchants and other folk of London sell their wares ("Who Will Buy?"). Sikes has been keeping an eye on Oliver, firmly believing he may tell on them. He and Fagin are determined to get him back and employ Nancy to help them as Oliver trusts her more than he does the others. Nancy refuses as she wants Oliver to have a life free of thievery, but Sikes hits her. As Nancy reluctantly follows Sikes, she sings of her unwavering love for him despite his ways ("As Long As He Needs Me"). The next day, Brownlow entrusts Oliver with some books and money to be delivered to the bookshop. As he leaves, Brownlow notices a striking resemblance between Oliver and a portrait of his long-lost niece Emily, who ran away from home after being jilted by her lover. While walking through the streets of London, Oliver is sidetracked by Nancy and is kidnapped by Sikes and taken back to the hideout. Following a brief confrontation with Fagin over Oliver's five pound note, Sikes is defied by Oliver, who in turn is protected by Nancy. Sikes becomes increasingly violent, leading Nancy to leave. When Fagin warns him to calm down, Sikes threatens him with his life, should their operation be compromised. Realizing Sikes' violent nature, Fagin begins reconsidering his life as a criminal and weighs all his options, but decides to keep to his old ways after "Reviewing the Situation".


Bumble and Corney have an affair and pay a visit to Brownlow after he begins searching for Oliver's origin. They present a locket belonging to Oliver's mother, who arrived at the workhouse penniless and died during childbirth. Brownlow recognizes the locket as his niece's and is enraged that they selfishly chose to keep the trinket and information to themselves until they could collect a reward for it. After throwing them out, Brownlow and his housekeeper, Mrs. Bedwin, realise that Emily ran away because she was pregnant. Meanwhile, in an attempt to introduce Oliver to a life of crime, Sikes forces Oliver to take part in a house robbery. The robbery fails when Oliver accidentally awakens the occupants, but he and Sikes get away. While Sikes and Oliver are gone, Nancy, fearful for Oliver's life, goes to Brownlow, confessing her part in Oliver's kidnapping, however, she refuses to state the name of Fagin or Bill Sikes for her own protection. She promises to return him to Brownlow at midnight on London Bridge. She then goes to the tavern. When Sikes and Oliver appear, Sikes orders his dog Bullseye to guard the boy. Nancy starts up a lively drinking song, hoping that the noise will distract Sikes while she and Oliver get away ("Oom-Pah-Pah"). Bullseye, however, alerts Sikes, who gives chase.
===Act 2===
Oliver has been living in the residence of wealthy Mr. Brownlow for several days now. From the balcony, he watches the merchants and other folk of London sell their wares ("''Who Will Buy?''"). Sikes has been keeping an eye on Oliver, firmly believing he may tell on them. He and Fagin are determined to get him back and employ Nancy to help them as Oliver trusts her more than he does the others. Nancy refuses as she wants Oliver to have a life free of thievery, but Sikes hits her. As Nancy reluctantly follows Sikes, she sings of her unwavering love for him despite his ways ("''As Long As He Needs Me''"). The next day, Brownlow entrusts Oliver with some books and money to be delivered to the bookshop. As he leaves, Brownlow notices a striking resemblance between Oliver and a portrait of his long-lost niece Emily, who ran away after being jilted by her lover. While walking through the streets of London, Oliver is sidetracked by Nancy and is kidnapped by Sikes and taken back to the hideout. Following a brief confrontation with Fagin over Oliver's five pound note, Sikes is defied by Oliver, who in turn is protected by Nancy. Sikes becomes increasingly violent, leading Nancy to leave. When Fagin warns him to calm down, Sikes threatens him with his life, should their operation be compromised. Realizing Sikes' violent nature, Fagin begins reconsidering his life as a criminal and weighs all his options, but decides to keep to his old ways after "''Reviewing the Situation''".


As Oliver and Nancy share a farewell embrace at London Bridge, Sikes catches up and grabs both of them and throws Oliver aside. Nancy then tries to protect Oliver by pulling Sikes away, angering him. He then drags her behind the staircase of London Bridge and violently bludgeons her, murdering her. He then takes off with Oliver, but Bullseye betrays his cruel master and returns to the scene where Nancy has succumbed to her injuries. Bullseye's presence alerts the police to their suspect and the dog leads Brownlow with an angry mob to the thieves' hideout. Sikes arrives at Fagin's den and demands money, revealing that he killed Nancy, as well. Upon seeing the approaching mob, the thieves disband and flee. Sikes runs off with Oliver, using him as a hostage. During the evacuation, Fagin loses his prized possessions, which sink into mud. Sikes attempts to flee to an adjacent roof, but is shot dead in the process by the police. Fagin makes up his mind to change his ways for good. Just as he is about to walk away a reformed man, Dodger appears from nowhere with a wallet he stole earlier. They dance off into the sunrise together, happily determined to live out the rest of their days as thieves ("Reviewing the Situation" (reprise)"\) while Oliver returns to Brownlow's home for good ("Finale: Where Is Love?/Consider Yourself").
Bumble and Corney pay a visit to Brownlow after he begins searching for Oliver's origin. They present a locket belonging to Oliver's mother, who arrived at the workhouse penniless and died during childbirth. Brownlow recognizes the locket as his niece's and throws the two out, enraged that they selfishly chose to keep the trinket and information to themselves until they could collect a reward for it. Meanwhile, in an attempt to introduce Oliver to a life of crime, Sikes forces Oliver to take part in a house robbery. The robbery fails when Oliver accidentally awakens the occupants, but he and Sikes get away. While Sikes and Oliver are gone, Nancy, fearful for Oliver's life, goes to Brownlow, confessing her part in Oliver's kidnapping, however, she refuses to state the name of Fagin or Bill Sikes for her own protection. She promises to return him to Brownlow at midnight on London Bridge. She then goes to the tavern. When Sikes and Oliver appear, Sikes orders his dog Bullseye to guard the boy. Nancy starts up a lively drinking song, hoping that the noise will distract Sikes while she and Oliver get away ("''Oom-Pah-Pah''"). Bullseye, however, alerts Sikes, who gives chase.


== Cast ==
As Oliver and Nancy share a farewell embrace at London Bridge, Sikes catches up and grabs both of them and throws Oliver aside. Nancy then tries to protect Oliver by pulling Sikes away, angering him. He then drags her behind the staircase of London Bridge and violently bludgeons her, murdering her. He then takes off with Oliver, but Bullseye betrays his cruel master and returns to the scene where Nancy has succumbed to her injuries. Bullseye's presence alerts the police to their suspect and the dog leads Brownlow with an angry mob to the thieves' hideout. Sikes arrives at Fagin's den and demands money, revealing that he killed Nancy, as well. Upon seeing the approaching mob, the thieves disband and flee. Sikes runs off with Oliver, using him as a hostage. During the evacuation, Fagin loses his prized possessions, which sink into mud. Sikes attempts to flee to an adjacent roof, but is shot dead in the process by the police. Fagin makes up his mind to change his ways for good. Just as he is about to walk away a reformed man, Dodger appears from nowhere with a wallet he stole earlier. They dance off into the sunrise together, happily determined to live out the rest of their days as thieves ("''Reviewing the Situation'' (reprise)") while Oliver returns to Brownlow's home for good ("''Finale: Where is Love?''/''Consider Yourself''").

==Cast==
{{div col|colwidth=30em}}
{{div col|colwidth=30em}}
* [[Mark Lester]] as [[Oliver Twist (character)|Oliver]] (songs dubbed by [[Kathe Green]])
* [[Mark Lester]] as [[Oliver Twist (character)|Oliver Twist]] (songs dubbed by [[Kathe Green]])
* [[Ron Moody]] as [[Fagin]]
* [[Ron Moody]] as [[Fagin]]
* [[Shani Wallis]] as [[Nancy (Oliver Twist)|Nancy]]
* [[Shani Wallis]] as [[Nancy (Oliver Twist)|Nancy]]
Line 59: Line 56:
* [[Hugh Griffith]] as the Magistrate
* [[Hugh Griffith]] as the Magistrate
* [[Joseph O'Conor]] as [[Mr. Brownlow]]
* [[Joseph O'Conor]] as [[Mr. Brownlow]]
* [[Peggy Mount]] as Mrs. Bumble
* [[Peggy Mount]] as Widow Corney/Mrs. Bumble
* [[Leonard Rossiter]] as Mr. Sowerberry
* [[Leonard Rossiter]] as [[Mr. Sowerberry]]
* [[Hylda Baker]] as Mrs. Sowerberry
* [[Hylda Baker]] as Mrs. Sowerberry
* [[Kenneth Cranham]] as Noah Claypole
* [[Kenneth Cranham]] as Noah Claypole
Line 67: Line 64:
* [[Wensley Pithey]] as Dr. Grimwigg
* [[Wensley Pithey]] as Dr. Grimwigg
* [[James Hayter (actor)|James Hayter]] as Mr. Jessop
* [[James Hayter (actor)|James Hayter]] as Mr. Jessop
* [[Elizabeth Knight]] as Charlotte
* [[Fred Emney]] as Workhouse Chairman
* [[Fred Emney]] as Workhouse Chairman
* Robert Bartlett, Graham Buttrose, Geoffrey Chandler, Kirk Clugston, Dempsey Cook, Christopher Duff, Nigel Grice, Ronnie Johnson, Nigel Kingsley, Robert Langley, Brian Lloyd, Peter Lock, Clive Moss, Ian Ramsey, Peter Renn, Billy Smith, Kim Smith, Oliver Hancock, Freddie Stead, Raymond Ward and John Watters as Fagin's Boys.
* Robert Bartlett, Graham Buttrose, Geoffrey Chandler, Kirk Clugston, Dempsey Cook, Christopher Duff, Nigel Grice, Dave Jarrett, Ronnie Johnson, Nigel Kingsley, Robert Langley, Brian Lloyd, Peter Lock, Clive Moss, Ian Ramsey, Peter Renn, Billy Smith, Kim Smith, Oliver Hancock, Freddie Stead, Raymond Ward and John Watters as Fagin's Boys.
{{div col end}}
{{div col end}}


==Musical numbers==
== Musical numbers ==
{{div col|colwidth=30em}}
{{div col|colwidth=30em}}
* [[Overture]]
*1 "Overture"
* [[Main Title]]
*2 "Main Title"
* [[Food, Glorious Food]]/[[Oliver! (song)|Oliver!]] - Orphans/Mr. Bumble/Widow Corney
*3 "[[Food, Glorious Food]]"/"[[Oliver! (song)|Oliver!]]" Orphans/Mr. Bumble/Widow Corney
* Boy for Sale - Mr. Bumble
*4 "Oliver, Oliver!" Mr. Bumble/Orphans
*5 "Boy for Sale" – Mr. Bumble
* [[Where is Love?]] - Oliver
*6 "[[Where Is Love?]]" – Oliver
* [[Consider Yourself]] - Dodger/City of London
*7 "[[Consider Yourself]]" – Dodger/City of London
* [[You've Got to Pick a Pocket or Two|Pick a Pocket or Two]] - Fagin
*8 "[[You've Got to Pick a Pocket or Two|Pick a Pocket or Two]]" – Fagin/Pickpockets
* It's a Fine Life - Nancy/The Crippled Crowd
*9 "It's a Fine Life" – Nancy/The Crippled Crowd
* [[I'd Do Anything (Oliver! song)|I'd Do Anything]] - Dodger/Pickpockets
* [[Be Back Soon]]- Fagin/Pickpockets
*10 "[[I'd Do Anything (Oliver! song)|I'd Do Anything]]" – Dodger/Pickpockets
*11 "Be Back Soon" – Fagin/Pickpockets
* [[Entr'acte]]
*12 "Entr'acte"
* Who Will Buy? - City of London/Oliver
*13 "Who Will Buy?" – City of London/Oliver
* [[As Long As He Needs Me]] - Nancy
*14 "[[As Long as He Needs Me]]" – Nancy
* Reviewing the Situation - Fagin
*15 "Reviewing the Situation" – Fagin
* [[Oom-Pah-Pah (song)|Oom-Pah-Pah]]- Nancy/The Three Cripples Crowd
*16 "[[Oom-Pah-Pah (song)|Oom-Pah-Pah]]" – Nancy/The Three Cripples Crowd
* Reviewing the Situation(reprise) - Fagin/Dodger
*17 "Reviewing the Situation" (reprise) – Fagin/Dodger
* Finale ("Where is Love?"/"Consider Yourself")-Ensemble
*18 "Finale" ("Where Is Love?"/"Consider Yourself") – Ensemble
{{div col end}}
{{div col end}}


==Production==
== Production ==


===Casting===
=== Casting ===
The film used mostly young unknowns, among them [[Mark Lester]] ([[Oliver Twist (character)|Oliver]]), [[Shani Wallis]] ([[Nancy (Oliver Twist)|Nancy]]) and [[Jack Wild]] as [[The Artful Dodger]], but also featured [[Hugh Griffith]], an Oscar winner for ''[[Ben-Hur (1959 film)|Ben-Hur]]'', in a cameo role as the Magistrate. [[Harry Secombe]], who played Mr. Bumble, was well known in Britain but not in the United States, and [[Oliver Reed]], who played Bill Sikes, had just begun to make a big name for himself. [[Ron Moody]], who was also well known in Britain but not the US, recreated his London stage performance, after [[Peter Sellers]], [[Dick Van Dyke]] and [[Peter O'Toole]] reportedly turned down the role. [[Elizabeth Taylor]] turned down the role of Nancy as well. [[Julie Andrews]] was also considered. Director Reed also had [[Shirley Bassey]] in mind, but his choice was rejected by Hollywood studio bosses who felt that the public was not ready for a [[Black race|Black]] Nancy.<ref>{{cite web|url=http://www.dailymail.co.uk/femail/article-542356/Id-judge-Id-Do-Anything---offered-minute-slot-says-original-Nancy.html |title=I'd do anything to be a judge on I'd Do Anything ... but all they offered me was a one-minute slot, says the original Nancy &#124; Mail Online |publisher=Dailymail.co.uk |date=2008-03-22 |accessdate=2013-05-26}}</ref> Classical actor [[Joseph O'Conor]], not well known in the U.S., played Mr. Brownlow.
The film used mostly young unknowns, among them [[Mark Lester]] ([[Oliver Twist (character)|Oliver]]), [[Shani Wallis]] ([[Nancy (Oliver Twist)|Nancy]]) and [[Jack Wild]] as [[The Artful Dodger]], but also featured [[Hugh Griffith]], an Oscar winner for ''[[Ben-Hur (1959 film)|Ben-Hur]]'', in a role as the Magistrate. [[Harry Secombe]], who played Mr. Bumble, was well known in Britain but not in the United States, and [[Oliver Reed]], who played Bill Sikes, had just begun to make a name for himself. Producer [[John Woolf]] suggested Oliver Reed for the role to the director Reed, without knowing that the two were in fact related. [[Ron Moody]], who was also well known in Britain but not the US, recreated his London stage performance, after [[Peter Sellers]], [[Dick Van Dyke]] and [[Peter O'Toole]] reportedly turned down the role. [[Elizabeth Taylor]] turned down the role of Nancy as well. [[Julie Andrews]] was also considered. Director Reed also had [[Shirley Bassey]] in mind, but his choice was rejected by Hollywood studio bosses who felt that the public was not ready for a [[Black race|Black]] Nancy.<ref>{{cite web|url=http://www.dailymail.co.uk/femail/article-542356/Id-judge-Id-Do-Anything---offered-minute-slot-says-original-Nancy.html |title=I'd do anything to be a judge on I'd Do Anything ... but all they offered me was a one-minute slot, says the original Nancy &#124; Mail Online |publisher=Dailymail.co.uk |date=2008-03-22 |accessdate=2013-05-26}}</ref> Classical actor [[Joseph O'Conor]], not well known in the U.S., played Mr. Brownlow.


Shooting at [[Shepperton Studios]], [[England]], began on 23 June 1967.<ref>[http://www.oliver1968.co.uk/Stage_Screen.html] {{webarchive |url=https://web.archive.org/web/20071024004218/http://www.oliver1968.co.uk/stage_screen.htm |date=24 October 2007 }}</ref>
Shooting at [[Shepperton Studios]], [[England]], began on 23 June 1967.<ref>[http://www.oliver1968.co.uk/Stage_Screen.html] {{webarchive|url=https://web.archive.org/web/20071024004218/http://www.oliver1968.co.uk/stage_screen.htm|date=24 October 2007}}</ref>


===Writing===
=== Writing ===
The screenplay was adapted from both Lionel Bart's musical and Dickens's novel. The screenplay was written by [[Vernon Harris]], and the film was directed by Sir [[Carol Reed]], who was also Oliver Reed's uncle. A few of the songs from the stage production were not used in the movie, although they often make appearances in the incidental music. For example, the music of Sikes' song "My Name" can be heard when the character first appears, and several other times whenever he is about to commit some nefarious deed.
The screenplay was adapted from both Lionel Bart's musical and Dickens's novel. The screenplay was written by [[Vernon Harris]], and the film was directed by Sir Carol Reed, who was also Oliver Reed's uncle. A few of the songs from the stage production were not used in the movie, although they often make appearances in the incidental music. For example, the music of Sikes' song "My Name" can be heard when the character first appears, and several other times whenever he is about to commit some nefarious deed.


===Music===
=== Music ===
{{Main|Oliver! (soundtrack)}}
The film omits "I Shall Scream", one of the songs sung by Mr. Bumble and the widow Corney (whose roles are larger in the stage version than in the film). It also omits nearly all of the [[reprise]]s of the show's other songs, with the exception of the songs "Who Will Buy?" and the comical "Reviewing the Situation", giving the second half of the film a more serious, gloomy quality than Act II of the stage production. Bill Sykes’ song "My Name" was also omitted, however, the recurrence of the instrumental for this song in the soundtrack suggests that it may have been filmed.
The film omits "I Shall Scream", one of the songs sung by Mr. Bumble and the widow Corney (whose roles are larger in the stage version than in the film) and "That's Your Funeral", which is sung by the Sowerberrys at their funeral parlour. It also omits nearly all of the [[reprise]]s of the show's other songs, with the exception of the songs "Who Will Buy?" and the comical "Reviewing the Situation", giving the second half of the film a more serious, gloomy quality than Act II of the stage production. Bill Sykes’ song "My Name" was also omitted, however, the recurrence of the instrumental for this song in the soundtrack suggests that it may have been filmed.


There is also an extension of the song "Boy for Sale" where Mr. Bumble attempts to auction off Oliver at Three Pounds Ten, with no takers. The song "Where is Love" uses a different last half the second time around.
There is also an extension of the song "Boy for Sale" where there is an extra verse, plus a faster middle section, followed by a slower section, where Mr. Bumble attempts to auction off Oliver at Three Pounds Ten, with no takers. The song "Where Is Love" uses a different last half the second time.


In the film, "Food, Glorious Food" and "Consider Yourself" were sung by the choristers of the Temple Choir in London, conducted by Sir [[George Thalben-Ball]].
In the film, "Food, Glorious Food" and "Consider Yourself" were sung by the choristers of the Temple Choir in London, conducted by Sir [[George Thalben-Ball]].


===Additional notes===
=== Additional notes ===
The beginning section of Dickens's novel, in which Oliver is born in the workhouse, was never filmed, although there is evidence that it was supposed to have been. Still photos of this section exist in an ''Oliver!'' novelisation for children, published in 1968.
The beginning section of Dickens's novel, in which Oliver is born in the workhouse, was never filmed, although there is evidence that it was supposed to have been. Still photos of this section exist in an ''Oliver!'' novelisation for children, published in 1968.


In this same ''Oliver!'' storybook, Nancy has a final moment in which, after being fatally bludgeoned by Bill Sikes, she gasps out her dying words to Mr. Brownlow, but there is nothing to indicate that this was actually filmed, so it may have been dramatic licence on the part of the authors of the storybook. However, when Brownlow runs down the steps of London Bridge toward Nancy, she is clearly still alive - her feet are seen to be moving. The film, rather than following through on this, then cuts away to a scene showing Sikes trying to kill his bull terrier for fear that the dog may lead the police to him, and when the film returns again to Brownlow, Nancy has already died.
In this same ''Oliver!'' storybook, Nancy has a final moment in which, after being fatally bludgeoned by Bill Sikes, she gasps out her dying words to Mr. Brownlow, but there is nothing to indicate that this was actually filmed, so it may have been dramatic license on the part of the authors of the storybook. However, when Brownlow runs down the steps of London Bridge toward Nancy, she is clearly still alive her feet are seen to be moving. The film, rather than following through on this, then cuts away to a scene showing Sikes trying to kill his bull terrier for fear that the dog may lead the police to him, and when the film returns again to Brownlow, Nancy has already died.


==Reception==
== Reception ==
The film earned $10.5 million in rentals at the North American box office (US/ Canada rentals)<ref>"Big Rental Films of 1969", ''Variety'', 7 January 1970 p 15</ref> and took $77,402,877 worldwide,<ref>{{cite web|url=http://www.the-numbers.com/movies/1968/00242.php|publisher=The Numbers|title=Box Office Information for Oliver!|accessdate=9 January 2012}}</ref><ref>{{cite web|url=http://www.imdb.com/title/tt0063385/business|publisher=[[IMDb]]|title=Box Office and Business for Oliver!|accessdate=9 January 2012}}</ref> making it the [[1968 in film|seventh highest-grossing film of 1968]].
The film earned $10.5 million in rentals at the North American box office (US/ Canada rentals)<ref>"Big Rental Films of 1969", ''Variety'', 7 January 1970 p 15</ref> and took $77,402,877 worldwide,<ref>{{cite web|url=http://www.the-numbers.com/movies/1968/00242.php|publisher=The Numbers|title=Box Office Information for Oliver!|accessdate=9 January 2012}}</ref><ref>{{cite web|url=https://www.imdb.com/title/tt0063385/business|publisher=[[IMDb]]|title=Box Office and Business for Oliver!|accessdate=9 January 2012}}</ref> making it the [[1968 in film|seventh highest-grossing film of 1968]].


''Oliver!'' received extremely positive acclaim from critics and audiences. It was hailed by [[Pauline Kael]] in her ''[[The New Yorker|New Yorker]]'' review as being one of the few film versions of a stage musical that was superior to the original show, which she suggested she had walked out on. "The musical numbers emerge from the story with a grace that has been rarely seen since the musicals of [[René Clair]]."<ref>Pauline Kael ''Going Steady'', p.202</ref>
''Oliver!'' received widespread acclaim from critics. It was hailed by [[Pauline Kael]] in her review published in ''[[The New Yorker]]'' as being one of the few film versions of a stage musical that was superior to the original show, which she suggested she had walked out on. "The musical numbers emerge from the story with a grace that has been rarely seen since the musicals of [[René Clair]]."<ref>Pauline Kael ''Going Steady'', p.202</ref>


[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' awarded the film four stars out of four and was highly enthusiastic about the film, saying "[[Carol Reed|Sir Carol Reed]]'s ''Oliver!'' is a treasure of a movie. It is very nearly universal entertainment, one of those rare films like ''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'' that appeals in many ways to all sorts of people. It will be immediately exciting to the children, I think, because of the story and the unforgettable Dickens characters. Adults will like it for the sweep and zest of its production. And as a work of popular art, it will stand the test of time, I guess. It is as well-made as a film can be." He particularly admired [[Carol Reed]]'s working relationship with the children in the film: "Not for a moment, I suspect, did Reed imagine he had to talk down to the children in his audience. Not for a moment are the children in the cast treated as children. They're equal participants in the great adventure, and they have to fend for themselves or bloody well get out of the way. This isn't a watered-down lollypop. It's got bite and malice along with the, romance and humor." Although he stated that the film's [[Roadshow theatrical release|roadshow presentation]] was a minor problem for children, who are not used to long films,<ref>http://www.rogerebert.com/reviews/oliver-1968</ref> he loved the production design, musical adaptation score, and casting and acting, particularly that of [[Ron Moody]] and [[Jack Wild]]. He concluded, "''Oliver!'' succeeds finally because of its taste. It never stoops for cheap effects and never insults our intelligence. And because we can trust it, we can let ourselves go with it, and we do. It is a splendid experience."<ref>{{cite news|last=Ebert|first=Roger|url=http://www.rogerebert.com/reviews/oliver-1968|title=Oliver! Movie Review & Film Summary (1968)|publisher=[[Chicago Sun-Times]]|date=22 December 1968|accessdate=13 October 2013}}</ref> He later named the film as the seventh best film of 1968.<ref>{{cite news|last=Ebert|first=Roger|url=http://www.rogerebert.com/rogers-journal/eberts-10-best-lists-1967-present|title=Ebert's 10 Best Lists: 1967-present|publisher=[[Chicago Sun-Times]]|date=15 December 2004|accessdate=13 October 2013}}</ref>
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' awarded the film four stars out of four and was highly enthusiastic about the film, saying "Sir Carol Reed's ''Oliver!'' is a treasure of a movie. It is very nearly universal entertainment, one of those rare films like ''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'' that appeals in many ways to all sorts of people. It will be immediately exciting to the children, I think, because of the story and the unforgettable Dickens characters. Adults will like it for the sweep and zest of its production. And as a work of popular art, it will stand the test of time, I guess. It is as well-made as a film can be." He particularly admired Carol Reed's working relationship with the children in the film: "Not for a moment, I suspect, did Reed imagine he had to talk down to the children in his audience. Not for a moment are the children in the cast treated as children. They're equal participants in the great adventure, and they have to fend for themselves or bloody well get out of the way. This isn't a watered-down lollypop. It's got bite and malice along with the, romance and humor." Although he stated that the film's [[Roadshow theatrical release|roadshow presentation]] was a minor problem for children, who are not used to long films,<ref>{{cite web|url=http://www.rogerebert.com/reviews/oliver-1968|title=Oliver! Movie Review & Film Summary (1968) – Roger Ebert|first=Roger|last=Ebert|publisher=}}</ref> he loved the production design, musical adaptation score, and casting and acting, particularly that of [[Ron Moody]] and [[Jack Wild]]. He concluded, "''Oliver!'' succeeds finally because of its taste. It never stoops for cheap effects and never insults our intelligence. And because we can trust it, we can let ourselves go with it, and we do. It is a splendid experience."<ref>{{cite news|last=Ebert|first=Roger|url=http://www.rogerebert.com/reviews/oliver-1968|title=Oliver! Movie Review & Film Summary (1968)|publisher=[[Chicago Sun-Times]]|date=22 December 1968|accessdate=13 October 2013}}</ref> He later named the film as the seventh best film of 1968.<ref>{{cite news|last=Ebert |first=Roger |url=http://www.rogerebert.com/rogers-journal/eberts-10-best-lists-1967-present |title=Ebert's 10 Best Lists: 1967-present |publisher=[[Chicago Sun-Times]] |date=15 December 2004 |accessdate=13 October 2013 |deadurl=yes |archiveurl=https://web.archive.org/web/20130707145722/http://www.rogerebert.com/rogers-journal/eberts-10-best-lists-1967-present |archivedate= 7 July 2013 |df= }}</ref>


[[Rotten Tomatoes]] awards the film an 81% "fresh" rating based on 30 reviews, with an average score of 7.8/10; the critics' consensus reads: "It has aged somewhat awkwardly, but the performances are inspired, the songs are memorable, and the film is undeniably influential."<ref>{{cite web|url=https://www.rottentomatoes.com/m/oliver|title=Oliver! |date=1968|publisher= [[Rotten Tomatoes]]|accessdate= 29 April 2017}}</ref>
==Preservation==
The [[Academy Film Archive]] preserved ''Oliver!'' in 1998.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=Oliver%21&filmmaker=&category=All&collection=All|website=Academy Film Archive}}</ref>


==Awards==
== Preservation ==
'''1968 [[Academy Awards]]'''<ref name="Oscars1969">{{cite web|url=http://www.oscars.org/oscars/ceremonies/1969 |title=The 41st Academy Awards (1969) Nominees and Winners |accessdate=2011-08-25|work=oscars.org}}</ref>
The [[Academy Film Archive]] preserved ''Oliver!'' in 1998.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=Oliver%21&filmmaker=&category=All&collection=All|website=Academy Film Archive}}</ref>
* [[Academy Award for Best Picture|Best Picture]] - [[John Woolf]] (producer) '''(WON)'''
* [[Academy Award for Best Director|Best Director]] - [[Carol Reed]] '''(WON)'''
* [[Academy Award for Best Actor|Best Actor in a Leading Role]] - [[Ron Moody]] (nominated)
* [[Academy Award for Best Supporting Actor|Best Actor in a Supporting Role]] - [[Jack Wild]] (nominated)
* [[Academy Award for Best Writing (Adapted Screenplay)|Best Writing, Adapted Screenplay]] - [[Vernon Harris]] (nominated)
* [[Academy Award for Best Cinematography|Best Cinematography]] - [[Oswald Morris]] (nominated)
* [[Academy Award for Best Original Score|Best Musical Adaptation Score]] - [[Johnny Green|John Green]] '''(WON)'''
* [[Academy Award for Best Art Direction|Best Art Direction - Set Decoration]] - [[John Box]], [[Terence Marsh]] '''(WON)'''
* [[Academy Award for Best Sound|Best Sound]] - [[Buster Ambler]], [[John Cox (sound mixer)|John Cox]], [[Jim Groom]], Bob Jones, [[Tony Dawe]] '''(WON)'''
* [[Academy Award for Best Costume Design|Best Costume Design]] - [[Phyllis Dalton]] (nominated)
* [[Academy Award for Best Film Editing|Best Film Editing]] - [[Ralph Kemplen]] (nominated)
* [[Academy Honorary Award|Honorary Academy Award]] - [[Onna White]] "for her brilliant achievements in the art of choreography on film for ''Oliver!''." '''(WON)'''


== Awards ==
''Oliver!'' is the only [[G-rated]] film (since the development of the [[Motion Picture Association of America film rating system|MPAA rating system]] in 1968) to receive an [[Academy Award for Best Picture]] (though some pre-1968 Best Picture winners were rated G when re-released to cinemas after 1968), as well as being the last movie musical to win the [[Academy Award for Best Picture|Academy Award for Best Picture of the Year]] until ''[[Chicago (2002 film)|Chicago]]'' thirty-four years later, though others have been nominated: ''[[Hello, Dolly! (film)|Hello, Dolly!]]'', ''[[Fiddler on the Roof (film)|Fiddler on the Roof]]'', ''[[Cabaret (1972 film)|Cabaret]]'', ''[[All That Jazz (film)|All That Jazz]]'', ''[[Beauty and the Beast (1991 film)|Beauty and the Beast]]'', and ''[[Moulin Rouge!]]''. ''Oliver!'' also had the distinction of being the last British film to win Best Picture until ''[[Chariots of Fire]]'' thirteen years later.
''Oliver!'' was the last G-rated film to receive an [[Academy Award for Best Picture]]. It was the last movie musical to win the award until ''[[Chicago (2002 film)|Chicago]]'' thirty-four years later, though others have been nominated such as ''[[Hello, Dolly! (film)|Hello, Dolly!]]'', ''[[Fiddler on the Roof (film)|Fiddler on the Roof]]'', ''[[Cabaret (1972 film)|Cabaret]]'', ''[[All That Jazz (film)|All That Jazz]]'', ''[[Beauty and the Beast (1991 film)|Beauty and the Beast]]'', and ''[[Moulin Rouge!]]''. ''Oliver!'' also had the distinction of being the last British film to win Best Picture until ''[[Chariots of Fire]]'' 13 years later.
{|class="wikitable"
|-
! Category
! Nominee
! Result
|-
! colspan="3"| [[41st Academy Awards]]<ref name="Oscars1969">{{cite web|url=http://www.oscars.org/oscars/ceremonies/1969 |title=The 41st Academy Awards (1969) Nominees and Winners |accessdate=2011-08-25|work=oscars.org}}</ref>
|-
| [[Academy Award for Best Picture|Best Picture]]
| [[John Woolf]]
| {{won}}
|-
| [[Academy Award for Best Director|Best Director]]
| [[Carol Reed]]
| {{won}}
|-
| [[Academy Award for Best Actor|Best Actor in a Leading Role]]
| [[Ron Moody]]
| {{nom}}
|-
| [[Academy Award for Best Supporting Actor|Best Actor in a Supporting Role]]
| [[Jack Wild]]
| {{nom}}
|-
| [[Academy Award for Best Adapted Screenplay|Best Writing, Adapted Screenplay]]
| [[Vernon Harris]]
| {{nom}}
|-
| [[Academy Award for Best Cinematography|Best Cinematography]]
| [[Oswald Morris]]
| {{nom}}
|-
| [[Academy Award for Best Original Score|Best Musical Adaptation Score]]
| [[Johnny Green|John Green]]
| {{won}}
|-
| [[Academy Award for Best Production Design|Best Art Direction]]
| Art Direction: [[John Box]]; Set Decoration: [[Terence Marsh]]
| {{won}}
|-
| [[Academy Award for Best Sound Mixing|Best Sound]]
| Buster Ambler, [[John Cox (sound engineer)|John Cox]], Jim Groom, Bob Jones and [[Tony Dawe]]
| {{won}}
|-
| [[Academy Award for Best Costume Design|Best Costume Design]]
| [[Phyllis Dalton]]
| {{nom}}
|-
| [[Academy Award for Best Film Editing|Best Film Editing]]
| [[Ralph Kemplen]]
| {{nom}}
|-
| [[Academy Honorary Award|Honorary Academy Award]]
| [[Onna White]]
| {{won}}
|-
! colspan="3"| [[26th Golden Globe Awards]]<ref name=GTR>{{IMDb title|id=0063385|title=Oliver!}}</ref>
|-
| [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Motion Picture – Musical or Comedy]]
| ''Oliver!''
| {{won}}
|-
| [[Golden Globe Award for Best Director|Best Director]]
| Carol Reed
| {{nom}}
|-
| [[Golden Globe Award for Best Actor – Motion Picture Musical or Comedy|Best Actor – Musical or Comedy]]
| Ron Moody
| {{won}}
|-
| [[Golden Globe Award for Best Supporting Actor – Motion Picture|Best Supporting Actor]]
| [[Hugh Griffith]]
| {{nom}}
|-
| [[Golden Globe Award for New Star of the Year – Actor|New Star of the Year – Actor]]
| [[Jack Wild]]
| {{nom}}
|-
! colspan="3"| [[6th Moscow International Film Festival]]'''<ref name="Moscow1969">{{cite web|url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1969 |title=6th Moscow International Film Festival (1969) |accessdate=2012-12-17 |work=MIFF |deadurl=yes |archiveurl=https://web.archive.org/web/20130116194825/http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1969 |archivedate=16 January 2013 |df= }}</ref>
|-
| Special Prize
| Carol Reed
| {{won}}
|-
| Best Actor
| Ron Moody
| {{won}}
|-
|}


== Home media ==
'''1968 [[Golden Globe Awards]]'''
* [[Golden Globe Award for Best Motion Picture – Musical or Comedy|Best Motion Picture – Musical or Comedy]] '''(WON)'''
* [[Golden Globe Award for Best Director|Best Director]] - [[Carol Reed]] (nominated)
* [[Golden Globe Award for Best Actor – Motion Picture Musical or Comedy|Best Actor – Motion Picture Musical or Comedy]] - [[Ron Moody]] '''(WON)'''
* [[Golden Globe Award for Best Supporting Actor – Motion Picture|Best Supporting Actor]] - [[Hugh Griffith]] (nominated)
* [[Golden Globe Award for New Star of the Year – Actor|New Star of the Year - Actor]] - [[Jack Wild]] (nominated)


''Oliver!'' was released on DVD for the first time by [[Columbia Pictures]] in 2005 with only two special features; a photo gallery and a behind the scenes featurette. The motion picture soundtrack (housed in a DVD case) was also released with the DVD. It was an exclusive and contained only fourteen songs from the movie. ''Oliver!'' was then released in 2013 on a Region B Blu-ray containing all the special features as the DVD release excluding the film's extra disc soundtrack. That same year, Twilight Time released a [[Blu-ray]] edition of the film available on their website, but limited to 3,000 copies, which has since sold out. Sony Pictures re-released a Blu-ray edition of the film on December 11, 2018.
'''1969 [[6th Moscow International Film Festival|Moscow Film Festival]]'''<ref name="Moscow1969">{{cite web |url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=1969 |title=6th Moscow International Film Festival (1969) |accessdate=2012-12-17 |work=MIFF}}</ref>
* Special Prize - Carol Reed
* Best Actor - Ron Moody


==References==
== References ==
{{Reflist|30em}}
{{Reflist|30em}}


==External links==
== External links ==
* {{IMDb title|0063385|Oliver!}}
* {{IMDb title|0063385|Oliver!}}
* {{allrovi movie|36175|Oliver!}}
* {{allrovi movie|36175|Oliver!}}
* {{tcmdb title|85532|Oliver!}}
* {{tcmdb title|85532|Oliver!}}
* {{rotten-tomatoes|oliver|Oliver!}}
* {{rotten-tomatoes|oliver|Oliver!}}

{{Oliver Twist}}
{{Carol Reed}}
{{Carol Reed}}
{{Lionel Bart}}
{{Lionel Bart}}
{{Navboxes
{{Oliver Twist}}
| title = Awards for ''Oliver!''
{{AcademyAwardBestPicture 1961-1980}}
| list =
{{GoldenGlobeBestMotionPictureMusicalComedy 1961-1980}}
{{AcademyAwardBestPicture 1961–1980}}
{{GoldenGlobeBestMotionPictureMusicalComedy 1961–1980}}
}}


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[[Category:Films based on musicals]]
[[Category:Films based on musicals]]
[[Category:Films based on Oliver Twist]]
[[Category:Films based on Oliver Twist]]
[[Category:British films based on plays]]
[[Category:British films based on plays]]
[[Category:American films based on plays]]
[[Category:American films]]
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[[Category:Films featuring a Best Musical or Comedy Actor Golden Globe winning performance]]

Revision as of 17:15, 28 December 2018

Oliver!
Theatrical release poster by Howard Terpning
Directed byCarol Reed
Screenplay byVernon Harris
Produced byJohn Woolf
StarringRon Moody
Oliver Reed
Harry Secombe
Shani Wallis
Mark Lester
Jack Wild
CinematographyOswald Morris
Edited byRalph Kemplen
Music byLionel Bart
John Green
Production
company
Romulus Films
Distributed byColumbia Pictures
Release date
  • 26 September 1968 (1968-09-26)
Running time
153 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$10 million
Box office$77.4 million

Oliver! is a 1968 British musical drama film directed by Carol Reed, written by Vernon Harris, and based on the stage musical of the same name. Both the film and play are based on Charles Dickens's novel Oliver Twist. The film includes such musical numbers as "Food, Glorious Food", "Consider Yourself", "As Long as He Needs Me", "You've Got to Pick a Pocket or Two", and "Where Is Love?". Filmed at Shepperton Film Studio in Surrey, it was a Romulus Films production and was distributed internationally by Columbia Pictures.

At the 41st Academy Awards for 1968, Oliver! was nominated for eleven Academy Awards and won six, including Best Picture, Best Director for Reed, and an Honorary Award for choreographer Onna White. At the 26th Golden Globe Awards, the film won two Golden Globes: for Best Motion Picture – Musical or Comedy, and Best Actor – Musical or Comedy for Ron Moody.

The British Film Institute ranked Oliver! the 77th greatest British film of the 20th century. In 2017, a poll of 150 actors, directors, writers, producers and critics for Time Out magazine ranked it the 69th best British film ever.[1]

Synopsis

Act 1

A workhouse in Dunstable, England is visited by the wealthy governors who fund it. While a sumptuous banquet is held for them, the barefoot orphan boys who work there are being served their daily gruel. They dream of enjoying the same "Food, Glorious Food" as their masters. While eating, some boys draw straws to see who will ask for more to eat, and the job falls to a boy named Oliver Twist. He goes up to Bumble and Widow Corney, who run the workhouse and serve the gruel, and asks for more. Enraged, Bumble takes Oliver to the governors to see what to do with him ("Oliver!"). A decision is made to have Oliver sold into service. Bumble parades Oliver through the snow, trying to sell him to the highest bidder ("Boy for Sale"). Oliver is sold to an undertaker named Mr. Sowerberry, who intends to use him as a mourner for children's funerals. After his first funeral, Noah Claypole, Sowerberry's apprentice, insults Oliver's mother. Oliver attacks Noah in fury and Mrs. Sowerberry forces him into a coffin while Noah fetches Bumble. Oliver is too angry to be intimidated by Bumble, who places the blame on not keeping Oliver on a diet of gruel, instead of meat, which made him strong. Oliver is thrown into the cellar as further punishment. Alone in the dark with a roomful of empty coffins, Oliver wonders ("Where Is Love?"). While clutching the window grate, Oliver pushes it open and escapes.

After a week on the road, Oliver reaches London. Soon, he crosses paths with the Artful Dodger, who decides to take Oliver under his wing ("Consider Yourself"). Dodger leads Oliver to his home, a hideout for a group of young boys housed by the elderly Fagin. Oliver naively believes the items they had actually stolen are "made" by them and Fagin and the boys play along for their amusement. After a laugh, they subtly explain to Oliver they are actually a pickpocket gang. At the same time, Fagin helps the boys practice their stealing while proclaiming his belief that ("You've Got to Pick a Pocket or Two") to get by. Once the boys go to sleep, Fagin sneaks off to meet with an adult thief with whom he does business, Bill Sikes, who burgles houses, while Fagin's gang only steal out of peoples pockets. Sikes, unlike Fagin, is brutal, neglectful and merciless. Sikes' girlfriend, Nancy, waits for him at the pub and sings of her contentment with the life she shares with the reprobates of London while covering up her own broken dreams of the life she wishes she had with Sikes ("It's a Fine Life").

Back at the hideout, Oliver witnesses Fagin counting his hidden treasures and taking a little more than his fair share from Sikes' loot. Initially furious that he has been discovered, Fagin calms down and has Oliver go to sleep. Nancy and her sister Bet arrive in the morning to collect some money from Fagin on behalf of Sikes, and meet Oliver. The boys mock Oliver for his apparent class and manners towards Nancy, which she finds charming. Dodger attempts to be just as gentlemanly towards Nancy and the boys and Fagin join in the fun ("I'd Do Anything"). Fagin sends the boys out for the day and Oliver asks to go with Dodger, which he agrees to ("Be Back Soon"). While on the job, Oliver witnesses what Dodger really does and is apprehended for Dodger's theft of a wallet belonging to a gentleman named Mr. Brownlow. Afraid that Oliver will tell the police all about them, Fagin and Sikes send Nancy to court to observe him. Oliver is too terrified to say anything, but before the drunken magistrate can finalize the verdict, a bookseller who witnessed the act arrives and proclaims Oliver's innocence. Brownlow takes in Oliver, while Sikes and Fagin send Dodger to follow them, to Nancy's displeasure.

Act 2

Oliver has been living in the residence of wealthy Mr. Brownlow for several days now. From the balcony, he watches the merchants and other folk of London sell their wares ("Who Will Buy?"). Sikes has been keeping an eye on Oliver, firmly believing he may tell on them. He and Fagin are determined to get him back and employ Nancy to help them as Oliver trusts her more than he does the others. Nancy refuses as she wants Oliver to have a life free of thievery, but Sikes hits her. As Nancy reluctantly follows Sikes, she sings of her unwavering love for him despite his ways ("As Long As He Needs Me"). The next day, Brownlow entrusts Oliver with some books and money to be delivered to the bookshop. As he leaves, Brownlow notices a striking resemblance between Oliver and a portrait of his long-lost niece Emily, who ran away from home after being jilted by her lover. While walking through the streets of London, Oliver is sidetracked by Nancy and is kidnapped by Sikes and taken back to the hideout. Following a brief confrontation with Fagin over Oliver's five pound note, Sikes is defied by Oliver, who in turn is protected by Nancy. Sikes becomes increasingly violent, leading Nancy to leave. When Fagin warns him to calm down, Sikes threatens him with his life, should their operation be compromised. Realizing Sikes' violent nature, Fagin begins reconsidering his life as a criminal and weighs all his options, but decides to keep to his old ways after "Reviewing the Situation".

Bumble and Corney have an affair and pay a visit to Brownlow after he begins searching for Oliver's origin. They present a locket belonging to Oliver's mother, who arrived at the workhouse penniless and died during childbirth. Brownlow recognizes the locket as his niece's and is enraged that they selfishly chose to keep the trinket and information to themselves until they could collect a reward for it. After throwing them out, Brownlow and his housekeeper, Mrs. Bedwin, realise that Emily ran away because she was pregnant. Meanwhile, in an attempt to introduce Oliver to a life of crime, Sikes forces Oliver to take part in a house robbery. The robbery fails when Oliver accidentally awakens the occupants, but he and Sikes get away. While Sikes and Oliver are gone, Nancy, fearful for Oliver's life, goes to Brownlow, confessing her part in Oliver's kidnapping, however, she refuses to state the name of Fagin or Bill Sikes for her own protection. She promises to return him to Brownlow at midnight on London Bridge. She then goes to the tavern. When Sikes and Oliver appear, Sikes orders his dog Bullseye to guard the boy. Nancy starts up a lively drinking song, hoping that the noise will distract Sikes while she and Oliver get away ("Oom-Pah-Pah"). Bullseye, however, alerts Sikes, who gives chase.

As Oliver and Nancy share a farewell embrace at London Bridge, Sikes catches up and grabs both of them and throws Oliver aside. Nancy then tries to protect Oliver by pulling Sikes away, angering him. He then drags her behind the staircase of London Bridge and violently bludgeons her, murdering her. He then takes off with Oliver, but Bullseye betrays his cruel master and returns to the scene where Nancy has succumbed to her injuries. Bullseye's presence alerts the police to their suspect and the dog leads Brownlow with an angry mob to the thieves' hideout. Sikes arrives at Fagin's den and demands money, revealing that he killed Nancy, as well. Upon seeing the approaching mob, the thieves disband and flee. Sikes runs off with Oliver, using him as a hostage. During the evacuation, Fagin loses his prized possessions, which sink into mud. Sikes attempts to flee to an adjacent roof, but is shot dead in the process by the police. Fagin makes up his mind to change his ways for good. Just as he is about to walk away a reformed man, Dodger appears from nowhere with a wallet he stole earlier. They dance off into the sunrise together, happily determined to live out the rest of their days as thieves ("Reviewing the Situation" (reprise)"\) while Oliver returns to Brownlow's home for good ("Finale: Where Is Love?/Consider Yourself").

Cast

Musical numbers

  • 1 "Overture"
  • 2 "Main Title"
  • 3 "Food, Glorious Food"/"Oliver!" – Orphans/Mr. Bumble/Widow Corney
  • 4 "Oliver, Oliver!" – Mr. Bumble/Orphans
  • 5 "Boy for Sale" – Mr. Bumble
  • 6 "Where Is Love?" – Oliver
  • 7 "Consider Yourself" – Dodger/City of London
  • 8 "Pick a Pocket or Two" – Fagin/Pickpockets
  • 9 "It's a Fine Life" – Nancy/The Crippled Crowd
  • 10 "I'd Do Anything" – Dodger/Pickpockets
  • 11 "Be Back Soon" – Fagin/Pickpockets
  • 12 "Entr'acte"
  • 13 "Who Will Buy?" – City of London/Oliver
  • 14 "As Long as He Needs Me" – Nancy
  • 15 "Reviewing the Situation" – Fagin
  • 16 "Oom-Pah-Pah" – Nancy/The Three Cripples Crowd
  • 17 "Reviewing the Situation" (reprise) – Fagin/Dodger
  • 18 "Finale" ("Where Is Love?"/"Consider Yourself") – Ensemble

Production

Casting

The film used mostly young unknowns, among them Mark Lester (Oliver), Shani Wallis (Nancy) and Jack Wild as The Artful Dodger, but also featured Hugh Griffith, an Oscar winner for Ben-Hur, in a role as the Magistrate. Harry Secombe, who played Mr. Bumble, was well known in Britain but not in the United States, and Oliver Reed, who played Bill Sikes, had just begun to make a name for himself. Producer John Woolf suggested Oliver Reed for the role to the director Reed, without knowing that the two were in fact related. Ron Moody, who was also well known in Britain but not the US, recreated his London stage performance, after Peter Sellers, Dick Van Dyke and Peter O'Toole reportedly turned down the role. Elizabeth Taylor turned down the role of Nancy as well. Julie Andrews was also considered. Director Reed also had Shirley Bassey in mind, but his choice was rejected by Hollywood studio bosses who felt that the public was not ready for a Black Nancy.[2] Classical actor Joseph O'Conor, not well known in the U.S., played Mr. Brownlow.

Shooting at Shepperton Studios, England, began on 23 June 1967.[3]

Writing

The screenplay was adapted from both Lionel Bart's musical and Dickens's novel. The screenplay was written by Vernon Harris, and the film was directed by Sir Carol Reed, who was also Oliver Reed's uncle. A few of the songs from the stage production were not used in the movie, although they often make appearances in the incidental music. For example, the music of Sikes' song "My Name" can be heard when the character first appears, and several other times whenever he is about to commit some nefarious deed.

Music

The film omits "I Shall Scream", one of the songs sung by Mr. Bumble and the widow Corney (whose roles are larger in the stage version than in the film) and "That's Your Funeral", which is sung by the Sowerberrys at their funeral parlour. It also omits nearly all of the reprises of the show's other songs, with the exception of the songs "Who Will Buy?" and the comical "Reviewing the Situation", giving the second half of the film a more serious, gloomy quality than Act II of the stage production. Bill Sykes’ song "My Name" was also omitted, however, the recurrence of the instrumental for this song in the soundtrack suggests that it may have been filmed.

There is also an extension of the song "Boy for Sale" where there is an extra verse, plus a faster middle section, followed by a slower section, where Mr. Bumble attempts to auction off Oliver at Three Pounds Ten, with no takers. The song "Where Is Love" uses a different last half the second time.

In the film, "Food, Glorious Food" and "Consider Yourself" were sung by the choristers of the Temple Choir in London, conducted by Sir George Thalben-Ball.

Additional notes

The beginning section of Dickens's novel, in which Oliver is born in the workhouse, was never filmed, although there is evidence that it was supposed to have been. Still photos of this section exist in an Oliver! novelisation for children, published in 1968.

In this same Oliver! storybook, Nancy has a final moment in which, after being fatally bludgeoned by Bill Sikes, she gasps out her dying words to Mr. Brownlow, but there is nothing to indicate that this was actually filmed, so it may have been dramatic license on the part of the authors of the storybook. However, when Brownlow runs down the steps of London Bridge toward Nancy, she is clearly still alive – her feet are seen to be moving. The film, rather than following through on this, then cuts away to a scene showing Sikes trying to kill his bull terrier for fear that the dog may lead the police to him, and when the film returns again to Brownlow, Nancy has already died.

Reception

The film earned $10.5 million in rentals at the North American box office (US/ Canada rentals)[4] and took $77,402,877 worldwide,[5][6] making it the seventh highest-grossing film of 1968.

Oliver! received widespread acclaim from critics. It was hailed by Pauline Kael in her review published in The New Yorker as being one of the few film versions of a stage musical that was superior to the original show, which she suggested she had walked out on. "The musical numbers emerge from the story with a grace that has been rarely seen since the musicals of René Clair."[7]

Roger Ebert of the Chicago Sun-Times awarded the film four stars out of four and was highly enthusiastic about the film, saying "Sir Carol Reed's Oliver! is a treasure of a movie. It is very nearly universal entertainment, one of those rare films like The Wizard of Oz that appeals in many ways to all sorts of people. It will be immediately exciting to the children, I think, because of the story and the unforgettable Dickens characters. Adults will like it for the sweep and zest of its production. And as a work of popular art, it will stand the test of time, I guess. It is as well-made as a film can be." He particularly admired Carol Reed's working relationship with the children in the film: "Not for a moment, I suspect, did Reed imagine he had to talk down to the children in his audience. Not for a moment are the children in the cast treated as children. They're equal participants in the great adventure, and they have to fend for themselves or bloody well get out of the way. This isn't a watered-down lollypop. It's got bite and malice along with the, romance and humor." Although he stated that the film's roadshow presentation was a minor problem for children, who are not used to long films,[8] he loved the production design, musical adaptation score, and casting and acting, particularly that of Ron Moody and Jack Wild. He concluded, "Oliver! succeeds finally because of its taste. It never stoops for cheap effects and never insults our intelligence. And because we can trust it, we can let ourselves go with it, and we do. It is a splendid experience."[9] He later named the film as the seventh best film of 1968.[10]

Rotten Tomatoes awards the film an 81% "fresh" rating based on 30 reviews, with an average score of 7.8/10; the critics' consensus reads: "It has aged somewhat awkwardly, but the performances are inspired, the songs are memorable, and the film is undeniably influential."[11]

Preservation

The Academy Film Archive preserved Oliver! in 1998.[12]

Awards

Oliver! was the last G-rated film to receive an Academy Award for Best Picture. It was the last movie musical to win the award until Chicago thirty-four years later, though others have been nominated such as Hello, Dolly!, Fiddler on the Roof, Cabaret, All That Jazz, Beauty and the Beast, and Moulin Rouge!. Oliver! also had the distinction of being the last British film to win Best Picture until Chariots of Fire 13 years later.

Category Nominee Result
41st Academy Awards[13]
Best Picture John Woolf Won
Best Director Carol Reed Won
Best Actor in a Leading Role Ron Moody Nominated
Best Actor in a Supporting Role Jack Wild Nominated
Best Writing, Adapted Screenplay Vernon Harris Nominated
Best Cinematography Oswald Morris Nominated
Best Musical Adaptation Score John Green Won
Best Art Direction Art Direction: John Box; Set Decoration: Terence Marsh Won
Best Sound Buster Ambler, John Cox, Jim Groom, Bob Jones and Tony Dawe Won
Best Costume Design Phyllis Dalton Nominated
Best Film Editing Ralph Kemplen Nominated
Honorary Academy Award Onna White Won
26th Golden Globe Awards[14]
Best Motion Picture – Musical or Comedy Oliver! Won
Best Director Carol Reed Nominated
Best Actor – Musical or Comedy Ron Moody Won
Best Supporting Actor Hugh Griffith Nominated
New Star of the Year – Actor Jack Wild Nominated
6th Moscow International Film Festival[15]
Special Prize Carol Reed Won
Best Actor Ron Moody Won

Home media

Oliver! was released on DVD for the first time by Columbia Pictures in 2005 with only two special features; a photo gallery and a behind the scenes featurette. The motion picture soundtrack (housed in a DVD case) was also released with the DVD. It was an exclusive and contained only fourteen songs from the movie. Oliver! was then released in 2013 on a Region B Blu-ray containing all the special features as the DVD release excluding the film's extra disc soundtrack. That same year, Twilight Time released a Blu-ray edition of the film available on their website, but limited to 3,000 copies, which has since sold out. Sony Pictures re-released a Blu-ray edition of the film on December 11, 2018.

References

  1. ^ "The 100 best British films". Time Out. Retrieved 26 October 2017
  2. ^ "I'd do anything to be a judge on I'd Do Anything ... but all they offered me was a one-minute slot, says the original Nancy | Mail Online". Dailymail.co.uk. 22 March 2008. Retrieved 26 May 2013.
  3. ^ [1] Archived 24 October 2007 at the Wayback Machine
  4. ^ "Big Rental Films of 1969", Variety, 7 January 1970 p 15
  5. ^ "Box Office Information for Oliver!". The Numbers. Retrieved 9 January 2012.
  6. ^ "Box Office and Business for Oliver!". IMDb. Retrieved 9 January 2012.
  7. ^ Pauline Kael Going Steady, p.202
  8. ^ Ebert, Roger. "Oliver! Movie Review & Film Summary (1968) – Roger Ebert".
  9. ^ Ebert, Roger (22 December 1968). "Oliver! Movie Review & Film Summary (1968)". Chicago Sun-Times. Retrieved 13 October 2013.
  10. ^ Ebert, Roger (15 December 2004). "Ebert's 10 Best Lists: 1967-present". Chicago Sun-Times. Archived from the original on 7 July 2013. Retrieved 13 October 2013. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  11. ^ "Oliver!". Rotten Tomatoes. 1968. Retrieved 29 April 2017.
  12. ^ "Preserved Projects". Academy Film Archive.
  13. ^ "The 41st Academy Awards (1969) Nominees and Winners". oscars.org. Retrieved 25 August 2011.
  14. ^ Oliver! at IMDb Edit this at Wikidata
  15. ^ "6th Moscow International Film Festival (1969)". MIFF. Archived from the original on 16 January 2013. Retrieved 17 December 2012. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)

External links