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==Biography==
==Biography==


Jasper Wood was born in [[Wilmington, North Carolina|Wilmington]], North Carolina,<ref>[http://ead.ohiolink.edu/xtf-ead/view?docId=ead/OCl0031.xml;chunk.id=bioghist_1;brand=default Biography in The Jasper Wood Collection OhioLINK Finding Aid Repository]</ref> son of Attorney Lehman Wood. In 1936 his family moved to [[Cleveland]]. He attended [[Cleveland Heights High School]] and in 1938, as a 17-year-old senior he acquired rights to publish [[Ernest Hemingway]]’s film script<ref>{{Citation | author1=Hemingway, Ernest | author2=Wood, Jasper | author3=Russell, Frederick K, (illus.) | author4=Herman Finkelstein Collection (Library of Congress) | title=The Spanish earth | publication-date=1938 | publisher=The J.B. Savage company | url=https://trove.nla.gov.au/work/20086538}}</ref> for his narration of ''[[The Spanish Earth]]'' on the Spanish Civil War,<ref>{{Citation | author1=Guill, Stacey | title=Hemingway's Second War: Bearing Witness to the Spanish Civil War.(Book review) | journal=The Hemingway Review | publication-date=2011-09-22 | publisher=Ernest Hemingway Foundation | volume=31 | issue=1 | pages=128(3) | issn=0276-3362 }}</ref> which Wood promoted in his introduction as Hemingway’s greatest contribution,<ref>Valis, N. (2017). ‘From the Face of My Memory’: How American Women Journalists Covered the Spanish Civil War. Society, 54(6), 549-559.</ref> though they had a disagreement when the author insisted on a disclaimer on the title page of the book.<ref>Davison, R. (1988). "The Publication of Hemingway's "The Spanish Earth": An Untold Story". Hemingway Review, 7(2), 122.</ref>
Jasper Wood was born in [[Wilmington, North Carolina|Wilmington]], North Carolina,<ref>[http://ead.ohiolink.edu/xtf-ead/view?docId=ead/OCl0031.xml;chunk.id=bioghist_1;brand=default Biography in The Jasper Wood Collection OhioLINK Finding Aid Repository]</ref> son of Attorney Lehman Wood. In 1936 his family moved to [[Cleveland]]. He attended [[Cleveland Heights High School]] and in 1938, as a 17-year-old senior he acquired rights to publish [[Ernest Hemingway]]’s film script<ref>{{Citation | author1=Hemingway, Ernest | author2=Wood, Jasper | author3=Russell, Frederick K, (illus.) | author4=Herman Finkelstein Collection (Library of Congress) | title=The Spanish earth | publication-date=1938 | publisher=The J.B. Savage company | url=https://trove.nla.gov.au/work/20086538}}</ref> for his narration of ''[[The Spanish Earth]]'' on the Spanish Civil War,<ref>{{Citation | author1=Guill, Stacey | title=Hemingway's Second War: Bearing Witness to the Spanish Civil War.(Book review) | journal=The Hemingway Review | publication-date=2011-09-22 | publisher=Ernest Hemingway Foundation | volume=31 | issue=1 | pages=128(3) | issn=0276-3362 }}</ref> which Wood promoted in his introduction as Hemingway’s greatest contribution,<ref>Valis, N. (2017). ‘From the Face of My Memory’: How American Women Journalists Covered the Spanish Civil War. Society, 54(6), 549-559.</ref> though they had a disagreement<ref>W. Ward Marsh "Clevelander publishes Hemingway volume. Jasper Wood gets 'Spanish Earth' rights. Hemingway complains; Volume is praised." in "One Moment, Please!" column, The Plain Dealer, Sunday July 24, 1938 Plain Dealer, page 9-B</ref> when the author insisted on a disclaimer on the title page of the book.<ref>Davison, R. (1988). "The Publication of Hemingway's "The Spanish Earth": An Untold Story". Hemingway Review, 7(2), 122.</ref>


Wood enrolled at [[Cleveland College]] in 1939, where he continued his interest in writing as assistant editor of Sky Line, the school's literary magazine. He wrote poetry and a play, and was the local jazz critic for ''[[DownBeat]]'' magazine in the 1940s.<ref>{{Citation | author1=Hodes, Art, 1904-1993 | author2=Hansen, Chadwick, 1926- | title=Selections from the gutter : jazz portraits from "The Jazz record" | publication-date=1977 | publisher=University of California Press | isbn=978-0-520-02999-6 }}</ref> He survived by taking short-term jobs and in 1943 was employed in the advertising department of [[The Plain Dealer|''The Plain Dealer'']].
Wood enrolled at [[Cleveland College]] in 1939, where he continued his interest in writing as assistant editor of Sky Line, the school's literary magazine. He wrote poetry and a play, and was the local jazz critic for ''[[DownBeat]]'' magazine in the 1940s.<ref>{{Citation | author1=Hodes, Art, 1904-1993 | author2=Hansen, Chadwick, 1926- | title=Selections from the gutter : jazz portraits from "The Jazz record" | publication-date=1977 | publisher=University of California Press | isbn=978-0-520-02999-6 }}</ref> He survived by taking short-term jobs and in 1943 was employed in the advertising department of [[The Plain Dealer|''The Plain Dealer'']].

Revision as of 13:47, 2 October 2018

Jasper Wood (January 2, 1921-June 7, 2002) was a self-taught writer and photographer and activist.

Biography

Jasper Wood was born in Wilmington, North Carolina,[1] son of Attorney Lehman Wood. In 1936 his family moved to Cleveland. He attended Cleveland Heights High School and in 1938, as a 17-year-old senior he acquired rights to publish Ernest Hemingway’s film script[2] for his narration of The Spanish Earth on the Spanish Civil War,[3] which Wood promoted in his introduction as Hemingway’s greatest contribution,[4] though they had a disagreement[5] when the author insisted on a disclaimer on the title page of the book.[6]

Wood enrolled at Cleveland College in 1939, where he continued his interest in writing as assistant editor of Sky Line, the school's literary magazine. He wrote poetry and a play, and was the local jazz critic for DownBeat magazine in the 1940s.[7] He survived by taking short-term jobs and in 1943 was employed in the advertising department of The Plain Dealer.

Photographer

Through a colleague, in 1944 Jasper met Nancy Manning, daughter of artist Wray Manning and co-director of the 1030 Gallery. They had their first child, Denis, in 1945 and the family traveled to Mexico while Wood worked on his first novel, and entranced by the indigenous tribes in the small villages surrounding Acapulco, Cuernavaca and San Cristóbal de las Casas, he took his first photos.[8] The next year Wood purchased a 35 mm Contax II rangefinder camera and started taking pictures in Cleveland and in Ohio's Amish country.[9]

Recognition

He first exhibited his work in 1947[10] at the Cleveland Museum of Art's annual May Show, the first of subsequent May show awards;  in 1949, 1951, 1953 and two honourable mentions in 1947, 1952.[11]  In the meantime Wood began writing reviews of local jazz musicians for the Cleveland Press and Downbeat Magazine, and made a regular income as an advertising agent.

Curator Edward Steichen chose Wood’s photograph of a small barefoot Mexican girl carrying a basket in front of a wooden door for the 1955 world-touring the Museum of Modern Art exhibit The Family of Man, seen by 9 million visitors.[12]

The Scovill photographs

Around 1949 Wood and his young family moved to 1294 Spruce Court in the Lakeview Terrace, one of the nation’s first federally funded housing projects, and in the 1950s Wood had several one-man and two-man shows of imagery made in the neighbourhood. His principal subjects were inhabitants of the Scovill Avenue area of Cleveland, familiar to him from his visits to jazz clubs in the neighbourhood in the late 1930s and early 1940s.[13] Exhibition venues included Image Gallery (New York City), the San Francisco Museum, the Los Angeles County Museum and an exhibition of Scovill photographs at the 1030 Gallery in Cleveland from February 19-March 11, 1950.[14] His Girl with Doll, part of the Scovill series, won first place in the 1951 American Photography magazine annual contest. Also that year, the Akron Art Museum held a joint show by Jasper Wood and friend Harry Schulke who were each asked to invite 13 photographers to exhibit work alongside theirs.  Wood invited Ben Shahn, Walker Evans, Ansel Adams, Edward Steichen, and Bernice Abbott.[15]

In 1953, Wood also ventured into film with a 15 minute short Streetcar,[16] which provides a cross-section of life in Cleveland by depicting passengers traveling the tramway in the early 1950s, just before it stopped running in Cleveland in 1954.[17]

Wood’s motivation in making photographs and film was existential and humanist, and he was not interested in deriving profit from or making a career of a creative medium which he regarded as a means to connect with his subject and to capture what he called the ‘felt moment seen’, in his paraphrase of Henri Cartier-Bresson’s ‘decisive moment’. For a living, he and partner Carl Malmquist established Malmquist and Wood advertising art studio in 1955, a concern profitable enough that the family no longer qualified to live in the housing project where they had built a modest life and they relocated to a three-bedroom apartment in Cleveland Heights where they lived a more privileged existence.[18]

Later career

Wood’s interest in photography wavered but his love of art continued, bringing him success as an art dealer. A film society he’d founded screened others' works at the Cleveland Museum of Art and the Masonic Temple.

When his friend Nico Jacobellis was arrested on obscenity charges in 1959 for showing Louis Malle’s The Lovers at the Heights Art Theater, Wood founded 'Citizens for Freedom of the Mind'. Through it he raised funds for the defence of bookseller James Lowell and counterculture poet D. A. Levy against charges of obscenity corrupting a minor during their poetry reading on November 15, 1966.

Wood had stopped taking photographs altogether by 1960 and by 1970 he had closed Malmquist and Wood for an early retirement[19] and he and Manning married and purchased a house in San Cristobal, living in Mexico until 1973 when Wood returned to work as an advertising agent, relocating to Raleigh, North Carolina, to be near his eldest son.

Wood died in 2002, survived by his sons Denis and Chris and his wife who died in 2008.

The Jasper Wood Collection, consisting of all extant photographic negatives by Jasper Wood, a collection of photographic prints by Wood, an original 16mm copy of Wood's short film Streetcar, and biographical information is held in the Cleveland Public Library.

Bibliography

  • Gray, Arthur, 1884-1976; Barnhill, Wm. A; Wood, Jasper; Borowiec, Andrew, 1956-; Dean, Sharon E., 1959-; Busta, William; Cleveland Artists Foundation; Cleveland Public Library (2007), Visions of a city with a soul : four photographers in Cleveland, 1925-2005, [Cleveland, OH] Cleveland Artsist Foundation and Cleveland Public Library, ISBN 978-0-9716009-9-7{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)

References

  1. ^ Biography in The Jasper Wood Collection OhioLINK Finding Aid Repository
  2. ^ Hemingway, Ernest; Wood, Jasper; Russell, Frederick K, (illus.); Herman Finkelstein Collection (Library of Congress) (1938), The Spanish earth, The J.B. Savage company{{citation}}: CS1 maint: multiple names: authors list (link)
  3. ^ Guill, Stacey (2011-09-22), "Hemingway's Second War: Bearing Witness to the Spanish Civil War.(Book review)", The Hemingway Review, 31 (1), Ernest Hemingway Foundation: 128(3), ISSN 0276-3362
  4. ^ Valis, N. (2017). ‘From the Face of My Memory’: How American Women Journalists Covered the Spanish Civil War. Society, 54(6), 549-559.
  5. ^ W. Ward Marsh "Clevelander publishes Hemingway volume. Jasper Wood gets 'Spanish Earth' rights. Hemingway complains; Volume is praised." in "One Moment, Please!" column, The Plain Dealer, Sunday July 24, 1938 Plain Dealer, page 9-B
  6. ^ Davison, R. (1988). "The Publication of Hemingway's "The Spanish Earth": An Untold Story". Hemingway Review, 7(2), 122.
  7. ^ Hodes, Art, 1904-1993; Hansen, Chadwick, 1926- (1977), Selections from the gutter : jazz portraits from "The Jazz record", University of California Press, ISBN 978-0-520-02999-6{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  8. ^ Hopkinson, A. (2001). ‘Mediated Worlds’: Latin American Photography. Bulletin of Latin American Research, 20(4), 520-527.
  9. ^ In a June 24, 1951 typewritten letter to the American writer and editor for Carrefour Press, Michael Fraenkel (1896-1957) he writes: "I have been doing a great deal of photography. Enclosed is the announcement for a show I had in the winter ... Won first award at Cleveland Museum of Art for group of three negro photographs. Have also been photographing an ana-baptist sect ... the amish ... They are shrewd, hard, tight, hypocritical as any people ever were ... yet with a strange beauty in their children, and a clean hardness about their lives which is most attractive ... But when a people use their religious people use their orthodox beliefs as a shield against the encroachment of the material world, they are already in defeat ... The new quality is born of out Life through Death, and an Acceptance of the disease and all it was and ever can be. Accept, but no longer be prodded by - that is the greatness of living after coming from out of the valley of Death ..."
  10. ^ Francis, H. S., & Milliken, W. M. (1947). Review of the Exhibition. The Bulletin of the Cleveland Museum of Art, 34(5), 80-107.
  11. ^ Francis, H. S., & Milliken, W. M. (1952). Review of the Exhibition. The Bulletin of the Cleveland Museum of Art, 39(5), 80-115.
  12. ^ Steichen, Edward; Steichen, Edward, 1879-1973, (organizer.); Sandburg, Carl, 1878-1967, (writer of foreword.); Norman, Dorothy, 1905-1997, (writer of added text.); Lionni, Leo, 1910-1999, (book designer.); Mason, Jerry, (editor.); Stoller, Ezra, (photographer.); Museum of Modern Art (New York, N.Y.) (1955). The family of man : the photographic exhibition. Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation. {{cite book}}: |author6= has generic name (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  13. ^ Counterpoint, Volume 17, Issue 5, 1952 Stanley Associates, p.25
  14. ^ Milliken, W. M. (1951). Review of the Exhibition. The Bulletin of the Cleveland Museum of Art, 38(5), 84-123.
  15. ^ American Photography July 1951: pages 420-423
  16. ^ Belton, J. (Ed.). (1996). Movies and mass culture. Rutgers University Press.
  17. ^ Erick Trickey '"Streetcar" by Jasper Wood', Cleveland Magazine blog Sunday, September 7, 2008
  18. ^ James Bigley II (2016) The Lost Art of Jasper Wood, Cleveland Magazine, Saturday, October 01, 2016
  19. ^ Interview in The Plain Dealer, Aug. 2, 1970
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