Madurai Veeran (1956 film): Difference between revisions
Kailash29792 (talk | contribs) |
Kailash29792 (talk | contribs) |
||
| Line 81: | Line 81: | ||
== Legacy == |
== Legacy == |
||
''Madurai Veeran'' emerged a milestone both in the careers of Ramachandran and Padmini.{{sfn|Kannan|2017|p=105}}<ref>{{Cite news|url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/beauty-charm-charisma/article3230823.ece|title=Beauty, charm, charisma|last=Guy|first=Randor|date=29 September 2006|work=[[The Hindu]] |access-date=21 June 2018 |author-link=Randor Guy|deadurl=no|archiveurl=https://web.archive.org/web/20141010133751/http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/beauty-charm-charisma/article3230823.ece|archivedate=10 October 2014}}</ref> The film's enormous earnings led to it becoming a precursor for many more similar films, but none equalled the success of ''Madurai Veeran''.{{sfn|Baskaran|1996|p=122}} It was also one of the few films where the lead character, played by the former, dies; he avoided doing such roles since the late 1960s after his ''[[Paasam]]'' (1962) failed commercially since fans could not accept his character's death in that film.{{sfn|Rajanayagam|2015|p=41}} |
''Madurai Veeran'' emerged a milestone both in the careers of Ramachandran and Padmini.{{sfn|Kannan|2017|p=105}}<ref>{{Cite news|url=http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/beauty-charm-charisma/article3230823.ece|title=Beauty, charm, charisma|last=Guy|first=Randor|date=29 September 2006|work=[[The Hindu]] |access-date=21 June 2018 |author-link=Randor Guy|deadurl=no|archiveurl=https://web.archive.org/web/20141010133751/http://www.thehindu.com/todays-paper/tp-features/tp-fridayreview/beauty-charm-charisma/article3230823.ece|archivedate=10 October 2014}}</ref> The film's enormous earnings led to it becoming a precursor for many more similar films, but none equalled the success of ''Madurai Veeran''.{{sfn|Baskaran|1996|p=122}} It was also one of the few films where the lead character, played by the former, dies; he avoided doing such roles since the late 1960s after his ''[[Paasam]]'' (1962) failed commercially since fans could not accept his character's death in that film.{{sfn|Rajanayagam|2015|p=41}} Dalit historian Stalin Rajangam believed that [[Arunthathiyar]]s (a subsect of Dalits) began supporting Ramachandran after he acted as Veeran.<ref>{{Cite news |url=https://www.hindustantimes.com/books/rajinikanth-kamal-haasan-in-politics-what-a-new-book-on-mgr-says-about-tn-politics/story-tntFE8E0Nu3Gul8vBJjPSN.html |title=Rajinikanth, Kamal Haasan in politics: What a new book on MGR says about TN politics |last=Muralidharan |first=Kavitha |date=13 August 2017 |work=[[Hindustan Times]] |access-date=20 July 2018 |dead-url=no}}</ref> |
||
== Notes == |
== Notes == |
||
Revision as of 05:55, 20 July 2018
| Madurai Veeran | |
|---|---|
| File:Madurai Veeran 1956.jpg Theatrical release poster | |
| Directed by | D. Yoganand |
| Screenplay by | Kannadasan |
| Produced by | Lena Chettiar |
| Starring | M. G. Ramachandran Bhanumathi Ramakrishna Padmini |
| Cinematography | M. A. Rehman |
| Edited by | V. B. Natarajan |
| Music by | G. Ramanathan |
Production company | Krishna Pictures |
Release date |
|
Running time | 165 minutes |
| Country | India |
| Language | Tamil |
Madurai Veeran (lit. 'The Warrior of Madurai') is a 1956 Indian Tamil-language action film directed by D. Yoganand and written by Kannadasan. Based on the folklore legend turned deity of the same name, it stars M. G. Ramachandran as the eponymous character, with Bhanumathi Ramakrishna and Padmini playing his love interests. The film was released on 13 April 1956, during Puthandu, and became a major commercial success, with a theatrical run of over 200 days. It was also a milestone in Ramachandran and Padmini's careers.
Plot
A baby is born to the chieftain of Varanavasi, but with an unlucky mark destined to bring doom to the state. Acting as per the dictates of the astrologer, the baby is abandoned in the forest. A cobbler and his wife discover the baby in the forest, and bring him up as their son. They name him Veeran, meaning warrior, because he did not cry even though he was around forest animals.
Veeran grows up to be a brave and noble youth. He chances to save Bommi, the princess of Thottiyam from being drowned in the Cauvery. Bommi falls in love with him. Though Veeran doesn't reciprocate initially, he perceives the depth of her love gradually after Bommi comes riding on an elephant dressed as a man and saves Veeran from being trampled to death. Bommi's uncle, the cowardly Narasappan finds his schemes of marrying Bommi falling apart. Citing Veeran's low birth, Narasappan causes the lovers undue hardships. Due to opposition from Bommi's father, Veeran arrives and carries the princess away. Finally the King of Tiruchi, from whom Narasappan had sought assistance, declares that Veeran and Bommi are not guilty of any crime and sanctifies their union in wedlock. And being impressed with Veeran's valour, the King appoints him as the commander of the army.
Thirumalai Nayakar of Madurai appeals to Tiruchi to help curb the menace of a gang of robbers that was terrorising the people of Madurai. Veeran is sent to Madurai and he is appointed Nayakar's commander. There he sees Vellaiyamma, the beautiful court dancer and is impressed with her virtues and skills. Suitable disguised, Veeran and Vellaiyamma gain entry into the Azhagar Malai den of the thieves. With the help of hidden soldiers, they manage to capture most of the robbers and recover the plundered loot.
Nayakar, who wants to make Vellaiyamma his concubine, is furious when he hears that Vellaiyamma is in love with Veeran. And his mind further poisoned by the evil Narasappan and his former commander Kutilan, the King accuses Veeran of treason and orders a hand and leg of Veeran to be severed. Before the sentence is carried out Veeran recognises in the crowd the leader of the thieves Sangilikaruppan, and puts him to death in a quick encounter. Satisfied that he has now accomplished his mission, Veeran subjects himself to the mutilation. And as his soul leaves his body soon after, Bommi and Vellaiyamma unite with him in the heavenly abode.
Cast
- Male cast
- M. G. Ramachandran as Veeran
- T. S. Balaiah as Narasappan
- N. S. Krishnan as Veeran's foster father
- Female cast
- Bhanumathi Ramakrishna as Bommi
- Padmini as Velliaiyamma
- T. A. Madhuram as Veeran's foster mother
Production
Madurai Veeran is the second film to be based on the folklore legend turned deity of the same name, following a 1930s film.[1] It was produced by Lena Chettiar under the banner Krishna Pictures and directed by Dasari Yoganand.[2] The screenplay was written by Kannadasan, who also served as lyricist. Art direction was handled by Ganga, editing by V. B. Natarajan,[3] and the cinematography by M. A. Rehman.[4] M. G. Ramachandran, who starred as the title character,[5] initially refused to act in the film because it had mythological references, but joined after being urged by R. M. Veerappan.[6] Ramachandran felt that the character of Velliaiyamma was "poorly depicted" in the original legend, and suggested changes to her screen depiction, to which the producer assented.[7] The character was portrayed by Padmini,[8] in her first film opposite Ramachandran.[9] T. S. Balaiah was cast as Narasappan,[5] and Bhanumathi Ramakrishna as his niece Bommi,[2] while the husband and wife comedy duo N. S. Krishnan and T. A. Madhuram played Veeran's foster parents.[10] Kusalakumari appeared as a Bharatanatyam dancer.[5] Chettiar removed the song "Paar Kadal Alaimele", picturised on Padmini, as Ramachandran objected to it, but re-inserted it into the film after its theatrical release.[11] The final cut of the film was 165 minutes.[2]
Soundtrack
The music was composed by G. Ramanathan, while the lyrics were by Udumalai Narayana Kavi, Thanjai N. Ramaiah Dass and Kannadasan.[3] The playback singers were T. M. Soundararajan, M. L. Vasanthakumari, P. Leela and Jikki.[12] The song "Summa Kidantha Sothukku Kashtam" is based on "Yeruvaaka Saagaaro Ranno Chinnanna", composed by Master Venu for the Telugu film Rojulu Marayi (1955).[13] The song "Aadal Kaaneero" is set in the carnatic raga known as Charukesi,[14] and attained popularity.[15]
| No. | Song | Singers | Lyrics | Length |
| 1 | Senthamizha Ezhundhu Vaaraayo | M. L. Vasanthakumari | Kannadasan | 02:56 |
| 2 | Nadagamellam Kanden | T. M. Soundararajan & Jikki | 03:44 | |
| 3 | Avarkkum Enakkum Uravu Kaatti | P. Bhanumathi | 02:49 | |
| 4 | Kadamaiyile Uyir Vazhndhu | T. M. Soundararajan | ||
| 5 | Aadal Kaaneero | M. L. Vasanthakumari | Udumalai Narayana Kavi | 05:52 |
| 6 | Summa Kidantha Sothukku Kashtam | P. Leela & Jikki | 04:10 | |
| 7 | Kundruthor Adi Varum | P. Leela | 04:18 | |
| 8 | Vanga Machan Vanga | T. M. Soundararajan & P. Leela | Thanjai N. Ramaiah Dass | 03:00 |
| 9 | Vanga Machan Vanga | P. Leela | ||
| 10 | Echu Pizhaikkum Thozhile | T. M. Soundararajan & Jikki | 03:44 |
Release and reception
Madurai Veeran was released on 13 April 1956,[3] during Puthandu (Tamil New Year). On the same day, The Indian Express called it a "should-not-be-missed" film. The reviewer praised the performances of Ramachandran, Balaiah, Bhanumati and Padmini, the comedy sequences featuring Krishnan and Madhuram, Yoganand's direction, the dialogue and music, concluding, "[Madurai Veeran] makes one interested right from the beginning to the finish."[5] The film was a major commercial success, running for over 100-days in all the 36 theatres it was screened at.[16] It ran for over 200 days at the Madurai-based Chinthamani Theatre (the longest run for a film starring Ramachandran to that point), thereby becoming a silver jubilee film.[17][a] According to R. Kannan, author of MGR: A Life, the film grossed over ₹1 crore (equivalent to ₹114 crore or US$14 million in 2023).[19] It was later dubbed in Telugu as Sahasaveerudu.[20]
Historical accuracy
Although Madurai Veeran is based on a legend, it has been criticised for taking liberties, primarily with the depiction of the title character. Film historian S. Theodore Baskaran noted that the film did not depict Veeran as a direct descendant of backward parents, rather as "a baby born in the royal family who is left in the forest and brought up by a Dalit couple", mainly to appease fans.[21] Athiyaman, founder of Athi Thamizhar Peravai, which published the book Madurai Veeran Unmai Varalaaru, also criticised the film for distorting Veeran's Dalit identity.[22]
Legacy
Madurai Veeran emerged a milestone both in the careers of Ramachandran and Padmini.[19][23] The film's enormous earnings led to it becoming a precursor for many more similar films, but none equalled the success of Madurai Veeran.[24] It was also one of the few films where the lead character, played by the former, dies; he avoided doing such roles since the late 1960s after his Paasam (1962) failed commercially since fans could not accept his character's death in that film.[25] Dalit historian Stalin Rajangam believed that Arunthathiyars (a subsect of Dalits) began supporting Ramachandran after he acted as Veeran.[26]
Notes
References
- ^ Velayutham 2008, p. 150.
- ^ a b c Rajadhyaksha & Willemen 1998, p. 346.
- ^ a b c Film News Anandan (2004). Sadhanaigal Padaitha Thamizh Thiraipada Varalaru [Tamil film history and its achievements] (in Tamil). Chennai: Sivagami Publishers. Archived from the original on 21 June 2018.
{{cite book}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ Baskaran 1996, p. 121.
- ^ a b c d "Mathurai Veeran". The Indian Express. 13 April 1956. p. 3.
- ^ "NSK a comedian with social awareness". The Hindu. 14 April 2009. Archived from the original on 24 June 2018. Retrieved 24 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Kannan 2017, p. 77.
- ^ "The very best of Padmini". Rediff.com. 26 September 2006. p. 5. Archived from the original on 27 June 2018. Retrieved 27 June 2018.
{{cite web}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ "நாட்டியப் பேரொளி பத்மினி". Dinamani (in Tamil). 12 June 2017. Archived from the original on 22 June 2018. Retrieved 22 June 2018.
{{cite news}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ Rajadhyaksha & Willemen 1998, pp. 346–347.
- ^ "மதுரை வீரன் மூலம் வசூல் சக்ரவர்த்தி ஆனார், எம்.ஜி.ஆர்.- பல ஊர்களில் வெள்ளி விழா" [Through Madurai Veeran, MGR became Collection King – A silver jubilee film in many areas]. Maalai Malar (in Tamil). 12 November 2009. Archived from the original on 25 June 2018. Retrieved 25 June 2018.
{{cite news}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ "Madurai Veeran". Saavn. Archived from the original on 22 June 2018. Retrieved 22 June 2018.
{{cite web}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Narasimham, M. L. (31 July 2014). "Rojulu Maaraayi (1955)". The Hindu. Archived from the original on 25 June 2018. Retrieved 25 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Sundararaman 2007, p. 121.
- ^ Shankar, Bala (28 June 2018). "MLV, a thinking vocalist". The Hindu. Archived from the original on 7 July 2018. Retrieved 7 July 2018.
{{cite news}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ Jeshi, K. (2 September 2011). "Following a star". The Hindu. Archived from the original on 5 June 2018. Retrieved 21 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Annamalai, S. (30 June 2017). "Many firsts for MGR happened in Madurai". The Hindu. Archived from the original on 2 July 2017. Retrieved 21 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Karthikeyan, D. (3 May 2011). "MGR continues to live in the minds of Madurai people". The Hindu. Archived from the original on 27 June 2017. Retrieved 22 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ a b Kannan 2017, p. 105.
- ^ Narasimham, M. L. (2 June 2013). "A legend in his life time". The Hindu. Archived from the original on 25 June 2018. Retrieved 25 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Joshi, Namrata (23 January 2016). "New voices but not enough noise". The Hindu. Archived from the original on 7 July 2018. Retrieved 7 July 2018.
{{cite news}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ Muralidharan, Kavitha (2 September 2015). "The ban police is back as the Tamil Nadu government clamps down on two more books". Scroll.in. Archived from the original on 7 July 2018. Retrieved 7 July 2018.
{{cite web}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help) - ^ Guy, Randor (29 September 2006). "Beauty, charm, charisma". The Hindu. Archived from the original on 10 October 2014. Retrieved 21 June 2018.
{{cite news}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - ^ Baskaran 1996, p. 122.
- ^ Rajanayagam 2015, p. 41.
- ^ Muralidharan, Kavitha (13 August 2017). "Rajinikanth, Kamal Haasan in politics: What a new book on MGR says about TN politics". Hindustan Times. Retrieved 20 July 2018.
{{cite news}}: Unknown parameter|dead-url=ignored (|url-status=suggested) (help)
Bibliography
- Baskaran, S. Theodore (1996). The Eye of the Serpent: An Introduction to Tamil Cinema. Chennai: East West Books. ISBN 978-93-86495-88-4.
{{cite book}}: Invalid|ref=harv(help) - Kannan, R. (2017). MGR: A Life. India: Penguin Random House. ISBN 978-93-86495-88-4.
{{cite book}}: Invalid|ref=harv(help) - Rajadhyaksha, Ashish; Willemen, Paul, eds. (1998) [1994]. Encyclopaedia of Indian Cinema (PDF). Oxford University Press. ISBN 0-19-563579-5.
{{cite book}}: Invalid|ref=harv(help) - Rajanayagam, S. (2015). Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth. Routledge. ISBN 978-1-138-82203-0.
{{cite book}}: Invalid|ref=harv(help) - Sundararaman (2007) [2005]. Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music (2nd ed.). Chennai: Pichhamal Chintamani. OCLC 295034757.
{{cite book}}: Invalid|ref=harv(help) - Velayutham, Selvaraj, ed. (2008). Tamil Cinema: The Cultural Politics of India's Other Film Industry. Routledge. ISBN 978-0-203-93037-3.
{{cite book}}: Invalid|ref=harv(help)